Could it be? Peter Bagge's Hate Annual is... back on an annual schedule? We'll be soliciting it for sometime in Spring 2011 — just 12 months (or less!) after the last issue! And oh yeah, how 'bout that cover! Jeezum crow!
• Profile:The Stranger's Paul Constant profiles the newsweekly's 2010 Literature Genius, Jim Woodring: "There are only a small number of medium-changing geniuses in the history of cartooning who have managed to develop a singular visual language, and Jim Woodring is one of them."
• Review: "...[D]amned if [Prison Pit: Book 2] isn’t one of the most entertaining, hilarious, and addictively fun comics I’ve read all year. [...] The violence itself is both brutish and ugly, but is direct and unapologetic, and drawn with such passion and beauty by Ryan. [...] It’s over-the-top, extreme, uncompromising, and very, very funny. It’s the sort of book you can’t put down even after you’re done; you just keep jumping around and admiring the stark viciousness that jumps off the page." – Chad Nevett, Comic Book Resources
• Review: "...[Mort] Meskin was and is one of the unsung greats of the Golden and Silver Ages, was influential on many of the later legends such as Joe Kubert and (especially) Steve Ditko (Ditko's style, especially early on, is VERY reminiscent of Meskin), and is definitely someone any right-thinking comics and/or illustration fan should get better acquainted with. [From Shadow to Light] is a very good place to start. It also works wonderfully as a snapshot of a time and a way of life in the comics industry that is gone, never to return." – Johnny Bacardi, Popdose
• Roundtable:Techland's panel of critics (Douglas Wolk, Evan Narcisse, Mike Williams, Lev Grossman and Graeme McMillan) has an opinionated (and spoiler-filled) discussion about Love and Rockets: New Stories #3
• Coming Attractions:Library Journal's Martha Cornog spotlights Stigmata by Lorenzo Mattotti & Claudio Piersanti in the latest Graphic Novel Prepub Alert: "A hand-to-mouth lowlife makes do day to day, and then his palms begin to bleed. This apparent gift of sainthood brings certain benefits, but tragedy as well. The original Italian comic inspired a 2009 Spanish live-action film and was one of British comics guru Paul Gravett's 2004 picks for the 'twenty best untranslated European graphic novels you haven't read' and only the fifth to be translated since. Intense, swirly black-and-white linework."
• Interview: The San Francisco Chronicle's Peter Hartlaub talks to Jean Schulz about the Peanuts legacy and other topics: "I don't want to say the last 10 years have been an awakening, because I always felt that he was a genius. But the last 10 years have been a really wonderful experience for me. And without me realizing it, this museum has been the forum for me to explore all these things." (Via The Daily Cartoonist)
FANTAGRAPHICS ACQUIRES LOST ‘GRAPHIC NOVEL' BY WILLIAM S. BURROUGHS & ARTIST MALCOLM McNEILL
SEATTLE, WA, SEPT. 9, 2010 --- Fantagraphics Books is proud to announce the acquisition of the only graphic novel written by — and possibly the last unseen work of his to be published — the innovative Beat writer and Naked Lunch author, William S. Burroughs. This lost masterpiece, Ah Pook Is Here, created in collaboration with artist Malcolm McNeill in the 1970s, will be published in the summer of 2011 as a spectacularly packaged two-volume, hinged set, along with Observed While Falling, McNeill's memoir documenting his collaboration with one of America's most iconic authors.
Ah Pook Is Here first appeared in 1970 under the title The Unspeakable Mr. Hart as a monthly comic strip written by Burroughs and drawn by the British cartoonist and painter Malcolm McNeil in the English magazine Cyclops. When the publication folded, Burroughs and McNeill decided to develop the project into a full-length, Word/Image novel (the term "graphic novel" had not yet been coined). Burroughs was 56 at the time, McNeill 23.
The book was conceived as a single painting in which text and images were combined in whatever form seemed appropriate to the narrative. It was conceived as 120 continuous pages that would "fold out." Such a book was, at the time, unprecedented, and no publisher was willing to take a chance and publish a "graphic novel." Burroughs and McNeill finally abandoned the project after collaborating on it for 7 years.
"It is singularly appropriate that after championing literate comics and the graphic novel form for over 30 years, Fantagraphics Books should bring a literary collaboration between one of America's most distinctive writers and his exemplary hand-chosen artist to light," says Fantagraphics Publisher and acquiring editor Gary Groth.
Ah Pook Is Here is a consideration of time with respect to the differing perceptions of the ancient Maya and that of the current Western mindset. It was Burroughs' contention that both of these views result in systems of control in which the elite perpetuate its agendas at the expense of the people. They make time for themselves and through increasing measures of Control attempt to prolong the process indefinitely.
John Stanley Hart is the "Ugly American" or "Instrument of Control" - a billionaire newspaper tycoon obsessed with discovering the means for achieving immortality. Based on the formulae contained in rediscovered Mayan books he attempts to create a Media Control Machine using the images of Fear and Death. By increasing Control, however, he devalues time and invokes an implacable enemy: Ah Pook, the Mayan Death God. Young mutant heroes using the same Mayan formulae travel through time bringing biologic plagues from the remote past to destroy Hart and his Judeo/Christian temporal reality.
