The first peak of sun of Online Commentaries & Diversions:
• Review: Noah Berlatsky on Slate reviews 7 Miles a Second by David Wojnarowicz, James Romberger, and Marguerite Van Cook. "That feared and desired encounter is in part the collision of comics and art—but it's also, and emphatically, the intermingling of queer and straight…7 Miles a Second still represents a road largely avoided…even if 7 Miles a Second never went mainstream, this new edition remains a stirring reminder that everything pushed to the side isn't gone."
• Review:Full Page Bleed and Tom Murphy read 7 Miles a Second by David Wojnarowicz, James Romberger, and Marguerite Van Cook. "Like David Wojnarowicz's vision of himself, this is a volume that has an impossible amount of energy and emotion packed into its slim dimensions. It's a blistering book that, having been revived by Fantagraphics in the format it deserves, should now take its rightful place in the comics/graphic memoir canon."
• Review: The North Adams Transcript blog reviewed Delphine by Richard Sala. "Prince Charming’s journey is creepy and jarring, and the trappings of the likes of the Grimm Brothers take on a heightened presentation that becomes more personal than you would ever expect them to be," John Seven.
• Plug:The D&Q bookstore is ready to read prose book The Grammar of Rock by Alexander Theroux. Jade writes, "Cliché lyrics, diva meltdowns, and inarticulate diction are all up for close examination in Theroux’s comprehensive exploration of language in pop, rock, jazz, folk, soul, and yes, even rap (Ghostface Killah!)."
• Plug:LAMBDA announces nominees for awards and includes Justin Hall's No Straight Lines. Lambda Literary Awards celebrate achievement in lesbian, gay, bisexual, and transgender (LGBT) writing for books published in 2012. More information here!
• Review:The Savage Critic looks at Gilbert Hernandez's Love from the Shadows. "It’s the work of a comics master tearing into the stained brown paper parcel of his unconscious, and finding a piping hot slurry composed of decades of pop culture detritus."
• Plug:The Daily Optimist shows off a few panels of Nancy Likes Christmas by Ernie Bushmiller. Dan Wagstaff writes, "I do have a strange and peculiar love of Ernie Bushmiller’s ‘Nancy’ comic strips… Fantagraphics are doing a great job of collecting them properly into books (designed by Jacob Covey)."
• Plug: Tom Heintjes on Cartoonician gives a short and concise history of Fritzi Ritz aka Aunt Fritzi from Ernie Bushmiller's Nancy. She was the star of her own strip before that created by Larry Whittington. "A young cartoonist named Ernie Bushmiller took the reins and went with his strength: the simple gags that would forever earn both the scorn and admiration of millions of comics fans."
• Interview: The Comics Reporter and Tom Spurgeon interviews Publisher Gary Groth: "I can look at most books and come up with a pretty accurate estimate as to how it will sell. Occasionally I'm wrong."
• Plug: Fantagraphics fan and friend, JT Dockery has a fundraising campaign/pre-order for his Despair book which features art from Chris Wright and Julia Gfrörer. I hope they are on a ship.
• Plug: Sam Costello at Full Stop lists The End of the Fucking World by Charles Forsman as one of the most anticipated books of 2013. "While there’s certainly violence and horror here, Forsman handles the subject as a character study, not a lurid glorification, making James sympathetic and his deeds all the more monstrous."
• Review: Michael May reviews Mr. Twee Deedle by Johnny Gruelle on School Library Journal. In reference to Good Comics for Kids, "There’s plenty for children to enjoy in the collection, but parents and educators will be even more rewarded. Not only by the history and context that Marschall provides, but by the sheer sweetness and transportive beauty of the illustrations as well. Each of the full-page, full-color strips is something not only to linger over, but to revisit often."
• Review: The Weekly Crisis looks at West Coast Blues by Jacques Tardi. "The narrative is almost a ‘dark twin’ of Hitchcock’s North by Northwest as George is forced to adapt and go on the run as the forces arrayed against him close in."
• Plug:Jessica Abel posted some cool ideas on visual scripting and laying out your ideas she learned from Alison Bechdel.
The most intricate house sigil of Online Commentaries & Diversions:
• Review:The LA Times enjoys their reading of7 Miles a Secondby David Wojnarowicz, James Romberger and Marguerite Van Cook. "Part of the power of Wojnarowicz’s work is that he dealt with such concepts accessibly; he didn’t have time to waste. It was the source of his restless imagination, his willingness to experiment with unexpected forms," writes David L. Ulin.
• Plug:NY1 (New York 1) and Don Kois talk about 7 Miles a SecondDavid Wojnarowicz, James Romberger and Marguerite Van Cook. "…this graphic novel is an amazing document of the gaudy, dangerous world of clients and johns and artists and thugs downtown in the 1980s."
• Interview: Nick Hanover of Comics Bulletin interviews Tom Kaczynski on Beta Testing the Apocalypse. Kacyznski writes, "All these stories started to feel like they were linked and eventually things like the noise stories and the themes of sound started to kind of inject themselves into the rest of the material…I'm interested in utopias, and utopian societies. And a lot of what Communism is is essentially an attempted utopia that failed. "
• Review:Art Rocker and Wee Claire look at Delphine by Richard Sala. "Delphine is arguably Richard Sala's darkest tale to date and a brilliant gateway for those new to his whimsical storytelling style…There are comparisons to Snow White dotted throughout the story but Sala's indie-goth execution tinged with a 70s horror atmosphere make for a much more interesting tale."
