The Cleanest Mug in the Kitchen of Online Commentaries & Diversions:
• Review:Booklist reviews the Mysterious Traveler: The Steve Ditko Archives Vol. 3, by Steve Ditko and edited by Blake Bell. Gordon Flagg notes these horror stories feature "Ditko’s distinctly off-kilter drawings and boldly potent composition" and the "meticulous restoration means that the stories look far better here than they did upon their original appearances."
• Review:Booklist enjoys Mort Meskin's Out of the Shadows, edited by Steven Brower. "Meskin’s powerful compositions add a fitting dynamism to superhero tales featuring the Black Terror and Fighting Yank. His bold use of shadows and other solid black areas impart a moody atmosphere to horror and crime stories, and even the romance and sci-fi pieces included here benefit from his economic illustration style and attractive page designs," writes Gordon Flagg.
• Review:Black Gate picks up Linda Medley's Castle Waiting: Volume 2 for a good read. John O'Neill stated, "it retold the fairy tale of Sleeping Beauty (sort of), as seen by an odd cast of mostly minor characters. It was well written and beautiful, feminine in perspective and mood, incredibly slow-paced, and wholly original. I loved it."
• Interview: Gary Panter spent a whole hour talking to Benjamen Walker on the Too Much Information show at WFMU about life, Dal Tokyo, the evolving medium of comics and more.
• Interview: New Statesman interviews Chris Ware on Building Stories, Jimmy Corrigan and the time inbetween books. "Kim Thompson at Fantagraphics was really willing to experiment [with format]; I remember how much he and I sweated the idea of putting out a comic book that was just 1/2" shorter than the standard format in 1993."
• Review:Dal Tokyo by Gary Panter is listed in The Times of UK as one of the essential books for Chris Ware. Ware says "Gary Panter is the William Blake of comics; a true poet who sees and feels what the rest of us can't, and he's done more to expand the power of drawing in the medium thatn probably anyone else alive." Original article here.
• Interview: Cartoonist and creator of Jimmy Corrigan, The Smartest Kid on Earth Chris Ware is interviewed by Phawker by Rita Book.
• Commentary: ArtVoice visits the Spain Rodriguez retrospective at the Burchfield Penney Center in Buffalo, NY. Jack Foran says,"Rodriguez was a kind of incorrigible rebellious type. . . when abstract expressionism with its two-dimensionality principle was dogma—he was into three-dimensionality, in spades—and his blue-collar employment in Buffalo area manufactories, where the curriculum was the much more interesting subject to him of simmering socioeconomic class warfare."
• Review: Rob Clough of High-Low reposted his Seqart post on Megan Kelso and The Squirrel Mother. Cough states, "What makes Kelso one of my favorite artists is her total devotion to the medium and a constant desire to improve. . . Kelso's art is all about the narrative. Every word and every line advances the story; there are no extraneous pyrotechnics. Indeed, Kelso's line is more elegant than spectacular."
• Review:Publishers Weekly enjoys Love and Rockets New Stories #5. "In the 30 years they’ve been writing and drawing Love and Rockets, Los Bros Hernandez have created wonderfully complex story lines and characters. . . This web of superior magical-realistic storytelling involves readers in the perplexed yearnings of a huge cast of unforgettable characters unaware of their own capacity for general self-delusion and occasional self-discovery."
• Commentary: Hannah Means-Shannon contines her SPX coverage with more on the Bros on The Beat. On the "Life After Alternative Comics" panel, Jaime Hernandez and Daniel Clowes spoke about the past and present of their comics-making environment. "Dan Clowes addressed the 'wasteland' of comics in the early 1980’s and the origin of his LLOYD LLEWELLYN series and the strange, often intriguing piles of fan mail he received from readers and prison inmates."
• Interview: Also on Phawker is an interview of Charles Burns, creator of Black Hole. He weaves stories by "paying close attention to the way my brain functions. I sit and write every day and it amazes me how often I repeat myself – come up with the same “brilliant” solution to a plot thread only to discover notes from years earlier where I’ve already clearly laid out the same ideas."
