The most feathered pom-pom of Online Commentaries & Diversions:
• Interview: Steven Weissman is a popular man with his presurrealidential comic, Barack Hussein Obama. Comic Book Resources and Alex Dueben interviews Weissman on the evolution of a comic and re-engaging your audience.
• Interview:Comics Alliance's J. Caleb Mozzocco interviews Steven Weissman on Barack Hussein Obama. "The Barack Hussein Obama that ultimately emerges from the book is a pretty regular guy trapped in a comic strip, struggling to be all things to all people," states Mozzocco.
• Review:Jim Woodring's sneak peek at his sketchbooks that eventually became Problematic was up on BoingBoing before the video went 'kaput,' now there is Jim inking like a badass with a nib. You can still see sample pages here for Problematic. Video made and featuring the hands of Marketing Director, Mike Baehr, coming soon!
• Plug: Comics Reporter comments on a few of our releases from this week. In reference to The Cartoon Utopia, Tom Spurgeon states, "Ron Regé Jr. is one of those special cartoonists where I buy everything he does without asking questions first. On the strength of this latest collection, with which I'm only about halfway done, Lilli Carré may join that group of cartoonists much sooner than I thought possible. . . " with her collection of stories in Heads or Tails.
• Interview: Andrew Wheeler of Comics Alliance interviews Justin Hall, editor of No Straight Lines. "It's also a testament to how good those early creators were. Howard Cruse, Trina Robbins, Roberta Gregory, they're some of the best cartoonists in the business and they were doing work of surprising sophistication from the very beginning."
Fantagraphics and Jaime Hernandez release another Love and Rockets treasure via comiXology, this time the 2012 release of God and Science: Return of the Ti-Girls. Dressing up as a superhero for Halloween? Then you can't miss this read while waiting for kids to ring your doorbell.
Originally serialized in Love and Rockets: New Stories, “Ti-Girls Adventures ” managed to be both a rollickingly creative super-hero joyride (featuring three separate super-teams and over two dozen characters) that ranged from the other side of the universe to Maggie’s shabby apartment, and a genuinely dramatic fable about madness, grief, and motherhood as Penny Century’s decades-long quest to become a genuine super-heroine are finally, and tragically, fulfilled.
This 138 page "director's cut" includes 30 new pages of story available for only $17.99. The print edition of this book moved a fan to dress up as Boot Angel, the new protagonist in the this book. You'll love it too .
"For what's essentially an evocative throwback to the kid's superhero comics of yore, there's a lot going on here--youth versus seasoned oldsters, absolute power corrupting absolutely, mother/child dysfunction--and it's all wrapped up in a package of terrific dialogue, stellar artwork, and enough raw fun to drown in." -Publishers Weekly
"It's only when you try to unpack the story that you realize what a graceful and economical storyteller Jaime Hernandez has become no matter what genre he might choose to utilize." -Tom Spurgeon, Comics Reporter
Ian Chipman writes, ". . . Now, English readers can dig into another fantasy series populated by [Trondheim's] distinctive anthropomorphized animals and distinguished by equal parts cutting humor and bizarre plot twists. . . What seems like a good, old-fashioned unlikely-hero tale in the making actually turns out to be more complex and slippery, as Ralph’s past gets sliced in bit by bit as we gradually learn about the world he inhabits, all leading to a blindsiding reveal and a tantalizing finish. Trondheim’s cartooning is as saucy and quirky as ever in this first of six volumes that promises more endearing oddities to come."
The cuddliest cat at the shelter of Online Commentaries & Diversions:
• Review:Body Literature reviews The Last VispoAnthology: Visual Poetry 1998-2008 edited by Nico Vassilakis & Crag Hill. Stephan Delbos writes "The Last Vispo Anthology is strange. It is also challenging, eclectic, confounding, erudite, punchy, and, by turns, beautiful. . .overall there is an elegiac note to this anthology, which extends from the title to the feeling, put forth by several of the essays, that visual poetry is facing a turning point.. .visual poetry is the bastard hermaphrodite of arts and letters. In a good way."
