We'd like to thank everyone involved in making 2012 a spectacular success at Fantagraphics Bookstore & Gallery. Gifted artists, authors, musicians, and curators coalesced to create a stimulating cultural atmosphere at the space.
Thanks to artists Peter Bagge, Gabrielle Bell, Jeffrey Brown, Nathan Bulmer, Charles Burns, Art Chantry, Jack Davis, Michael Dougan, Ellen Forney, Camille Rose Garcia, Ruth Hayes, Gilbert Hernandez, Jaime Hernandez, Tom Kaczynski, David Lasky, Tony Millionaire, Gary Panter, Joe Sacco, Noah Van Sciver, Chris Ware, and Jim Woodring; authors Jim Demonakos, Susan Kirtley, Mark Long, Pat Thomas,and Nico Vassilakos; musicians Geneviève Castrée, Zachary David, Dennis Driscoll, Lori Goldston, Kyle Hanson,and Molly Nilsson; guest curators J. Michael Catron, Max Clotfelter, Michel Gagne, Ben Horak, Cathy Hillenbrand, Tim Miller, Kristy Valenti,and Jen Vaughn; bookstore interns Lillian Beatty and Lillian Morloch; bookstore staff Janice Headley and Russ Battaglia, as well as our retail partners at Georgetown Records.
Most of all we want to thank you - our wonderful patrons - for your enthusiasm and support over the past six years. Cheers!
Earlier this month we wrapped up what has been my favorite project I've ever worked on. I've been pretty lucky to work on some amazing books by many of my favorite cartoonists, but this... this is something else. This is Crockett Johnson's BARNABY . This has been my #1 dream project for well over a decade, and it's now real.
Which is all to say, I'm genuinely thrilled to be the first one to present this sneak peek at Vol. 1.
If you're unfamiliar with BARNABY, let me allow Chris Ware to set the stage. This is from his introduction to Vol. 1:
"I never thought I'd see this day, but the book you hold is, well... the last great comic strip. Yes, there are dozens of other strips worth rereading, but none are this Great; this is great like Beethoven, or Steinbeck, or Picasso. This is so great it lives in its own timeless bubble of oddness and truth..." — Chris Ware
BARNABY is the long-lost comic strip masterpiece by Crockett Johnson, legendary children's book author (Harold and the Purple Crayon) and illustrator (Ruth Krauss' The Carrot Seed).
Featuring the misadventures of five-year-old Barnaby Baxter and his cigar-chomping, bumbling con-artist of a Fairy Godfather, J.J. O'Malley, BARNABY deftly balanced fantasy, humor, politics and elegant cartooning in a strip that captured the imaginations of kids and intelligent adults alike, including Dorothy Parker, Charles Schulz, W.C. Fields, Gardner Rea and Milton Caniff. We will be collecting in five volumes the entire, original ten-year run from 1942-1952.
Speaking of BARNABY superfans, our books are being designed by Daniel Clowes, which would sound more inspired if he weren't really the only man ever considered for the job. Dan is the person who first introduced me to the work of Johnson over 15 years ago, and I know this series means as much to him as anyone. I couldn't be happier with his designs. You've seen Dan's final cover for Vol. 1 above. Here's Dan's initial thumbnail rough from his sketchboook earlier this year; as you can see, he pretty much nailed it on the first take:
Here's a similar peek at one of Dan's initial "storyboards" for the book, this time for the opening spread of Jeet Heer's introductory essay:
... and here's the final, more-or-less identical final version, executed by our own esteemed Tony Ong and Clowes:
Dan makes things easy.
Here's a teaser of the entire jacket:
I can't end this post without mentioning my series co-editor, Philip Nel. Phil knows more about Crockett Johnson than anyone. Period. If you like Barnaby, please read Nel's definitive bio: Crockett Johnson and Ruth Krauss: How an Unlikely Couple Found Love, Dodged the FBI, and Transformed Children's Literature from the University Press of Mississippi.