• Review:The Toronto Star reads and reviews our books like Heads or Tails by Lilli Carré. "Carré’s work, fittingly titled Heads or Tails, probes choice, ambivalence and fate; in her stories, there’s a flip side to everything, rendered in full and brilliant colour,"says Laura Kane.
• Review: Noah Bertlatsky on the Hooded Utilitarian looks at the art of Lilli Carré comics from Heads or Tails through the gendered lens of Bart Beaty. "If art is both hyperbolic masculine swagger and small-scale feminized detail, though, for Carré the form that mediates between the two is something that looks a lot like comics."
• Interview (partial): Dan Nadel of The Comics Journal posts part of the interview of Jacqes Tardi by Kim Thompson from TCJ 302.
• Plug: "It's astonishing to me that The Comics Journal will have outlasted Wizard, Hero Illustrated and CBG, but I'm happy for that fact," says former TCJ editor, Tom Spurgeon. TCJ 302 was co-edited by Kristy Valenti and Mike Dean.
• Review:Mort Meskin gets the full hello-how-are-ya when his collections are reviewed, edited by Steven Brower. "Out of the Shadows was such an enjoyable find that when it ended we were hungry for more of Meskin’s work." So Scoop turns to From Shadow to Light, "Meskin is so skilled in portraying body language that he doesn’t need a face to tell us know exactly what someone is thinking…a thorough and very detailed look at a man’s life, his family and the work he valued."
• Plug:Kotaku and Evan Narcisse get teary-eyed over Peanuts Every Sunday by Charles M. Schulz. "The daily black-and-white comics were great but the full-color Sunday strips gave Schulz a big, beautiful canvas to let his expert pacing and amazing linework breathe in a rainbow of color…it's really the entire mix of characters …and their mix of adult prickliness and childlike naiveté that made Charles Schulz's iconic comics strips so timeless."
• Interview:MTV Geek interviews Charles Forsman about The End of the Fucking Worldand life. Forsman answersEddie Wright's question, "I do love sparse cartooning. Like Schulz which I think comes through in mine a bit. I've heard people descibe this stuff as "Peanuts" all grown-up and violent."
• Review:Nerds of a Feather look at Ed Piskor's Hip Hop Family Tree, to be printed later this year. Philippe Duhart gives it a rare 10 out of 10, "…those familiar with the genre can attest, it's difficult to separate the music from other elements of the "culture" -- b-boying, graffiti, lingo, style. Piskor demonstrates an affectionate respect for the interrelations between these phenomenon, telling a story of a culture, rather than a musical genre."
• Review: Anime News Network reviews and givest The Heart of Thomas by Moto Hagio an 'A-'. Rebecca Silverman writes, "The Heart of Thomas may be the grandmother of the boys' love genre, but it would be shortsighted to simply classify it as such…Heartfelt and dreamlike, it is a window into the lives of those affected by the sudden death of one of their own."
• Review:The Toronto Star reads and reviews our books like The Cartoon Utopia by Ron Regé, Jr. The Cartoon Utopia "is visionary, but also unmistakably influenced by ’70s psychedelia… the thrilling, one-of-a-kind art will stretch your imagination and, at the very least, make you believe in the power of comics to explore the impossible," writes Laura Kane.
• Review:The Toronto Star reads and reviews our books like Came the Dawn by Wallace Wood and Corpse on the Imjin! by Harvey Kurtzman. Laura Kane writes, "In dark shadows, bold lines and intense close-ups, [Wallace Wood] perfectly illustrates the stories — which ran the gamut from B-horror to confronting social issues such as racism, anti-Semitism and sexism." As for Corpse on the Imjin!, "In these violent, blood-spattered pages, [Kurtzman] lays bare the devastation of war."
• Review/Commentary: Eddie Campbell on The Comics Journal compares and contrasts recent reviews of the EC Comics being reprinted at Fantagraphics and how critics struggle and feel the need to analyze comics at literature. Distilling the article to a mere quote is abhorrent so we tried but please read it. "If comics are any kind of art at all, it’s the art of ordinary people. With regard to Kurtzman’s war comics, don’t forget that the artists on those books were nearer to the real thing than you and I will ever be."
• Review: Elliot Bay Books reviews No Straight Lines, edited by Justin Hall. Dave Wheeler writes, "Impossible to be even close to a complete collection of the genre, No Straight Lines instead seeks to trace the parallel trajectories toward visibility for both comics and LGBTQ identities…these are the stories of real people, or they are people transfigured by folklore."
• Plug: Greg Akers of the Memphis Flyer enjoyed reading Love and Rockets: New Stories #4 by Jaime Hernandez and Gilbert Hernandez. "Jaime breaks me every time. The conclusion to "The Love Bunglers" is an all-time great. Tears in my eyes, destroyed emotionally."
• Plug: Joost Swarte sings the blues at Angouleme, thanks to Paul Karasik.
• Review:SequArt looks at Black Hole by Charles Burns. Faith Brody Patane point out "…it’s a story that’s meant to be devoured with intent to possibly make you have freaky nightmares. Black Hole is one of those stories that lingers long after you read it…This group of teens is far from Riverdale and far more desperate."
The most checked-out book of Online Commentaries & Diversions:
• Review: Prison Pit Book 4 by Johnny Ryan is getting the hits this week. Gene Ambaum of Unshelved writes,"This reminds me of nothing as much as the violent, disturbed drawings I’ve seen in some middle-school boys’ notebooks. Next year, I’m going to tell [my daughter] it’s like a mind-map for her male classmates. If she believes me, I hope we can put off conversations about her dating for a few extra years."
