80-page two-color 6" x 9" hardcover • $16.99 ISBN: 978-1-60699-746-8
The precocious sock monkey Uncle Gabby, his innocent pal Mr. Crow, and their tiny doll-friend, Inches, are the heroes of this funny, unsettling, and all-new Sock Monkey storybook. Convinced that their human, Ann-Louise, has been kidnapped by a vicious monster dubbed the Amarok, our heroes bravely venture into the Haunted Woods to rescue her. The epic quest that follows takes them by sea, land, and air through many fantastic lands and introduces a cast of fanciful characters and creatures including the Trumbernick (the pixie shaman of the forest), a giant sea monster, the Guardsmen of Bear Town, and a flock of flying harpies. Beloved by adults and children, Sock Monkey hearkens back to all-ages fantasy-adventure such as The Wizard of Oz or Alice in Wonderland.
360-page black & white (with spot color) 8.25" x 6.5" softcover • $22.99 ISBN: 978-1-60699-763-5
The bestselling, award-winning, critically acclaimed series that sparked a renaissance for fans of classic comic strips upon its debut in 2004 is now in softcover! This first volume, covering the first two and a quarter years of the strip, features hundreds of strips rarely reprinted before this series. Three major cast members — Schroeder, Lucy, and Linus — initially show up as infants and only “grow” into their final “mature” selves as the months go by. Even Snoopy debuts as a puppy! The Complete Peanuts offers a unique chance to see a master of the art form refine his skills and solidify his universe, day by day. This volume is rounded out with Garrison Keillor’s introduction, a biographical essay by David Michaelis (Schulz and Peanuts) and an in-depth interview with Schulz conducted in 1987 by Gary Groth and Rick Marschall.
224-page color/black & white 7.5" x 11" hardcover • $34.99 ISBN: 978-1-60699-747-5
This is the definitive account of the boldest and most audacious of the legendary underground cartoonists: the taboo busting, eyeball blistering S. Clay Wilson. This first volume contains all of his underground comic stories from ZAP Comix, Snatch, Gothic Blimp Works, Bogeyman, Felch, Insect Fear, Pork, Tales of Sex and Death, and Arcade magazine as well as the many adventures of the Checkered Demon, Star-Eyed Stella, and Captain Pissgums, and even his earliest collaborations with William Burroughs. Also: selections from his teenaged and college years, both in comics and painting form. First person accounts from his peers, as well as Wilson’s own words, offer a revealing portrait of the artist who hid his shyness behind brash behavior and bluster. This first of a three-volume biography and retrospective gets to the heart and soul of an artist who lived his dreams and his nightmares.
160-page full-color 9" x 12" hardcover • $34.99 ISBN: 978-1-60699-731-4
Featuring approximately 75 full-color portraits of the pioneering legends of American comic books, including publishers, editors, and artists from the industry's birth in the '30s, through the brilliant artists and writers behind EC Comics in the ’50s. All lovingly rendered and chosen by Drew Friedman, a cartooning legend in his own right. Featuring subjects popular and obscure, men and women, as well as several pioneering African-American artists. Each subject features a short essay by Friedman, who grew up knowing many of the subjects included (as the son of writer Bruce Jay Friedman), including Stan Lee, Harvey Kurtzman, Will Eisner, Mort Drucker, Al Jaffee, Jack Davis, Will Elder, and Bill Gaines. More names you might recognize: Barks, Crumb, Wood, Wolverton, Frazetta, Siegel & Shuster, Kirby, Cole, Ditko, Wertham... it’s a Hall of Fame of comic book history from the man Boing Boing calls "America’s greatest living portrait artist!"
(Note that the final cover art will feature Drew's portrait of Jack Kirby, rather than Siegel & Shuster as shown here.)
Tally ho, adventure lovers, another volume of Hal Foster's masterpiece is coming your way in a couple of months, as heralded by the appearance of advance copies of Prince Valiant Vol. 8: 1951-1952 in our hallowed halls. A theological thread runs through this volume with storylines about the coming of Christianity to Val's Nordic homeland (see Val getting a lesson on the Norse pantheon with a pre-Lee/Kirby Thor on the cover) along with all the usual derring-do, epic battles, domestic comedy, and dramatic life changes. Pre-order now for your express ticket to comics Valhalla!
