Having been preoccupied by this past weekend's Emerald City Con, we're a bit late in offering our warmest wishes and hearty congratulations to two of our favorite gentlemen and their lovely significant others.
First up, TheComicsJournal.com co-editor and Picturebox Founder Dan Nadel and his partner Rachel welcomed their first child, Henry, into the world early Friday morning. (You should do each of you a favor and help keep Henry in fresh diapers by picking up Picturebox's new Rory Hayesand Destroy All Monsters! books).
Meanwhile, on Sunday, our old pal Jacob McMurray , Senior Curator of Seattle's Experience Music Project and author of our book TAKING PUNK TO THE MASSES , and his wife Sara welcomed their second daughter, Eleanor, into their family.
Our biggest Bay Area booster Chris Diaz has passed along this video for us to share with you: the Daniel Clowes spotlight panel at last year's Alternative Press Expo, with host/inquisitor Dan Nadel. It's an epic Dan-à-Dan! Chris has some more great clips up on his Vimeo page too. Thanks Chris!
It's safe to say that Fantagraphics, and indeed the entire comics landscape, would not exist as we know it today without the efforts of comics scholar and archivist Bill Blackbeard. I never had the honor of interacting with the man, but his importance and influence reverberates throughout everything we do here, and not just the projects we had the good fortune to work on directly with him, such as the Krazy & Ignatz series he spearheaded. We are saddened by the loss and will strive to be worthy of his legacy.
The Strand, who are obsessive about documenting all their events on video, bless 'em, have posted numerous clips from their pre-MoCCA "Strandicon" spate of comics-related panels and presentations, including The Comics Journal panel with (L-R above) Dan Nadel & Tim Hodler of TCJ.com, TCJ executive editor/Fantagraphics honcho Gary Groth, and token artist Kim Deitch. The Beat has already done all the heavy lifting of compiling and embedding the clips into a single blog post, so we'll throw it over there for all your viewing enjoyment.
The infamous Strand Bookstore in New York City is known for its "18 miles of books," and on Friday, April 8th, they're devoting at least one of those miles to Strandicon, a celebration of comics!
The Strand will be hosting an afternoon of special appearances (including a 6:00 pm appearance by Dash Shaw), and the evening concludes with a celebration of The Comics Journal, featuring a panel with editors Tim Hodler and Dan Nadel, along with founding editor Gary Groth and longtime cartoonist and TCJ interviewee Kim Deitch.
So, if you live in New York, or if you'll be town for MoCCA, join us at 7:00 pm for what's sure to be a spirited discussion! (Strandicon will take place in the Comics & Graphic Novels Department of the Strand, on the Second Floor at 828 Broadway / 12th Street.)
• Review: "Though the episodic flow and gung-ho patriotism of the strips are simplistic in both content and conception, the depth they lack is greatly made up for by the vast, epic compositions that contain Crane’s spring-coiled bigfoot cartooning, the explosive you-are-there immediacy of his dogfights and shootouts, and the sensuous intensity of form and shape he brings to gorgeous women and vehicles of war alike. [...] Crane worked in broad strokes, which is what made him a great cartoonist; but in Buz Sawyer he also sometimes discovers quieter places, ones truly worthy of the sumptuousness with which he imbued every panel." – Matt Seneca, The Comics Journal
• Review: "Kalesniko is a major talent, and this book, which depicts a day stuck in traffic on a California freeway, presents considerable space for reflection, gossip, roman a clef and more. [...] Though the text of the story is rich and interesting, Kalesniko's art is amazing; manga-esque yet thoroughly Western, and richly expressive and subtle. Freeway will inevitably place high on many critic's year's-best lists." – Richard Pachter, The Miami Herald
• Review: "Political commentary often has a short shelf life, but Kreider's collection of cartoons and essays [Twilight of the Assholes] remains potent and pungent, despite its primary focus on the excesses and detritus of the Bush administration. There are no claims of fairness, balance, sensitivity or subtlety here. Kreider's sharp pen skewers holier-than-thou hypocrites, patently phony pious proselytizers, opportunists and idiots of all stripes — gleefully and without fear." – Richard Pachter, The Miami Herald
• Review: "With the core cast established, Segar takes more liberties with the formulas established in earlier books... and Segar continues to find new ways to play his cast off one another. How do Olive and Wimpy react when Eugene predicts Popeye will lose a prize fight for the first time ever? How does Popeye react to being a leader of men? It’s all here, all adventure and all hilarity. Fantagraphics, as you’ll know if you’ve been reading the series to date, continues to provide a gorgeous package – a towering book... with a striking die-cut cover. [...] Popeye Vol. 5: 'Wha’s a Jeep?' stands out as another winning classic comic strip collection, a reminder how great the medium has been and how dynamic it can still be." – Michael C. Lorah, Newsarama
• Review: "The value in this volume [Unexplored Worlds: The Steve Ditko Archives Vol. 2] is not in the stories themselves... but in tracking how Ditko’s art develops. Amid the stock characters of hapless dullards, five o’clock shadow Everymen and saturnine businessmen and the typical rocketships and ray guns of the day, Ditko gains confidence and consistency in his depictions, and an ability to pack more information into fewer images and to guide the reader’s eye across the page for maximum impact. His ability to convey otherworldly horrors flowers as well..." – Christopher Allen, Trouble with Comics
• Review: "...[W]hy is Sergio Ponchione not regarded as one of the top artists in the field today?! [Grotesque #4] is absolutely gorgeous. Lush, bizarre, and moving. The type of comics art which you dwell on a single panel for minutes at a time. The amount of detail and skill in each drawing is astounding. The tones and colors along with the expressive line and brush work create a mood of deep inspection." – P.D. Houston, Renderwrx Productions
• Interview:The Comics Reporter's Tom Spurgeon talks to new TCJ.com honchos Dan Nadel & Tim Hodler about taking the reins of The Comics Journal's online presence: "The initial goal was and remains the creation of a genuine on-line comics magazine (as opposed to blog, or series of blogs), with all of the long-form essays, interviews, reviews, and visual features that come with it. In other words, yes, we're attempting a counter-intuitive web site strategy, in the hopes that quality content will draw people in. We're interested in making a magazine that has a place in the larger visual culture, and can be a go-to source for people seeking insightful writing about comics."
