• Review: "The latest (13th) volume of Fantagraphics BooksThe Complete Peanuts: 1975 - 1976 is a delightful visit with that 'round headed kid' and his friends. ... The cartoons Schulz produced in 1975 and 1976 feature more lighthearted and sillier touches than usual; we are even privy to the thoughts of inanimate objects such as the school building and the pitcher’s mound. Some highlights include Charlie Brown meeting his idol, Joe Shlabotnik; sister Sally’s trials in the classroom; Peppermint Patty enrolling in a private school (not knowing it’s a dog obedience school); and the gang’s continuing efforts to play a baseball game. ... Fantagraphics has won numerous awards for this series and they deserve them all for creating such a wonderful archive of this American treasure. This series is a must have for any Peanuts fan and can be enjoyed by the whole family. I wouldn’t miss a volume." – Rich Clabaugh, The Christian Science Monitor
• Review:Avoid the Future compiles parts 41-50 of their Twitter mini-reviews of the contents of Newave! The Underground Mini Comix of the 1980s: "Continue on for Krazy Kat tributes, adolescent scarification, penis missiles, comics in the dark and a double helping of Mary Fleener."
• Review: "Despite a slow start through [You Are There] grows in absurd outcomes of the last chapters, and the script of Forest serves as a humorous critique the excessive attachment to material things of people. Jacques Tardi draws so realistic objects and scenes while portraying the characters so cartoonish and fun. This combination of caricature and realism, though not anything groundbreaking, is executed with great talent by Tardi." – Gustavo Guimarães, Top Comics (forgive the slightly awkward autotranslation)
• Plugs: At Robot 6 Chris Mautner takes you to "Comics College" and schools you on the comics oeuvre of the prolific Lewis Trondheim, saying "both Harum Scarum and The Hoodoodad remain supremely entertaining tales featuring McConey, Trondheim's shy, nonplussed, anthropomorphic rabbit and his friends," and saying of The Nimrod "It's a great hodge-podge of some classic Trondheim material... including autobio stories, McConey tales and the great wordless piece, Diablotus (found in issue #2). The back issues are available at dirt cheap prices too."
• Reviewer: Your must-read of the day: Guest writer C. Tyler reviews her husband Justin Green's seminal comic Binky Brown Meets the Holy Virgin Mary for Comic Book Galaxy
• Interview: Talking to Allen Brooks at DCist, Daniel Clowes explains the influence of The Complete Peanuts on his new graphic novel Wilson: "So I thought, what if you took that conceit of these kind of daily moments, daily jokes or just kind of emotional moments and put them together in a sequence that actually had a narrative implied. As you say, in-between the strips, that's where the story's told."
• Reviews: At Comics Alliance, Jason Michelitch examines Our Gang Vol. 4 by Walt Kelly and Blazing Combat in the context of the "golden age of reprints," saying "Both are excellent books that reward both casual readers out for cheap thrills and stodgier folks who want some textual and contextual analysis to roll around in like a pig in a pen." He describes Blazing Combat as "an anti-war comic made up not of didactic preaching but of rough, unsentimentalized views of war with graphic violence and moral ambiguity front and center, produced at a time when America was ratcheting up its involvement in Vietnam and the public had yet to widely turn against it." He also says "Our Gang... [is] a lot of fun. There are lady rasslers and fake matter transporters and escaped lions and a character named Boo Boo the Illustrious Clown," and praises Kelly's "elegant... cartooning + dialogue driven style".
