This is what our table looked like for most of the day. It was very busy, just like SPX so we barely left the table for pictures, let alone peeing or eating (one of those could solve the other, you decide the order).
WHOA, did you just catch a glimpse of an advance copy of Moto Hagio's The Heart of Thomas in that bottom right corner (pictured above)?! Cartoonist Jose-Luis Olivares and a calvacade of others flipped through the 500+ page masterpiece, ready to read it as soon as it was available for purchase.
The enigmatic and rarely-seen Josh Simmons appeared out of a subway mist much to his fans appreciation. Many fans stopped by to crack wise with the dark master while he signed The Furry Trap, including fellow cartoonists Dean Haspiel, Joe Infurnari and Nick Abadzis.
The intensity in this guy's face as he hands Gary Panter his copy ofDal Tokyo cannot be beat.
Intern Anna and I were watching said Panter fan to make sure he never put on THAT murder face, you know, that one Josh Simmons draws a lot:
Olivier Schrauwen stopped by as well to sign The Man Who Grew His Beard but left his pencil case full of pens so thank you for the gift (ha ha, don’t worry we’ll take care of them).
Writer and CBR reporter, Alex Dueben, grabs one of the last copies of Heads or Tails.
Art Spiegelman blew smoke quaintly into my face and Josh Simmons’ on the search for Lilli Carré, whom he couldn’t get enough of. That empty space on the wooden table between them is where her giant stack of Heads or Tails was before it sold out.
Chris Ware came to see how the show was going for Fantagraphics and to escape the hotbox upstairs. We gabbed about the printmaking department at the University of Texas, our shared alma mater, and Civil War reenactment. I think I spot a Nate Doyle to the left of him too.
We caught up with future Fantagraphics creator and Oily Comics entrepreneur Charles Forsman pictured here with brother Tobey and cartoonist Melissa Mendes hanging out at Bergen Street Comics.
As the hands of the humid clock ticked past 7, we thanked our lucky stars for being a part of Brooklyn Comics and Graphics Festival. Here is Josh Simmons, intern Anna Pederson and me ready for some yum-yums wrapped in bacon.
Brooklyn, Gabe, Dan and Bill: thank you all so much for your gorgeous hospitality and smiles. Thank you, Robin McConnell for providing some photos. See you all next year!
The unbroken bottom ring of your three-ring binder Online Commentaries & Diversions:
• Review: Patrick Smith over at Spandexless cracks his knuckles and reads all of The End of the Fucking World mini-comics by Charles Forsman. Smith states,"Overall though, it’s a story about extremes and the kind of nihilistic worldview that only a teenager could have, while also adding on certain discerning touches that separates this book from so many other teenage melodramas." Forsman's complete The End of the Fucking World is slated for release in 2013.
• Review:Zap #2 gets Boing-Boinged. Adam Parfrey speaks on the series of ZAP comics that we will publish next year. "Throughout the book were pages of strange nightmare scenes in an quasi-psychedelic art style I had never seen before and didn't really understand."
• Interview: Print Mag posted the second part of their Roger Langridge interview where he mentions, "Top of the list right now is a Fred the Clown graphic novel. I'm thinking it might be a good time to return to the character, because I've had critical success, if not commercial success, with a couple of other things now."
You remember of the horrors of Josh Simmons from Jessica Farm or House. That copy of The Furry Trap sits on your bookshelf behind a picture or totem of any kind so when you pass it at night you don't recall images of "Demonwood" or "Night of the Jibblers." Now there is a new type of Simmons horror and it is the kind that arrives as a small, unassuming mini-comic. Flayed Corpse is the first in a line of new Simmons mini-comics published by Charles Forsman's micro publishing company, Oily Comics. Dip your toes in the eerily calm lake that is the world Simmons built for you, just so he could hear you scream.