In addition to his invaluable help behind-the-scenes, Phil has provided two indispensible resources for our first volume: a comprehensive biographical essay on Johnson focusing on the creation of Barnaby, as well as "The Elves, Leprechauns, Gnomes, and Little Men's Chowder and Marching Society: A Handy Pocket Guide," a stunningly comprehensive glossary to everything referenced in BARNABY. He'll even explicate formulas like this:
Anyway, there's much more to be had in this first volume, but I'm honestly reluctant to tip our hand too much. I can't wait for people to see this book. Featuring the first two calendar years of the strip, 1942-1943, you're in for a dense, rewarding treat. Look for it in stores by late-March or early-April (we'll update you as we go).
And once you finish Vol. 1, look for Vol. 2* in Spring 2014:
The first snowflake of Online Commentaries & Diversions:
• Review:Publishers Weekly enjoys Naked Cartoonists, edited by Gary Groth. "The litmus test for any collective work based on the idea of one page per artist is whether the whole is greater than the sum of the individual parts. . . [Naked Cartoonists] no trouble achieving that goal. . . Dan Piraro (Bizarro) deserves kudos for his strategically-located likeness of Garfield . . ."
• Review:Print Magazine (issue 66.3 June 2012) gingerly flips through the pages of Naked Cartoonists. "Does your Sunday morning routine consis of reading The Wizard of Id and thinking, Gosh, I wish it had more nudity? Then Fantagraphics Books has just the thing for you." While out-and-about obscenity is rare, "there are moments of genuine creepiness, as when Jeff Keane, heir to The Family Circus, drops trou along side his fictional self, Jeffy."
• Review: Speaking of nudish things, Slate takes the time to slog through Prison Pit 4 by Johnny Ryan. Noah Bertlasky states, "For those who find filthy, blotchy tactile ink clots, überviolence, or body horror even remotely appealing, you need to buy this and its predecessors immediately."
• Review (audio): The boys on the block (Comics Books are Burning in Hell) review violent comics so naturally Blacklung by Chris Wright is included. The book affected the reviewers since it's "basically Chris Wright drawing terrifying shit" and Wright's drawing style falls in between "Old newspaper comics, like E.C. Segar's Popeye and Roy Crane's Wash Tubbs and Usagi Yojimbo [by Stan Sakai]."
• Review:New York Journal of Books looks at Walt Disney's Donald Duck: A Christmas for Shacktown by Carl Barks. Mark Squirek writes, "What he was really doing was showing us the absurdity of human behavior. . . This is a book that can be enjoyed by everyone from six to eighty. . . This is classic art and storytelling from a master of the form. Carl Barks ranks right up there with Jack Kirby and Will Eisner. If you love the frustrated, quacking, crazed Donald from the cartoons of the forties, you have to read A Christmas for Shacktown."
• Review:The Christian Science Monitor unwraps Charlie Brown's Christmas Stocking by Charles M. Schulz. Rich Clablaugh takes another sip of cider and says, "The design of the book is marvelous, thick off-white stock printed in two colors – red and green of course. . .Charlie Brown's Christmas Stocking is sure to bring a warm smile to readers young and old. A yearly reading of this little gem can in itself become a new tradition for the Christmas season."
• Review:Westfield Blog looks at archival prints from Fantagraphics. Roger Ash recounts, "Popeye, Pogo, Charlie Brown, Mickey Mouse, and many other classic comic strip characters live on at Fantagraphics in outstanding collections. If you aren't reading any of these, you should be."
• Review:Forbidden Planet International writes about Rich Tommaso's graphic novel, The Cavalier Mr. Thompson. "What the Cavalier does very well is encompass the zeitgeist of an era and people vividly. . . or the most part you’re happy to be led through the rooms and ravines, over train tracks and down corridors as a gentle narration of tales from times gone by ensconces you comfortingly," says Zainab.
• Review: Glen Weldon writes a large article in the New York Times Book Review on our newest anthology on queer comics. "With No Straight Lines [editor Justin Hall] has produced a useful, combative and frequently moving chronicle of a culture in perpetual transition; to read it is to watch as an insular demimonde transforms itself, in painful fits and joyful starts, and steps out into a wider monde."
