• Review: "The third volume of this comics anthology is a whirl-a-gig of vivid color, giddy fun, black angst, and hauntingly disturbing images... The volume brings together carefully crafted stories with eye-searing artwork, packed with scatological humor, violence, and disquieting sexual acts... Hotwire Comics 3 is not for the faint of heart, but those who love underground comics or want an introduction to that world as it stands today, will embrace the volume." – Publishers Weekly
• Review: "Classic kid comics are evoked with a weird, horror-inspired twist in [Chocolate Cheeks]... Weissman has a knack for combining the cute with the eerie and the unsettling, and the art—presented in both b&w and color—is outstanding." – Publishers Weekly (same link as above)
• Review: "But even Jaime devotees should be paying attention to Gilberto’s recent work; since he closed the books on Luba, he’s been flexing his muscles with some astonishingly effective genre exercises, the latest of which is The Troublemakers. A lurid pulp excursion featuring an appropriately leering cover by Rick Altergott, the book uses peripheral characters from Beto’s other works to craft a story about missing cash, hot sex, and two-timing that combines equal parts neo-noir and sleazy ’70s-throwback exploitation. But what elevates it from being a simple mélange of clever genre riffs is Beto’s determination to load it with uneasy surrealist images and clever symbolic elements. The Troublemakers doesn’t read entirely like anything he’s done before, but it may be his best work in years. [Grade] A-" – The A.V. Club
• Review: "[The] Troublemakers follows a cast of conmen as they double-cross one another until they run out of rope and hang themselves. It too features amazing cartooning. It’s very cinematic, but it’s not drawn with attention to realism like cinematic comics frequently tend to be... Instead, the storytelling relies on Hernandez’s masterful use of staging and talent with composition. His ability to spot blacks, place textures, and overall cartooning/drawing skills made this crime story a delight to read." – guest contributor Jim Rugg, Robot 6
• Review: "If you are a student of the history of sequential art, Newave! feels like a must-have for your collection. It seems to be as perfect of a collection of mini-comix as you could ever find and it is informative as well as entertaining. It’s also the type of book that challenges your artistic side as well so that’s another bonus." – Chad Derdowski, Mania
• Interview:Publicola's Heidi Broadhead talks to Michael Dowers about the Newave! book and exhibit: "Well, there are still a handful of us who are completely driven. It is in the very cell walls of our mind, body, and soul. Some of these guys are about to hit 60 years old, me included, and we don’t know how to stop."
• Plugs:The Precocious/Manga Curmudgeon, David Welsh, recommends some Gilbert Hernandez books in recognition of Beto's birthday today: "For those of you who aren’t familiar with Palomar, it’s a small Central American town populated with interesting, complex people. It’s also populated with a variety of kinds of stories and tones, gritty realism one moment, magical realism the next. Hernandez really builds that web of community in these stories, exploring ties of family and friendship, lingering grudges, outside influences, sex, love and death."
• Plug: "...[Almost Silent] is all stellar material for the most part, especially [Tell Me] Something and You Can't [Get There from Here], which trade on Jason's perennial theme of love found and lost in rather odd settings. So if you weren't able to get these books when they first came out, I highly recommend doing so when this new edition comes out..." – Chris Mautner, Robot 6
Online Commentary & Diversions, first of the week, last of the month:
• Coming Attractions: Chris Mautner of Robot 6 got his hands on our Spring/Summer 2010 catalog and runs it all down for you
• Review: "Of all the comics published in 2009, none has deserved more acclaim... than You Are There. ... Tardi's art, which combines the liveliness and simplicity of the best cartooning with a well-observed realism is perfect for this kind of surreal tale. ... His work deserves to be read and will endlessly reward readers who seek it out." – Robert Boyd
• Review: "[Like a Dog] is a gloriously rough-hewn and hands-on collection from a compulsive cartoonist and storyteller packaged with the flair and imagination that has become a trademark of the world’s leading publisher of fascinating comics. ...Sally’s dedication to innovation, exploration and imagination will astound and entrance anyone who knows capital A Art when they see it." – Win Wiacek, Now Read This!