Save the visit to the Library of Congress, which will come up later, these are THE pictures and thoughts on Small Press Expo 2012. We honestly were so busy that there was little time to make the rounds to other aisles and buy books or snag pics of our friends at this family reunion of a show. So please accept my apology for no SWEEPING landscapes of the table set-up as it was busy, busy, busy. SPX'sExecutive Director, Warren Bernard, ran a good show and David Michael Thomas could not have been better with convention previews and making sure we were comfortable throughout.
The Washington alt-weekly newspaper or insert covered the special guests of the con including the Hernandez brothers. Love and Rockets tattoos are the ink du jour as you can see along with Jughead hats and SUPER short skirts (even though we all know leggings that look like wormholes or intestinal tracts are really in this year). Drawing by Thomas Pitilli.
The signing at Politics and Prose in D.C. kicked off the 30th Anniversary Northeast Tour. With trusty escorts like Associate Publisher Eric Reynolds, PR Director Jacq Cohen and myself, what could go wrong? First things first though, toothpicks to make sure teeth are clean.
The first book of the weekend AND the first copy of The Hypo by Noah Van Sciver went to Leon Avelino, publisher at Secret Acres.
Long lines formed for the Hernandez Brothers both days and were chock full of other exhibitors and cartoonists like First Second's George O'Connor.
Fans got books signed, bought drawings and got their SPX convention badges signed.
That night at the Ignatz awards, Gilbert and Jaime Hernandez cleaned up. While humbly accepting their Herriman bricks, they thanked Daniel Clowes & Art Spiegelman for NOT having new stories this year. The Brothers won Outstanding Series for Love and Rockets while Jaime won Outstanding Artist and Outstanding Story for "Return for Me"of Love and Rockets: New Stories #4.
Author Phillip Nel sold his Crockett Johnson and Ruth Krauss biography to whet everyone's appetite for the Barnaby book. Rich Tommaso sold his The Cavalier Mr. Thompson, a Fantagraphics-distributed book about a 1920s hotel in Texas.
Fans and friends got their signatures and tiny drawings by Tommaso.
Cartoonist TJ Kirsch shows off his Daniel Clowes drawing in Twentieth-Century Eightball.
Despite his dour face, Daniel Clowes genuinely liked Gary Panter's Dal Tokyo while Charles Burns looks on.
John Porcellino (of Spit and a Half, King Cat and Drawn and Quarterly) soaked in the cross hatching glory of Van Sciver's The Hypo. Maybe he was enjoying it too much.
As always, my partner-in-crime Jacq Cohen and I accidentally dressed to match some of our favorite classic books, me with Nancy and Jacq with Peanuts.
Jacq and I ran off after the convention to eat some delicious food with our good friends. Clockwise from the bottom left: Gilbert Hernandez, me, Jaime Hernandez, Tom Neely of Sparkplug, Joseph Remnant of ZAP/Top Shelf, Noah Van Sciver and John Porcellino. Delicious!
And finally, a picture from 2010's MoCCA Fest where I'm handing Jaime minis as a fan. Now we get to argue about baseball uniforms and proper sock height while working the Fantagraphics table. Thank you everyone for coming to the Fantagraphics table to buy our books, talk to our artists and spread more of the convention cheer. See you next year!
Photos by Jacq Cohen and me. Attitude by Fantagraphics.
Charles Forsman of future Fantagraphics titles Celebrated Summer and The End of the Fucking World, is a mini-comics publisher in his own right. Forsman is curating a great set of cartoonists and publishing their work via his Oily Comics Boutique. If you become a "Friend of Oily Comics" you get ANY publication created from July - September ($30) or July - December ($60) via monthly deliveries through September or December (respectively). Check out what our local mailmain delivered this month!
Comics by Max de Radigues, Aaron Cockle, Melissa Mendes, Forsman and Andy Burkholder. Forsman was recently interviewed about his comic creations plus publishing & distributing excursions on Comic Book Resources and on the Inkstuds podcast with Robin McConnell.