The weekend's newest Online Commentaries & Diversions:
• Plug: The best footnote IN THE WORLD? appeared on Grantland's excerpt of Marvel Comics: The Untold Story written by Sean Howe. It refers to Marvel's idea of hiring Gary Groth. . . Look for footnote 7.
•Review: Johnny Ryan'sPrison Pit: Book 4 is reviewed on Nick Gazin's Comic Book Love in #73 and Mr. Ryan himself is interviewed. . . via text. "There's no point in trying to explain Prison Pit. You can only experience it to understand it. Start buy buying all of them at once if you haven't yet. . . It wears its intentional stupidness and violence on its sleeve while also showing off Johnny Ryan's sophisticated sense of composition and black and white ink prettiness."
• Review: Comics Bulletin likes Rich Tommaso's The Cavalier Mr. Thompson. Nick Hanover says, "Tommaso's distinctly minimalist, animation-influenced style adds another seemingly disparate element that actually serves to enliven the material all the more, finding some sweet spot between the Coen Brothers and Popeye."
• Plug:Comics Alliance lists their favorite covers of the month and include Rich Tommaso's The Cavalier Mr. Thompson. Andrew Wheeler says,"I'm drawn to the graphic simplicity of this cover. It plays with scale, line and color in creative ways, and the composition pulls it all together."
• Review: Rick Klaw at RevolutionSF flips through Dungeon Quest 3 by Joe Daly ". . .rousing adventure and ass-kicking action — all staged in front of fantastic backdrops replete with strange vegetation, ancient ruins and steampunk imagery."
• Commentary:The Beat reports on an SPX panel with Daniel Clowes and his editors, Alvin Beaunaventura and Ken Parille, for The Daniel Clowes Reader. Hannah Means-Shannon states,"Clowes, who appeared energetic and amused by such a large crowd commented that working on the retrospective book with Buenaventura was a welcome thing because he’s 'lonely and working all the time'so it was 'fun to have someone to hang out with'. . . Little details provided by Buenaventura and Clowes about the research process set the scene for comedy, including Buenaventura rifling through Clowes’ closets constantly and 'measuring his art' while Clowes wondered what dirty laundry the writer might dig up that he had forgotten about."
• Review: Rob Clough of High-Low picks up The Squirrel Machine, which is being reprinted in soft cover next spring, by the creeptacular Hans Rickheit. "Rickheit's stories tend to take place in a more upscale, reserved and even Victorian setting, which befits his delicate, sensitive line. . . Rickheit strikes at the heart of what it means to be human: connecting with other emotionally and physically, seeking to express oneself through art, investigating the world around us--in other words, to be emotionally and intellectually curious."
• Review: Chad Parenteau reviews Hans Rickheit's newer Folly on We Got Issues. "Rickheit clearly wrestles with the meaning and purpose of his work with every page he creates, as other artists do. Hans might be consider rude for speaking so out loud about it if more people hung around long enough to listen. Me, I’m so ensconced in his Underbrain, I’m taking notes."
• Review:Comic Impact soaks up The Crackle of the Frost by Jorge Zentner and Lorenzo Mattotti. John Mueller states, "Frost is a sharply written book that takes the reader deeper into a character’s psyche more than any other comic in recent memory. Still, as well-written as the book is, what will undoubtedly get people to pick it up is the sensational art by the acclaimed Mattotti. . . the styles of the art can jump from impressionism to expressionism, symbolism to Hopper-esque realism often within the space of just two panels."
• Review:Bookgasm reviews The Crackle of the Frost by Jorge Zentner and Lorenzo Mattotti. JT Lindroos thinks,"THE CRACKLE OF THE FROST is realistic in a manner very few graphic novels are, pinpointing a phantasmagorical and poetic vision of human relationship in its naturally nonlinear movement. It’s also a perfect example of a work that might appeal to someone not customarily interested in comics"
• Interview:The Chicago Tribune talks to Chris Ware about life, comics and Peanuts. "When he was a child, Ware connected deeply with Charlie Brown, he said. He remembers connecting so deeply that he sent Charlie Brown a valentine." Fitting that Fantagraphics has published work by both.
