Today's Online Commentary & Diversions:

• Review: "Rick Marschall and Warren Bernard’s Drawing Power is a provocative visual examination of the wonderful world of cartoon advertising.... Marschall and Bernard have mixed an unusual batch of artistic and economic history. After reading this book, you’ll never look at comic strips and capitalism the same way again." – Michael Taube, The Washington Post

• Review: "It's a little silly for me to do the full-disclosure tap dance... I'm quoted ten times in Kevin Avery's Paul Nelson biography-collection-tribute, Everything Is an Afterthought, and thanked prominently in the acknowledgments.... [The book is] better than you might figure.... With Nelson, the wild card was Avery, an unknown from Utah whose national track record starts here. But he's done inspired, diligent work. Constructed from a greater proportion of direct quotes than is normally deemed proper, the biography is doubly gripping as a result... And though the critical analyses that triggered this admiration shone less brightly than I'd hoped, the narrative writing I'd put less stock in compensated." – Robert Christgau, The Barnes & Noble Review

• Review: "Over the past decade, probably the single biggest frustration we've experienced here at The Copacetic Comics Company was the inability to offer customers the opportunity to experience the magic of Carl Barks in book form.... The influence on American culture of the Disney duck comic books Carl Barks wrote, penciled, inked and lettered for roughly a quarter century is incalculably large.... Carl Barks is one of the true titans of comic books, one of the very few who can hold their own with the likes of Jack Kirby, Will Eisner, Harvey Kurtzman and R. Crumb. His fluid cartooning and storytelling is simply unmatched.... Now, at last, ...his collected works will once again become available for North American readers... in what — based on the evidence of the first volume — is sure to be the most outstanding edition ever produced.... The Fantagraphics edition of The Carl Barks Library is ideal in almost every way and is sure to be the definitive edition of the works of this great comics master." – Bill Boichel (we presume), The Copacetic Comics Company

• Interview: Comics Bulletin's Jason Sacks sat down for a chat with Bill Schelly about chronicling the life and art of Joe Kubert: "Think of the effect he's had. It's like an amplifier. He's used amplification through all his students. His philosophy about good storytelling techniques, solid drawing fundamentals and all those things he's imbued in all those students who go out to every field of artistic endeavor and, in fact, internationally. So his effect is really international."

• Plugs: "Just in time for Christmas, Fantagraphics has published the first volumes of two archival comics series that promise to be amazing.... Carl Barks’s Donald Duck: Lost in the Andes — is a beautiful, 240-page, full-color collection... If you’ve got kids, it’s a terrific introduction to Barks’s DD mythos.... Walt Kelly’s Pogo was one of the great hilobrow comic strips of all time.... Go, Fantagraphics, go!" – HiLobrow

• Astrology: We totally almost missed that VICE talked to Dame Darcy about The Day of Elevens.

For the chilly month of October, the Center for Sex & Culture in San Francisco is heating things up with their new exhibit Dirty Comics: An Exhibition of Erotic Comic Art.

Bay area erotic artist Jon Macy has curated a show featuring 30 different comic artists, including our very own Dame Darcy!

The Center for Sex & Culture is located at 1349 Mission Street between 9th and 10th Streets, on the corner of Grace Street.

Thanks to the always-intrepid Tom Spurgeon at The Comics Reporter for the heads-up-- uh, I mean, tip-off-- uh, I mean... never mind.

• Paul Hornschemeier's rendition of the Ice King, from Zack Smith's enviable collection of Adventure Time-themed sketches

• Paul Hornschemeier is beginning to post teasers of his forthcoming Forlorn Funnies #1 along with the sketches at his The Daily Forlorn blog

• This drawing by Steven Weissman appears to be related to the current Barack Hussein Obama strip; plus his latest "I, Anonymous" spot

• Celebrate International Talk Like a Pirate Day with Dame Darcy as she pays tribute to Adam Ant x 2 (plus Darryl Hannah in Splash) — this and more in her new blog update

• Sketches and illustrations by Max at his El Hombre Duerme, el Fantasma No blog

• The Creature (which you can buy) and a few sneak peeks at The Hidden on Richard Sala's Tumblr blog

• From Leslie Stein, an excerpt from the forthcoming Eye of the Majestic Creature #7

• "Gravity," a new painting by Malachi Ward

• Renee French zooms in on the gross part of a box of fruit; also we all feel like this sometimes