• Review:Graphixia looks at Jacques Tardi's It Was the War of the Trenches. Scott Marsden states, "Seeing Tardi’s portrayal of the horrors of trench warfare and his vision of the random senselessness and brutality that accompanies it reminds us to reflect on our (mis)conceptions of history, drawing attention to the fractal realities that are embedded in events that have been experienced internationally. . . it feels far closer to reality than the propagandized historical materials offered by the typical academic publishing industry. . ."
• Review: Rob Clough reposts his review of our Hotwire anthology, this time on High Low. "A book for those who read Ghost World or American Splendor and [want] to know where to go next."
• Review:Chris Ware is profiled on the NY Review of Books on Jimmy Corrigan through Building Stories.
Party in the city where the heat is on. All night on the beach til the break of dawn Welcome to Miami (bienvenido a Miami)
Ain't no party like a Miami Book Fair International party, which kicked off this past Sunday, November 11th. Yes, they party all week long when it comes to books! And, things get even hotter this weekend as our Fantagraphics artists take the scene for the Graphic Novel programming!
Saturday, November 17th
2:30 PM // Graphic Lives: Aline Crumb, Drawn Together: The Collected Works of Aline & R. Crumb, in conversation with scholar, Hillary Chute, author of Graphic Women
3:30 PM // On Comics: A Conversation:Charles Burns on The Hive, Chip Kidd on Batman: Death By Design and Chris Ware on Building Stories
Sunday, November 18th
1:00 PM // Comics and Social Change: with Marjorie Liu, Dan Parent, Ellen Forney, Stephanie McMillan, and Riva Hocherman. Moderated by DC Comics/Vertigo editor Joan Hilty.
This is what our table looked like for most of the day. It was very busy, just like SPX so we barely left the table for pictures, let alone peeing or eating (one of those could solve the other, you decide the order).
WHOA, did you just catch a glimpse of an advance copy of Moto Hagio's The Heart of Thomas in that bottom right corner (pictured above)?! Cartoonist Jose-Luis Olivares and a calvacade of others flipped through the 500+ page masterpiece, ready to read it as soon as it was available for purchase.
The enigmatic and rarely-seen Josh Simmons appeared out of a subway mist much to his fans appreciation. Many fans stopped by to crack wise with the dark master while he signed The Furry Trap, including fellow cartoonists Dean Haspiel, Joe Infurnari and Nick Abadzis.
The intensity in this guy's face as he hands Gary Panter his copy ofDal Tokyo cannot be beat.
Intern Anna and I were watching said Panter fan to make sure he never put on THAT murder face, you know, that one Josh Simmons draws a lot:
Olivier Schrauwen stopped by as well to sign The Man Who Grew His Beard but left his pencil case full of pens so thank you for the gift (ha ha, don’t worry we’ll take care of them).
Writer and CBR reporter, Alex Dueben, grabs one of the last copies of Heads or Tails.
Art Spiegelman blew smoke quaintly into my face and Josh Simmons’ on the search for Lilli Carré, whom he couldn’t get enough of. That empty space on the wooden table between them is where her giant stack of Heads or Tails was before it sold out.
Chris Ware came to see how the show was going for Fantagraphics and to escape the hotbox upstairs. We gabbed about the printmaking department at the University of Texas, our shared alma mater, and Civil War reenactment. I think I spot a Nate Doyle to the left of him too.
We caught up with future Fantagraphics creator and Oily Comics entrepreneur Charles Forsman pictured here with brother Tobey and cartoonist Melissa Mendes hanging out at Bergen Street Comics.
As the hands of the humid clock ticked past 7, we thanked our lucky stars for being a part of Brooklyn Comics and Graphics Festival. Here is Josh Simmons, intern Anna Pederson and me ready for some yum-yums wrapped in bacon.
Brooklyn, Gabe, Dan and Bill: thank you all so much for your gorgeous hospitality and smiles. Thank you, Robin McConnell for providing some photos. See you all next year!
