"Hello, my name is Daniel Maw and I am a graduate art student at the University of Tennessee Knoxville. Recently, I worked with some of my fellow graduate colleagues (we range in age from 23 to 31) to curate a show highlighting contemporary print media in all its facets. I recommended we show the work of Chris Ware, including Jimmy Corrigan. In order to showcase the epic nature of this comic we elected to purchase two copies, cut the bindings off each, collate the pages, and display all  pages in a grid on a 23 x 10 foot wall. It is quite impressive to take it all in at once as it demonstrates the tremendous amount of talent and work that went in to the creation of the book."
Wow, no kidding! Many more eye-boggling and more-detailed photos, including the installation in progress, can be seen at Daniel's blog. Very cool, Daniel, and thanks for sharing!
(Update: here is a link to the gallery website with more info about the exhibit; when the exhibit ends it will be archived here.)
Jules Feiffer and Chris Ware appear at the Chicago Humanities Festival at the Francis W. Parker School on Friday, Nov. 7. From 1-2 PM, Feiffer presents a lecture on "Depression-Era Humor": More info here. And from 4:30-6:00, Feiffer and Ware appear on a panel titled "The Not-So-Funny Situation of Alternative Comix" alongside Lynda Barry, Matt Groening and moderator Michael Miner of The Chicago Reader: More info here.
The proceeds will go to Democracy for America Now, a national advocacy group running television ads to push the Public Option in democratic swing districts and offering support to congressional members who take a stand for the policy.
• Review: "[Fletcher] Hanks' groove, taken back to back like this, is unsettling... It can be downright creepy. Generally, when you talk about a comic auteur's 'issues,' you're talking page count, not whether he has his head screwed on straight. It's multiplied by Hanks' art style, which at first seems crude but is actually quite stylized and consistent. Many images, such as troupes of unfortunates flying in hurtling, screaming weightlessness, have the impact of nightmares... And the twisted comics universe once inhabited by Fletcher Hanks is eerie and unsettling, and fascinating in what it reveals about the man with the pen." - Burl Burlingame, Honolulu Star-Bulletin
• Review: "Tales Designed to Thrizzle Vol. 1, [Michael] Kupperman's recent collection, is brimming with such a dense compilation of Dada-inspired plots, fake ads and comic book covers that it takes a repeated read-through to absorb the book's potent aura of absurdity... Reading Thrizzle is an expeditious experience, and like all treks you will feel exhausted and somehow improved by this entire gut-busting experience... Tales Designed to Thrizzle is beyond recommendation..." - Ascot Smith, examiner.com
• Review: "Jason is one of the relatively few working artists that even a jaded, cynical, complain-first critic like me will happily declare a true master cartoonist, without reservation. Jason is—how to put this?—good. Really, really, really good... So, Low Moon? It’s Jason. It’s new. It’s obviously really, really good, you know?" - J. Caleb Mozzocco, Newsarama
• Review: "Low Moon takes 'funny animals' comics in a disturbingly deadpan direction. The bipedal canines and birds that populate these five short tales somehow convey with their blank eyes, flat expressions and minimal movements a whole seething current of emotional subtext. The title story, first serialized in the New York Times Sunday Magazine, mixes Gary Cooper frontier heroics with chess, and it is no less strange or hilarious than the other vignettes, which play with tropes lifted from science fiction, film noir and Jazz Age romance." - "The Best in Comic Books," Michael Berry, San Francisco Chronicle
• Review: "The new Prince Valiant crackles from the page with an energy and enthusiasm that positively dares anyone to deny this strip’s rightful place in the history of the form. Yes, this is another great day for comics history and most definitely a venture worth supporting into the future." - Guttergeek
• Review: "Uptight #3 -- This comic book made me nuts... Look how goddamned beautiful that cover is... That cover illustrates the first part of a new story Crane is working on, 'Vicissitude,' and Holy Jesus it is one of the best stories I've read this year. I'm a tough sell when it comes to out-and-out fiction in comics, but the unbelievably compelling artwork totally drew me into this fantastic story... damn if that cover and those first few, tantalizing pages aren't like some new, more addictive form of crack cocaine you ingest through your eyeballs. By looking at this comic book. God DAMN, I want more 'Vicissitude.' Don't let another day go by without making sure you're getting Uptight #3." - Alan David Doane
• Interview: "I've long felt Peter Bagge is a significant figure in American comedy in addition to deserving his lofty stature in alternative comics, and I'll interview him any chance I get." - Tom Spurgeon, The Comics Reporter; "I was never allowed to play fast and lose with the truth, much to my occasional creative chagrin! Other than that they allowed me to express myself pretty freely, even if some folks on their staff disagreed with some of the points I was making." - Peter Bagge, from the interview, discussing the Reason editiorial process
• Plug: "I don’t always agree with [Peter Bagge's] position [in Everybody Is Stupid Except for Me], but his exploration is always great. And hearing other opinions and positions (especially well-informed like his), is almost always worthwhile." - Corey Blake
• Plugs: "I am slowly making my way through three recent reprints from Fantagraphics... the three books in question are Humbug, Blazing Combat, and Prince Valiant. Humbug’s easily the best of the three, as it includes so many all-time great cartoonists (Kurtzman, Jaffee, Elder, etc.) at the peak of their powers and ambitions, but the other two are worthwhile, too. With people like Wood, Toth, and Heath involved, I knew the art would be fantastic in Blazing Combat, but I’ve been surprised at the quality of Archie Goodwin’s writing... it’s much more satisfying than expected. I’ve barely begun with Prince Valiant... So far, it’s much more fluid and enjoyable than I would’ve guessed — beautiful work..." - guest columnist Timothy Hodler (Comics Comics), Robot 6
We just discovered 11 copies of this 1992 issue of Pictopia squirreled away in our warehouse. Edited by Gary Groth and Robert Boyd and thought to be out of print for years, this anthology brings you some gorgeous Chris Ware color work (including a spectacular wraparound cover), a taste of Jacques Tardi, and work by such notables as James Sturm, David Collier and Doug Allen! 72 pages of the best of the early 1990s, at an early 1990s price! Hurry and get yours before they're all gone again.