• Review: "[Strange Suspense: The Steve Ditko Archives Vol. 1] is a cracking collection in its own right but as an examination of one of the art-form’s greatest stylists it is also an invaluable insight into the very nature of comics. This is a book true fans would happily kill or die for." – Win Wiacek, Now Read This!
• Review: "Columbia's book [Pim & Francie] is positively festooned with frightening moments and tableaux... Any single upsetting image is a rosette on a much more ambitious and awesome-to-behold cake. Al Columbia has progressed to the point where he can haunt my nightmares for three days as an aside." – Tom Spurgeon, The Comics Reporter
• Review: "...The Complete Iron Devil is a humorous adult fantasy book with great art. However, it wouldn't be nearly as good if it weren't for the excellent Devil's Angel story, which points out the craziness of 'morality police.'" – Bernard C. Cormier, [here] (CanadaEast)
• Plug: Polish blog kg looks forward to our next two CompleteCrumb reprints (perfectly broken English courtesy Google): "And you need to know that to find and collect all the works of Crumb is as hard as winning for best player of the world, being Polish football player."
• Plug: "It’s like a bomb went off in the subconscious of Max Fleischer and Columbia was around to collect the pieces years later when they fell to earth. In this time of safe substitution power fantasies, Columbia’s work is truly provocative stuff. Funny, dark, and impeccably executed." – The Synesthetic Fugue Incident
FANTAGRAPHICS BOOKSTORE & GALLERY CELEBRATES THIRD ANNIVERSARY ON DECEMBER 12 WITH ART, MUSIC, COMIX & MORE!
November 25, 2009 - SEATTLE, WA. The third anniversary celebration for Fantagraphics Bookstore & Gallery on Saturday, December 12, from 6:00 to 9:00 PM, promises to be an unforgettable affair. The event features appearances by an international cadre of compelling cartoonists and artists as well as the world premiere of PORTABLE GRINDHOUSE with editor Jacques Boyreau. An entertaining panel discussion will be held the following Sunday afternoon, December 13.
PORTABLE GRINDHOUSE: The Lost Art of the VHS Box collects colorful cover art from a selection of vintage exploitation genre films. Cleverly packaged in a VHS slipcase, this anthology celebrates the film format that changed pop culture forever. On opening night Portland-based editor and B movie aficionado Jacques Boyreau will unveil a monumental site-specific "Portable Grindhouse" mural designed by Candice Schroeder. Boyreau commissioned Schroeder to create an equally impressive mural for his "SuperTrash" movie memorabilia exhibition currently on display at the Andy Warhol Museum in Pittsburgh.
December 12 also marks the third anniversary of Fantagraphics Bookstore & Gallery. To celebrate the occasion, Fantagraphics Books has assembled an amazing group of cartoonists to socialize and sign books. Among the stellar line-up of guests: Femke Hiemstra (ROCK CANDY) from Amsterdam, Paul Hornschemeier (ALL & SUNDRY) and Jay Ryan (BEASTS!) from Chicago, Portland's Dame Darcy (MEAT CAKE), and Seattle's own Peter Bagge (HATE), Jim Woodring (FRANK), Scott Musgrove (THE LATE FAUNA OF EARLY NORTH AMERICA), and Jim Blanchard (TRUCKER FAGS IN DENIAL.) Musical entertainment will be provided by Bagge's pop combo CAN YOU IMAGINE? featuring Steve Fisk and an opening set by the enchanting DAME DARCY.
On Sunday, December 13 from 4:00 to 6:00 PM, Fantagraphics Bookstore & Gallery presents a panel discussion focusing on PORTABLE GRINDHOUSE. Five distinguished experts in the field will screen short clips from their favorite exploitation film and discuss its influence on their work, as well as the broader social implications of the genre.
