In this month's issue of Booklist you can find reviews of two of our recent releases, excerpted below:
Cruisin' with the Hound: The Life and Times of Fred Tooté by Spain Rodriguez: "Rodriguez... had the perfect youth for reality comics. He grew up in an ethnically mixed working- and lower-middle-class neighborhood of Buffalo, and he was self-directed from early on. He went to religious instruction on his own initiative (his parents were indifferent) until a boozy priest chewed him out without hearing his story. He attended public school, discovered EC Comics, turned teenager just as R & B turned to rock ’n’ roll, went to art school after high school, dropped out to do factory work, and, most important, hot-rodded around to dance bars with his friends and then joined a motorcycle club. How cool is that? Answer: extremely, especially since all that time he was honing his drawing skills into the thick-outlined, carefully detailed style (like R. Crumb’s but without broad caricature) for which he is universally envied and beloved. This collection of autobiographical stories, accompanied by a long excerpt from a biographical interview with him, is one of Fantagraphics’ best production jobs as well as a helluva satisfying window on an era — the fifties — that American culture can’t let go of." – Ray Olson (Starred Review)
Kolor Klimax: Nordic Comics Now by various artists, edited by Matthias Wivel: "Like many regions of the world, Scandinavia has a vibrant alternative-comics scene that’s essentially unknown to even the most well-informed American comics fan. This eye-opening collection of recent work from some two dozen artists is a welcome step toward rectifying that ignorance. As with any anthology, the lineup is uneven and the wide range of approaches, from dauntingly experimental to borderline mainstream, makes for an eclectic bunch.... The strips contain few Nordic signifiers, making them eloquent testaments to the universal language of comics." — Gordon Flagg
• Review: "Known to her classmates at Georgia State College for Women as 'the cartoon girl,' Flannery O'Connor provided satirical illustrations GSCW's student newspaper, The Colonnade, and other school publications while earning a social sciences degree and planning a career in journalism. Executed in the high-contrast technique of linoleum cut from the fall of 1942 until her graduation in 1945, her cartoons skewering the denizens of the Milledgeville campus — roughly drawn but formally dynamic, and often accompanied by punchy, dialogue-driven captions — are the subject of a revelatory new book by O'Connor scholar Kelly Gerald.... While her cartoons only hint at the fully drawn grotesques of O'Connor's mature fiction, they foreshadow her vividly imagistic prose and close observation of her characters' quirks and foibles-and, in their own right, they are delightful." – Stephen Maine, Art in America
• Commentary: At Bleeding Cool, Cameron Hatheway gives his picks for the 2012 Eisner Awards, selecting our Prince Valiant collections for the win in Best Archival Collection/Project – Strips: "If it’s one thing Fantagraphics knows how to do, it’s superb high quality hardcovers of collected works. ...Fantagraphics continues to give you the most bang for your buck with this Hal Foster classic series. One of the reasons the art looks much cleaner than previous softcover collections is because Fantagraphics obtained access to Foster’s own collection of the pristine art proofs, housed at Syracuse University. It’s that attention to detail and commitment that just scream ‘Eisner worthy’ in my opinion."
"This book is considered a pioneering example of shonen-ai (boys’ love), often referred to as yaoi in the United States. In a German boarding school, young Thomas Werner kills himself because of unrequited love for a schoolmate, who is in fact in love with Thomas, but secretly. Unpacking the emotional threads among the boys and their fellows leads to a sophisticated and beautifully drawn melodrama."
"Herewith a color and black-and-white sampler from a less-recognized underground of gay comics from the past four decades, including Bechdel and Cruse, Europe’s Ralf Koenig, and 2011 ALA keynote speaker Dan Savage (Savage Love; The Kid; It Gets Better). Fantagraphics promises 'smart, funny, and profound' — and uncensored."
"A serious yet sweet fifth-grade drama about several boys and girls who want to change their gender. Unlike many manga involving boy/girl reversals, this one does not play gender issues for laughs, even if gentle comedy enters the picture along with serious emotional drama."