• From Steve Brodner: Ron Paul, Sen. Joe Manshin, Troy Davis (above; all with relevant info & commentary)

• Sketchbook stories by Anders Nilsen

• The Lovely Sparrows CD cover illustration by Derek Van Gieson (click to see wraparound)

Plus:

• Matthias Lehmann's sketches and notes for a new comics project

• Character designs by Bob Fingerman for a series of post-apocalyptic YA novels he's working on 

• An illustration for Bloomberg View by Victor Kerlow

• More mythological drawings by correspondence-course teacher Frank Santoro

• Sketchbook strips by Marco Corona at his Il Canguro Pugilatore blog

• Wild-n-woolly sketchbook drawings by John Cuneo

• A portrait sketch by Mark Kalesniko

• Recent storyboard work by Stephen DeStefano

Earlier this month, the Fantagraphics Bookstore & Gallery was thrilled to host a preview screening of the alt-comix documentary series "Hooked on Comix 3," spotlighting our very own Dame Darcy and Tony Millionaire! 

We were very fortunate to have directors David P. Moore and Audry Mandelbaum in attendance, and you can check out an interview David did with Dan Morrill of ComicsForge.com below (or on YouTube)! It's a great look around at our bookstore & gallery, and there's even a lo-fi preview of Tony's interview at the end:

Come visit the Fantagraphics Bookstore and get hooked on comix yourself! We're open daily from 11:30 to 8:00 PM, and open on Sundays until 5:00 PM. You can find us at 1201 S. Vale Street (at Airport Way S.) in the Georgetown neighborhood of Seattle.

Lots and lots of images to share, and lots and lots of overflow spilling over into links:

• We linked to this a while back in Daily OCD, but the interview with Lilli Carré at art:21 includes the first glimpse of her sketchbook I've ever seen (along with other art) and daaaang; Lilli also drew Groo the Wanderer for Matthew J. Brady 's theme sketchbook (there's a good one by Jeremy Tinder too) AND did this illustraton for The New York Times AND this amazing letterpress print

• Is Barack Obama losing his indie cred? Drew Friedman shares his illustration for the New York Observer about the President falling out of favor with the hipster demographic, and...

• Aww, Drew Friedman's portrait of his dad Bruce Jay Friedman for Tablet; Drew also presents an awesome gallery of Plop! covers by Basil Wolverton and Wally Wood at his blog

• Some Jaime Hernandez record-cover art I hadn't seen before, for the band The Shame Idols (via Love & Maggie)

• This one makes Janice very happy: Jason draws Robert Smith of The Cure — plus film reviews and various other commentary at his Cats Without Dogs blog

• Johnny Ryan draws some of his favorite bullies for Vice and shares some recent commissions on his Flickr page: Gremlin/robot orgy, Star Wars 4-way and fuckball

• Wowee-wow, lookit these vintage Sesame Street illustrations by Jack Davis that were posted by Leif Peng at his Today's Inspiration blog (via Drawn)

• Dig this nifty nutty video that Michael Kupperman made for no particular reason; then when you're done, watch this psychedelic one

• Gary Panter sending this box of dog biscuits to a dog named Gary Panter is probably about the cutest thing you'll read all day

• I think Steven Weissman loses this sketchbook battle with his son Charles — that and his weekly "I, Anonymous" spots and more at his Chewing Gum in Church blog

• Writer Dan Sinker shares the evolution of Paul Hornschemeier's cover illustration for The F***ing Epic Twitter Quest of @MayorEmanuel — via Paul's blog, where Paul also shares a website header illustration and accompanying interview; also, about umpteen new entries on his daily sketch blog The Daily Forlorn

• Eleanor Davis illustrates for The New York Times and for Rattler magazine

• Richard Sala presents the original, unretouched artwork for his Kramer's Ergot 7 strip, likewise for a Peculia story, plus some words on "Invisible Hands" — plus a whole lot more on his Tumblr blog

• The first page of a feature graphic story Tim Lane is doing for the Riverfront Times, to appear later this month, plus some of Tim's sketches for the story

• Lorenzo Mattotti previews 3 upcoming publishing projects: a graphic adaptation of Mark Twain's The Adventures of Huckleberry Finn and a collection of Venice landscapes; and a collaboration with Art Spiegelman for an upcoming September 11-themed collection from Casterman