• Review: "There’s a certain exuberance in this book, a zaniness that Schulz follows with fewer excursions into pure melancholia. ... Each new volume [of The Complete Peanuts] adds a new layer of complexity to the work as a whole, and certainly puts the lie to the notion that Schulz had run out of ideas by this point. Indeed, Schulz had nothing left to prove and allowed himself to follow every flight of fancy that struck him, while never completely abandoning the core emotions of his characters." – Rob Clough, The Comics Journal
• Review: "Redressing a sad literary situation — the prior unavailability of this full masterpiece in English — Fantagraphics finally brings Tardi's wrenching tales of trench warfare during WWI [It Was the War of the Trenches] to American audiences. ... From the living hell of combat to the ghostlike calm of bombed-out villages, each panel radiates with the fear and hopelessness of hapless conscripts who strive only to retain their limbs and their sanity. Calling the war 'a gigantic, anonymous scream of agony,' Tardi skewers the concept of nationalism and drives home the banality of death. Dark, densely packed backgrounds and heavy wedges of solid black recall the dramatic shading effects of European expressionism, as do the characters' black, fearful eyes. Nearly a century after the fact, Tardi's outrage and compassion make the First World War sting like a fresh wound." – Publishers Weekly (Starred Review)
• Reviews: The new episode of Easy Rider, the radio show for "rock, punk rock, country, power pop, garage and comics" from Radio PFM out of Arras in northern France, features Newave! The Underground Mini Comix of the 1980s and Almost Silent by Jason among their Comics of the Week
• Review: "Peter Bagge’s not-so-yearly update on the life and times of his signature character Buddy Bradley takes up about half of Hate Annual #8... It’s a funny story with a confident, natural progression and some keen observations to make... [T]his is... a welcome renewal of one of alt-comics’ most treasured series… [Grade] A-" – The A.V. Club
• Review: "The mid-’70s found Schulz pushing the strip further and further into the oddball, mixing fantasy and reality in extended storylines... The strip as a whole feels less scrappy and more settled in this era, though it’s no less inspired, and Schulz was clever enough to keep working his own state of mind into the finished product. The Complete Peanuts: 1975 - 1976 collects comics clearly drawn by a successful man still nagged by feelings of inadequacy not easily explained away… [Grade] A-" – The A.V. Club
• Review: "Don’t be misled by High Soft Lisp’s cover. This isn’t just comic book smut or an adult version of Archie. Gilbert Hernandez has created some of the most fleshed-out and memorable women in comics since launching Love and Rockets with his brother Jaime in 1981. Their breasts might be outsized, but so are their minds and souls." – Garrett Martin, Boston Herald
• Review: "Fantagraphics’ fourth oversized collection of Elzie Segar’s legendary Thimble Theatre strips, famous as the birth place of Segar’s notorious Popeye the Sailor, continues the winning standard set by earlier editions. ... Fantagraphics’ enormous format remains among the best-looking strip reprints available." – Michael C. Lorah, Newsarama
• Review: "Levin’s is not often a forceful tone; he digs up information and can deliver it in a scholarly enough manner, but also will follow his muse, digressing into dry humor and even an admitted Faulknerian flight of fancy. He’s fully engaged, grappling with the facts and the issues as he uncovers them, and the reader grapples right along with him. [Most Outrageous] is a much more compelling book for the fact that Levin doesn’t try to wrap it all up in a bow." – Christopher Allen, Comic Book Galaxy
• Plug: Emily Dresner of /project/multiplexer recommends Joe Sacco’s Safe Area Gorazde and Palestine: "...Joe Sacco blends embedded journalism on the ground with his art to make very compelling graphic novels."
• Review: "If you’re looking for a light-hearted pick-me-up, King of the Flies Vol. 1: Hallorave is not it. If, however, you’re looking for a darkly compelling, twisted, beautifully illustrated account of the broken souls and self-absorbed nihilism, Pirus and Mezzo’s album is about as good as you’ll find in the comics field. It’s a stunning piece of fiction, beautifully crafted in its prose, pacing, artistry and crushing understanding of humanity’s ugliness." – Michael C. Lorah, Newsarama
• Review: "...[Like a Dog] manages to capture the angst and anomie of a then-confused twentysomething who also just happens to be a semi-famous musician. ... His sturm und drang is filtered through a series of self-released strips and compilation projects... sometimes, as in 'You Won’t Let Yourself Be Touched,' from his self-published Recidivist comic, they transmit the otherworldly power of a vivid dream to the reader with lyrical effect. ... 'At the Scaffold'... in particular demonstrates Sally’s knack for chopping up a story into different configurations of panels, choosing points of view, and rendering architecture, shadows, odd characters, etc." – Byron Kerman, PLAYBACK:stl
• Review: "Once again, Hotwire returns to attempt to fill in that edgy alt-comix niche that was so prominent in the 80s and early 90s and has seemingly been eclipsed by the more literary, rarefied indie comics of today (sort of). If for no other reason, this anthology should be lauded for giving folks like Mary Fleener and Mack White the opportunity to showcase their work... [and] the stellar work by folks like Michael Kupperman, R. Sikoryak, Onsmith, Johnny Ryan, Tim Lane and Mats!? make this well worth your time." – Chris Mautner, Robot 6
• Comparison: "...I was of course really excited to hear that Fantagraphics was doing a series of translated Tardi books, including C’était la Guerre des Tranchées — now titled It Was the War of the Trenches. I’ve had the French Casterman edition for a while, but I got my new Fantagraphics copy last week and just for fun I thought I’d take a look at the two side by side." – Ben Towle
• Profile: Another NBC New York article on Dash Shaw & Frank Santoro, this time from Edward Carr (who also gets photo credit): "Speaking at the McNally Jackson Bookstore on Prince Street in Soho, Santoro, along with critically acclaimed artist Dash Shaw, spoke about their work and the techniques they used to keep them unique."
