• Review: "The saga of Roberto Clemente is well known to baseball fans yet it has been given new life in this stunning graphic novel [21: The Story of Roberto Clemente]... Santiago's panels have a sharp, cinematic feel and the compositions and framing give the readers a better sense of how dynamic and explosive the game is than any baseball movie. The wonder of this book is that it will appeal to kids and adults alike. Even non baseball fans will fall under its spell. The national pastime has been virtually untouched by the graphic novel genre but if Santiago's effort is any indication, the marriage of subject and form is nothing short of a grand slam. Santiago has set the bar high, though, and we'll be all the richer if anyone can approach the artistry and emotional resonance of this memorable book." – Alex Belth, Sports Illustrated
• Interview:Wilfred Santiago talks with Sketch Maven about his career and creating 21: "After the previous graphic novel, In My Darkest Hour, I wanted to do a biography. There were many reasons why Clemente was chosen. The richness, purpose-driven life, the inspirational life story are a few among many factors. The relevance of Clemente’s story to a youngster of today also came to mind. Roberto was a great and famous baseball player, and the baseball was a challenging aspect to the story. But, it was great to explore the sport in a comic book format."
• Review: "One of my favorite presents from last year’s holiday season was Fantagraphics’ Usagi Yojimbo: The Special Edition... The Dragon Bellow Conspiracy... rivals just about any epic fantasy (novel or film) in the last 25 years for its narrative complexity and powerful action sequences. [...] Reading these stories will help you understand why, when we talk about the success stories of independent comics publishing, Usagi Yojimbo should be one of the first titles that gets mentioned." – Ron Hogan, Beatrice
• Review: "Crane’s work is highly, emotionally charged, but in a quiet way. Illustrated in a lush, enveloping, greytone, 'Vicissitude' has a Film-Noir quality that adds an air of mystery to this story of melancholy and rotting love. It is so engaging and enthralling that its ending is jarring. 'Freeze Out,' the Simon & Jack tale, is fantastic. It’s all-ages comic book magic. Reading it made me feel like a kid again, reading stories of adventure, fantasy, and magic for the first time on my own. If there were any doubts about Crane’s prodigious talent, Uptight #3 is the spell to dispel those doubts. [Grade] A+" – Leroy Douresseaux, Comic Book Bin
• Profile: The Toronto Star's Vit Wagner on the work and career of Joe Sacco: "'The drive is there,' says Sacco. 'I have a desire to go there and see things and talk to people. It’s invigorating and exciting. But my work involves a slower process. It takes me time to report. I like to sink into the situation. But beyond that, it takes a long time to write and draw my stuff, especially the drawing. You can report that there are 200,000 people in Tahrir Square, but if you want to draw the scene it takes a lot of effort.'"
• Interview:Sequential's David Hains talks to Joe Sacco: "I find more than half of my readers are from schools, in classes where they read my work. People have been to the regions and they’ll see, oh this medium has taken this on, I’ll pick that up. It’s sort of more book people than comics people. Although some of those are the same people, and thank God."
"Described as a Spanish Dick Tracy on steroids, the titular cabbie here is involved in a hunt for his father's stolen coffin, which contains his full inheritance. Art Spiegelman wrote the introduction, so we're not talking warmed-over liver."
"Wilson drew these linked one-pagers in the National Lampoon throughout the 1970s. His hero in a hunting cap is Everykid, who braves the daily awfulness of a child's world: school irrelevancies, getting sick, strange old relatives, department store Santas, going to camp, and death, for starters. No monsters and ghoulies — just real-life quimsies. Don't you wish you could have seen Gahan Wilson comics when you were a kid?"
"What a lavish show-and-tell: a DVD of nonprint media appearances of Krazy Kat, including videos of a 1921 'jazz pantomime' ballet and rare animated cartoons, plus two booklets collecting drawings, designs, strips, and background relating to Krazy in music and dance. [...] Clearly a shining star for popular culture and film collections."