• Review:David Fournol looks at The Cavalier Mr. Thompson by Rich Tommaso, a rough translation states, "Exemplified by its beautiful design and the use of only two colors gives the book a slightly dated, authentic look. . . Describing and illustrating people's lives is a major talent of Rich Tommaso's. It is a process that has already been perfected in another of his works. . ."
• Review:Los Angeles I'm Yours gets Barack Hussein Obama by Steven Weissman in a big way. Kyle Fitzpatrick says, "The novel follows a gangly Barack Hussein Obama who is a constant prankster and has absolutely no manners. . . It’s a dark world and Obama is the smarmy asshole king. . . It’s a great pre-election graphic novel with some great, dark laughs."
• Review:Comic Book Resources and Tim Callahan looks at two books from the 'W' section of his library.Barack Hussein Obama by Steven Weissman "seems part of a larger movement (from IDW's Artist's Editions to years of Kramers Ergot) to signify the artwork as the end result rather than as a means of producing an end result. . . And Weissman's work demands ingestion and interpretation rather than declaration. Oh, it's good, too, if that has any meaning after all that abstraction." On Wallace Wood's Came the Dawn from the EC Library, Callahan posits, "This is a serious-looking, important comic, for serious-minded, important people. This isn't some lascivious spectacle. Heck, there's only one female on the cover, and she's facing away from us. No one is carrying around any chopped-off heads or limbs. There's no blood anywhere. No shrieking to be seen."
• Plug: Chris Mautner of Robot 6 looks through our next season catalog. The Endby Anders Nilson, I tend to consider this book. . . to be his best work to date, an absolutely shattering and deeply moving account of dealing with loss and grief." On The Cabbie Vol. 2by Marti, Mautner mentions, "Oh man, I seriously love me some Cabbie. I don’t think the first volume exactly sold like hotcakes, but I’m glad to see their continuing on with Marti’s ultra-dark Chester Gould homage." In reference toStorm P.: A Century of Laughter: "Kim Thompson is going to school us all in the world of Eurocomics or die trying. I, for one, am always eager to learn, however. This coffee-table book features the work of Danish gag cartoonist Robert Storm Petersen, whose work is reminiscent of O. Soglow and other New York cartoonists from the same era."
• Plug:Boing Boing covers a few of their favorite books. Mark Frauenfelder enjoyed flipping through Weird Horrors and Daring Adventuresby Joe Kubert, edited by Bill Schelly. "Best known for Sgt. Rock,Tarzan, and Hawkman in the 1960s and 70s, this anthology of Kubert's 1940s work reveals his versatility in a variety of genres, including horror, humor, and romance." In regards to the Is That All There Is? by Joose Swarte Frauenfelder admits, "I prefer his work over Hergé's (don't shoot me). This anthology of Swarte's alternative comics from 1972 showcases his famous clean-line style that makes reading his work a pleasure."
• Review: Jason Sacks of Comics Bulletin interviews Justin Hall, editor of No Straight Lines, on queer comics, teaching comics and preserving history. Hall says, "I think in general the queer comics underground is – if you could categorize it with anything, there is a directness and honesty to the work – a real rawness that's quite impressive. I think that comes out of the feminist underground comics: Wimmen’s Comix, Tits and Clits, etc."
• Review:Gay Comics List talks about No Straight Lines, edited by Justin Hall. Francois Peneaud says, "Hall wisely chose to follow a (more or less) chronological path instead of anything fancier, but that doesn’t mean he has nothing interesting to say, far from it. The tension between specialized comics (by which I mean comics made by and for a specific group of people) and mainstream audience, the evolution from the urgent need for visibility to the creation of complexified issues and characters, all these and more are covered in a few pages."
• Review: Editor Kim Thompson speaks to World Literature Today about translating Nicholas Mahler's Angelman and other books in the Fantagraphics library. "Humor is far more difficult to translate than anything else. If you translate a dramatic sequence and your words or rhythm aren’t quite right, it still can work."