• Review: Mark L. Miller of Ain't It Cool News enjoysJohnny Ryan's latest Prison Pit Book 4. "This is the kind of sick shit that would warrant a trip to the school counselor if you found this crudely etched into the back of your child’s Trapper Keeper. Johnny Ryan once again taps into something primal and pure with his crude drawings of gore, sex, and violence."
• Review:The Quietus and Mat Colgate leaf through some of the best books of 2012 including Prison Pit Book 4 by Johnny Ryan. "Every second spent reading 'Prison Pit' is a joy. A violent, scatological, faecal matter, blood and pus smeared hoot.…There's something brilliantly subversive about 'Prison Pit'," chuckles Colgate.
• Review: The AV Club checks out some new releases like The Comics Journal 302, co-edited by Kristy Valenti and Mike Dean. Noel Murray states, "Business as usual for a publication that was treating the cultural significance of comics as a known fact decades before graphic novels were making the bestseller list."
• Review:The Quietus and Mat Colgate leaf through some of the January releases including 7 Miles a Second by David Wojnarowicz, James Romberger and Marguerite Van Cook. Colgate states, "Wojnarowicz was fearless about his artistry and aware that the mere facts of a life are barely a percent of the whole, preferring to reveal the truth through dreams, violent fantasy and allusion. 7 Miles a Second is a shocking book, but for all the right reasons."
• Review: Forbidden Planet's Daily Planet looks at some new releases from Fantagraphics like 7 Miles a Second by David Wojnarowicz, James Romberger and Marguerite Van Cook. Matthew Rosenbery states, "The stories serve as beautiful and brutal snapshots of a brilliant life lived too hard and extinguished too soon. It is not too much to say that we all owe a great cultural debt to Mr. Wojnarowicz and picking up this book and trying to understanding his life is a good first step toward understanding that debt."
• Review: Comics Bulletin looks at Tales Designed to Thrizzle Vol. 2 by Michael Kupperman. Daniel Elkin finds it smirk-worthy: "Tales Designed to Thrizzle Volume Two has its place in the construct. It is 'silver and exact' like Sylvia Plath's Mirror and reflects the 'terrible fish' that has become our understandings of the world."
• Review: The Heart of Thomas by Moto Hagio gets the a full styling by Manga Bookshelf. Melinda Beasi writes "…teens and pre-teens who go to regular, modern public schools essentially live in their own society that is very much separate from the rest of the world, and it’s a society that is, frankly, terrifying…it views that kind of sacrifice as… well, ultimately pointless…Hagio makes it clear that running away is not the answer." Melinda continues on the book as a whole, "I also expected it to be very dated and I thought the story might not appeal to my tastes as a modern fan. Instead, I found it to be both beautiful and emotionally resonant to an extent I’ve rarely experienced—especially in [Boy's Love] manga. This is a book I’d wholeheartedly recommend to any comics fan, without reservation. It’s an absolute treasure."
• Review: The AV Club checks out some new releases like The Heart of Thomasby Moto Hagio. "with small cliffhangers at the end of each chapter to pull readers deeper into Hagio’s fantasyland. The intrigue deepens page by page (and this is a 500-page novel, mind), while Hagio develops her bracingly radical vision of a mini-society where homosexual attraction is so commonplace as to be the norm…" writes Noel Murray.
• Review:You'll Never Know Book Three: A Soldier's Heart by Carol Tyler gets a thorough and thoughtful review from Rob Clough on High-Low. "…this sounds a bit all over the map, that's because it is, but Tyler slowly pulls the strings of her narrative taut in some astonishing ways, especially in the third volume…It's a remarkable example of an artist being totally honest about their own feelings of grief and joy in a manner that provokes growth and fully embraces the relationship between the two."
• Review: Dylan Thomas of Minneapolis' Southwest Journal looks at Tom Kaczynski's Best Testing the Apocalypse. "Kaczynski uses science fiction as a microscope, poking at contemporary anxieties like blooming bacteria in a Petri dish. The genre provides the room he needs to examine the systems that shape our lives, whether they be architecture, urban design or capitalism."
• Review: Hillary Brown of Pasteenjoys the dark ride of Delphine by Richard Sala. "Sala’s rules; like testing gravity by dropping a penny from a building, the coin’s never going to fall up. Delphine is worth reading at least twice. Sala’s spell is strong."
• Review: SF Signal looks at Ralph Azham Volume 1: "Why Would You Lie to Someone You Love?" by Lewis Trondheim. "His humanoid animals, a staple of his work, place the story squarely into fantasy – along with the medieval-esque village and the magic – but the wry humor gives the story a modern feel" says Carrie Cuinn.
• Plug:Paste Magazine looks forward to the most anticipated books of 2013. These include Lost Cat by Jason. "The cranky Norwegian has seemed to soften a bit as he’s aged, and the description (detective searches for potential soulmate) goes along with that impression," write Hillary Brown. On Dash Shaw'sNew Schooland 3 New Stories. "In a few short years, Dash Shaw has proven himself a restless artist, committed to pushing what comics can do and what his own talents can accomplish… it’s nice to see him return with two works, no less."
• Plug: Publishers Weekly also released a list of the most anticipated books of 2013 which included Dash Shaw's New School. "The art disorients the reader and brings you right inside the troubled protagonists’ mind."