This issue sports a magnificent wraparound cover by Chris Ware, to go along with his full-color "Quimby the Mouse" story inside. The color section is rounded out by Dave Collier's "Apples" and Doug Allen's "Cranky the Drunk." Continuing this issue is the three-part private-eye serial by Jacques (West Coast Blues, You Are There) Tardi and Patrick Manchette, "Griffu," the hard-as-nails story of a none-too-bright detective who stumbles onto a case a little larger than he can handle. This is one P.I. who really takes his lumps! And as always, Pictopia is proud to present the work of talented newcomers and regulars alike, including: "Amarillo" by Scott Gilbert; "Chums" by George Parsons; "Cocaine" by Howard Rigberg; "Neither Science Nor Fiction" by Garrett Izumi; "Gunned Down in Motown" by Rick Metcalf & Kent Myers; "I Was a New York Bitch" by Eben Dodd; and "21st Century Schizoid Man" by Nemoto. An unbeatable package!
72-page black & white/color 8.5" x 10.75" softcover • $7.95 Update: SOLD OUT
• Review: "Issue #3 of Jordan Crane's Uptight serves as a wonderful example of just how good pamphlet format comics can be... Uptight #3 delivers 24 pages of beautifully focused storytelling... If you like Crane's work or simply want to try something a little different, do go out and buy this. Uptight represents everything single issue comics should be but so very rarely are. Fact is, we need more comics like this, so vote with your wallets and support the fine folks at Fantagraphics..." - Matthew Dick, Exquisite Things
• Review/Profile: "...[Boody Rogers's] command of dream-state narrative logic and language-mangling dialogue remains unnerving and uproarious in about equal measure... Now comes the Fantagraphics edition of Boody: The Bizarre Comics of Boody Rogers — a 144-page whopper, rich in humor and dreamlike oddities..." - Michael H. Price of the Fort Worth Business Press recounts meeting Rogers in the 1980s and also reviews Rogers's memoir, Homeless Bound
• Review: "For his latest... book [Low Moon], Jason has decided to try something a bit different... In attempting to stretch himself, though, he offers some of his weakest work to date, but some of his strongest and emotionally wrenching as well... Longtime readers... will definitely want to pick it up..." - Chris Mautner, Robot 6
• Plug: "Literally jam-packed with strips that constantly vary in sizes, [Tales Designed to Thrizzle Vol. 1] shines with [Michael] Kupperman's earth-shattering wit, his excellent vintage-comics-inspired draftsmanship and his genius comedic timing. Thanks Fantagraphics!" - Librarie D+Q
• Plug: "You'll Never Know[Book 1: A Good and Decent Man] by C. Tyler arrived this week... it is funny, moving, sad -- highly recommended." - Librarie D+Q
• Plug: "The Comics Journal #298: Lotsa good interviews in this issue... For me though, the meat of the issue is the wealth of daily Skippy strips by Percy Crosby reproduced in the gallery section." - Chris Mautner, Robot 6
• Interview: Publishers Weekly has a Q&A with Peter Bagge about his new collection Everybody Is Stupid Except for Me. Money quote: "I could have taken the Doonesbury route and pandered to my fellow libertarians by pretending I (and they) had all the answers, but that would have been both too easy and dishonest."
• Interview: Newsarama's Zack Smith talks to Sam's Strip creators Mort Walker and Jerry Dumas about the creation of the strip and the new Fantagraphics collection. Sample quote from Walker: "You always put something personal in every strip, so it’s wonderful to see all these old strips again."
• Charity: ComicList reports that Jaime Hernandez will participate in Comic Book Legal Defense Fund fundraising at Comic Con with an autograph card and original art auction
• Oddity: What does Popeye have in common with Michael Jackson? Well, now they're both subjects of Jeff Koons artwork, according to this Reuters story
Your Online Commentary & Diversions return from a short vacation. More catch-up tomorrow.