• Review: "The seventeenth volume of this great series from Fantagraphics [The Compete Peanuts] is just as delightful as all the rest. Yes, the ink line of Charles Schulz is a little wobbly at times, but his humor is just as sharp as ever.... I’ve said it before, but if you want reading material that will make you smile and laugh it’s hard to beat this series. And I’m continuing to admire the subtle and classy cover designs by Seth. Highly recommended." – Todd Klein
• Interview: At The Art Newspaper, Sarah Douglas chats with Robert Crumb about his museum retrospective show in Paris: "The contemporary fine art world has never particularly interested me. They started to embrace me and have big fancy gallery shows and museum shows. I’m one of the few cartoonists who mainly work for print who is now finding their way into the fine art world, and it’s the choice of the fine art world; it’s not my choice. I haven’t consciously promoted myself in that world."
• Commentary: At The Comics Journal, R. Fiore uses Mark Kalesniko's graphic novel Freeway as a springboard to discuss the history of American animation: "The eponymous metaphor of Mark Kalesniko’s Freeway is almost too easy: A transportation network that once granted free and effortless mobility that’s become a morass of stagnation and frustration to symbolize an animation business that promised personal expression amid camaraderie but delivers forced mediocrity in an atmosphere of Machiavellian backbiting. Condemned to a purgatorial traffic jam, Kalesniko’s dog-headed alter ego Alex grinds his teeth to reminiscences about his thwarted career, potentially idyllic but presently in-law plagued romance, and his abortive first expedition into Los Angeles, intermixed with idealized visions of animation’s golden age and premonitions of [SPOILER REDACTED – Ed.]."
• Commentary: "I’d love to see Locas become a well-made animated television series, because I feel like Jaime Hernandez’ work deserves the widest-possible audience. But is such an idea messing with a classic that doesn’t need such 'help'?" – Graeme McMillan, Spinoff Online
• Commentary: "The completion of Fantagraphics's Krazy [Kat] Sunday series also means, quite possibly, the end of Krazy Kriticism — a brand of writing that, as far as I can tell, only the Kat engenders. Critic Gilbert Seldes first articulated its credo in the 1924 article 'The Krazy Kat That Walks by Himself.' After comparing Herriman to Dickens, Cervantes, and Charlie Chaplin, Seldes threw up his hands: 'It isn't possible to retell these pictures; but that is the only way, until they are collected and published, that I can give the impression of Herriman's gentle irony, of his understanding of tragedy, of the sancta simplicitas, the innocent loveliness in the heart of a creature more like Pan than any other creation of our time.' Thus did the gates open to a flood of ecstatic, mimetic writing in which every critical impulse was mercilessly drowned in gushing praise and fervent prayers to put the comics between covers." – Sarah Boxer, Los Angeles Review of Books
• Commentary: At Print magazine, Steven Brower looks at different ways comics publishers restore and present vintage comics material, including his own compilation of Mort Meskin comics, Out of the Shadows: "For the Mort Meskin collection, we hoped that a contemporary audience would rediscover him; Fantagraphic’s fresh, newly minted approach goes a long way toward achieving that."
• Review: "I mean this in the nicest possible way but self-confessed obscurist Hans Rickheit is clearly not all there in the head. ...[Folly: The Consequences of Indiscretion] is a collection of shorts from over the years, frequently featuring the same characters, in particular identical twins Cochlea & Eustachia, who inevitably get themselves into all sorts of unpleasant bother. Definitely the type of read to make you wary of opening doors when you’re not entirely sure what’s on the other side, as Hans frequently surprises his characters, and us readers, by taking you somewhere you’d never expect, nor probably want to go to." – Jonathan Rigby, Page 45
• Review: "‘Plunder Island’ is the fourth of six oversized volumes collecting all of E.C. Segar’s Popeye-era Thimble Theatre strips.... The Segar book is every bit as good as the three volumes that preceded it – brilliant cartooning and laugh-out-loud funny gags. The only difference this time around is that the Sunday strips fill the first half of the book and the dailies fill the second half (it’s usually the other way around) but otherwise it’s business as usual. I don’t have a single bad thing to say about Segar’s Popeye, and the whole book was thoroughly enjoyable..." – Rob Wells, Comics – On The Ration
• Profile: Andrew Dansby of the Houston Chronicle profiles Daniel Clowes: "Clowes describes an eerie but common sight in his studio. Since eyes are the last thing he draws when he's working, the room is full of characters without them. 'I've had other cartoonists come over, and they've told me it's pretty creepy to see all these faces with no eyes staring back,' he says. 'But that's where I can get the last 10 percent of the emotion on the page. If I get it just right, you can subtly influence any expression through the eyes more than any other feature. They're where the character comes to life.'"
