For perhaps obvious reasons, I invariably find myself re-reading Palestine this time of year. Twenty years ago, cartoonist Joe Sacco visited the biblical lands of the Middle East and reported his observations in a groundbreaking series of comic books that would help change our perceptions of the troubled occupied territories. It's a sad commentary that reading this book twenty years later, it seems like it could have been written yesterday. With every read — going on a dozen now — I find something new in Sacco's brilliant tale.
I recall not long after beginning work as Fantagraphics marketing and promotions director, co-publisher Kim Thompson handed me a blue-line copy of the first issue of Palestine. "This is amazing," I responded, "but you can't seriously expect me to sell this thing. It's not very funny at all!" (I believe I said something similar when Kim showed me the first issue of Chris Ware's Acme Novelty Library.) Well, after 10 printings of the collection and a special edition hardcover, Palestine seems to have found a readership.
If you haven't done so already, please get a copy of this book. Now's a perfect time to peruse its pages. Sacco visits Bethlehem and finds little evidence of the promise of peace we will celebrate this Sunday. But he does discover humanity amid the turmoil of the region. And with it — hope for a peaceful resolution.
If you find yourself in Seattle anytime soon, drop by Fantagraphics Bookstore & Gallery. We have a limited quantity of Palestine #1 first edition comic books signed by Sacco for only $2.95, as well as a large selection of his more recent works. Happy holidays.
Got a hole in your jacket from that Chris Ware story that reached in, tore your heart out, and stomped it into the ground? (His writing, that is, not the man himself -- he's pretty laid-back.)
Patch it up with one of these rad new patches from our friends at Quimby's in Chicago! Heat adhesive, four-color embroidered, and only five freakin' bucks. Only available at the store for now, but they should be on sale on their website soon.
3:15-4:15 PM // Preservation and Presentation: The Art and Business of Comics Publishing: Join our fearless leader Gary Groth in panel with Peggy Burns (Drawn and Quarterly) and Craig Yoe (YOE! Books). [ University Capitol Centre 2520D ]
7:30 PM // Joe Sacco: Keynote Lecture and UI Lecture Committee Featured Speaker [ Shambaugh Auditorium ]
1:30-3:30 PM // Editing Comics Criticism and Scholarship: This round table discussion features Gary Groth, along with John Lent (Editor, The International Journal of Comic Art) and Frenchy Lunning (Editor, Mechademia) [ University Capitol Centre 2520D ]
7:30 PM // Gilbert & Jaime Hernandez: Keynote Lecture and UI Lecture Committee Featured Speaker [ Shambaugh Auditorium ]
You can view the entire schedule of events at the University of Iowa website. If you read this FLOG and live in Iowa, you better be there!
After a few delays (hence the past date on the poster above, which was gorgeously designed by Marc Bell), CartoonInk! runs this Saturday, September 10th through October 15th at the Betty Rymer Gallery at SAIC. And on Friday, September 9th, there will be an opening reception from 4:30 – 7:00 PM!
Anders reports he'll have a full wall painting there (see pics up on his blog), and Lilli says she'll have some original pages and animation frames on display!
The Betty Rymer Gallery is located at 280 South Columbus Drive, between Jackson Dr & Monroe St. in Chicago.
• Review: "...[F]eisty art-comics publisher Fantagraphics, for its new multivolume hardcover series devoted to Gottfredson’s rarely seen comic-strip work [Walt Disney's Mickey Mouse ], has gone back to the beginning, lavishing upon the cartoonist’s marvelously fluid, thrillingly kinetic serial adventures the same loving attention the company has brought to its benchmark Complete Peanuts library. Given that Fantagraphics is an adult-oriented press, production and restoration values are superlative, as are the more than 60 pages of historical essays and archival features that accompany these peerless black-and-white strips.... Anyone who ventures into this gorgeous 288-page tome will come away with a fresh appreciation for just what made Mickey an all-American comic-strip hero." – Steve Smith, Time Out New York
• Review: "Fantagraphics fucking whip ass at knowing what a beautiful book is.... The Mickey Mouse in this collection is a dynamic teenager with a whole lot of strong feelings, and it's both awesome and foreign to see him get mad or feel suicidal.... Fantagraphics are masters at collecting and presenting old comics.... This volume not only presents comics that you probably haven't seen before, but it places them in the proper context with about eight[y] pages of supplementary writing, images, and in-depth explanations that could merit their own little volume." – Nick Gazin, Vice
• Interview: Gazin follows up his Vice review of Walt Disney's Mickey Mouse Vol. 1 with a brief chat with series co-editor David Gerstein: "Floyd's greatest achievement... was his portrayal of Mickey himself. Instead of seeing the Mouse as a kind of dull, smiley-faced everyman — the way a lot of people seem to envision him — Floyd portrayed Mickey as what he called 'a mouse against the world.' He was a stubbornly optimistic, imperfect but determined youth trying to prove himself in a competitive, scary, adventurous place. Floyd gave Mickey length and depth."