• Sergio Ponchione teases his Prof. Hackensack strip and illustrations in the new Linus as well as some recent illustrations of classical composers

• Laura Park's strip for this month's issue of The Believer, plus a Picasso-esque sketch (and, if you look around, lots of photos of her adorable new puppy)

• Speaking of Laura Park, Derek Van Gieson did this little jam strip with her on a recent visit to Chicago, where they and others also took part in a little Trubble Club action; more from Derek at his These Days I Remain blog

• Stephen DeStefano illustrated this poster for a new Washington, DC staging of Lithuanian Sweetheart, a play written by his Lucky in Love collaborator George Chieffet; also, an album cover illustration, Popeye playing hockey, Popeye playing soccer

• Louis C.K. fan art on Josh Simmons & Wendy Chin's Quackers blog (I'm not sure who did it — I'm guessing Wendy... and if you don't watch Louie you should) — meanwhile Josh has a couple new doodles on his The Furry Trap blog

• I was going post Renee French's portrait of the Crimson Bolt (Rainn Wilson's character from the movie Super) but I decided to go with this more mysterious, less link-baity piece instead

• Sammy Harkham's 2009 portrait of singer-songwriter Will Oldham for Colors magazine

• From Steve Brodner: Warren Buffett for Harper's (above); the SE; Planet of the Apes for The New Yorker; Rome sketchbook; Keystone XL pipeline protestors; and feral CEOs

• Sketchbook pages and more sketchbook pages by Anders Nilsen

• Glimpses of 11 binders worth of storyboards for Dash Shaw's The Ruined Cast

• Views of some rather astonishing cut-out dioramas made by Hans Rickheit for a recent art show

Additionally:

• Colleen Frakes shares some birthday sketch comics done for her by Mome contributors Joe Lambert and Chuck Forsman

• A drawing by Matthias Lehmann for an upcoming book from Le Dernier Cri

• Recent drawings by Andrei Molotiu

• The latest creations and updates from Dame Darcy at her blog

• Frank Santoro is selling his sketches of "black & white boom" cover art, along with the original comics, to help keep him in cash while he works on his new comic — there's a new mythology piece on his Tumblr too

• A bunch of new sketches by Marco Corona at his Il Canguro Pugilatore blog

• From Jim Blanchard, a rollerderby poster and a painting of Tura Satana

• Bird sketches with field notes by Debbie Drechsler

• A performance poster illustrated by Nate Neal

• An image-packed update on various works in progress from Noah Van Sciver

• Roger Langridge sketches Popeye vs. Bluto

Those of you lucky enough to be in Seattle this weekend be sure to drop by Fantagraphics Bookstore & Gallery on Saturday, September 3. You'll be among the first in the nation to screen "Hooked on Comix 3." Los Angeles filmmakers Audrey Mandelbaum and David P. Moore have been documenting the masters of alternative comix at the peak of their prowess since 1993.  Meet these exceptional filmmakers and see the latest installment of this truly wonderful documentary series, which features Dame Darcy and Tony Millionaire, two of Fantagraphics' most talented and eccentric cartoonists. The film will run continuously between noon and 3:00 PM. As an added incentive to attend — (like you need one) — we'll be offering 20% off on all books by the two stars on the film, all day long.

Fantagraphics Bookstore will be open Labor Day Monday, September 5 from 11:30 to 4:00 PM. Get all your back to school comix this weekend.

Make a habit of visiting Fantagraphics Bookstore & Gallery this fall as we approach five years of presenting comix culture to the masses. It just keeps getting better:

On Saturday, September 3 between noon and 3:00 PM, we host a sneak preview of "Hooked on Comix 3." Fimmakers David P. Moore and Audry Mandelbaum will be present for a continuous screening of the latest installment of their insightful documentary series on alternative comix. This one features the lovely Dame Darcy and always entertaining Tony Millionaire. Can't wait.

On Saturday, September 10 we open Drawing Power, an amazing exhibition of cartoon advertising curated by Warren Bernard. On Saturday, September 24 Bernard will present a slide talk followed by a book signing from 6:00 to 8:00 PM. He'll be joined by visual artist and cartoonist Tom Neely presenting his latest "painted novel" The Wolf.