• Review: "This thing [The Furry Trap] is a nightmarish monster. It's pretty great. ...[W]hat Simmons does so well -- without peer, honestly -- is smash together sweetness and nightmare. Innocence and the most vile corruption imaginable. The stories are unsettling, but Simmons takes it three steps further than many other creators in this vein and then pushes the events into exceedingly horrific territory and then shows how unsettled even the characters are, when they realize the kind of world they live in.... Yeah, this stuff is really good, in surprisingly different ways from story to story. It's a reprint collection that feels like a wonderfully terrible, vibrantly new manifesto on what comics are capable of." – Tim Callahan, Comic Book Resources
• Review: "Popeye Vol. 6: Me Li’l Swee’ Pea... is the last of the real, 'classic' Popeye volumes, meaning it’s the last batch of Popeye comics E.C. Segar did before dying of leukemia in 1938. Underscoring the tragedy is the fact that Segar’s skills hadn’t dimmed at despite his illness. The final daily storyline, King Swee’ Pea, is as strong and hilarious as Segar’s best material... This volume is also special as it contains one of the saddest sequences I’ve ever read in comics, wherein Swee’ Pea is taken from a distraught Popeye. ...I think it speaks to Segar’s genius about how verklempt this sequence still makes me." – Chris Mautner, Robot 6
• Review: "Krazy & Ignatz 1922-24: At Last My Drim of Life Has Come True... is the final volume in Fantagraphics’ Krazy Kat collection, though for roundabout publishing reasons, it catches the strip midway through its run. Reading this latest collection, I feel like I have a deeper appreciation for Herriman’s narration, which I always kind of saw as entertaining, but secondary to the dialogue and situations. I’m not sure why, but I feel like something 'clicked' here and another piece of the Herriman puzzle has fallen into place for me. Another great thing about this book: A whole run of Herriman’s 'Us Husbands' strip as well as some really early stuff." – Chris Mautner, Robot 6
• Review: "[Pogo: Vol. 1 of the Complete Syndicated Comic Strips:] Through the Wild Blue Wonder is an absolute peach of a collection; it features the typically handsome deluxe binding we’re used to from Fantagraphics and a beautiful cover, and the non-strip material within is more than enough to justify the double-sawbuck price tag.... Of course, any such collection lives and dies by the quality, readability and durability of the strips inside... [Pogo's] art... is simply breathtaking; the facial expressions and body language in these strips are often deceptively simple, but they offer a master class in how to communicate emotion and expression in cartooning.... [Kelly's] backgrounds are lovely and provide a perfect balance to the detail in the character illustrations... But what puts Pogo way, way over the top in terms of sheer audacious greatness isn’t its art, great as that is. It’s Kelly’s remarkably eclectic writing and inventive use of language that makes the strip." – Leonard Pierce, A Schediastic Hootenanny
• Commentary: "...Any Similarity to Persons Living or Dead is Coincidental... is a beautiful book, and I’ve been thinking a lot about it recently. There’s a certain brand of mean-spirited, petty humor that’s been pretty popular over the last few decades, in which the main point seems to be laughing at some celebrity or another who no longer has a thriving career. As if failing to maintain A-list status in as fickle and luck-dependent as Hollywood was a valid reason to be mocked. At first glance, some of Friedman’s work, with its cast of has-beens and never-weres, can seem to be another example of this kind of comedy, but it isn’t — most of these strips cut a lot deeper than that. The reader feels the sting and pain of failure and despair too strongly to feel superior. In other words, we’re all Rondo Hatton." – Tim Hodler, The Comics Journal
• Review: "In Athos in America , the ideas behind the first three stories are so clever and punchy that they carry the rest of the anthology. Furthermore, the stories are constructed such that, due to their structure alone, any further padding would be impossible. In many ways, Athos In America feels like the artist looking back at his body of work to date... Despite his style, Jason is quite effective in modulating emotion from story to story, going from gags to violence to tragedy, sometimes all in the same story. Jason is in total control of all aspects of his storytelling, and, even after a decade straight of ambitious publishing, it seems as if he’s just getting warmed up." – Rob Clough, The Comics Journal
• Review: "Isle of 100,000 Graves was even better than I expected, and that’s saying a lot about a pirate comic by one of my favorite cartoonists. I’ve only ever read Jason’s short story collections before now, so this was my first introduction to his long-form work. It’s funny, adventurous, and totally had me rooting for wily little Gwenny and her unlucky pirate companion as they searched for Gwenny’s missing dad in an island school for executioners." – Michael May, Robot 6
• Review: At The Comics Journal it's Tucker Stone on Love and Rockets Vol. I No. 2: "There’s so much to love in here, and Gary Groth’s overly excited, Gaddis-quoting essay really sets a wonderful tone. This thing stinks of comics, it’s wet and messy."