• Review:Page 45 enjoys Special Exits by Joyce Farmer. "No punches are pulled, this is life, specifically the twilight years and subsequent demise of elderly parents, told with such honesty, candour and compassion that I actually find myself welling up again as I'm typing this. . . SPECIAL EXITS becomes a testament to the human spirit and the value of a positive outlook on life, especially in one's latter years when faced with failing health," says Jonathan.
• Review:The Comics Reporter enjoys Buz Sawyer Vol. 2: Sultry's Tigerby Roy Crane. Tom Spurgeon says, "To get the obvious out of the way, this book has some almost impossibly beautiful cartooning in it. Even for someone like me that finds the basic visual approach of Buz Sawyer less thrilling than the more rugged, crude cartooning of Crane's Wash Tubbs work, there are several panels of stop and whistle variety."
The kissiest babyface on a campaign of Online Commentaries & Diversions:
• Review: The Las Vegas Weekly breaks out their ballots and their copies of Barack Hussein Obama by Steven Weissman. J. Calob Mozzococco says, "Weissman’s delicate line work and fine-art design style further remove the narrative from the caricature-style visuals usually associated with comics about politicians, and is perfectly suited to the meandering, poetic, almost meditative comic."
•Interview (audio): Steven Weissman talks about comics, math and trying to identify with such public, political characters on the Inkstuds podcast with Robin McConnell. Weissman talks about the impotes impotus for Barack Hussein Obama. "Initially, it was just his name and. . . the dreams his followers had for him. . . I started to treat Hillary Clinton as a Lucy van Pelt character."
• Interview: On the quest to The Cartoon Utopia, Ron Regé Jr. is interviewed by Ryan Ingram on Comic Book Resources. Regé states,"Similar to Lynda Barry's "What It Is," [The Cartoon Utopia] should be approached slowly, as a textbook would. It might also be useful when read via bibliomancy, opening the book to a random page to access the information in a magical way."
• Review (audio):Comic Books are Burning in Hell talks about Johnny Ryan and Prison Pit 4 with all the usual suspects: Joe McCullough, Matt Seneca, Chris Mautner and Tucker Stone. "While visually Prison Pit is very clean, composed and controlled, plotwise, I think, its the ultimate noise comic. Its fucking total destruction and nothing else. And I value the hell outta that."
• Review: Grovel enjoys the comics, yes literary but still comics of Lorenzo Mattotti and Jorge Zentner in The Crackle of the Frost. Andy Shaw states, "It’s a wilfully arty book – more of an essay in mood that just happens to have a plot, than a traditional story – but the writing is interesting and the artwork is stunning. . . so is one for the literary, rather than the mainstream comics enthusiast."
• Interview:Comic Book Resources coverage on the APE panel featuring all three Hernandez Brothers. Steven Sautter writes,"There was no set plan in those early days, no grand storyline or over-arcing plot; the Hernandez brothers simply told the stories they felt like telling, none of them counting on the eventual longevity of "Love and Rockets."
• Plug: Liv Suddall of It's Nice That thoroughly enjoys the content and design of Is That All There Is? by Joost Swarte. "With a more-than-just-a-nod nod to Tintin creator Hergé, this surprisingly raunchy book is a big slice of aesthetic pleasure from start to finish and should probably be on everyone’s wish list this Christmas."
• Review: Brigid Alverson and Chris Mautner speak on the CBR about what comics they'd spend their money on, including You'll Never Know Book 3: A Soldier's Heart. "Tyler’s superb storytelling makes this a book to read over and over again," says Alverson while Mautner thinks "Tyler is a great cartoonist and woefully under-appreciated, so here’s hoping this final volume gets her some of the recognition she so richly deserves."
• Review:Ralph Azham Vol. 1 "Why Would You Lie to Love" by Lewis Trondheim is reviewed by Rob Clough of High-Low. "What's interesting about this book is that what starts as a seemingly lightweight exercise winds up going to some pretty dark places. . .There's never been a cartoonist as versatile as Trondheim who was able to work on virtually any kind of project and certainly not one who could blend his funny animal-style into any genre."