When de Radigues gave Forsman Moose #1, he couldn't believe it, "I could tell he wasn't laboring over the artwork and he was having fun. I wanted to have fun again. . . Readers responded to it almost immediately." Here is the first page of Belgian cartoonist, Max de Radigues' Moose #9.
And one more taste of FOOC: east coast cartoonist Melissa Mendes.
While Forsman's The End of the Fucking World will be printed via Fantagraphics next year but you can still get a taste of the mini-comic by subscribing to Friends of Oily Comics.
TODAY is the last day to get the fancy subscription supersale complete with buttons, patchs, etc. Plus, you get a membership card with a personalized portrait. Just sayin'. It's worth it.
The newest, brightest bulb Online Commentaries & Diversions:
•Review: Sarah Hansen of Autostraddle looks at No Straight Lines. "I like my queer comic anthologies like I like my women. Handy AND beautiful. . .What No Straight Lines really achieves is putting all of these influential comics in one place. Together, they contextualize each other and the LGBTQ scene at the same time."
•Review:Paste's 'breeder' journalist Sean Edgar cracks open No Straight Lines and has a baller time. "The work in this book illustrates a sweeping chronology of our generation’s greatest civil conflict with all of the tears and smiles that follow. It’s a fascinating read and an essential perspective historically and socially. Even if you’re a breeder."
•Commentary:Publishers Weekly's coverage of Comic Con International in San Diego is THOROUGH. Shannon O'Leary talks up No Straight Lines. " . . .Hall focused on collecting 'literary queer comics in danger of being lost' with the focus instead on literary, self-contained works that would give the reader the experience of being 'satisfied' with each of the stories."
•Review: From the Librairie Drawn and Quarterly Bookstore, Jade reviews her six years of love for Love and Rockets, including keeping the store stocked with them."After all these years, the Hernandez Brothers continue to knock it out of the park with some of the best work in the industry."
•Commentary: Heidi MacDonald runs down the things that stuck out to her at Comic-Con in San Diego. The 30th Anniversary of Love and Rockets was a big one featured on THE BEAT. "While Los. Bros didn’t get the skywriting and theme park they deserved, they got a lot of love, and that will last longer. . . .We’ll give the final word to Jamie Hernandez, because he is the final word."
•Commentary: Eisner Award winner, Charles Hatfield, writes at Hand of Fire speaks about the Hernandez Brothers at Comic-Con International. "I love L&R, and credit it for keeping me in comics as a grownup. Great, great work."
•Plug: Longtime Love and Rockets reader, Robert Boyd, created a long and annotated list of the music found in the thirty-year series. "Each brother does his own very different stories, but both were (and presumably still are) punk rock fanatics and music lovers in general. This is reflected in their work."
•Plug: Sean T. Collins was spotted sporting the newest Love and Rockets shirts on television while discussing the tragic events of Aurora, CO.
•Review:Shelfari picked up two of our titles for the Graphic Novel Friday. Alex Carr starts with Joe Daly's Dungeon Quest Vol. 3: "if you can laugh at your obsession while still poring over weapon and armor upgrades, the Dungeon Quest series should be on your couch next to the game manual and open laptop. . .It's absurd, engrossing, very adult, and pitch perfect." On Jaime Hernandez's God and Science: Return of the Ti-Girls, "It's oversized and billed as a director's cut,ť with 30 additional pages."
•Interview: Timothy Callahan over at Comic Book Resources got the shimmy on new(er) cartoonist, Chuck Forsman, who has two books out next year from Fantagraphics: Celebrated Summer and The End of the Fucking World. "While at Forsman's studio, I saw the finished pages for 'Celebrated Summer' and it's such a fully-realized work, it's no surprise [Associate Publisher Eric] Reynolds was so quick to jump on it, even after seeing only a few pages."
