• On his Clip Joint blog John Hankiewicz says "My lithograph No Argument is part of the 30th Annual National Print Exhibition at Artlink Gallery in Fort Wayne, Indiana. The show, now open, runs until May 26th. More information here."
• From Frank Santoro, what I can only assume are process pics of some color backgrounds using airbrush or spray paint... they're pretty, whatever they are
Daily clips & strips — hit the links for improved/additional viewing at the sources:
• This limited-edition print by Sergio Ponchione is available at festivals (I think — the autotranslation is a little sketchy) from Coconino Press. Sergio also reveals that Grotesque #4 is in the can (and coming this summer from Fantagraphics); the complete Italian run of Grotesque will be available in a slipcased set with additional materials, and the slipcase will be available separately (hopefully U.S. fans will be able to order it from overseas); and the full-color Grotesque stories from Linus magazine will appear in future volumes of Mome (hey, that was my suggestion)!
• History: At Comics Comics, Jeet Heer gives a brief overview and critical commentary on Fantagraphics anthologies throughout the years: "Any complete history of Fantagraphics will have to tell the story of how they slowly learned to put together interesting anthologies."
I might have to start posting these art-blog roundups on the weekends too... these Monday updates are outa control...
• Airbrushed Zippy the Pinhead art (artist unknown)! Posting this on Facebook, Bill Griffith says "This is the 2-page spread ad for the 'Zippy Movie' from Variety magazine, 3/29/90. The ad was taken out by the Aspen Film Society (at that time they were the producers of the movie) in hopes of attracting a studio/distributor. Are we in turnaround yet?" More about it (and the likewise never-to-be Zippy TV show series) here
• List:Only the Cinema's Ed Howard begins counting down The Best Comics of the Decade: part 2 includes Black Hole by Charles Burns at #36 ("Few books do a better job of capturing the fear, and the excitement, of nascent desire and adolescent longing, as these diseased teens are driven mad by hormones and embarrassment"), Epileptic and Babel by David B. at #30 ("With his elegant style, dominated by striking blacks and contrasts, he invents numerous metaphors and visualizations for his brother's disease, treating the fight against the disease as a physical, mortal conflict"), Chimera #1 by Lorenzo Mattotti at #29 ("a rare pleasure from this elusive artist... a powerful work"), and The Squirrel Mother by Megan Kelso at #26 ("Kelso's work can be devastating in the way she pares down the excess to get at the essence of a particular moment or situation").
• Review: "…[A] fascinating treasure trove of an anthology... In addition to work by greats like Artie Romero, Rick Geary, and Mary Fleener, and 50 or so others, [Newave!] serves as the history of a movement." – Publishers Weekly
• Review: "Taken as a book that records a history, it’s pretty awesome. ... Newave! does include essays about minicomics and interviews with some of the creators. These are fun and provide a great look at how all of this came about." – Eden Miller, Comicsgirl (via Wow Cool)
• Review: "[Newave!] is really cool. ... It's great to see the kind of passion that was going on... when there was this explosion where people just wanted to do comics because they had a passion for drawing, for telling stories... It's just a book full of passionate comics... I definitely recommend checking it out..." – Steampunk Willy's Mad Comix Ride - The Comic Book Podcast (via Wow Cool)
• Review: "[I Killed Adolf] Hitler mixes elements of classic time travel science fiction fare with personal melodrama and a strange sense of humor that's unlike anything else in comics today. ... Jason pulls off some nice storytelling tricks when you aren't looking. ... The pacing of his story is refreshing, never getting bogged down, never moving too fast." – Augie De Blieck Jr., Comic Book Resources
• Interview: At Fatally Yours, Sarah Jahier has an enlightening Q&A with Dame Darcy: "My Dad is an artist, so is my uncle, brother, and a lot of my family. We are related to John Wilkes Booth and many of the guys in my family look like him (like a handsome villain). I [attribute] a lot of my family’s talent and good looks to Booth but also the craziness." I did not know that! (via The Beat)
• Profile: At Comix 411, Tom Mason profiles E.C. Segar's Popeye protegé, Bud Sagendorf
• Dame Darcy is having another print sale/painting raffle (that's the painting above; the print is different), and also taking commissions for wedding invitations — all this and more on her latest blog update