• Interview (video): Speaking of Dash, he recently spent a few days at Sundance for his Sigur Ros animated music video. A very short interview awaits you.
• Interview: Alexander Theroux is interviewed on Rain Taxi by Paul Maliszewski. Theroux, author of Estonia , The Strange Case of Edward Gorey , Laura Warholic and more states, "Revenge—I have written about this somewhere before—is the main subject of the modern novel, if it isn’t that of literature in general."
• Review:The Los Angeles Review of Books looks at Gary Panter's Dal Tokyo. Nicole Rudick writes "Panter’s medium is comics rather than architecture, but the effect of his work is the same: Dal Tokyo questions accepted notions of structure and meaning — taking them not as truth but as convention — and, taking Brecht’s advice, builds not 'on the good old days, but on the bad new ones.' "
• Review:The Weekly Crisis dissects the first panel of "Landscape!" a comic within Blazing Combat and how it contributed to the end of the series coinciding with the Vietnam War. Dan Hill states "At a time when an anti-war stance was tantamount to being a traitor to your country, it was also the beginning of comics beginning to tackle the uglier aspects of war, telling us exactly ‘how it is’. It showed us that comics could discuss and show issues more related to the real world than capes, tights and outlandish fantasy."
• Review:Paste Magazine looks at Linda Medley's Castle Waiting Vol. 1 (softcover). Sean Edgar writes, "Ultimately, Castle Waiting is an elegantly-written, uplifting take on European folklore supported by sterling art. As long as voices as talented and creative as Medley’s are around, stories like this will always be timeless."
• Interview: Robin McConnell of Inkstuds interviews Chris Wright for a second time, this time on his most recent graphic novel, Blacklung.
• Plug:The GLBT Roundtable's Rainbow Project lists best books for teens that encapsulate the GLBT-community issues. The Rainbow Project lists Shimura Takako's Wandering Son series as part of the Top Ten Books of 2012 as the characters "tackle problems such as gender identity, love, social acceptance, and puberty."
• Plug: The GLBT Roundtable also released a list of the best books for adults, Over the Rainbow, and the comics anthology No Straight Lines, edited by Justin Hall,was listed in the top ten.
• Interview: Tim O'Shea interviews Lilli Carré for Comic Book Resources on her process with Heads or Tails. "I went through all my stuff and arranged them not chronologically, but by how they each fed into each other… I don’t know if the dialogue I write or the way I draw is particularly well-crafted or not, but with both the art and dialogue I go with my gut and do what feels natural to me."
• Review: New York Journal of Books takes a turn around the room with The Complete Syndicated Pogo Vol 2 "Bona Fide Balderdash" by Walt Kelly. Mark Squirek writes, "Like the greatest of myths and fables, Pogo travels across time and ages. It is a world much like that of Aesop and trickster tales. It is a world capable of making a six year old smile with glee, a hipster smirk whether they want to or not, and a college professor laugh out loud… So graceful is his work with pencil and pen that you could loose yourself for hours in shear artistry of the panels he constructs."
• Plug:Westfield Blog suggests some books for you likeThe Complete Syndicated Pogo Vol 2 "Bona Fide Balderdash" by Walt Kelly."Walt Kelly’s art is a joy to look at and his dialogue and word play is just stunning. Pogo is a strip that you get more and more out of the more you read it," states Wayne Markley. And for Basil Wolverton's Spacehawk, "In the history of comics, there are very few, if any, that had such a unique style as Wolverton which, while as far away as you can get from classic illustrators like Raymond or Foster, it is every bit as good in its own unique way."
• Review: HeroesOnline looks at the latest Prince Valiant Vol. 6: 1947-1948. Andy writes "…the pace is fast, the action and intrigue are plenty and the violence is un-apologetically bloody. In addition, Foster was a stickler for historical accuracy in depicting everyday life in the 6th century."
• Review: Ryan Sands of Same Hat writes his 'belated' best of list which inludes Nancy Likes Christmas by Ernie Bushmiller and The End of the Fucking World by Charles Foresman.
• Plug: Tom Spurgeon announced the Peanuts Every Sunday book on Comics Reporter. More information tomorrow.
• Plug: Robot6 talks about Great but Forgotten anthologies. Fantagraphics' "Zero Zero ran for 27 issues, a longer run than most of the anthologies on this list received, but I don’t think it’s ever gotten its due as the truly great anthology of the ’90s." Chris Mautner continues with Blab, "I do think people have forgotten how cutting edge and exemplary an anthology Blab was, at least initially. For a while there it was running some seriously incredible work, like Al Columbia’s apocalyptic The Trumpets They Played, and the Jimmy Corrigan story that eventually became Acme Novelty #10, easily the most harrowing and darkest material Ware has produced to date." And finally Blood Orange, "Lasting a mere four issues, Blood Orange offered a mind-bending array of cutting-edge comics." WORRY NOT, we still have issues from someofthese.
The cutest Carré animation of Online Commentaries & Diversions*:
• Review: Chris Sims on Comics Alliance looks at the first story (and title story) of the latest Carl Barks collection: Walt Disney's Donald Duck "A Christmas for Shacktown." Sims says, "At 32 pages, it's a sprawling epic (By Barks' standards, anyway) that hits those beautiful Holiday themes of altruism and the spirit of giving. Although to be fair, it does get a little closer to cannibalism than most other Christmas comics.