• Plug: Tom Spurgeon at The Comics Reporter gives a good reason or three to get Ralph Azham. "Lewis Trondheim is a wonderful, prolific and very mainstream-oriented cartoonist -- by the last I mean he has books in print that I can give to just about anybody on my Christmas shopping list, with everyone getting a different book. I liked this one quite a bit on the first read; the writing seemed way more measured than a lot of fantasies in comics form usually seem to me."
• Interview (audio):Pat Thomas of Listen, Whitey! is interviewed on WFMU's Gaylord Fields show and they spin some tunes together. The interview is spliced between great songs by The Patridge Family, Amiri Baraka and Shahid Quartet.
• Review:Whisperin' and Hollerin' reviews a recent Pat Thomas talk on music and the Black Panther movement as discussed in his book Listen, Whitey! "Pat shows us a very cool and funny clip from that with actual Black Panthers playing violins with the Partridge Family for added surreality."
• Plug: Martin Eden on the Forbidden Planet International lists his "Best Cover EVER?" as Love and Rockets #1. "It’s such a simple idea, but so well crafted, so beautiful to look at. And Jaime Hernandez’ art on this cover hints at the stunning artwork we are to be treated to over the next few decades – the effortless character dynamics and the lifelike poses and the general amazingness. So good."
The fantastically newest Online Commentaries & Diversions:
• Review: Over at Read About Comics, Greg McElhatton cracks open a copy of Lewis Trondheim's newest English translation. "Ralph Azham Vol. Oneis a nice little surprise; what initially looks cute and fun is dark and enjoyable, and Trondheim’s gradual reveals of the story’s contents are strong enough that it makes reading the next volume a must. . . I’m definitely back for Book Two; this was a great deal of fun."
• Interview (audio): Robin McConnell of the Inkstuds podcast interviews Noah Van Sciver on The Hypo and his newest work online, Saint Cole on The Expositor.
• Interview:AV Club caught up with Jaime and Gilbert Hernandez during this year, the 30th Anniversary of Love and Rockets! Jaime could not see a future without Love and Rockets: "The only thing I can see in the future is I picture Love And Rockets number whatever way down the road and they have to explain: 'This special issue, Jaime died halfway through doing it. So there’s going to be some pages with just pencils on it and some blank pages. But we thought we owed it to him to finish it, to print it.' A half-issue and then, well, that’s it."
• Review: Steven Heller writes about Dal Tokyo by Gary Panter on The Atlantic: "Dal Tokyo might best be seen as a combination of nightmare, daydream, ramble, and sketch, with a decided stream-of-consciousness tone, which is not unlike Panter's own Texas lilting manner when talking. In fact, for all its eccentricity, Dal Tokyo is akin to a Texas tall tale."
• Plug (video): The short film Objects of Our Desire focuses on the project Significant Objects as part of the The Future of Story Telling series. The book is edited by Joshua Glenn and Rob Walker. “Stories are the foundation of what we do everyday,” Richelle Parham, the vice president and chief marketing officer of eBay.
• Review:Read About Comics and Greg McElhatton looked at Walt Disney's Uncle Scrooge: Only a Poor Old Man by Carl Barks. "The more I see of Barks’ comics, the more I kick myself for having taken this long to read them. . . If you haven’t experienced Barks’ Duck comics yourself, I think this is a great a place as any to begin. Definitely check it out for yourself. Highly recommended."
• Review:Blog Critics's Sixy Minute Manga reviews and summarizes Shimura Takako's Wandering Son Vol. 2. Lesley Aeschliman states ". . . the more minimal and simplistic art works for the story being told in this series. . . I would recommend this manga series to readers who have an appreciation for literature that concerns LGBT issues."
• Review (audio):Deconstructing Comics podcast spend the full hour discussing A Drunken Dream and Other Stories. Tim Young and Kumar Sivasubramanian argue and agree on Moto Hagio's work in the book with stories that "dwelt on not fitting in, losing what you love, and other themes that could be depressing, but were usually expressed in innovative and compelling ways."