On Saturday, October 1 we'll host a special preview of the topical graphic novel Oil and Water with journalist writer Steve Duin from 6:00 to 8:00 PM.

Don't miss a minute of the action. Visit Fantagraphics Bookstore daily. If you don't live here, with local housing prices remaining soft and the Seattle job market improving, now's a good time to move. See ya'll soon.

Apologies for the long delay since the last roundup. I enjoy bringing you these posts but lately it's been hard to squeeze them in. I may need to figure out a new approach or something. Anyway, on with the show:

• "Unemployment" strips by Tim Hensley

• Hey, a new comic from Jonathan Bennett! Spin commissioned a 2-page strip from Jonathan as part of their commemoration of the 20th anniversary of Nirvana's Nevermind and posted it on Facebook (Via Spurge)

• Nate Neal has a new website you should bookmark/subscribe to, with lots & lots of updates, including comics in the video "Comix-O-Matic" format, sneak peeks of a new book he's working on and a whole mess more

• Drew Friedman spotlights those awesome "Cool Art Pencils" that Pentech put out in the early '90s

• Dave Cooper shares this rough preliminary sketch and a whole mess of reference photos (and behind-the-scenes shenanigans) for a new painting he's working on

• Richard Sala — now on Tumblr! Still some previously unshared updates on his Here Lies Richard Sala blog too

• Tim Lane illustrates the poster & program for the St. Louis Filmmakers Showcase festival

• Lorenzo Mattotti also illustrates for a film festival, Annency Cinéma Italien; plus a New Yorker cover and Johnny Rebb

• Lilli Carré illustrates for the Chicago Reader and animates a Wallace Stevens poem at The Hooded Utilitarian

• You may have heard we've signed Noah Van Sciver's in-progress graphic novel about Abraham Lincoln, The Hypo — here Noah presents an excerpt

• Stephen DeStefano continues to fill up his new Tumblr with Popeye designs, sketches and other stuff

• The usual amazing stuff from Renee French

• Steve Brodner on the debt-ceiling debacle for the Washington Post and additional recent sketches at his blog

• Yes, it's a panel from Kevin Huizenga's eagerly-awaited Ganges #4

• Four weeks worth of Paul Hornschemeier's daily sketches at The Daily Forlorn

• As we enter the dog days of summer Wilfred Santiago's arctic fox is looking mighty cool

• Johnny Ryan gets in the Smurf spirit (Seal Team Smurf? Smurf Team Six? Smurf Team Smurf?) and draws his favorite bullies

• Yowie, this back cover to Stan Sakai's latest annual sketchbook — yowie!

And more Things to See since the last update:

• Glimpses of a new comic from Matthias Lehmann

• Steven Weissman's latest "I, Anonymous" spots and more at his Chewing Gum in Church blog

• A figure painting from a life drawing class by John Hankiewicz

• Dame Darcy's developed a propinquity for dolphins

• Debbie Drechsler returns to her nature-sketching blog Just Around the Corner

• Sketches by Mark Kalesniko for his new graphic novel Freeway at his blog

• Sergio Ponchione gives some glimpses of his summer projects (if I'm interpreting the autotranslation correctly)

• Here's the blog of new Mome contributor Nick Drnaso

• Recent sketches (and aquarium videos) by Laura Park

• New drawings from Sophie Crumb

• Anders Nilsen 's book tour travel sketches

• Lots of updates on recent projects and an autobio-ish strip or two from Derek Van Gieson

• Anthony Vukojevich takes on Love and Rockets #1 at the Covered blog

One of the many awesome things about San Diego Comic-Con was getting to chat with pioneer of female comic art, Joyce Farmer, and current champion of the ladies, Esther Pearl Watson. We talked about how it wasn't always so easy to be a woman in the comics world. So, a show like this, spotlighting the latest wave of amazing women artists, just makes me really, really happy.

Lady Comix Art opens this Saturday, July 30th at the Webb Gallery in Waxahachie, TX. Curated by our own Esther Pearl Watson, the show features fellow female Fantagraphics artists like Dame Darcy and Gabrielle Bell, among an awesome line-up of ladies. The opening night soiree runs from 7:00 - 11:00 PM.