• Review: "This series of short comic book tales is sure to offend the weak at heart and easily excitable. As with some of the best horror, The Furry Trap curb-stomps all expectations, zigs when zags are expected, and taps into areas some are just too uncomfortable to talk about.... There’s some sick shit happening in this hardcover and if you’re brave enough, you’ll crack The Furry Trap open and enjoy the stories free of restraint and convention, yet teeming with unbridled creativity and absolute insanity." – Mark L. Miller, Ain't It Cool News
• Review: "Without the rich cultural heritage of African-Americans, life in the U.S. would resemble Rachel Carson's Silent Spring: A dead zone, the silence broken now and again by the hissing of lawn sprinklers and whirring air conditioning units. Such are the thoughts inspired by Listen, Whitey: The Sights and Sounds of Black Power 1965-1975 by Pat Thomas.... The revolution seemed imminent because the portents were everywhere one turned in those years, and Thomas seems to have captured every single one of the portents in his explosive book. He allows us to see and hear the oppressed flexing muscles and tossing anger directly into the faces of their perceived oppressors.... It's the best of both worlds, a coffee table book with real scholarly heft." – Alan Bisbort, CT.com
• Review: "...I do not believe the details of the demise of the spiky-haired girl’s parents were ever revealed, but it would be uncharitable to assume the spunky, independent girl murdered them in their sleep.... Despite its homogenization, Bushmiller produced a funny and often clever gag strip.... Nancy was good enough to keep our elders laughing through the Great Depression and World War II. Nancy is certainly good enough to keep us laughing through the 2012 elections." – Mike Gold, ComicMix
• Preview: At The Beat, a 6-page sneak peek from Joe Daly’s Dungeon Quest Book 3, with Jessica Lee saying: “If you’re a fan of over-the-top action, heavy stoner humor, and quirky characters in the wildest of settings, now is your chance to catch up on Dungeon Quest. South African cartoonist Joe Daly ’s newest installment Dungeon Quest Book Three is proving to be the most epic of the series thus far.”
• Plug: At 20minutos.es, Ánxel Grove looks ahead to Flannery O'Connor: The Cartoons: "That O'Connor is one of the best American storytellers of the twentieth century and that her stories are a must for anyone who enjoys good literature is already known. That she also was an excellent draftsman, writer and creator of cartoons was a secret known only to specialists in her work or dedicated fans." (Translated from Spanish)
Starting to catch up on Online Commentary & Diversions:
• Review: "The frighteningly hilarious world of Rickheit’s graphic novel is a deranged cabinet of curiosities, full of biomechanical tanks, writhing organic matter, amorphous monsters birthing adorable kittens, men and women in animal masks, and countless tubes, gas masks, sex toys, and pseudo-Victorian apocalyptic landscapes. It would all be too oppressive if Rickheit’s sense of humor weren’t so addictive.... This juxtaposition of dry humor undercuts the richly drawn horror of Folly, simultaneously adding to its strangeness and making it bearable for a casual read... The result is a narrative mosaic that pairs sumptuous, horrific imagery against a strange but lighthearted sense of humor." – Publishers Weekly
• Review:Walter Wehus looks at Kolor Klimax; key quote as translated by Kolor Klimax editor Matthias Wivel: "the common aspect is quality"
• Review: "While exploring this collection, I found myself enjoying the various challenges it presented. It did dare me to eschew my 'western' values of linear, results oriented thinking and simply give way to my intuitive understanding of the art before me. I can’t honestly say I 'get' every comic contained withing this anthology [Abstract Comics]... nor can I truly say I learned something about the medium that I didn’t already know. But to see comics stripped of their representational elements does amplify certain things that are so unique about the medium and probably reveals its potential even more fully. These are comics to be experienced." – Jason Newcomb, StashMyComics
• Preview:The Beat's Jessica Lee presents a 6-page preview of Nicolas Mahler's Angelman, saying "If you’ve noticed yourself to be a comic enthusiast who has become more and more disillusioned with the corporate transformation of super-hero comics, Angelman could well be the fresh breath of illustrated air you’ve been yearning for. What could easily be one of the most comedic releases thus far this year, Fantagraphics is releasing (in hardcover no less!) a new graphic commentary of the often-times outrageous and unbelievable trends in the comic industry."