Panelists include artist Lisa Petrucci (KICKASS KUTIES ) of Something Weird, cartoonist Marc Palm of Scarecrow Video, Seattle Times pop culture critic Mark Rahner with film critic and curator Robert Horton, co-writers of horror comic ROTTEN. The panel is moderated by PORTABLE GRINDHOUSE editor Jacques Boyreau and will be followed by a book signing and reception. Admission is free as always.
Fantagraphics Bookstore & Gallery Third Anniversary Celebration Saturday, December 12, 6:00 - 9:00 PM
PORTABLE GRINDHOUSE Book Launch Party Featuring Editor Jacques Boyreau
CAN YOU IMAGINE? featuring Steve Fisk And DAME DARCY
From Chicago Paul Hornschemeier (ALL & SUNDRY) & Jay Ryan (BEASTS!) From Amsterdam Femke Hiemstra (ROCK CANDY) From Portland Dame Darcy (MEAT CAKE) Seattle's own Peter Bagge (HATE), Jim Blanchard, Jim Woodring (FRANK) and more!
Sunday, December 13, 4:00 to 6:00 PM
PORTABLE GRINDHOUSE PANEL & BOOK SIGNING
Screening and panel discussion on vintage exploitation video with
Lisa Petrucci (KICKASS KUTIES) Something Weird Video. Mark Rahner (ROTTEN) Seattle Times pop culture critic Robert Horton KUOW film critic and Frye Art Museum film curator Marc Palm (AKA Swellzombie) Scarecrow Video Moderated by PORTABLE GRINDHOUSE editor Jacques Boyreau
Fantagraphics Bookstore & Gallery
1201 S. Vale Street (at Airport Way S.) Seattle, WA 98108 206.658.0110 Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM www.fantagraphics.com
• Review: "Charles Burns offers a glimpse of what might happen if EC Comics existed today with three tales of intrigue and absurdity in this softcover reissue... [of Skin Deep]. A master of the unearthly atmosphere — David Lynch has nothing on him — Burns unleashes tales of a man transplanted with a dog’s heart, a failing marriage with an alarming secret, and, best of all, an evangelist’s son’s encounter with God and his path to millions because of it. At once cautionary, creepy and curious, Burns is consistently one of comics’ deepest thinkers." – John Seven, Worcester Magazine
• Review: "The Troublemakers is the second in a series of graphic novels adapting movies starring or co-starring Rosalba 'Fritz' Martinez from the popular Love and Rockets series. An adaptation of a fictional movie starring a fictional character… I can totally dig that. ... Well, Hernandez has totally captured the look and feel of a B-movie with this one. You’d swear that Roger Corman, Russ Meyer or Samuel Z. Arkoff had a hand in it somewhere… only it’s a whole lot prettier because the guy is a hell of an artist. ... The characters are all very distinct and memorable and the story keeps you intrigued from page one to 120. It actually feels like you’re watching a movie while reading it. ... One can imagine a young Quentin Tarantino taking in a Saturday afternoon viewing of The Troublemakers and being quite inspired." – Chad Derdowski, Mania.com
• Review: "...[A] phallic-galactic odyssey of epic proportions...Prison Pit, the latest [Johnny] Ryan work published by Fantagraphics, is just that, an apologia for sidereal 'poor taste' able to shake the guts of the average reader of comics... Yes, he has hit the target with a homemade bomb and high destructive capacity. Ryan, bastard, you've nailed it." – Alita Comics blog (from mangled Google translation)
• Review: "Jordan Crane is a pretty incredible cartoonist, and this issue of his anthology series [Uptight] demonstrates that wonderfully, with two stories that are different enough that it's impressive that they came from the same creator, but both beautifully drawn and well-told." – Matthew J. Brady
The third anniversary celebration for Fantagraphics Bookstore & Gallery on Saturday, December 12 promises to be an unforgettable affair. The event features appearances by an international cadre of compelling cartoonists and artists as well as the world premier of PORTABLE GRINDHOUSE with editor Jacques Boyreau.