•Review: Gene Ambaum of Unshelved enjoys his read of Wilfred Santiago's 21: The Story of Roberto Clemente. Ambaum says, "I was intrigued how the author would fit his life story into a brief, illustrated book. It emphasized the major events that shaped his life, and the powerful, stark images made me feel like I experienced the tragic and poignant moments."
• Commentary:ComicBooked talks about the 90s and Fantagraphics' place within the context of pushing out music and the amazing album art of Charles Burns, Daniel Clowes and Peter Bagge.
The blackest ink in the pot of Online Commentaries & Diversions:
• Review:AV Club shows presidential love for Barack Hussein Obama and The Hypo. Noel Murray on Steven Weissman's book: "For the most part Barack Hussein Obama is just wild fun, built around the notion that a president can be easily reduced to his public image—and that we, the people, have the right to manipulate that image for our own delight." And Murray on The Hypo: "[Noah Van Sciverrenders] an American icon as a lumpen everyman, fighting through the same fog that many people find themselves in—even if few of those ordinary folks wind up in the Oval Office."
• Review:Publishers Weekly picks The Hypo by Noah Van Sciver as one of the best new books of the month. "Van Sciver’s psychologically astute examination of what might be termed Abraham Lincoln’s “lost years” (1837–1842) is as gripping and persuasive as the best historical fiction. . . .A thoroughly engaging graphic novel that seamlessly balances investigation and imagination."
• Review:Paste Magazine reviews Steven Weissman's newest book and Hillary Brown gives it a 8.1 (outta 10). "With its gold foil stamp and red, white and blue partial jacket, Barack Hussein Obama could well be a semi-official graphic rendering of a presidency. . . If this book is a portrait of anything, it shows the grind and the way that hope and idealism erodes when faced with the everyday, and that is valuable"
•Review:La Tempestad on Barack Hussein Obamaby Steven Weissman. Rough translation states "Through these pages, Weissman satirizes and creates a parallel reality of based on the stewards of American power."
• Review:MetroPulse enjoys reading Ralph Azham Vol. 1 "Why Would You Do That To Someone You Love" by Lewis Trondheim. Matthew Everett states "There’s action, drama, pratfalls, bad-ass mercenaries, and a last-panel surprise that promises future volumes will head off in entirely unexpected directions. . . Ralph Azham is off to a near-perfect start. It’s a quietly marvelous addition to the English-language catalog of a working world master. Get it while you can."
• Review:The Quietus peeks at Dal Tokyo by Gary Panter. Mat Colegate can barely contain himself: "Panter is probably one of the single most influential underground American cartoonists of all time, a kind of Ramones to Robert Crumb’s Jefferson Airplane, which makes his relative unknown status a bit baffling. A cartoonists’ cartoonist, maybe?. . . The man’s inks are practically sentient, devouring white space like it was candy floss as his crude likenesses become imbued with a very deliberate purpose, that of guiding the reader through Panter’s personal inferno: the urban Twentieth Century."
• Review:The Quietus continues comic coverage on Joe Daly's Dungeon Quest: Book Three. Mat Colgate states,"Dear J.R.R. certainly never had one of his characters wank off a gnome, did he? Indeed Dungeon Quest’s good natured, silly humour gives it much of its character and combines with Daly’s beautiful Charles Burns-esque artwork to make the book much more than the sum of its parts. It feels like a real labour of love and when you read it you’ll see why. Nerdgasm guaranteed. I’m in love with this comic."
• Review:Unshelved looked at Dungeon Quest: Book Three by Joe Daly. Gene Ambaum writes "I never know where this weird, Dungeons & Dragons-ish adventure will take me next. . . Every dungeon should have a vending machine [a la Dungeon Quest]! Makes more sense than turning a corner and finding an elf with a fully-stocked shop where there’s little to no foot traffic."