250-page full-color 8" x 10" hardcover • $34.99 ISBN: 978-1-60699-730-7
In 1947, the author's grandfather, Arsene, traveled across the ocean to a mysterious, dangerous jungle colony at the behest of his cousin. Together they would build something deemed impossible: a utopia of modernity, in the wilderness — but not before Arsene falls in love with his cousin's wife, Marieke. Whether delirious from love or a fever-inducing jungle virus, Arsene's loosening grip on reality is mirrored by the reader's uncertainty of what is imagined or real by Arsene. This first full-length graphic novel from European favorite Olivier Schrauwen manages to fold many of the artist's previously displayed obsessions in his short stories — culture clash, lowbrow humor, colonialism, and early-20th-century continental European life — into a single engrossing, often beautiful narrative.
200-page full-color 6" x 8.75" hardcover • $29.99 ISBN: 978-1-60699-743-7
Megg is a depressed, drug-addicted witch. Mogg is her black cat. Their friend, Owl, is an anthropomorphized owl. They hang out a lot with Werewolf Jones. This may sound like a pure stoner comedy, but it transcends the genre: these characters struggle unsuccessfully to come to grips with their depression, drug use, sexuality, poverty, lack of work, lack of ambition, and their complex feelings about each other in ways that have made Megg and Mogg sensations on Hanselmann's Girl Mountain Tumblr. This is the first collection of Hanselmann's work, freed from its cumbersome Internet prison, and sure to be one of the most talked about graphic novels of 2014, featuring all of the "classic" Megg and Mogg episodes from the past five years as well as over 70 pages of all-new material.
Are you ready to get Ghastly? Our next EC Comics Library volume Sucker Bait and Other Stories, featuring the nauseatingly expressive artwork of Graham Ingels, is a couple of months from haunting your shelves, as evidenced by the acrid arrival of advance copies in our cobwebbed lair. The Old Witch serves up a cauldron-ful of grue and rue in over two dozen classic creepfests, reprinted in glorious, gory-ous black and white. Peek through your fingers at 3 full stories and pre-order your copy right here.
208-page full-color 8.5" x 11" hardcover • $29.99 ISBN: 978-1-60699-742-0
“Great howling crashwagons!” The Richest Duck in the World is back — and so are noisy nephew Donald, wunderkinder Huey, Dewey, and Louie, and rascally richnik Flintheart Glomgold! Because you asked for it, we’re proud to present our first complete, chronological book of Duck adventures by contemporary fan favorite Don Rosa — following in the footsteps of Disney legend Carl Barks with an exciting, lovingly detailed visual style all his own! Rosa, among the world’s most beloved modern cartoonists, launched his Barksian career in 1987. Famed for his prizewinning “Life and Times of Scrooge McDuck,” Rosa wrote and drew a whopping two decades’ worth of ripping Scrooge and Donald yarns! Presented with sparkling color and “extras,” these Duckburg epics are getting a definitive, comprehensive North American edition for the very first time — at a price even Scrooge would consider a bargain!
(Note: specifications for this book have changed from the catalog!)
216-page full-color 7.5" x 10.25" hardcover • $28.99 ISBN: 978-1-60699-741-3
It’s off to Shangri-Lala for Donald, Huey, Dewey, and Louie, on a perilous expedition to bring back a rare unicorn for Uncle Scrooge! But it’s not as easy as it sounds, with a mysterious stowaway, intrigue, and double-crosses in this land of many secrets. But once you do catch a unicorn, what, exactly, do you do with him? Then, in a trio of frigid challenges — “Luck of the North,” “Land of the Totem Poles,” and “Serum to Codfish Cove” — the Ducks must face the perils of the north. Each story has been meticulously restored and re-colored. Insightful story notes by an international panel of Barks experts. Introduction by Jeff Kinney, bestselling author of Diary of a Wimpy Kid. Edited by Gary Groth.
72-page black & white (with spot color) 6" x 9" softcover • $14.99 ISBN: 978-1-60699-734-5
A local medical expert and sheriff are summoned to investigate a strange sighting that sets the stage for Conor Stechschulte's debut graphic novella: a severed human head that still seems to be talking. We flash back to a pair of butchers who arrive at work one morning to find not only that there is no meat in their shop but also that they have forgotten completely how to do their job. As customers arrive, they are too fearful for their livelihood to admit their dilemma, leading to increasingly disastrous events. But what has caused their strange amnesia? This often hilarious, enigmatic, and uncomfortable book will establish Stechschulte as an exciting new talent.