The Cartoon Bank Blog's new interview with cartoonist Shannon Wheeler gives you your first glimpse at his artwork for Oil & Water, which we are publishing this Fall. Wheeler explains the book: "Mike Rosen, a manager at the Bureau of Environmental Services, Watershed Division, organized a group of writers, scientists, activists, environmentalists, teachers, and students to go to the Gulf Coast to get a better understanding of the oil spill and its implications. It is possibly the greatest manmade disaster in our history. Steve Duin, metro columnist for The Oregonian, is fictionalizing our side of the story to build a strong narrative, keeping the local characters and situations real. Our main goal is to help keep the situation on the national radar."
On The Ruined Cast blog Dash Shaw posted this page from his story "Blind Date 3" appearing in the next issue of Mome. Looks like a bit of a stylistic departure from the first two "Blind Date" strips. If you're not already familiar, yes, these are comics adaptations of actual episodes of the TV show Blind Date and yes, they're as funny and weird as you think.
We just got the go-ahead to share this image with you — a 3D rendering of Walt Disney's Mickey Mouse Vol. 1: Race to Death Valley by Floyd Gottfredson, created by our art department to give you a sense of the book as an object in space (and your first look at what the spine looks like). Cooooool. Click the image for a bigger version.
From Jason, an as-yet uncolored page (and a bit of behind-the-scenes info) from the 5th of 6 stories in his upcoming book Athos in America (due late this year). For past glimpes, search Flog for "Athos".
Ta-da! It's your first look at art director Jacob Covey's beautiful final cover design for Walt Disney's Mickey Mouse Vol. 1: Race to Death Valley by Floyd Gottfredson! (Click the image for a bigger version.) The book went to the printers last week and is scheduled to be available in early June. And that's not the only exciting Mickey update we have for you!
On Monday we sent out digital copies of our promotional BLAD ("Book Layout And Design") brochure for the book to members of the press; today, we are pleased to offer it to everyone as a 3MB PDF download! Inside you'll find tons of information about the book including samples of the strip and preliminary versions of some of the bonus features. (Note that details regarding the book may have changed since we first put the BLAD together — you'll notice that the cover image it shows is an earlier, unfinished version, for instance.)
Yesterday at Comic Book Resources, Shaun Manning talked to series co-editor Gary Groth. A small sample: "Most of Gottfredson's Mickey Mouse strips have not been reprinted, and the few collections that do exist are out of print. Asked how these early strips came to be neglected, Groth said, 'The easy and honest answer is, I don't know. Why did it take 'til 2004 before Peanuts was properly reprinted? Mickey Mouse strips have been reprinted or excerpted desultorily in other, larger books over the eras, but never systematically. Sometimes the determining factor to these things is a weird confluence of circumstances, and with Mickey, now is the time.'"
On CBR's Robot 6 blog, Sean T. Collins commented further: "...I’m sure Groth wouldn’t mind if I said that the real star attraction for the piece are the actual Gottfredson strips used to illustrate it. Simply put, my jaw literally dropped once I opened up these action-packed images, so impressed was I by their power and grace. And since most of Gottfredson’s work has been reprinted rarely, if that, chances are you’ll be bowled over too."
Hey, remember that cover art for Wandering Son (Hourou Musuko) Vol. 1 by Shimura Takako that we were so excited to debut last week? Well it turns out we were a little TOO excited as the version we showed you was incorrectly cropped. Here's the corrected version above; we've also fixed it in the original post, which contains more information about the book. Sorry about that folks!
Here's the Peanuts cartoon modified by Michael Kupperman which is lighting up the comics blogosphere today after being tweeted by @MKupperman last night. Below, perhaps of more interest to serious Kupperman fans, another tweeted image from last night: a glimpse of his next book coming in September, Mark Twain's Autobiography 1910-2010 (in which "Twain meets with Ike Eisenhower and his unbelievably hot wife, Mame"):
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