• Review: Speaking of Christmas comics, John Seven of the North Adams Transcript reads Charlie Brown's Christmas Stocking by Charles M. Schulz. "As with the best of Schulz's work, the humor alternates between deadpan and over the top, and the presentation of religion and holidays both is both irreverent and respectful at the same time. Schulz was a multi-faceted writer and could tackle contradictions through great simplicity. Charlie Brown's Christmas Stocking stands as gift from the past that is greater than the size of the package. It's a real treasure."
• Review (audio):Comic Books are Burning in Hell take you on a whirlwind, family road-trip of a podcast review of Gary Panter, Dal Tokyo and his occasional critics (Andrew Arnold). "Panter is very good at drawing altered states." "What was loose, scrappy and punk rock becomes much tighter." "The later stuff in here is the quote, unquote nicest drawing Gary has ever done, most acceptable comicswise." The evolution of one man's comics.
• Plug: Creator of Barack Hussein Obama, Steven Weissman, runs around looking for vintage comics with Love and Rockets co-creator, Mario Hernandez at the Comics Alliance. Need a hot tip? "They stick a lot old stuff in between the new stuff so I always look for the brown spines,"says Mario.
• Review:On the North Adams Transcript, John Seven enjoys Charles Forsman, Oily Comics and The End of the Fucking World. "When I started, I didn't have a real plan for [TEOTFW]," Forsman said. "I just wanted it to be fun. After laboring over the other book, I wanted to have fun again, because when you're working on something for awhile, you can get bogged down in the details."
• Review:Filth and Fabulations includes Dungeon Quest 3 by Joe Daly in a Best of 2012 list. "The riffing on classic roleplaying tropes is often hilarious, but the true comedic brilliance of the series lies in the way Daly writes the often drawn out pages of dialogue between the main characters. He manages to capture the way people talk in real life perfectly."
• Review:MTV Geek's Best of Graphic Novel 2012 List includes Athos in America by Jason. "A series of short stories that put Jason's insecurities and imperfections on display in an occassionally uncomfortable and frequently moving way," states Eddie Wright.
• Review:MTV Geek's Best of Graphic Novel 2012 List counts Noah Van Sciver's The Hypo as Numbah One! "A big-budget movie can't capture the subtlety of Lincoln's personality like it's done here," states Valerie. Eddie Wright chimes in and says, "In Van Sciver's well-researched, moving portrait of the troubled president, he's painted as a nuanced, difficult, intriguing and most of all, human figure."
• Review: Noah Bertlatksy of The Hooded Utilitarian looks at Johnny Ryan's Prison Pit 4, the importance of genitals in an invulnerable society. "Prison Pit is a hyberbolic, endless series of incredibly gruesome, pointless, testosterone-fueled battles with muscles and bodily fluids spurting copiously in every direction. . . everybody, everywhere, is a sack of more or less constantly violated meat, to whom gender is epoxied (literally, in this sequence) as a means of more fully realizing the work of degradation."
• Plug: David Allen of the Daily Bulletin takes a look at all the comic strip reprints out currently, ready to read Pogo: The Complete Syndicated Strips Vol. 2 "Bona Fide Balderdash" by Walt Kelly. "Through his nonsense-spouting critters in the Okefenokee swamp, Kelly often satirized government and national politics, taking on the Red Scare and coining the phrase "We have met the enemy and he is us. But 'Pogo' also had slapstick combined with wordplay and whimsy. Nice to have 'Pogo' back."
The most symmetrical cake slice of Online Commentaries & Diversions:
• Review:Publishers Weekly occasionally lets smart and famous people recommend books. Jeopardy Master Ken Jennings "skipped the obvious Marjane Satrapi and Alison Bechdel entries in favor of this lesser-known three-volume masterpiece, about Tyler’s complicated relationship with her distant dad, a World War II vet. With her playful, fluid brush line and busy patchwork of watercolor woodgrain, Tyler’s art looks like the past feels." Carol Tyler's complete series You'll Never Know is available.
• Review:Booklist Online cooks up a review from some Pogo (The Complete Syndicated Comic Strips Vol. 2: "Bona Fide Balderdash"). Ian Chipman writes, "[Walt Kelly's] hallmarks of deft wordplay, daft swamp critters, and poisonously sharp sociopolitical satire are in full blossom here. The highlight is the 1952 election season that saw Pogo’s first and entirely reluctant presidential run and the birth of the “I Go Pogo” slogan. Mimicking “I Like Ike. . . A must for all collections of comic-strip history."
• Plug:Forces of Geek throws out some good gift recommendations for kidslike Walt Disney's Uncle Scrooge "Only a Poor Old Man"by Carl Barks. "Comic books have always been an excellent gateway into reading, and when it comes to smart, imaginative and engaging, you don't have to go much further than Carl Barks. . . What better way to introduce your own Huey, Dewey or Louie to comics?"
• Review:Paste Magazines's 10 Best Collections of 2012 include two Fantagraphics titles. Hillary Brown loved Young Romance, by Joe Simon and Jack Kirby edited by Michel Gagné who "painstakingly restored them (without making them look exactly new, thus giving the book the feel of a vintage compilation that just happens to be in amazing shape). . . Simon and Kirby tried to bring as much excitement to primarily psychological and interpersonal goings-on as to punching and flying." And this might be the last year anything by Carl Barks is on the list, "We’ll just grant it permanent honorary status as the best of the best, like when John Larroquette removed himself from Emmy consideration after winning four straight for Night Court. . . [Walt Disney's Donald Duck "A Christmas for Shacktown] once again proves Barks to be one of the finest draftsmen and storytellers we’ve ever had." Well put, Garrett Martin.