• Review: "It’s often argued that the key element to any successful manga is a relatable protagonist. Shimura has crafted hers so meticulously and is revealing their natures so carefully that it’s virtually impossible not to be deeply invested in them. In part, it’s the actual portrayal in this volume [of Wandering Son], but it’s also the tremendous potential they have. I want to see them age and mature, struggle and succeed, and find their ways to lives that give them happiness and peace. I don’t think there’s any more a reasonable person could ask of a story like this." – David Welsh, The Manga Curmudgeon
• Review: "...[Wandering Son] is an elegantly-crafted, character-driven story that lets us into its characters’ private worlds with both candor and delicacy. We are brought into their lives completely, and though we’re privy to their some of their most private thoughts and fears, there is never a sense that we’re observing them as 'subjects' or invading their privacy—something I often feel when experiencing 'issue'-focused fiction." – Melinda Beasi, Manga Bookshelf
• Review: "[Mattotti's] enigmatic, brooding scenes [in The Raven] harness the terror and beauty of the texts which span three centuries. They're uncompromising — and that's a quality that has always been applicable to the force that is Lou Reed." – Dean Mayo Davies, AnOther
• Review: "Drawing Power: A Compendium of Cartoon Advertising... is 124 pages of some of the best advertisements from the 1870s to the 1940s. Starring both cartoonists and cartoon characters, the book surveys an immense collection of cartoon advertising, focusing on the commercial roots of the comic strip and the fantastic artwork that came from cartoonists' freelance work in advertising. There are surprising and also familiar examples of products, ad campaigns, widely known catch-phrases, and cartoon figures.... Lovers of vintage advertisements and classic cartoons, you're in for a walk down memory lane..." – Nicole Torres, Print
• Review: "Love from the Shadows is somewhat inappropriately titled, as it sounds like a romance, but is really a sci-fi sex mash-up, with a big dash of David Lynch-ian 'what the fuck just happened here?' It’s definitely no chick flick, despite its strong female lead." – Rod Lott, Bookgasm
• Review: "Congress of the Animals... [is] Woodring’s second book-length Frank story. Not so overtly horrific as last year’s Weathercraft, but somehow more unsettling to me. Perhaps I’m just traumatized by the destruction of Frank’s house. Fantastic wordless storytelling, as always." – M. Ace, Irregular Orbit
• Plug: "You may think of Flannery O’Connor as a writer of the sorts of books that are all words, but in her younger days she yearned to be a cartoonist—and she wasn’t half bad. Fantagraphics will publish Flannery O’Connor: The Cartoons in December..." – Brigid Alverson, Robot 6
Throughout his career, Lyonel Feiningerhad one foot in fine art, as a leading figure of German expressionism and the Bauhaus. But, as we all know, he had his other foot planted in the world of comics, with his ground-breaking strips in the Chicago Sunday Tribune, The Kin-Der-Kids and Wee Willie Winkie's World.
This summer, the Whitney Museum of American Art in New York City celebrates Feininger with his very first major show in the states in forty-five years! Lyonel Feininger: At the Edge of the World will showcase not only his historic strips, but his paintings, photography, and even a series of miniature hand-carved wooden figures and buildings he created, known as City at the Edge of the World.
On Wednesday, July 20th, The Whitney spotlights some recent artists who also intersect fine art and comics: Gary Panter, Chris Ware , and Art Spiegelman! Join them at 7 PM for the panel The Fine Art of Comics,moderated by John Carlin.
You might even win tickets to the event if you follow The Whitney Museum on Twitter at @whitneymuseum! At 2 PM ET, they'll tweet a trivia question, and the winner gets tickets to the panel, and a copy of Feininger's complete comics collection The Comic Strip Art of Lyonel Feininger!
"Talk about a rare opportunity! It seems that Mr. Ware has graciously donated a piece of original artwork from the acclaimed Jimmy Corrigan, the Smartest Kid on Earth, to benefit the Intercultural Montessori Language School in Oak Park, Illinois. And not only that, Chris will sign and personalize it to the lucky winning bidder. The ebay auction is going on for nine days and right now it is already at $809."
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