• Commentary: Hannah Means on The Beat comments on the SPX Ignatz Awards. "The presence of the Hernandez brothers at SPX this year brought a great deal of energy, and often hilarity, and the Ignatz awards were no exception."
• Commentary: Hannah Means covered the Brooklyn Book Festival on The Beat including the 'Sex and Comics' panel that included Gilbert Hernandez. She describes, "Hernandez was asked whether he has used sex in his works as a plot device, but countered this possibility rather precisely by explaining the undesirable tendency of depictions of sex to slow down plot movements rather than usher them along."
• Interview (audio): Sean T. Collins interviewed Gilbert Hernandezrecently at SPX. Check out the full interview today.
• Interview: Vince Brusio caught up with Jaime Hernandez on the Northeast Coast Tour and interviewed him for PREVIEWSworld.
• Plug: On Forbidden Planet's Desert Island series, Gary Northfield said he could not live without Buddy Does Seattle by Peter Bagge and I Shall Destroy All Civilized Planets by Fletcher Hanks, edited by Paul Karasik. "This guy knew exactly what he was doing; his panels are graphically stunning, boldly drawn in full manipulation of the crude 4 colour printing processes being used to churn out the pulpy monthly comics. Monthly adventure comic books were in their infancy and finding their feet and Hanks was ploughing his own crazy, psychopathic path" meanwhile "Peter Bagge’s deranged, yet no doubt closely auto-biographical soap opera is an expert lesson in slice of life story-telling and comic book narrative."
Lincoln’s forlorn early years as a struggling lawyer and neophyte politician are sympathetically depicted in this graphic novel. Arriving in Springfield in 1837, the 28-year-old Lincoln starts a law practice . . . and becomes engaged to Mary Todd against her wealthy family’s wishes. But following a series of setbacks—his legal practice collapses, his debts accumulate . . . the melancholia, insecurity, and loneliness that had long plagued Lincoln spiral into a life-threatening nervous breakdown. Lincoln’s struggles to overcome the crippling depression he calls “the hypo” and . . . his career back on track are no less heroic than the political courage he would display as president during the Civil War. Van Sciver’s heavily crosshatched drawing style, a bit reminiscent of early Crumb with a touch of Chester Brown, is well suited for the material, conveying a slight awkwardness that mirrors Lincoln’s personal discomfort and a rough-hewn, old-fashioned quality reflecting the story’s era. —Gordon Flagg
With his strong coloration and curvy figuration, Mattotti can galvanize less-than-extraordinary scripts. . . He works his magic again on fiction writer turned psychotherapist Zentner’s text, the case history of a psychological breakdown. When Alice tells him she wants to have a baby with him, Samuel starts hearing “the noise”—which Mattotti, without cue from Zentner, strikingly depicts as manta ray . . . and drives her away. A year passes; she sends a note; he leaves to find her. Injured in bizarre circumstances en route and vastly delayed by recuperation, he finally proceeds to find Alice. . . The legend-like tales Samuel tells amid his travails provide Oriental fodder for Mattotti’s imagination, but, visually alluding to Cezanne, Chagall, Munch, Picasso, Botero, and others, the artist already dazzles us by employing so much modern Western art to make Samuel’s story come alive. —Ray Olson
• Plug: This is Halloween, HALLOWEEN, Halloween Month. Check out your local comic bookstore and see if they have the stuff you want and need for Halloween Comicsfest: namely the Jack Davis' Tales From the Crypt and Basil Wolverton's Spacehawk.
• Plug:Unbored recently highlighed Gary Panter's drawing tips. Excellent suggestions from a master cartoonist, Dal Tokyo being his latest publication. "Make [a sketchbook] into your little painful pal. The pain goes away slowly page by page."
• Commentary (audio): Publishers Weekly More to Come Podcast, episode 34 talks about SPX! Heidi MacDonald touches on the three Ignatz Awards for The Hernandez Brothers as a bit of "justification or vendication after not even being nominated for the Eisner Award after doing some of the greatest work of their, you know, world-class career. So there were a lot of people very happily clapping for them."MacDonald also touches on the how long it had been since Clowes, Ware, Hernandez and Hernandez had all been together --- since 1999! And The Hypo by Noah Van Sciver was a great as expected.