• Profile:The Wall Street Journal's Ralph Gardner Jr. on the work and career of Drew Friedman: "Mr. Friedman's genius is that, on some level, his work is never utterly absent affection, or his subjects black and white, even when they're literally drawn in black and white. It might be a stretch to say that the artist captures their underlying humanity. What he does provide is a picture window onto their troubled psyches so that they and their moral afflictions, whatever they are, must be taken seriously."
• Interview: I don't think we've previously linked to Ted Widmer's career-spanning interview with Robert Crumb from the Summer 2010 issue of The Paris Review: "I was so eccentric when I was seventeen, eighteen, I used to walk around town wearing an Abe Lincoln frock coat and a stovepipe hat that I’d found in some junk store, defying people to ridicule me or think me eccentric. I was a teenage social outcast. At the time it made me feel very depressed, and rejected by girls. Later I realized I was actually quite lucky because it freed me. I was free to develop and explore on my own all these byways of the culture that, if you’re accepted, you just don’t do. I was free to explore the things that interested me."
• Interview (Audio): The Daniel Clowes victory lap continues with an appearance Monday on NPR's Morning Edition: "Clowes never aimed to be the kind of artist museums collect. But now, the walls of the Oakland Museum of California are covered with his drawings. It's 'quite embarrassing,' he laughs. After a stint as an art student at Brooklyn's Pratt Institute in the 1970s, Clowes tried unsuccessfully to get work as an illustrator. Sitting around drawing comics on his own, he decided to send a strip to underground publisher Fantagraphics. He was expecting rejection. Instead, 'they called me up and offered me a monthly comic book, and I felt like I hadn't earned anything,' he says. 'You know, it's like all of a sudden, you're being made president after you've been like, you know, on the city council in Cleveland.'" KQED also posts a couple of outtakes from the interview
• Interview: At The Comics Journal, Nicole Rudick talks with Diane Noomin about her new collection of DiDi Glitz stories, Glitz-2-Go: "In 1974, I did a full-fledged DiDi story for Wimmen’s Comix. It was four pages and was called “She Chose Crime”, and when I was putting this book together I realized that DiDi came out almost fully developed. She hasn’t changed, she hasn’t grown or anything like that. If I look at that first story, the drawing has changed and I’d like to think that certain things have gotten better, but in that story, DiDi’s persona is it. I don’t think I’d realized that."
• Review: "The white rabbit who serves as our guide suggests Alice in Wonderland, but despite fantastical touches, Interiorae is much more concerned with the world as it presents itself. Intertwining the lives of the people who live in an apartment complex, it’s in some sense a book-length meditation on a rather beautiful idea, that the day-to-day lives of all the little people aren’t just worth paying attention to, but are essential to the very fabric of the spaces we inhabit. Giandelli doesn’t entirely avoid mushy sentimentality nor the excesses of an open heart — absolutely no one is deserving of even so much as mild criticism here, which feels more naive than accepting — but her feel for our inner lives, as well as a visual style that evokes the richness of life as she sees it, win out in the end." – David Berry, National Post
• Review: "Nicolas Mahler’s childishly cute drawings put an adorable face on a satire with a pretty deep cynicism with the superhero comics industry. A creation of Korporate Komics, Angelman is pink dumpling with wings, blessed with the superpowers of sensitivity, open-mindedness and being a good listener, at least until focus groups and lagging sales put him through a gritty reboot and a some deep-seated neuroses about being a second-rate hero. Mahler’s points about corporate art certainly don’t aim for subtlety, but that doesn’t make them any less true, and a droll sense of humour keeps things from getting too preachy." – David Berry, National Post
• Review: "Athos in America... is another collection of graphic novellas and graphic short stories from master of deadpan presentation Jason in the style of Low Moon, and, as with the release of all new work from Jason, a cause for celebration.... This book is chock-full of examples of Jason’s inspired appropriation of classic trash pop culture, and his repurposing of it in formally experimental (or is playful a better word?) explorations of the human experiment.... Jason’s comics are among the hardest in the world to review, as it’s difficult to say anything beyond 'Well, that was perfect' in terms of assessment, and the specific magic he works is so difficult to describe in words, and so easy to communicate by simply pointing to a random volume of his work and saying, 'Hey, check this out.'" – J. Caleb Mozzocco, Robot 6