• Plug:The Scotsman lists some of the Best of 2012 as told by the best scotsman. Withered Hand's singer/songwriter Dan Willson has eyes only for Ron Rege, Jr. and states, "[The] Cartoon Utopia , his magnum opus, is quite a head-trip. Thousands of very dense little drawings and words resemble a psychedelic illuminated manuscript peppered with themes of spiritual redemption and good versus evil. It’s a very unusual and beautiful work."
• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. On Ron Rege Jr.'s The Cartoon Utopia , "The first esoteric text of the new century. The harbinger of the New Aeon. This book will be a staple of Esoteric Lore for millennia to come."
• Plug:Boing Boing makes my job easy by providing the Best Damn Comics of 2012. Compiled by Brian Heater, a lot of creative people offered up their favorite books of the year. Nick Abadzis thinks Kolor Klimax (edited by Matthias Wivel), "feels startling and vital to me and features a wide variety of styles, each as absorbing as all the others contained within these pages. I don't think I've enjoyed an anthology as much as this one in years."
• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Box Brown on Barack Hussein Obama, "Steven Weissman does stuff with actual analog comic materials that most dudes can't even do with photoshop." Jeffrey Brown chimes in on BHO, "Strange, funny and beautiful. Weissman reinvents his comics with the kind of book I wish I would make." Will Dinksi agrees, "Barack Hussein Obama is pretty much my favorite book of the year. . . I get a better appreciation for Weissman's craft in the printed collection where it can feel like you're actually looking at the finished artwork." Mari Naomi says,"I just love what this book is. If I didn't know better, I wouldn't even recognize this as Weissman. And I like that."
• Review:Paris Review checks out The Last Vispo, edited by Nico Vassilakis and Crag Hill. Nicole Rudick states,"it makes sense that in visual form poetry would elicit a kind of motion, an unfolding over the space of a page, and that even its sound would be voiced as a series of discoveries. Movement disrupts the continuity of a sentence, a phrase, a word. And language, unsettled, is unbound."
• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Box Brown continues to wax poetic on Josh Simmons' The Furry Trap, "Funny, even as it makes your hair stand on end and your skin start to crawl... Horror comics that gash their way below the surface."
• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Shaenon K. Garrity says that The Heart of Thomas by Moto Hagio "is a book I've been awaiting for over ten years, and it exceeds my expectations."
• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Nate Powell on Interiorae by Gabriella Giandelli, is "just what I look for in a narrative: patient, dreamy, full of seemingly endless layers of shadow, slowly revealing the sweetness inside the rotten, all within the confines of a single high-rise apartment building, surrounded by snow and static."
• Review:Slate finds themselves choosing Heads or Tails, going for broke. Dan Kois says, "Lilli Carré’s short stories are dreamy, unlikely, and unsettling. What transforms the stories from nightmares to fables is Carré’s artwork, which varies with each story. . ."
• Review:Page 45 looks at Heads or Tails by Lilli Carré. "The art reminds me a little of Lynda Barry and the flow of the pages reminded me a little of Walt Holcombe. . .I recently recommended this book to a customer who named their favourite film as Amelie (good choice!) precisely because it has that feeling of whimsy about it."
• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Jeremy Tinder on Heads or Tails by Lilli Carré, "A nice encapsulation of many of the ways Lilli has been pushing herself both narratively and stylistically over the last few years. If only there was a way to squeeze her animation in there too." Will Dinksi comments on Heads or Tails by Lilli Carré, "Beautiful artwork. Thoughtfully paced. "Of The Essence" is one of the best comic book short stories I've ever read."
• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Robert Kirby on No Straight Lines edited by Justin Hall, "Long overdue, this beautifully-produced, sharply edited retrospective may usher in a new era of respect and recognition for a long-neglected realm of the alt-comics world."
• Review:Nate's Broadcast enjoyed The Hypo by Noah Van Sciver in addition to the recent film, Lincoln, and book America Aflame. "Van Sciver’s contribution to the Lincoln mythology is perfect for those who like their heroes a little troubled and messy, but good at their core- not a bad way to interpret the American ideal."
• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Will Dinski continues with The Hypo. "[Noah] Van Sciver is pretty prolific, but this is his best work to date. The line art just drips with anguish." Brian Heater thinks it "puts the cartoonist's brimming angst to a different use entirely, in a book that does precisely what a good piece of historical non-fiction should: finding a fascinating way to tell a story we were convinced we already knew."
• Review: Blacklung by Chris Wright is whittled on by Tucker Stone at TCJ. It's called "the big, trippy brother to Drew Weing’s Segar influenced Set To Sea. . . . [and] Gore saturates this comic. . . Brutality for its own sake is the point of some entertaining movies, no reason it can’t be the point of some entertaining comics as well."
• Review: On Filth and Fabulations, Jeppe Mulich states that Chris Wright's "[Blacklung is] not a work of splatter punk or mindless gore, but rather an engaging, breathless, and humorous tale of the dregs of the sea, including a colorful assortment of pirates and madmen, quite clearly drawing inspiration from both Melville, Stevenson and Peckinpah."
• Review: Paste Magazine reviews Charlie Brown's Christmas Stocking by Charles M. Schulz. "Seeing this work isolated and expanded only reinforces the sheer timelessness and brilliance inherent; Schulz was a master of mood and line in equal measure. . . it’s some of the finest nostalgia porn you can put under the tree," quips Sean Edgar.