• Review: On The Weekly Crisis , Taylor PithersdecidesNew York Mon Amourby Jacques Tardi is a MUST BUY! "The Cockroach Killer is the sort of yarn that David Lynch would go on to tell throughout the tail end of the eighties and culminating in the 'as frustrating as it is exciting' Mulholland Drive. . . For those who have yet to experience Tardi this is as good a place as any to start, but to be honest any of the books that Fantagraphics have published by the modern master are a good place to start, as there is a strong chance that you will be back for the rest once you have read one."
Completely seperate from Alt.Latino, the LatinoUSA radio show interviews Jaime and Gilbert Hernandez while performing art on stage at the Rock Shop in Brooklyn. Carolina Gonzalez asks them questions about how the punk movement appealed to them.
Another snippet from the the Hernandez interviews features writer Junot Diaz speaking about the first time he found 'himself' in a book. That book was comic Love and Rockets and Diaz credits the Hernandez Brothers for making his life's work possible. There is a full Junot Diaz interview available on Volume 1 Brooklyn where he talks about the Hernandez Brothers at length as well!
Listen to the segments online now and enjoy it as it is broadcasted on over 100 United States NPR affiliate stations this weekend and coming week.
The unbroken bottom ring of your three-ring binder Online Commentaries & Diversions:
• Review: Patrick Smith over at Spandexless cracks his knuckles and reads all of The End of the Fucking World mini-comics by Charles Forsman. Smith states,"Overall though, it’s a story about extremes and the kind of nihilistic worldview that only a teenager could have, while also adding on certain discerning touches that separates this book from so many other teenage melodramas." Forsman's complete The End of the Fucking World is slated for release in 2013.
• Review:Zap #2 gets Boing-Boinged. Adam Parfrey speaks on the series of ZAP comics that we will publish next year. "Throughout the book were pages of strange nightmare scenes in an quasi-psychedelic art style I had never seen before and didn't really understand."
• Interview: Print Mag posted the second part of their Roger Langridge interview where he mentions, "Top of the list right now is a Fred the Clown graphic novel. I'm thinking it might be a good time to return to the character, because I've had critical success, if not commercial success, with a couple of other things now."
The saltiest sounds of the ocean's Online Commentaries & Diversions:
• Interview: Dubbing them "The Four Horseman of AltComix" Sean T. Collins interviews Jaime and Gilbert Hernandez, Chris Ware and Dan Clowes all in one go onRolling Stone. What a beautiful meetup of minds. Ware says, "Well, there are better cartoonists now than there ever have been. I firmly believe that. There's some amazing work being done." While Gilbert laments the change in alt comics, "That's what was missing from alternative comics after us: The art got less and less good."
• Interview (video): George O'Connor with co-host Natalie Kim recap SPX on InkedTV, including an interview with Gilbert Hernandez, and George shows off his Love and Rockets shirt.
• Plug:Dan Clowes is interviewed on what inspires him by the NY Times : "I didn’t really listen to the Kinks growing up at all — I was just vaguely aware of them, like everybody else — so when I was in my mid-20s I bought a couple of their records, just on a whim, and got sort of obsessed with them."
• Review:Comics Alliance reviews Lorenzo Mattotti's newest collaboration The Crackle of the Frostwith Jorge Zentner. Sarah Horrocks points out,". . . what you're looking at in The Crackle of the Frost is a largely amazing new Mattotti release for North American audiences, with fantastic art that has to be seen to be believed. It is a work that is better than most of what you can get on the stands on any given Wednesday. But it's also a book that is hurt by how achingly close it gets to its own perfection."
• Review:InkedTV reviews Joe Daly's Dungeon Quest Volumes 1-3 on their new video reviews featuring Natalie Kim and George O'Connor. "You will never find a book or a series of books that is so genetalia-obssessed as this book." Take a gander at our back catalog and you might find more.