• Review: "[C.] Tyler’s fluid, expressive linework, complemented by subtly overlaid watercolors, gives ideal visual expression to a narrative that’s at once sensitive and hard-nosed. [You'll Never Know, Book 1] is Tyler’s first book-length effort, but decades of drawing mostly autobiographical stories have honed her skills, enabling her to produce a work that ranks in quality with the graphic memoirs of Alison Bechdel (Fun Home) and Marjane Satrapi (Persepolis)." - Gordon Flagg, Booklist (Starred Review; no link)
• Review: "Norwegian-French cartoonist Jason’s new book [Low Moon] is the first premiered in hardcover in the U.S. and contains his most minimally formatted stories... If you’re into genre fiction, have a sense of humor but no time for condescension, and haven’t encountered Jason yet, wait no longer." - Ray Olson, Booklist (Starred Review; no link)
• Review: "This is the best thing I have ever been sent to review. I didn't think that this book would ever exist but now it does and it'd better than I could have imagined... The eleven issues of Humbug are faithfully reprinted in this two-volume hardcover set and it comes in a fancy and sturdy box. The magazines were funny and beautiful with art by Will Elder and Jack Davis and some other folks. If you don't buy this book then I don't want to know you... There is no excuse for not buying this right now. Sell your hair, blood, or skin to get it." - Nick Gazin, Vice
• Review: "Luba encompasses everything a turn-of-the-21st-century graphic novel should be: paraliterary or lowbrow tropes of comics, pornography, soap opera, blended seamlessly with a highbrow literary accomplishment of pathos and familial history. It is as profane as it is dense. Almost postmodern in its self-reference... and frequently silly in its blatant cartoonishness, Luba is surreal and bizarre and arousing and gut-wrenching and hilarious." - Dusty Horn, CarnalNation
• Review: "If you grew up 'different'... you’ll find a lot that’s familiar in A Mess of Everything. [Miss] Lasko-Gross is close enough to this material to keep it particular – she avoids the sweeping gesture and the grand statement at all times – and distanced enough from it to see it as part of her past, fodder for stories rather than a raw wound. It’s a fine book from a very talented creator, and I expect we’ll see much more from Miss Lasko-Gross as the years go on." - Andrew Wheeler, ComicMix
• Review: "...[Miss Lasko-Gross] displays... subtlety and balance in her portrayal of her teen-age years... [I]n its portrayal of the importance and tenuous nature of teenage friendships, [A Mess of Everything] glows with sharp recognition." - Chris Mautner, Robot 6
• Review: "[Uptight #3] is very very good... The plot [of 'Vicissitude'] is a bitter little thing, steeped in infidelity, alcohol, career dissatisfaction, hints of class self-consciousness, and frustration with the path your life has taken -- like a Pulp song, almost.... Crane's Sam and Jack stories unfold like the pipes and vents upon which this tale centers: they bend and twist and wind in comically baroque ways, yet Crane's control of his visuals and the story's tone are so self-assured that it all seems completely logical, like a mind consciously built it this way and if you have a little faith, it'll work like it's supposed to." - Sean T. Collins
• Review: "Just a quick mention of what may turn out to be my favorite damn cover of 2009... check out Uptight issue #3..." - Blair Butler, G4 Fresh Ink Online (video; review starts around 1:34)
• Plug: "Jason is really one of the best cartoonists at work today, and you should check out this reading." - Paul Constant, The Stranger, recommending last Saturday's appearance by Jason at our Seattle bookstore
• Interview: Brian Heater of The Daily Cross Hatch got some face time for a Q&A with Jason at the 2009 MoCCA Festival. Sample quote: "I think it’s fun to bring different genres together and try to bring in something new, to see it from a new angle, that it’s a bit more than just a pastiche."
• Interview: "Frankly, I think it's a losing game to try to generalize about the relationship between biography and literature." - Chris Ware, interviewed by Joan Luna at 13 Milliones de Naves (translation from Google)
• Preview: ICv2 takes a peek at our upcoming collection Gahan Wilson: 50 Years of Playboy Cartoons
• Preview: The Geek Curmudgeon looks forward to From Wonderland with Love: Danish Comics in the Third Millennium
• Events: Zane Austin Grant of PopMatters reports from the "Ah, Humbug!" panel with Al Jaffee and Arnold Roth at the 2009 MoCCA Festival
• Things to see: At Truthout.org, a Drew Friedman illustration from Time illustrates a Bill Maher editorial from the Los Angeles Times
• Staff news: Fantagraphics warehouse manager and noted practitioner of visual poetry Nico Vassilakis has a new book, Protracted Type, which can be purchased or downloaded here
Register and Login to receive full member benefits, including members-only special offers, commenting privileges on Flog! The Fantagraphics Blog, newsletters and special announcements via email, and stuff we haven't even thought of yet. Membership is free and spam-free, so Sign Up Today!