Hurricanes can't stop comics! Visit Fantagraphics at the Brooklyn Comics & Graphics Festivalthis Saturday, November 10th from 12:00 - 7:00 PM! Our lovely Marketing, PR and Outreach Fiend Jen Vaughn will be bringing you the fun!
PROGRAMMING: These will all take place at The Knitting Factory [ 361 Metropolitan Avenue ], and the panels are free and open to the public:
11:00 AM // The Architecture of Comics: Ware, McGuire & Spiegelman: Comics are more than illustrated literature: they are the poetic application of structure to visual art. Their distinct modes of operation permit unique ways of exploring perception and expressing meaning. Richard McGuire, author of the seminal short comics story “Here,”Art Spiegelman, author of the modern classic Maus and works including In the Shadow of No Towers, and Chris Ware, author of Building Stories and Jimmy Corrigan: The Smartest Kid on Earth will consider the architecture of comics in conversation with Bill Kartalopoulos.
12:30 PM // Shape, Line and Color: Blexbolex, Carré & Schrauwen: Comics have traditionally been bounded by a visual approach that privileges a linear, outline-based approach to art that can survive historically poor methods of reproduction. As technology has developed and as comics have gained from contact with other areas of art, contemporary cartoonists have increasingly embraced a greater variety of approaches to producing narrative graphics. Bill Kartalopoulos will discuss developing aesthetics with Blexbolex(Seasons, No Man’s Land), Lilli Carré (Heads or Tails) and Olivier Schrauwen(The Man Who Grew His Beard).
4:30 PM // The Narrative Collage: Burns, Hensley & Ricard: The mainstream publishing industry has often imposed the standards of conventional literary fiction on the comics form, suppressing comics’ essential status as an assemblage of potentially—and productively—discordant fragments. Charles Burns (Black Hole, The Hive), Anouk Ricard (Anna and Froga) and Tim Hensley (Wally Gropius, Ticket Stub) will discuss the possibilities and pleasures of crafting narratives that capitalize on the collage-like qualities of the comics form—in matters of structure, style and format—in a conversation moderated by Tom Spurgeon.
So, pull on your galoshes and we'll see you there!
• Eugene, OR: The Jordan Schnitzer Museum of Art at the University of Oregon in Eugene, OR is hosting the exhibit GOOD GRIEF! Original Art from 50 Years of Charles M. Schulz's PEANUTS, and curator Ben Saunders will interview Jan Eliot about her experiences with Charles Schulz and her own career as the artist of the nationally successful newspaper strip "Stone Soup." (more info)
Fantagraphics Bookstore & Gallery is pleased to welcome two titans of alternative comix, Chris Ware and Charles Burns, as well as emerging artists Gabrielle Bell and Tom Kaczynki in a lively series of events this Saturday, Sunday, and Monday. This’ll be a blast!
Burns, Bell, and Kaczynski will sign books at Fantagraphics Bookstore, 1201 S. Vale Street, on Saturday, October 20 from 6:00 to 8:00 PM. This event coincides with Elysian Brewing's "Great Pumpkin Brew Festival" featuring dozens of pumpkin beers from regional boutique breweries, just up the street at Elysian's Georgetown bottling facility. We'll be serving complimentary samples of the Black Hole-inspired "12 Beers of the Apocalypse," including "Blight" pumpkin ale and a preview tasting of "Omen," not released to the public until the following day. (Burns will appear briefly a block away at Full Throttle Bottles at 5:30 to sign "Apocalypse" bottles to go.) Guests at the bookstore will be the first in the country to receive free copies of our Basil Wolverton Spacehawk sampler to go with other seasonal Halloween treats.
Burns will appear at Elysian Brewing Co. Capitol Hill location, 1221 E. Pike Street, on Sunday, October 21 from noon to 3:00 PM for the tapping party for "Omen" Belgian Raspberry Stout, number 10 in the "12 Beers of the Apocalypse" series. Hang out with the artist in a casual atmosphere in the heart of Seattle’s colorful Pike/Pine corridor.