240-page full-color 6.75" x 9.75" softcover • $28.99 ISBN: 978-1-60699-739-0
Before Spider-Man and Dr. Strange, the legendary comic book artist Steve Ditko was conjuring all manners of horrors at his drawing table. In his first two years in the industry (1953 and 1954), Ditko drew tales of macabre suspense that were not yet hobbled by the imminent Comics Code Authority (adopted in Oct. 1954). These stories featured graphic bloodshed, dismemberment, and blood-curdling acid baths as the ugly end to the lives of the dark and twisted inhabitants of Steve Ditko's imagination. Strange Suspense features spectacular full-color reprints of every story from those first two years of his career. Edited by Ditko expert Blake Bell. Now in paperback!
416-page two-color 5.75" x 5.75" hardcover • $28.99 ISBN: 978-1-60699-737-6
Summer vacation is here and Tammy Pierce is back with more sometimes ordinary, often humiliating, occasionally poignant, and usually hilarious exploits! Her hopes, dreams, agonies, and defeats are brought to vivid, comedic life by Watson's lovingly grotesque drawings, filled with all the eighties essentials — too much mascara, leg warmers with heels, and huge hair, etc. — as well as timeless teen concerns like acne, dandruff, and the opposite sex (or same sex, in some cases). Unlovable addresses the mysteries of high school through Tammy's naivete; girls and women in particular will find much that resonates, but men will also relate to Unlovable's universal humor and loser cast of characters. Tammy's life isn’t pretty, but it is endlessly endearing and hilarious.
144-page full-color/b&w 7.5" x 9.875" softcover • $24.99 ISBN: 978-1-60699-740-6
Eleanor Davis's How to Be Happy is the artist's first collection of graphic/literary short stories, and it’s about time. Davis is one of the finest cartoonists of her generation, and has been producing comics since the mid-2000s. Happy represents the best stories she's drawn for such connoisseurial venues as Mome, Nobrow, and Lucky Peach, as well as her own self-publishing and web efforts. Davis achieves a rare, subtle poignancy in her narratives that are at once compelling and elusive, pregnant with mystery and a deeply satisfying emotional resonance. Happy shows the full range of Davis's graphic skills — sketchy drawing, polished pen-and-ink line work, and meticulously designed full-color painted panels — which are always in the service of a narrative that builds to a quietly devastating climax.
Do you like beautiful books? Do you like gorgeous illustration? Do you like fun, inventive comics? Then you will love Perfect Nonsense: The Chaotic Comics and Goofy Games of George Carlson, coming in January. Collecting Carlson's mostly youth-oriented work from the first half of the 20th century, Perfect Nonsense is brimming with clever whimsy and swoon-worthy artwork in a package so lovely we all crowded around designer Tony Ong and his pup Otis (out of frame) to congratulate him on a job well done when the first advance copies arrived.
220-page full-color 8" x 8" softcover • $29.99 ISBN: 978-1-60699-738-3
SuperTrash is the awaited, mutagenic sequel to Trash: The Graphic Genius of Xploitation Movie Posters (2002, Chronicle), the book that became a prophecy of the lasting influence of grindhouse and a model describing the shared evolution between art and trash. Now, original Trash author and curator Jacques Boyreau returns to the gonzo archives of 20th century design in pursuit of more bionic art-agony and trash-ecstasy. Serving together a mix of traditional movie signage and transgressive shout-outs, SuperTrash collages a trail of freakish delights and intellectual spin-kicks that track the co-dependencies of art and trash through sly, uncompromising essays about new wave hookers, bad gods, hermaphro chic, and, of course, Lee Marvin. Part psychedelic psychotronic, part poster book, part album cover book, part paperback pulp book. Interdisciplinary, quantal, and polyglottal, SuperTrash is Surrealism for the 21st century.
608-page black & white/color 8.5" x 11" two-volume hardcover boxed set • $94.99 ISBN: 978-1-60699-744-4
When the formulaic constraints, censorious nature, and onerous lack of creators' rights in mainstream comics got to be too much for the brilliant cartoonist Wallace Wood in 1966, he struck out on his own with the self-published witzend. It became a haven for Wood and his fellow professional cartoonist friends where they could produce the kind of personal work that they wanted to do, without regard to commercial demands — and with friends like Frank Frazetta, Al Williamson, Reed Crandall, Ralph Reese, Archie Goodwin, Angelo Torres, Steve Ditko, Harvey Kurtzman, Will Elder, Art Spiegelman, Don Martin, Vaughn Bodé, Jim Steranko, Jeff Jones, Howard Chaykin, Trina Robbins, Bernie Wrightson, and literally dozens more, it was bound to be a great ride! Now, Fantagraphics presents the complete run of witzend in this beautiful slipcased two-volume set with a special introduction by Bill Pearson and a history by Patrick Rosenkranz.
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