•Review:Pheonix New Times unwraps their present early and Jason P. Woodbury interviews Nat Gertler on Charlie Brown's Christmas Stocking by Charles M Schulz. "[Schulz] had done a Christmas book, Christmas is Together-Time, using red and green," Gertler says, explaining the minimal color palette. "We wanted to keep that simplicity and Christmas-sense in there." The stable of Schulz characters transcend fads and time because as Gertler points out "It's not the way kids talk, but they way they feel is the way that kids feel."
• Plug:Drawn blog tops off another the Best of 2012 list with some Ernie Bushmiller. John Martz points out, "Nancy seems to be a love-it-or-leave-it strip, and I am firmly in the Love It camp. . . Often surreal, and always impeccably drawn, there is nothing quite like it. . . these books are a virtual masterclass in cartooning."
• Review: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Tom Kaczynski on Ernie Bushmiller's Nancy is Happy, "The minimalism of the art, the quirky humor, the amazing consistency, it all started with these strips."
• Review: Getting ready for the hardback release of Delphine by Richard Sala, Carrie Cuinn of SF Portal reviews the tale complete with "dark duotone inking style, little dialogue, and gothic, shadowy, art. . . Overall I think that Sala’s retelling of that well-known love story is affectingly tragic. . . It is, in a word, creepy."
• Review: If MTV Geek knows about The End of the Fucking World then the secret is out: Charles Forsman is amazing! "[It] pulls you in like no other comic this year. Stunning in its simplicity and brave in its subject matter. Charles Forsman is a future force. . . [it] is like stumbling onto the ultimate secret in comic books, but based on how great TEOTFW is, it won't be much a secret longer."
• Review: Ashley over at Bibliophibien looks at Wandering Son series by Shimura Takako, "While the story is focused on transgender topics, I think that this is a wonderfully moving coming-of-age story and captures the complexities of sexual identity, friendships, and family that teens face."
• Review: Rick Klaw at SF Site enjoys the glossy glory of Action! Mystery! Thrills!, edited by Greg Sadowski. "As in his previous volumes. . . Sadowski supplies copious end notes and annotations. Though this time, the information additionally reads as an entertaining history of early comics. . . Sadowski once again delivers an essential book for anyone with an interest in comics history."
• Plug: John McMurtrie of SF Gate (San Francisco Gate) lists Listen, Whitey! by Pat Thomas as one of the Music Books to Buy of 2012.
This is what our table looked like for most of the day. It was very busy, just like SPX so we barely left the table for pictures, let alone peeing or eating (one of those could solve the other, you decide the order).
WHOA, did you just catch a glimpse of an advance copy of Moto Hagio's The Heart of Thomas in that bottom right corner (pictured above)?! Cartoonist Jose-Luis Olivares and a calvacade of others flipped through the 500+ page masterpiece, ready to read it as soon as it was available for purchase.
The enigmatic and rarely-seen Josh Simmons appeared out of a subway mist much to his fans appreciation. Many fans stopped by to crack wise with the dark master while he signed The Furry Trap, including fellow cartoonists Dean Haspiel, Joe Infurnari and Nick Abadzis.
The intensity in this guy's face as he hands Gary Panter his copy ofDal Tokyo cannot be beat.
Intern Anna and I were watching said Panter fan to make sure he never put on THAT murder face, you know, that one Josh Simmons draws a lot:
Olivier Schrauwen stopped by as well to sign The Man Who Grew His Beard but left his pencil case full of pens so thank you for the gift (ha ha, don’t worry we’ll take care of them).
Writer and CBR reporter, Alex Dueben, grabs one of the last copies of Heads or Tails.
Art Spiegelman blew smoke quaintly into my face and Josh Simmons’ on the search for Lilli Carré, whom he couldn’t get enough of. That empty space on the wooden table between them is where her giant stack of Heads or Tails was before it sold out.
Chris Ware came to see how the show was going for Fantagraphics and to escape the hotbox upstairs. We gabbed about the printmaking department at the University of Texas, our shared alma mater, and Civil War reenactment. I think I spot a Nate Doyle to the left of him too.
We caught up with future Fantagraphics creator and Oily Comics entrepreneur Charles Forsman pictured here with brother Tobey and cartoonist Melissa Mendes hanging out at Bergen Street Comics.
As the hands of the humid clock ticked past 7, we thanked our lucky stars for being a part of Brooklyn Comics and Graphics Festival. Here is Josh Simmons, intern Anna Pederson and me ready for some yum-yums wrapped in bacon.
Brooklyn, Gabe, Dan and Bill: thank you all so much for your gorgeous hospitality and smiles. Thank you, Robin McConnell for providing some photos. See you all next year!
The unbroken bottom ring of your three-ring binder Online Commentaries & Diversions:
• Review: Patrick Smith over at Spandexless cracks his knuckles and reads all of The End of the Fucking World mini-comics by Charles Forsman. Smith states,"Overall though, it’s a story about extremes and the kind of nihilistic worldview that only a teenager could have, while also adding on certain discerning touches that separates this book from so many other teenage melodramas." Forsman's complete The End of the Fucking World is slated for release in 2013.
• Review:Zap #2 gets Boing-Boinged. Adam Parfrey speaks on the series of ZAP comics that we will publish next year. "Throughout the book were pages of strange nightmare scenes in an quasi-psychedelic art style I had never seen before and didn't really understand."