•Commentary: The Best-Manga-Worst Manga panel of 2012 Comic-Con International has transcribed their views a la Deb Aoki at About.com. Shimura Takako's Wandering Son falls into the BEST MANGA (series) for Kids/Teens. Shaenon Garrity said, "I picked this as best manga for kids, but it's really a great manga for everybody. . . It's done in such a beautiful, sensitive way." Meanwhile, The Heart of Thomas by Moto Hagio is one of the Most Anticipated. Garrity again states, "Moto Hagio is probably the greatest manga artist after Osamu Tezuka. . . It's one of the two manga stories that practically invented the boys' love genre, along with Keiko Takemiya's Song of the Wind and Trees.
•Review:Jazz-Institute covers Listen, Whitey!: The Sights and Sounds of Black Poewr 1965-1975 and via a rough translation, Wolfram Knauer says, "Pat Thomas's book is a very valuable addition to the musical history of the 1960s and 1970s, precisely because the author attempts to establish and explain the political context. The coffee-table book is generously illustrated with album covers, rare photos, newspaper articles, and ads. A thorough index and a separately available CD with examples of the music mentioned in the text complete the concept."
•Review: Forbidden Planet makes people choose their eight favorite comics should they ever end up on the dreaded desert island. Some of those books included E.C. Segar's Popeye and Daniel Clowes' Twentieth Century Eightball. Across-the-pond artist Steve Tillotson states, "The Fantagraphics collections are great, and the character of Popeye is brilliant- I like how he just punches anyone who pisses him off, but he’s also got a really strong sense of morality, and he talks funny."
•Plug: Did you know Carl Barks was unknown for the first 16 years of his work on Disney comics? He was merely known as the good Disney artist, more on THE BEAT and MetaFilter.
Fantagraphics is proud to announce it has obtained the rights to the first two books by award-winning cartoonist Charles Forsman.
The first book, The End of the Fucking World, will be released during the 2013 Spring / Summer season (exact release date t.b.a.). The 128 page black and white graphic novel, which will include all twelve issues of the critically-acclaimed minicomic series, follows the unfeeling, sociopathic teen James and his earnest girlfriend, Alyssa, on the brink of adulthood.
The second book, to be released during our 2013 Fall Season, is an original graphic novella titled Celebrated Summer. This funny and moving story escalates the humor and tension between two acid-fueled teens, Mike and Wolf, on a turbulent road trip. Celebrated Summer is clocked in at 48 pages of resplendent black and white comics.
Associate Publisher Eric Reynolds says publishing Forsman was a "no-brainer."
"Like a lot of folks, I've been reading Chuck's minis for a few years and loving them," says Reynolds. "He has a keen ability to write brutally honest and hilarious stories about adolescence, and pitch-perfect dialogue. His cartooning is also wonderful; I see echoes of very fine company, from Schulz to Huizenga, but it's entirely Chuck's voice."
Forsman modestly says, "When I was a kid reading Hate and Eightball in my bedroom, I knew I wanted to be the kind of person that would make comics like those. Now that Fantagraphics has agreed to publish my comics, I guess I am now that person."
Charles Forsman graduated from The Center for Cartoon Studies in 2008. That same year he won two Ignatz awards for his series, Snake Oil. Now, Forsman is himself a mini-comics publisher, called Oily Comics, and he also creates a monthly comic strip for Rhode Island newspaper, Mothers News. A consummate small-press advocate himself, Forsman created the Muster List to comic and zine lovers' delight. He lives in Massachusetts with his partner, Melissa, and has a cat named Bruce.
The most delicious comic-con ever debuts this weekend, Saturday, June 16th and Sunday, June 17th... Introducing CAKE: the Chicago Alternative Comics Expo, a weekend-long celebration of independent comics, inspired by Chicago’s rich legacy as home to many of underground and alternative comics’ most talented artists!
While Fantagraphics won't be tabling there ourselves (sob!), many of our wonderful artists will be there, as featured guests, panelists, exhibitors, or probably just walkin' around somewhere.
And check out these panels with our Fantagraphics artists! Why, it's the icing on the... okay, I'll stop:
• Crude and Rude: Comics and Vulgarity: featuring Ivan Brunetti , Lisa Hanawalt, Hellen Jo and Onsmith, moderated by Josh Reinwald and Justin Rosenberg (Sponsored by Quimby’s Bookstore)
• Jeffrey Brown Makes a Minicomic: Jeffrey Brown makes a minicomic in 1 hour!