• Review:The Quietus focuses New York Mon Amour by Jacques Tardi. Mat Colgate states"Using only black, white and red, Tardi illustrates a seedy, roach-infested New York that’s utterly plausible. You can practically smell the trash on the sidewalks as you follow the hapless narrator’s spiral into madness and murder. . . .if you know anyone looking to take the plunge into comics, someone who’s interested in what the medium can do and the fascinating ways it can do it, then point them in this books’ direction."
• Review:BUTT Magazine sinks its teeth into No Straight Lines, edited by Justin Hall. "Justin’s 328-page anthology is a very thorough introduction to the world of GLBT comics. His knowledge on the subject is pretty extensive, probably because he’s been a fan of the medium since he was a kid. Justin tells me that’s how he learned to read. . . In fact, the entire collection features a healthy dose of realism from a genre usually characterized by fantasy."
• Interview: Brandon Soderberg of The Comics Journal interviews the elusive Josh Simmons on The Furry Trap and his recent short film, The Leader, plus horror in all aspects: "Often, the best horror is about losing. And maybe struggling to keep a shred of dignity while you do. But often, you don’t even get that. Sometimes, you get your throat cut while a clown is pulling your pants down. It’s not enough that you’re getting murdered, you’re being humiliated at the same time!" Simmons eloquently states.
• Review: Los Angeles Review of Books ponders Listen, Whitey! The Sights and Sounds of Black Power by Pat Thomas. Rickey Vincent says,"The book is meticulously detailed, reflecting Thomas’s skills as a researcher (and record producer), yet conversational in tone, balancing the voice of a rock critic with the heft of a historian. . .The book remains consistent with its vision, and Thomas delivers black power with authority."
• Commentary:SFWeekly talks about Love and Rockets' art show at the Cartoon Art Museum, Chris Hall explains "If Love and Rockets brought one innovation to the comics field, it could be its lack of misogyny. . . Love and Rockets has, from the beginning, been praised for consistently depicting strong, complex women characters."
• Commentary:Jordan Hurder posted some APE coverage on the Hernandez Brothers and our company: "Fantagraphics crushed this show. It helps that they had Los Bros celebrating 30 years of Love and Rockets and Jim Woodring was already there as a special guest, but there was a consistent buzz around their table, and there were lines for pretty much every signing they had."
• Commentary:Jaime, Gilbert and Mario Hernandez appeared at APE much to JK Parkin of Robot 6 's delight. "All three Hernandez Brothers were at the show, and when they hit the Fantagraphics table the crowds surrounded them."
• Interview:The Comics Reporter links to some great vids from SPX interviews with Jaime Hernandez, Gilbert Hernandez and Daniel Clowes.
• Review:Simcoe looks at Walt Disney's Uncle Scrooge: Only a Poor Old Man by Carl Barks. Glenn Perrett says, "The stories are entertaining and the illustrations are excellent with a wonderful use of colour. . . Walt Disney's Uncle Scrooge: Only a Poor Old Man will appeal to young and old."
• Review:Pat Afforo looks at Stigmata by Lorenzo Mattotti and Claudio Piersanti. "If anyone has not read it you are definitely in for a ride and it is not a smooth one at the very least. This book covers a lot of different topics: religion, redemption, reincarnation, sin, good vs. evil, and above all love."
• Review:AV Club has high hopes for Rich Tommaso and his future books starring The Cavalier Mr. Thompson. Noel Murray posits,"Tommaso’s talented enough that The Cavalier Mr. Thompson might one day be seen as the lurching beginning to something truly great. . ."
•Interview:The Guardian asks Chris Ware some questions. In answer to Rosanna Greenstreet's question 'Which living person do you most admire and why?' Ware answers,"For intellect: Art Spiegelman. For art: Robert Crumb. For poetry and vision: Gary Panter. For decency: Barack Obama. For genuine goodness: Charles Burns. For genius: Charlie Kaufman. For soulfulness and love: Lynda Barry. For words: Zadie Smith. For unique life's work and superhuman effort expended: Ira Glass, Dave Eggers."