• Review: "...[The Search for Smilin' Ed] closely resembles a bad acid trip I had several years back while watching Howdy Doody, old Fleischer cartoons and listening to Art Bell on Coast to Coast AM..., and I mean that in the most complimentary way possible. But it comes together in a grand and epic fashion, telling a tale that showcases a vintage psychedelic style in terms of both narrative and art. ... The story is alternately hilarious and mildly disturbing in a Philip K. Dick sort of way. ... It’s a hilariously disturbed delight for the eyes and an enjoyable piece of work from a legend in the field." – Chad Derdowski, Mania
• Review: "It’s the experimentation of the work found within (and without) The Unclothed Man in the 35th Century AD, which excites me the most. This is the work of a young artist who is playing with arrangement of panel, with color and form, and coming up with his own thing. ... There's lots to appreciate in this collection of avant garde comics." – Christopher Irving, Graphic NYC
• Review: "Ultimately, ...despite the refreshing sexual frankness that Hernandez proceeds with, there is much sadness and heartbreak throughout [High Soft Lisp]. ...[O]ne wonders if the lingering bittersweetness at the end makes more sense in middle age, than it would in youth... Good stuff, of course." – Mark London Williams, The SF Site: Nexus Graphica
• Review: In this video review at Indochine's Top Shelf, "video vixen" Mal Malloy offers a unique perspective on Daniel Clowes's David Boring
• Profile:NBC New York's Courtney Humiston reports from Dash Shaw & Frank Santoro's discussion at NYC's McNally Jackson bookstore a couple of days ago: "The two artists discussed the creative process: 'photo references are for suckers,' says Santoro; why Japanese comics are better: 'I like that the drawings are sh---y,' says Shaw. 'They care more about telling the story than how to draw eyes'; and why even the old ladies in France love comic books: 'It's weird that [at conventions in Europe] not everyone has tattoos,' says Santoro."
• Review: "Of course, the Bradleys story remains the best reason to pick up any of these Hate Annuals, and this time Bagge doesn’t disappoint; even though I still can’t stand Buddy in his Popeye the Sailor look, this story of wife Lisa wanting to get out of the house (since the kid is in school) and do something for herself, eventually ending up in a two-woman rock band playing in a strip club, is consistently funny and sharply observed." – Johnny Bacardi, Popdose
• Plug: In the Portland Mercury, Floating World's Jason Leivian recommends Mezzo & Pirus's King of the Flies for fans of Paul Verhoeven's 1980 film Spetters: "Similar stories of fucked up youngsters spiraling into a black hole of self destruction with incredibly rendered artwork that will appeal to fans of Charles Burns."
• Plug: "If you've not checked out Luba by Gilbert Hernandez, you should. Especially if you live in LA. ... Luba is as funny and delightful as ever in these stories (some super short one-pagers, others much longer, over a hundred stories in this collection) of her and her family and the play between their work lives and personal lives is comical and poignant and over the top in classic Hernandez style." – Callie Miller, LAist (via Robot 6)
• Plug: "I've spent most of this week reading "Plunder Island," the fourth and latest collection of classic Popeye comics from Fantagraphics. This is the third time I've read this material... and it still never fails to enthrall me. In fact, I think Popeye has knocked Peanuts and Krazy Kat out of my personal canon to become my MOST FAVORITE COMIC EVER at the moment. There's just something about E.C. Segar's blend of melodrama, adventure and unrestrained, big-footed comedy that really knocks my socks off." – Chris Mautner, Robot 6
• Profile: "Other comics publishers have fallen all over themselves trying to leverage a hoped-for crossover appeal into the mainstream of culture in the last twenty or so years. Meanwhile, Fantagraphics has hung surprisingly tight to their mission statement. But the bigger surprise for me came from learning that Fantagraphics still runs its publishing operation out of the same full-to-bursting house in Maple Leaf where they first planted their Seattle roots in 1989." – E. Magnuson, In North Seattle (Seattle P-I)
• Contest: One lucky person will win a free copy of The Squirrel Machine by Hans Rickheit from Kevin Church, who describes the book as "beautifully drawn, disturbing and sad"
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