• Double Vision: Comics and Animation: with a Q&A featuring Jo Dery, Jim Trainor, Amy Lockhart and Marc Bell, presented by the Eyeworks Animation Festival (Lilli Carré and Alexander Stewart)
• Start a Micropress: featuring Sarah Becan, Austin English, Jesjit Gill, Annie Koyama, Greg Means and Caroline Paquita, moderated by Zak Sally
• Comics In Chicago: The Past 10 Years (Sponsored by the Chicago Independent Radio Project - CHIRP): featuring Ezra Claytan Daniels, Lyra Hill, Paul Hornschemeier, Robin Hustle and Jeremy Tinder, moderated by Edie Fake;
• Queer Communities, Queer Anthologies: featuring Justin Hall, Robert Kirby and Annie Murphy, moderated by Noah Berlatsky (Sponsored by Little Heart, a Comic Anthology for Marriage Equality)
• Violent Line: Mark-Making and Meaning: featuring Anya Davidson, Charles Forsman, Patrick Kyle, Grant Reynolds, Conor Stetchschulte, Lale Westvind and Mickey Zacchilli, moderated by Noel Freibert
• Real Life: A Roundatable on Women and Graphic Autobiography: featuring Rina Ayuyang, Lucy Knisley, Keiler Roberts, Marian Runk, Leslie Stein, Julia Wertz
CAKE will be held at the Columbia College of Chicago's Ludington Building [ 1104 S. Wabash (8th Floor) ] from 11 AM to 6 PM. It is free and open to the public. Go, and give our artists a hug and your money.
For the first time ever, Fantagraphics will be exhibiting at the Brooklyn Comics & Graphics Festival! Come visit us this Saturday, December 3rd from 12:00 - 9:00 PM for a wealth of debuts, artist appearances, and the great Gary Groth manning the table!
Gary will be joined by a truly all-star cast of artists for our first BCGF:
Where can you find all this awesome? Fantagraphics will be in the downstairs section at the Our Lady of Mt. Carmel Church [ 275 North 8th Street ], at tables 31 & 32:
And finally, make sure you don't miss our artists in these panels! These will all take place at Union Pool [ 484 Union Avenue # A ], and the panels are free and open to the public:
1:30 PM // JACK DAVIS Q+A
Legendary cartoonist Jack Davis made his mark producing horror and war stories for EC Comics, before finding his métier in satire as one of the original (and longest running) artists for MAD Magazine. As a prolific illustrator, Davis defined the caricatural style of the 1960s and 1970s—and beyond. In this rare public appearance, Davis will discuss his career with Fantagraphics co-publisher Gary Groth and illustrator Drew Friedman.
[ Jack Davis fans, please note: he will also be appearing on Friday, December 2nd at the opening of his exhibit at the Scott Eder Gallery! Don't miss it! ]
2:30 PM // GESTURAL AESTHETICS
As comics have evolved beyond their commercial roots toward more individualistic modes of expression, they have been infused with new influences from other fields of art including printmaking, collage and painting. Additionally, new printing technologies have permitted the reproduction of artwork that more closely shows the work of an artist’s hand. Austin English, Dunja Jankovic and Frank Santoro will discuss new aesthetics in comics with moderator Bill Kartalopoulos.
6:00 PM // THE LANGUAGE IN COMICS
The recent embrace of graphic novels by the publishing industry has led to misguided attempts to evaluate comics according to the standards and conventions of literary fiction. The writing in comics occupies a more peculiar place, with its own constraints and opportunities. John Porcellino, Gabrielle Bell, and David Sandlin will discuss the particular demands of writing within a visually-driven form in this conversation moderated by novelist Myla Goldberg.
So, get ready! And we'll see you in Brooklyn this Saturday!