The Cleanest Mug in the Kitchen of Online Commentaries & Diversions:
• Review:Booklist reviews the Mysterious Traveler: The Steve Ditko Archives Vol. 3, by Steve Ditko and edited by Blake Bell. Gordon Flagg notes these horror stories feature "Ditko’s distinctly off-kilter drawings and boldly potent composition" and the "meticulous restoration means that the stories look far better here than they did upon their original appearances."
• Review:Booklist enjoys Mort Meskin's Out of the Shadows, edited by Steven Brower. "Meskin’s powerful compositions add a fitting dynamism to superhero tales featuring the Black Terror and Fighting Yank. His bold use of shadows and other solid black areas impart a moody atmosphere to horror and crime stories, and even the romance and sci-fi pieces included here benefit from his economic illustration style and attractive page designs," writes Gordon Flagg.
• Review:Black Gate picks up Linda Medley's Castle Waiting: Volume 2 for a good read. John O'Neill stated, "it retold the fairy tale of Sleeping Beauty (sort of), as seen by an odd cast of mostly minor characters. It was well written and beautiful, feminine in perspective and mood, incredibly slow-paced, and wholly original. I loved it."
• Interview: Gary Panter spent a whole hour talking to Benjamen Walker on the Too Much Information show at WFMU about life, Dal Tokyo, the evolving medium of comics and more.
• Interview: New Statesman interviews Chris Ware on Building Stories, Jimmy Corrigan and the time inbetween books. "Kim Thompson at Fantagraphics was really willing to experiment [with format]; I remember how much he and I sweated the idea of putting out a comic book that was just 1/2" shorter than the standard format in 1993."
• Review:Dal Tokyo by Gary Panter is listed in The Times of UK as one of the essential books for Chris Ware. Ware says "Gary Panter is the William Blake of comics; a true poet who sees and feels what the rest of us can't, and he's done more to expand the power of drawing in the medium thatn probably anyone else alive." Original article here.
• Interview: Cartoonist and creator of Jimmy Corrigan, The Smartest Kid on Earth Chris Ware is interviewed by Phawker by Rita Book.
• Commentary: ArtVoice visits the Spain Rodriguez retrospective at the Burchfield Penney Center in Buffalo, NY. Jack Foran says,"Rodriguez was a kind of incorrigible rebellious type. . . when abstract expressionism with its two-dimensionality principle was dogma—he was into three-dimensionality, in spades—and his blue-collar employment in Buffalo area manufactories, where the curriculum was the much more interesting subject to him of simmering socioeconomic class warfare."
• Review: Rob Clough of High-Low reposted his Seqart post on Megan Kelso and The Squirrel Mother. Cough states, "What makes Kelso one of my favorite artists is her total devotion to the medium and a constant desire to improve. . . Kelso's art is all about the narrative. Every word and every line advances the story; there are no extraneous pyrotechnics. Indeed, Kelso's line is more elegant than spectacular."
• Review:Publishers Weekly enjoys Love and Rockets New Stories #5. "In the 30 years they’ve been writing and drawing Love and Rockets, Los Bros Hernandez have created wonderfully complex story lines and characters. . . This web of superior magical-realistic storytelling involves readers in the perplexed yearnings of a huge cast of unforgettable characters unaware of their own capacity for general self-delusion and occasional self-discovery."
• Commentary: Hannah Means-Shannon contines her SPX coverage with more on the Bros on The Beat. On the "Life After Alternative Comics" panel, Jaime Hernandez and Daniel Clowes spoke about the past and present of their comics-making environment. "Dan Clowes addressed the 'wasteland' of comics in the early 1980’s and the origin of his LLOYD LLEWELLYN series and the strange, often intriguing piles of fan mail he received from readers and prison inmates."
• Interview: Also on Phawker is an interview of Charles Burns, creator of Black Hole. He weaves stories by "paying close attention to the way my brain functions. I sit and write every day and it amazes me how often I repeat myself – come up with the same “brilliant” solution to a plot thread only to discover notes from years earlier where I’ve already clearly laid out the same ideas."