A light load of Online Commentary & Diversions today:
• Plug: "Okay, I see a lot of books and comics passing my desk every week but ye gods this stood out – pre comic code Steve Ditko. Let me just say that again: STEVE DITKO!! ...Fantagraphics’ Strange Suspense: the Steve Ditko Archives [Vol. 1] goes on sale today, collecting material from the first couple of years of the now legendary comics god’s career; fabulous sci-fi, fatal femmes, lurid horror… And its a lovely looking hardback edition, the sort you give pride of place on your shelves (which is what we normally expect from the folks at Fanta, they know how to give class comics work plenty of love and present it well)." – The Forbidden Planet Interational Blog Log
• Interview: Paul Morton of The New Gay talks with Paul Karasik about chronicling the life and work of Fletcher Hanks: "I didn’t really choose to do this story. This story chose me. And it continues to choose me. So as much as I’d like to shake it, I’m sure something’s going to happen that’s going to pull me back down to it."
• Events: Don't forget, Dame Darcy is in Seattle this weekend — info and much more in her latest blog update
Online Commentary & Diversions, now with more Tonya Harding than ever:
• Review: "Occasionally, there are works of art or literature that defy simple classification. The brain breaks upon them like waves and they give up different secrets with each tide but never all the secrets and never all at once. These creations challenge as much as they entertain and ask for obsession as toll on the road to understanding. The Squirrel Machine by Hans Rickheit is just such an enigma. ... Surreal, gorgeous, and both satisfying and confounding, The Squirrel Machine is a hypnotic, occasionally repulsive, always entertaining, and wildly creative graphic novel. It does not invite rereading so much as demands it, and each encounter reveals new and different details and interpretations. This book is a wonderful mystery, a basket of questions, a wealth of enigmas, and it looks utterly arresting every step of the way." – Christian Zabriskie, Graphic Novel Reporter
• Opinion: At Comics Comics, Dash Shaw has an interesting proposal for colleges that teach comics: "Instead of hiring teachers based on their achievements (and many of the current teachers are geniuses, no doubt about it), hire people who previously worked for many years in a now-defunct house style. Someone who drew Archie for years and is now selling their originals at Comic Con? Hire them."
Can Can Presents Seattle International Cabaret Festival Dame Darcy featured at Pensione Nichols (a Victorian Bed and Breakfast where we are doing parlour shows) 1923 1st Ave. downtown Near Pike Place market. These shows are early in the evening because the Cabaret shows are later at a selection of Related Venues.
"Poe's Peculiar Parlour" shows will begin at 7p.m. with Tarot and tea... followed by film, literature and live musical performances! Victorian Parlour style... dress up reccommended but not neccesary.
Saturday Nov 14th Vinsantos (SF) hosted by: Diva Le Deviant 6:00 Dame Darcy Films & Book Signing Meat Cake (Fantagraphics Books) Book reading and More! 7:00 Palm reading at by Dame Darcy short film by Miss Oblivious
Sunday Nov 15th 6:30 Lonesome Shack (Seattle) 8:00 Death By Doll (music): Dame Darcy's ElectRococo/ VamPirate band Maureen O' donnell (author of "Scar Flowers") short surprise film screenings
Not sure if there will be an Online Commentary & Diversions update tomorrow or Monday, as your humble correspondent will be en route to and from San Francisco for APE. Say, we should have an APE announcement coming up any time now.
• Review: "Femke Hiemstra, a Dutch artist, was 'raised on liquorice and buttermilk,' in her words. Fittingly enough, her work is an alluring mixture of sweet and sour. ... Hiemstra... does a wonderful job of offsetting her cuteness with a measure of tears, skeletons, Venus fly-traps and demons. The palette, meanwhile, is unrepentantly pretty — can we call it girly? — and Hiemstra's paintings emit the sort of candy-charged excitement of Halloween night. Rock Candy is a jewelbox of a book, with its deep mauve die-cut cover and metallic red lettering. ... Rock Candy is... a delightful new work for those who like liquorice and buttermilk, or better yet, both." – Molly Young, More Intelligent Life
• Commentary: Chris McLaren of Homo Sum looks at a Jules Feiffer strip from Explainers that remains relevant after all these years