•Interview (audio): NPR affliate 89.c KPCC interviewed both Significant Objects' editor Joshua Gleen and contributor Mark Frauenfelder (of BoingBoing and MAKE). Madeleine Brand says, "One's man trash is another man's treasure, especially if it comes with a really good story."
•Review:The Comics Journal shakes down Flannery O'Connor: The Cartoons, edited by Kelly Gerald.
•Interview (video):Bill Moyers interviews on comics journalist Joe Sacco "I'm not interested in tears, I'm not even interested in sentimentality. But I am interested in telling peoples' stories who are repressed or are poor." Sacco and collaborator Chris Hedges will join Bill Moyers for a chat TONIGHT, Wednesday, July 25 at 2 PM ET.
•Commentary: More insight on upcoming books from Fantagraphics as Bleeding Cool covered the SDCC Fantagraphics/D&Q panel. On Chris Wright's Black Lung:"The story was hard to follow, but that’s a good thing, because it sounds like the sort of surreal, go for broke, graphic storytelling that readers expect when they buy a Fantagraphics book. . . lyrical, anthropomorphic, violent and layered. Enough praise couldn’t be shed for this book. . ." On Ron Rege, Jr.'s Cartoon Utopia: "Beings from the future try to help us evolve, sending us messages, trying to show us what life can be like without “forced entertainment” (i.e. television). Drawn in an idiosyncratic, gorgeous, dense style. . ."
•Review:The Comics Journal locks their tractor beam onto Josh Simmon's collection called The Furry Trap. Brandon Soderberg says, "Josh Simmons’ work eschews the cheap thrills and glib cynicism of most horror comics. . .Simmons is a belligerent cartoonist, drawing without censure, adding a nervous energy to an ostensibly pleasant, bubbly style — like Gary Panter doing Where’s Waldo?, or Peanuts with all the existential despair laid completely bare. And he’s fully dedicated to simple, panel-to-panel pay-off, . . ."
•Plug: Summer art sales continue, this time with Johnny Ryan's A Famous Night (gig posters for concerts the never happened). Buy one for your walls and never have to entertain you in-laws at home again.
•Review:Comic Book Resources focuses on Barry Windsor-Smith's The Freebooters. While examining the first page, Greg Burgas said,"It’s amazing that Barry Windsor-Smith didn’t go blind drawing this page and the two that follows it, but luckily for readers, he managed to produce many beautiful pages after this. This is a fantastic way to begin this comic. . ."
•Review:The New York Review of Books takes a look at Flannery O'Connor: The Cartoons. Barry Moser: "[Flannery O'Connor] also said that a story—or a linoleum print, if you will—has to have muscle as well as meaning, and the meaning has to be in the muscle. Her prints certainly have muscle, and a lot of it."
•Plug:Kotaku was pleased with their copy of God and Science by Jaime Hernandez in an article called "Four Comics That Will Vibrate Your Molecules This Week." Evan Narcisse expands on an idea, "It's as if [the Hernandez Brothers] never shook their adolescent fascination with rayguns and capes, choosing instead to deepen the metaphoric and escapist elements of such genre tropes."
•Plug:Comics Crux snagged a copy of Jaime Hernandez' God and Science plus the FIB mini. Jess Pendley matter-of-factly states: "If you are a fan of either Jaime Hernandez or traditional capes-and-tights stories, you’ll only be doing yourself a service by purchasing this right now."
•Interview (video): Watch an 'Outrageous Tub' interview featuring No Straight Lines editor Justin Hall on Accidental Bear. In reference to a superhero question "Are you good or bad?" Hall replied, "I haven't made a decision yet." Be bad, be sooo bad.
•Plug: The guys over at Stumptown Trade Review got excited about No Straight Lines, edited by Justin Hall: "It was just the other day that I mentioned one could never tell what was coming from Fantagraphics. As if to prove my point, they are at it again. . ."
•Review:Paste Magazine had a lovely time reading Mr. Twee Deedle (edited by Rick Marschall): "[Johnny Gruelle's] strips seem crafted mostly to impart lessons (be kind, don’t wiggle, giving is better than receiving), and there’s no question that they can feel preachy and simplistic, but the art, deliberately old-fashioned even at the time and reminiscent of Kate Greenaway’s illustrations, rescues them."
•Plug:Robot 6 caught the scent of a very good book slated for September by Chris Wright. Michael May is excited for Blacklung: "Depressing, existential AND romantic? I couldn’t sign up quickly enough for Chris Wright’s original graphic novel debut."
Before there was Mome, before the current explosion of small-press anthologies, there was Blood Orange, the short-lived mid-'00s series edited by Chris Polkki which gathered rising stars of the art-comics scene in four distinctive, beautifully designed 48-page issues. Blood Orange captured the pulse of alt-comics circa 2004-2005. We recently recovered a small quantity of shrink-wrapped packs of all 4 issues from the distributor, and we're now offering them via mail-order for the special low price of $17.85 — that's 3 issues for the price of 4! (You can also get the individual issues for $5.95 each.)
In the first issue: Nicolas Mahler, Rick Altergott, Michael Kupperman, Lauren Weinstein, Typex, David Collier, Maaike Hartjes, Allison Cole, Tobias Tak, Dan James, Marc Bell, John Hankiewicz, Matthew Thurber, Kevin Huizenga, Ron Regé Jr., a sketchbook from Gary "Teacher's Pet" Baseman, and covers by Andrew Brandou.
The second issue continues to encourage experimentation, pushing the medium in new directions. Look for innovative stories from groundbreakers such as Archer Prewitt, Rebecca Dart, Chris Wright (with a full-length 18-page story), Ron Regé Jr., Jeffrey Brown, Matti Hagelberg, Lauren Weinstein, Cole Johnson, Helge Reumann, and Fabio Viscogliosi, along with drawings by Renee French... all wrapped in a lovely cover designed by the one and only Steven Weissman.
The third issue of this always-surprising quarterly anthology series features European cartoonists Pakito Bolino and Caroline Sury (of France's Le Dernier Cri), Ulf K., Alex Baladi, Nicolas Mahler, Olaf Ladousse, and Fabio Zimbres; as well the homegrown talents of Anders Nilsen, Renee French and Ben Jones (Paper Rad). Also includes a brand-new 11-pager by Jeffrey Brown! With an eye-popping cover by French illustrator Olivier Douzou.
Blood Orange #4 wraps up the series with exclusive new stories by Brian Ralph, Lark Pien, Tobias Tak, Rebecca Dart and Ted May. Covers by Lark Pien.