• Plug:The Comics Journal lets Philip Nel tell a bit of the tale before the legend of Crockett Johnson, from his biography on the man called Crockett Johnson and Ruth Krauss. Fans have their eyes on the horizon for Johnson's Barnaby, edited by Nel and Eric Reynolds. Nel writes, "But before Barnaby, there was Crockett Johnson. And before Crockett Johnson, there was David Johnson Leisk."
• Review:Broken Frontier covers King of the Flies by Mezzo and Pirus. "King Of The Flies by Mezzo & Pirus is one hell of a hardcore comic. It is noir on acid, dark and unrelenting. It is one of the most thorough examinations of the cimmerian darkness the human species can dwell on and it will hit you square in the chest." But what about Book 2? "King Of The Flies 2 : Origin Of The World is maybe even better than its original and though it bears the number 2 it can just as well be read on its own."
The furtherest-traveled Bethesda-sent postcard of Online Commentaries & Diversions:
• Review:NPR's Glen Weldon looks at The Hypo by Noah Van Sciver. "Although The Hypo is painstakingly researched, the book is no dry accretion of biographical detail. That's because Van Sciver approach's is so deeply, palpably personal, even idiosyncratic. . . Inspiring? No. But achingly familiar, relatably human and — most of all — profoundly real."
• Interview:Comic Book Resources and Ryan Ingram pulled Noah Van Sciver aside to talk about The Hypo. Van Sciver says, "My reason for spending so much time working on The Hypo was an honest to god interest in the subject of depression and the struggles Lincoln was going through at that time. Probably nobody else would have done this book."
• Review:We Got Reviews looks at Noah Van Sciver's The Hypo. Chad Parenteau closes it beautifully states," In The Hypo, Van Sciver proves in these pages that you can bring an almost mythic figure of the past to modern day terms while still making that figure heroic."
• Plug:Large-Hearted Boy got his mitts on The Hypo by Noah Van Sciver: "I've been looking forward to this book for what feels like two years now. . . It's a side of Lincoln rarely revealed, beautifully illustrated, and wonderfully told."
• Commentary: Rob Clough of the Comics Journal and High-Low made sure to organize some Noah Van Sciver within the Library of Congress mini-comic collection: "Everything's coming up Noah these days, with an Ignatz nomination for The Death of Elijah Lovejoy and the release of his Abraham Lincoln book The Hypo from Fantagraphics." Clough also comments on Jaime and Gilbert's Ignatz awards, "I dubbed Jaime Hernandez the King of SPX after he took home three extremely well-deserved Ignatz awards. After getting shafted by the other major comics awards shows, it was great to see him relishing this moment."
• Commentary: Tom Spurgeon says a bunch of nice stuff about the Hernandez Brothers, Noah Van Sciver on the Comics Reporter. "Los Bros had a steady line of admirers at the show, which was really encouraging to me. They had good solo panels, too -- Frank Santoro talked to Jaime and got him to choke up a bit, and Sean T. Collins talked to Gilbert and applied to that conversation the benefit of reading the holy shit out of all of Gilbert's work sometime in the last year. . . I enjoyed that Abraham Lincoln book of [Noah's]."
• Commentary:The Beat loves on all creators, great and small including the Hernandez Brothers
• Plug (video): Junot Diaz talks about the Hernandez Brothers in Vol. 1 Brooklyn.
• Commentary (audio): The podcasts Hideous Energy attends not only SPX but the Politics and Prose signing for the Hernandez Brothers . The hosts have a frighteningly good time at SPX despite the trials and tribulations of their hotel room at Red Roof Inn.
• Review: The School Library Journal dissects The Adventures of Venus by Gilbert Hernandez and includes some questions to ask when using it in an English or literature class: ". . . while certainly young readers should appreciate many aspects of the book, some of its content may land as so idiosyncratic (albeit playfully so) as to inaccessible. And that’s actually a good thing."
• Review:The Chicago Reader enjoys Lilli Carré's Heads or Tails. Noah Bertlasky compares,"Eschewing the autobiographical meaning-through-trauma tradition of Maus, the pop art goofiness of Fort Thunder, or the sex and drug spewing of underground artists like R. Crumb, Carré specializes in surreal narratives and exquisite design.. . . Reading this, it's easy to forget there was ever a time comics were viewed as separate from art."