The Webb Gallery is located at 209 West Frankin Street in Waxahachie, TX, and the show runs through September 18th. And here's a print I spotted (and snapped a pic of!) at Esther's booth at SDCC that seems particularly appropriate for the show:

Today's Online Commentary & Diversions:

• Review: "...[L]ike the best coming-of-age stories — comics or otherwise — Wandering Son is meticulously accurate in its details, but universal in its emotions. Gay or not, readers shouldn’t find it too difficult to identify with kids who feel like their bodies and their friends are equally culpable in the worst kind of betrayal, preventing them from realizing the potential they see in themselves." – Noel Murray, The A.V. Club

• Review: "The tone of each book is very different, with the Gil Jordan collection favoring clever mysteries, narrow escapes, and broad comic relief, while the Sibyl-Anne book is subtler, dissecting the way miniature societies work, together and in opposition. Both are excellent, though, showing off the strengths of the Eurocomics tradition, with its sprawling narratives spread across small panels, mixing cartoony characters and elaborate backgrounds." – Noel Murray, The A.V. Club

• Review: "Reminiscent of the classic Michael Winner-helmed and Charles Bronson-starred The Mechanic, Tardi's follow up to his acclaimed adaptation of a Manchette crime novel West Coast Blues, Like a Sniper Lining Up His Shot... delivers a superior sequential thriller. Violent, sexy, and littered with enough shocks to excite the most hardened crime fiction fan, Tardi once again produces one of the finest examples of the genre." – Rick Klaw, The SF Site: Nexus Graphica

• Review: "McKean has long been established as a master of multimedia imagery and Celluloid represents possibly his finest work. The clarity and seamlessness with which he combines photography with drawings and paintings makes every scene entirely convincing. It’s this hyper-reality that encourages us to submit to the dream-logic of the story." – Gavin Lees, Graphic Eye

• Review: "[Celluloid] is a story of sexual growth and empowerment. ...McKean's artwork gains greater dimensionality as his central character grows more assertive.... The pace of the story is left up to the reader, but McKean has created such lush visuals that many will want to linger and examine the intricacies of the imagery presented....Many of the pages are so well crafted in their surrealistic imagery that they could easily hang beside Picasso. McKean has boldly stepped away from the confines of mainstream comic books with this endeavor, and the result is a masterpiece of eroticism that relies heavily on intellect and emotion, rather than just mere arousal or titillation." – Michael Hicks, Graphic Novel Reporter

• Review: "If Siamese Dream-era Smashing Pumpkins exploded inside a Victorian tea shop, it would look something like [Meat Cake]... The humour is perverse, like an alt-universe Kate Bush who grew up reading penny dreadfuls instead of Brontë, the drawings are obsessively crammed with fever-dream detail, and the author has the advantage of being able to make publicity appearances dressed as her own characters, which is not something most cartoonists should attempt." – Grant Buist, The Name of This Cartoon is Brunswick

• Profile: Rosalie Higson of The Australian talks to Robert Crumb in anticipation of his visit to Sydney next month for the GRAPHIC festival: "There's a unique timing and way of telling a story with comic panels, different to writing novels or a film script. And there are seasons in the life of any artist. Crumb has dropped all his ongoing characters. 'I'm sick of them all. I'm very critical of my own work, when I look back on it I'm not especially proud, I wasn't really serious enough about it. I'm not sure what it all means for posterity, I have no idea. You can be the world's most favourite artist, and be totally forgotten a few years later,' he says."

• Interview: At Print magazine's Imprint blog, Michael Dooley chats with Trina Robbins. Dooley: "Trina's 2009 The Brinkley Girls: The Best of Nell Brinkley's Cartoons from 1913-1940 is a stunning collection as well as a detailed pictorial chronicle of the evolution of fashion and style, from Nouveau to Deco." Robbins: "I love clothes. I love lipstick. I love glamor. And obviously, so have many other women, if you look at the large readership of artists like Nell Brinkley and Brenda Starr's Dale Messick. And in the case of younger readers, at all the girls who loved Katy Keene. There probably are still some women who might want to see me, if not guillotined, then at least sent off to a gulag for promoting such work."

• Plug: "I was planning to attend [Comic-Con] dressed as Prince Valiant in honor of the lavish reprints of Hal Foster's classic, which I'm collecting, but was told I wouldn't be allowed to bring my 'singing sword' on the plane, so there went that idea. So I guess I'll just go as 'me,' letting others provide the color and dash." – James Wolcott, Vanity Fair