On Monday, October 22 listen to Burns on Seattle’s NPR affiliate KUOW-FM at 10:00 AM. Then plan to attend "Building Comix with Chris Ware and Charles Burns" at Town Hall, 1119 8th Avenue, at 7:30 PM. Tickets are only $5 and the admission price can be applied to the purchase of any book at the signing following the talk. Ware will discuss his monumental new work Building Stories, and Burns will present The Hive, his anxiously anticipated sequel to X’ed Out. (You can catch the last presidential debate from 6:00 to 7:30 at the Pub at Town Hall for free prior to the event.)
The blackest ink in the pot of Online Commentaries & Diversions:
• Review:AV Club shows presidential love for Barack Hussein Obama and The Hypo. Noel Murray on Steven Weissman's book: "For the most part Barack Hussein Obama is just wild fun, built around the notion that a president can be easily reduced to his public image—and that we, the people, have the right to manipulate that image for our own delight." And Murray on The Hypo: "[Noah Van Sciverrenders] an American icon as a lumpen everyman, fighting through the same fog that many people find themselves in—even if few of those ordinary folks wind up in the Oval Office."
• Review:Publishers Weekly picks The Hypo by Noah Van Sciver as one of the best new books of the month. "Van Sciver’s psychologically astute examination of what might be termed Abraham Lincoln’s “lost years” (1837–1842) is as gripping and persuasive as the best historical fiction. . . .A thoroughly engaging graphic novel that seamlessly balances investigation and imagination."
• Review:Paste Magazine reviews Steven Weissman's newest book and Hillary Brown gives it a 8.1 (outta 10). "With its gold foil stamp and red, white and blue partial jacket, Barack Hussein Obama could well be a semi-official graphic rendering of a presidency. . . If this book is a portrait of anything, it shows the grind and the way that hope and idealism erodes when faced with the everyday, and that is valuable"
•Review:La Tempestad on Barack Hussein Obamaby Steven Weissman. Rough translation states "Through these pages, Weissman satirizes and creates a parallel reality of based on the stewards of American power."
• Review:MetroPulse enjoys reading Ralph Azham Vol. 1 "Why Would You Do That To Someone You Love" by Lewis Trondheim. Matthew Everett states "There’s action, drama, pratfalls, bad-ass mercenaries, and a last-panel surprise that promises future volumes will head off in entirely unexpected directions. . . Ralph Azham is off to a near-perfect start. It’s a quietly marvelous addition to the English-language catalog of a working world master. Get it while you can."
• Review:The Quietus peeks at Dal Tokyo by Gary Panter. Mat Colegate can barely contain himself: "Panter is probably one of the single most influential underground American cartoonists of all time, a kind of Ramones to Robert Crumb’s Jefferson Airplane, which makes his relative unknown status a bit baffling. A cartoonists’ cartoonist, maybe?. . . The man’s inks are practically sentient, devouring white space like it was candy floss as his crude likenesses become imbued with a very deliberate purpose, that of guiding the reader through Panter’s personal inferno: the urban Twentieth Century."
• Review:The Quietus continues comic coverage on Joe Daly's Dungeon Quest: Book Three. Mat Colgate states,"Dear J.R.R. certainly never had one of his characters wank off a gnome, did he? Indeed Dungeon Quest’s good natured, silly humour gives it much of its character and combines with Daly’s beautiful Charles Burns-esque artwork to make the book much more than the sum of its parts. It feels like a real labour of love and when you read it you’ll see why. Nerdgasm guaranteed. I’m in love with this comic."
• Review:Unshelved looked at Dungeon Quest: Book Three by Joe Daly. Gene Ambaum writes "I never know where this weird, Dungeons & Dragons-ish adventure will take me next. . . Every dungeon should have a vending machine [a la Dungeon Quest]! Makes more sense than turning a corner and finding an elf with a fully-stocked shop where there’s little to no foot traffic."