• Plug: Alex Pardee of Juxtapoz picks Johnny Ryan as his dude du jour and demands you read Prison Pit #4 and all previous volumes."I'm pretty sure the words 'Johnny Ryan' mean 'Fuck You' in Elvish or Klingon. . . Lucky for us, Johnny Ryan doesn't give a Russell Brand about pissing anyone off. . . amassing a huge cult following based solely around brilliantly conveyed hemorrhoid jokes, hitler bashing, and 'shit-fucking-shit'. . ."
• Plug: Claire Donnor of comiXology focuses on No Straight Lines, edited by Justin Hall. "Besides offering an exciting array of new and rare talent, this volume presents a very refreshing change from the familiar straight male fantasizing that has traditionally dominated the indie and underground scenes."
• Review:The North Adams Transcript reviews Mattotti and Zentner's The Crackle of the Frost. John Seven writes, "What the words cannot portray, the images do, the real psychological landscape that Samuel's confused analysis grapples with, and a testament to the power that can be born of the collusion between the literary and the illustrative in the best examples of graphic storytelling."
• Review: Carter Scholz returns to The Comics Journal to pen a review of Dal Tokyoby Gary Panter, "So think of it as a comic strip, a periodic commitment. A blog before and after its time, a day book spanning three pitiless decades. Each strip of the first series is time-stamped, by hand, to the minute, testimony to Panter’s living and working and recording in the here-and-now of it."
• Interview: Max Robinson of City Paper interviews Dan Clowes and about the continuing success of Ghost World: "I’m heartened that it seems to live on. It’s about teenage girls from another world, really; [they] don’t text, don’t have cell phones, don’t have computers. It’s really about the olden days and yet it seems like the whole new readership of teenagers seems to take to it every year."
• Review:Pop Matters talks about Daniel Clowes. Features editor Josh Indar says, "This is why I love Dan Clowes. He’s the only comic artist I’ve read who can do this to me, to pull me so completely into his world that, just as the old lady said, I start seeing reality through the lens of his work."
• Review: Nick Gazin's Comic Book Love-In #72 on Vice includes Jacques Tardi's New York Mon Amour. "Many of the comics they're publishing have never been translated into English before so it is a big, big deal that they are providing this service to all American lovers of comics. . . The art's great and it captures what New York in the early 80s was."
• Interview:Print Mag interviews the indeliable Roger Langridge on comics, acting and life. It's worth reading yourself for the gorgeous panels full of exquisite details. Langridge says, "It's a fascinating world, theater."
• Interview: Chris Auman of Reglar Wiglar interviews Ed Piskor on his previous book and upcoming Hip Hop Family Tree. "I grew up surrounded by hip hop. I feel like the fact that I even learned to draw was shaped by a hip hop mentality."
Occasionally a finger on the camera slips and reporters or other publishers accidentally take a picture of the people working on publishing the books, rather than our wide array of talented artists and authors. Here are some nice things people said about us and some semi-nice photos of Gary, Kim, Eric, Jacq and Jen: Tom Spurgeon at Comics Reporter, Chris Mautner on Robot 6 and Comic Book Resources, artist Nick Abadzis, Charles Brownstein at CBLDF, Heidi MacDonald at The BEAT.
Marke B. and Caitlin Donohue said, "His book brings us back to a time when porn was just as reviled as it is in these present days of virgin-brandishing Republicans — which leaves us with the comforting lesson that, no matter what the crazies are saying on Fox News, there will always be something to jerk off to."
Recently, Boyreau (below) held a Seattle-based party at a car dealership with hot rods and hot bods in attendance (in addition to the scuzzy Fantagraphics staff). In the style of Sexytime, bikini fashion shows were accompanied by spinnin' DJs in an attempt to recreate that beautiful 70's porn atmosphere. Looking for something to laugh at, lust after and sweat to when you're alone? Look no further for a Sexytime.
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