Ah Pook Is Here was an experiment, not just in terms of the form in which the idea was expressed but the possible effects the form might produce. Burroughs was preoccupied throughout his career with the fundamental nature of words and images, particularly with regard to their ability to transcend time. In the case of Ah Pook Is Here, the rapport between artist and writer produced results that confirmed that contention. Ah Pook is the kind of extrapolative, futuristic feat of imagination that a reader would expect from the author of Nova Express and The Ticket That Exploded — a mind-boggling tour de force, dramatizing outré theories with a science fiction patina.
The second book in the set is Observed While Falling, written by Malcolm McNeill, an account of the personal and creative interaction that defined the collaboration between the writer and the artist, the events surrounding it, and the reasons for its ultimate demise. McNeill describes his growing friendship with Burroughs and how their personal relationship affected their creative partnership. The book is written with insight and humor, and liberally sprinkled with the kind of the hilarious anecdotes one would expect working with a writer as original and eccentric as William S. Burroughs. It confirms the prescience of Ah Pook Is Here with respect to the contemporary graphic novel; Burroughs' exploration of the artistic potential of combining words and images was a revelation to the artist. The book offers new insights into Burroughs' working methods as well as how the two explored the possibilities of words and images working together to form the ambitious literary hybrid that they didn't know, at the time, was a harbinger of the 21st century's "graphic novel."
"Fantagraphics is honored to bring this major work into print and to publish what is quite possibly the last great work from one of America's most original prose stylists," added Groth. "Burroughs once said that 'The purpose of writing is to make it happen.' We are proud to make Ah Pook Is Here finally happen."
Richard Sala has created a blog with a special 13-page sneak peek at his upcoming graphic novel The Hidden, which is now available for pre-order. Originally scheduled for release this fall, the book is now slated for early next year. Richard apologizes for the delay and promises that this book will be a bit different than anything he's done before. Judging from the preview pages he's posted, it's going to be a doozy of a book!
At his Cats Without Dogs blog Jason posted a page from his next all-new graphic novel, The Isle of 100,000 Graves (written by Fabien Vehlmann), to be published in France by Glenat in March 2011 and in English by Fantagraphics in May of that year.
• Review: "Rip M.D. is like the marriage of Cartoon Network and horror comics (perhaps an EC title or something from Warren Publications), because it is nonsensical and kooky like an old Scooby-Doo cartoon, but also steeped in monsters, both of the supernatural and human variety, like a pre-code horror comic book. The best thing about Rip M.D. is the lead character, Ripley Plimpt. [...] This is the perfect set-up: a curious, brave kid and a world of monsters. Hopefully, there is more to come, but our first appointment with Rip M.D. is pure fun." – Leroy Douresseaux, Comic Book Bin
• Review: "Fantagraphics' ongoing quarterly anthology continues here in this third edition ... One of the things I like about Mome is that artists can do almost anything, and sometimes do. ... [I]f you are fond of anthologies and like to be on the edge of indie comics while still being given the comfort of a larger publisher who can exert quality control, then pick up a copy of Mome. I'd recommend this one, if you can find it." – Rob McMonigal, Panel Patter
• Review: "A Schulz library favorite and avid patron, Evan Dorkin, recently donated Alex Chun and Jacob Covey’s retrospective book of The Glamor Girls of Don Flowers... This thick beauty of a book features work spanning several decades (1940s-1960s) and Flowers's dual pen and brush captured all the fashion that lied therein. Flowers gained popularity in newspapers for his gorgeous women, their cutting edge fashion and high-class life. Part of the appeal of this strip lies in the fact that just as many jokes are made by women at the expense of men, Flowers made sure of that." – Jen Vaughn, the Schulz Library blog
• Plug:Funnybook Babylon's Jamaal Thomas gives a "Brief Recommendation" to Jason's The Left Bank Gang: "F. Scott Fitzgerald, Ernest Hemingway, James Joyce as cartoonists that pull a heist. Go read this now."
• Coming Attractions: Luca Boschi of Italian newspaper Il Sole 24 Ore reports on our forthcoming editions of Floyd Gottfredson's Mickey Mouse
• Review: "There's lots to love in the latest gleeful offering from the pen of BUST's genius cartoonist-in-residence Esther Pearl Watson. ...[T]he sturdily bound, sparkly cover encloses lavish, whole-page panels that allow for lingering close-up absorption of Watson's creation, which lovingly combines gross-out comic-book camp with bittersweet teenage nostalgia. [...] Bursting with late-80s pop-cultural references and buoyed by the exuberance of Watson's flamboyant heroine, Unlovable, Vol. 2 is an irresistibly hilarious, tenderly drawn treat for your inner teen." – Renate Robertson, BUST
• Coming Attractions:Robot 6's Michael May looks ahead to November: "The Littlest Pirate King – ...I really need to find out how you tell a kids’ story about cursed pirates with a death wish and the malevolent God who prevents them from achieving their goal."