• Interview: Print Mag posted the second part of their Roger Langridge interview where he mentions, "Top of the list right now is a Fred the Clown graphic novel. I'm thinking it might be a good time to return to the character, because I've had critical success, if not commercial success, with a couple of other things now."
You remember of the horrors of Josh Simmons from Jessica Farm or House. That copy of The Furry Trap sits on your bookshelf behind a picture or totem of any kind so when you pass it at night you don't recall images of "Demonwood" or "Night of the Jibblers." Now there is a new type of Simmons horror and it is the kind that arrives as a small, unassuming mini-comic. Flayed Corpse is the first in a line of new Simmons mini-comics published by Charles Forsman's micro publishing company, Oily Comics. Dip your toes in the eerily calm lake that is the world Simmons built for you, just so he could hear you scream.
Save the visit to the Library of Congress, which will come up later, these are THE pictures and thoughts on Small Press Expo 2012. We honestly were so busy that there was little time to make the rounds to other aisles and buy books or snag pics of our friends at this family reunion of a show. So please accept my apology for no SWEEPING landscapes of the table set-up as it was busy, busy, busy. SPX'sExecutive Director, Warren Bernard, ran a good show and David Michael Thomas could not have been better with convention previews and making sure we were comfortable throughout.
The Washington alt-weekly newspaper or insert covered the special guests of the con including the Hernandez brothers. Love and Rockets tattoos are the ink du jour as you can see along with Jughead hats and SUPER short skirts (even though we all know leggings that look like wormholes or intestinal tracts are really in this year). Drawing by Thomas Pitilli.
The signing at Politics and Prose in D.C. kicked off the 30th Anniversary Northeast Tour. With trusty escorts like Associate Publisher Eric Reynolds, PR Director Jacq Cohen and myself, what could go wrong? First things first though, toothpicks to make sure teeth are clean.
The first book of the weekend AND the first copy of The Hypo by Noah Van Sciver went to Leon Avelino, publisher at Secret Acres.
Long lines formed for the Hernandez Brothers both days and were chock full of other exhibitors and cartoonists like First Second's George O'Connor.
Fans got books signed, bought drawings and got their SPX convention badges signed.
That night at the Ignatz awards, Gilbert and Jaime Hernandez cleaned up. While humbly accepting their Herriman bricks, they thanked Daniel Clowes & Art Spiegelman for NOT having new stories this year. The Brothers won Outstanding Series for Love and Rockets while Jaime won Outstanding Artist and Outstanding Story for "Return for Me"of Love and Rockets: New Stories #4.
Author Phillip Nel sold his Crockett Johnson and Ruth Krauss biography to whet everyone's appetite for the Barnaby book. Rich Tommaso sold his The Cavalier Mr. Thompson, a Fantagraphics-distributed book about a 1920s hotel in Texas.
Fans and friends got their signatures and tiny drawings by Tommaso.
Cartoonist TJ Kirsch shows off his Daniel Clowes drawing in Twentieth-Century Eightball.
Despite his dour face, Daniel Clowes genuinely liked Gary Panter's Dal Tokyo while Charles Burns looks on.
John Porcellino (of Spit and a Half, King Cat and Drawn and Quarterly) soaked in the cross hatching glory of Van Sciver's The Hypo. Maybe he was enjoying it too much.
As always, my partner-in-crime Jacq Cohen and I accidentally dressed to match some of our favorite classic books, me with Nancy and Jacq with Peanuts.
Jacq and I ran off after the convention to eat some delicious food with our good friends. Clockwise from the bottom left: Gilbert Hernandez, me, Jaime Hernandez, Tom Neely of Sparkplug, Joseph Remnant of ZAP/Top Shelf, Noah Van Sciver and John Porcellino. Delicious!
And finally, a picture from 2010's MoCCA Fest where I'm handing Jaime minis as a fan. Now we get to argue about baseball uniforms and proper sock height while working the Fantagraphics table. Thank you everyone for coming to the Fantagraphics table to buy our books, talk to our artists and spread more of the convention cheer. See you next year!
Photos by Jacq Cohen and me. Attitude by Fantagraphics.
Charles Forsman of future Fantagraphics titles Celebrated Summer and The End of the Fucking World, is a mini-comics publisher in his own right. Forsman is curating a great set of cartoonists and publishing their work via his Oily Comics Boutique. If you become a "Friend of Oily Comics" you get ANY publication created from July - September ($30) or July - December ($60) via monthly deliveries through September or December (respectively). Check out what our local mailmain delivered this month!
Comics by Max de Radigues, Aaron Cockle, Melissa Mendes, Forsman and Andy Burkholder. Forsman was recently interviewed about his comic creations plus publishing & distributing excursions on Comic Book Resources and on the Inkstuds podcast with Robin McConnell.
When de Radigues gave Forsman Moose #1, he couldn't believe it, "I could tell he wasn't laboring over the artwork and he was having fun. I wanted to have fun again. . . Readers responded to it almost immediately." Here is the first page of Belgian cartoonist, Max de Radigues' Moose #9.
And one more taste of FOOC: east coast cartoonist Melissa Mendes.
While Forsman's The End of the Fucking World will be printed via Fantagraphics next year but you can still get a taste of the mini-comic by subscribing to Friends of Oily Comics.
TODAY is the last day to get the fancy subscription supersale complete with buttons, patchs, etc. Plus, you get a membership card with a personalized portrait. Just sayin'. It's worth it.