• Review: "For a list price of $39.99... this book [Amazing Mysteries] does a wonderful job of showing off Bill [Everett]’s early work and lets us learn a lot about the man. .... Bill was an enormous talent for telling stories. Bill’s work, often as writer and artist holds up much better then many other artists from his time. This volume is a lot of fun as you can flip through it and see how much Bill played with layouts and panel design.... Bill was an amazing talent.... Bill’s style is so distinct it is often easy to tell when he did all the work. Bottom line for a good collection of a master in his early days, this book is hard to beat." – Jim Martin, Comics and... Other Imaginary Tales
• Review: "There are only a handful of rock journalists who could have a collection of their work seem like a necessity, and Paul Nelson would be at the very top of that list.... Kevin Avery's book [Everything Is an Afterthought] gathers many of Nelson's finest pieces, most for Rolling Stone magazine... As amazing as all those stories are, it's also Avery's riveting biographical chapter on Paul Nelson that really takes a sledgehammer to the soul. Weaving together the recollections of many of Nelson's peers, the portrait we're left is of a man that struggled to maintain a hold on reality, finding higher enjoyment in the world of the mind.... Paul Nelson took what was already life-changing, and the way he saw it and could speak about it, made it even more thrilling. Now we can celebrate him all over again." – Bill Bentley, The Morton Report
• Profile: The lead-in to TCAF at Canada's National Post continues with David Berry talking to Zak Sally: "His latest book, Sammy the Mouse, had an original home as part of Fantagraphics’ Ignatz series, but is now being collected and bound by Sally himself, by hand in his Minnesota studio. The world of Sammy reflects this hands-on approach: it feels immediate and lived-in, almost less like a story than a tour of Sally’s internal brain architecture, with a slight misanthropy and freewheeling visual style that recall work like Chester Brown’s Yummy Fur. 'For me, finding those first underground comics was incredible,' says Sally, who got his start reading superhero tales, but was quickly turned. 'It turned comics into something you realized you could just do yourself: just get your s–t together and do it.'"
• Profile: David Berry of Canada's National Post profiles the Toronto-bound Jason: "'I guess I’m not the most talkative person myself, so most of my characters end up the same way,' says Jason (a.k.a. John Arne Sæterøy) who, true to form, conducted our interview over email from his current home in France. 'I just think silence can be more effective than a lot of words.' The truth of that is in the book he’ll be showing off at the Toronto Comic Arts Festival, Athos in America. The collection of short stories is in a lot of ways a quintessential distillation of his themes and tendencies, blending together his cast of mostly melancholy (and quiet) anthropomorphized characters, dryly existential humour, sparse but careful composition and plots borrowed but tweaked from Hollywood genres such as crime, science fiction and, in the case of the titular musketeer, historical derring-do."
• Review: "...Mauldin created great art. His illustrative skill still catches our eye. His depth of thought and feeling still draw us in. We ponder Willie and Joe. We weigh their posture. We stare into their ravaged eyes. Who are these men, we ask? Where did they come from? Where will their paths lead?... Mauldin’s creations are as isolated and as awaiting-of-an-unknown-fate as Vladimir and Estragon. Their foxhole encapsulates their existence with the totality of Nagg and Nell’s garbage cans. Day-by-day, Willie and Joe confronted their readers, making no progress but enduring.... Fantagraphics has honored... the survivors and the fallen, while enriching the rest of us with this collection." – Bob Levin, First of the Month (via TCJ.com)
• Plugs: Lawrence Ferber of Next Magazine mentions a few of our titles in his MoCCA Fest report: "Batman received a subversive skewing in Josh Simmons’ gleefully un-PC The Furry Trap(another of its screwy adults-only tales involves a rape-happy elf). Trap's publisher, Fantagraphics Books, will release volume three of excellent gender-bending coming-of-age Manga series, Wandering Son, this summer, along with a queer comics compilation edited by San Francisco’s Justin Hall, No Straight Lines."
• Plug: "I loved Nancy in childhood, and I love Nancy now. The accuracy and economy of Ernie Bushmiller’s art and the genial simplemindedness of his humor make an irresistible combination. So I am happy that Fantagraphics at last has published Nancy Is Happy: Complete Dailies 1943–1945." – Michael Leddy, Orange Crate Art