• Review:The Quietus focuses New York Mon Amour by Jacques Tardi. Mat Colgate states"Using only black, white and red, Tardi illustrates a seedy, roach-infested New York that’s utterly plausible. You can practically smell the trash on the sidewalks as you follow the hapless narrator’s spiral into madness and murder. . . .if you know anyone looking to take the plunge into comics, someone who’s interested in what the medium can do and the fascinating ways it can do it, then point them in this books’ direction."
• Review:BUTT Magazine sinks its teeth into No Straight Lines, edited by Justin Hall. "Justin’s 328-page anthology is a very thorough introduction to the world of GLBT comics. His knowledge on the subject is pretty extensive, probably because he’s been a fan of the medium since he was a kid. Justin tells me that’s how he learned to read. . . In fact, the entire collection features a healthy dose of realism from a genre usually characterized by fantasy."
• Interview: Brandon Soderberg of The Comics Journal interviews the elusive Josh Simmons on The Furry Trap and his recent short film, The Leader, plus horror in all aspects: "Often, the best horror is about losing. And maybe struggling to keep a shred of dignity while you do. But often, you don’t even get that. Sometimes, you get your throat cut while a clown is pulling your pants down. It’s not enough that you’re getting murdered, you’re being humiliated at the same time!" Simmons eloquently states.
• Review: Los Angeles Review of Books ponders Listen, Whitey! The Sights and Sounds of Black Power by Pat Thomas. Rickey Vincent says,"The book is meticulously detailed, reflecting Thomas’s skills as a researcher (and record producer), yet conversational in tone, balancing the voice of a rock critic with the heft of a historian. . .The book remains consistent with its vision, and Thomas delivers black power with authority."
• Commentary:SFWeekly talks about Love and Rockets' art show at the Cartoon Art Museum, Chris Hall explains "If Love and Rockets brought one innovation to the comics field, it could be its lack of misogyny. . . Love and Rockets has, from the beginning, been praised for consistently depicting strong, complex women characters."
• Commentary:Jordan Hurder posted some APE coverage on the Hernandez Brothers and our company: "Fantagraphics crushed this show. It helps that they had Los Bros celebrating 30 years of Love and Rockets and Jim Woodring was already there as a special guest, but there was a consistent buzz around their table, and there were lines for pretty much every signing they had."
• Commentary:Jaime, Gilbert and Mario Hernandez appeared at APE much to JK Parkin of Robot 6 's delight. "All three Hernandez Brothers were at the show, and when they hit the Fantagraphics table the crowds surrounded them."
• Interview:The Comics Reporter links to some great vids from SPX interviews with Jaime Hernandez, Gilbert Hernandez and Daniel Clowes.
• Review:Simcoe looks at Walt Disney's Uncle Scrooge: Only a Poor Old Man by Carl Barks. Glenn Perrett says, "The stories are entertaining and the illustrations are excellent with a wonderful use of colour. . . Walt Disney's Uncle Scrooge: Only a Poor Old Man will appeal to young and old."
• Review:Pat Afforo looks at Stigmata by Lorenzo Mattotti and Claudio Piersanti. "If anyone has not read it you are definitely in for a ride and it is not a smooth one at the very least. This book covers a lot of different topics: religion, redemption, reincarnation, sin, good vs. evil, and above all love."
• Review:AV Club has high hopes for Rich Tommaso and his future books starring The Cavalier Mr. Thompson. Noel Murray posits,"Tommaso’s talented enough that The Cavalier Mr. Thompson might one day be seen as the lurching beginning to something truly great. . ."
•Interview:The Guardian asks Chris Ware some questions. In answer to Rosanna Greenstreet's question 'Which living person do you most admire and why?' Ware answers,"For intellect: Art Spiegelman. For art: Robert Crumb. For poetry and vision: Gary Panter. For decency: Barack Obama. For genuine goodness: Charles Burns. For genius: Charlie Kaufman. For soulfulness and love: Lynda Barry. For words: Zadie Smith. For unique life's work and superhuman effort expended: Ira Glass, Dave Eggers."