• Commentary:Robot 6's Sean T. Collins, on the new TCJ.com: "Since I’m writing for the thing, I may not be in the best position to comment about it, but quite aside from my own minor role in the proceedings, the move is a welcome and long-overdue one. [...] Handing the Journal‘s website to an experienced print/web editorial team with a clear vision of comics and how to talk about them, one that moreover has been on the leading edge of comics criticism for some years now, is a major step in the right direction."
• Interview:The Daily Cross Hatch's Brian Heater concludes his conversation with Stan Sakai: "I own the characters, so I can do basically whatever I want with him, as far as the story goes. Most of it is adventure, I’ve done romances, I’ve done mysteries — I even did Space Usagi, where he goes through outer space. I can pretty much do anything I want with him, so I never get bored. I’m having fun with Usagi, even after so many years."
• Interview:The Comics Reporter's Tom Spurgeon talks to Renee French: "I've been fishing around. I don't know if it's my age or what, but I'm confused. I have a bunch of obsessions that keep coming back. If I just kind of do something else, like these one-off drawings that I've been doing lately, it's not satisfying. I actually need to feel a little on-edge and crazy, I think."
• Interview:Seattlest's Hanna Brooks Olsen chatted with our own Larry Reid at Emerald City ComiCon yesterday and got "some pretty spectacular insight on what's going on" with us
• Feature:The Seattle Times' Janet I. Tu does her due diligence in her profile of Emerald City ComiCon and asks the president of Seattle's largest comics publisher about the event: "'It's mind-bending how big it is now and how influential,' said Gary Groth, who works at Seattle-based Fantagraphics Books, a graphic-novel and comic-book publisher, and edits the print edition of The Comics Journal, a magazine of news and criticism on comics and cartooning. Groth attributes the growth of such conventions to comics becoming a more integral part of pop culture. 'Or perhaps pop culture has become more comic-book-ized,' he said. 'You see it with comic-book movies or TV shows like Heroes. What used to be seen as essentially kids' entertainment has become grown-up entertainment.'"
• Commentary:Robot 6's Sean T. Collins comments on Alex Dueben's interview with Carol Tyler for that blog's parent site Comic Book Resources: "Having been sucked in by war fever myself several years ago, I find myself more and more moved by accounts of how even the most well-intentioned conflicts make a rubble of countless human lives, both the ones taken and the ones scarred, physically, economically, or emotionally. ...[Tyler is] doing vitally important work."
• Review: "...[O]ne of the collection’s great strengths [is that] it offers an extremely wide range of writing produced over eight years. ... While there’s a great deal to be learned by reading any such collection, Schwartz’s editorial approach makes The Best American Comics Criticism far more entertaining than I would have thought a collection of criticism could be." – Ken Parille, Blog Flume
• Review: "Giraffes [in My Hair]... is a personal lesson in history, love, redemption and all that other crap we look for in a good story — all that, and it's a lovingly illustrated graphic novel that breathes characterization and intrigue from the first page to the last. ... When you toss in Carol Swain's trademark pencil-scratch panels, the whole thing comes together as a great piece of art and story. Sure, it's about sex, drugs and rock and roll, but it's somehow still a new and fresh experience. I wish I'd come across it sooner." – Thorin Klosowski, Denver Westword
• Appreciation: "Even though a variety of comics initially got me interested in graphic novels (or comics for grown ups), the Hernandez brothers created a world which intrigued me the most. ...[W]ith Love and Rockets Jaime and Gilbert Hernandez struck a chord with me. Life, love, sex, action, punk, weirdness, sci-fi, death, art etc it’s all there. ... Overall all of the characters and stories are highly 'recognizable' from real life, in the way that they are human. Some stories are simple and some are surreal, just like life itself." – Matto Fredriksson, Music for Mechanics
• Interviewer:Johnny Ryan's already-legendary onstage interview with Lawrence "Real Deal" Hubbard (along with Dan Nadel's Art in Time panel) is now available for audio download at Comics Comics
• Review: "Dash Shaw seems set to become a name to be reckoned with in comics... [The Unclothed Man in the 35th Century A.D.] is a wonderful introduction to Shaw’s work, and should certainly find its way into the hands of those craving more." – Grovel
• Review: "I'm so glad I started reading this series and can't wait to catch up. Usagi Yojimbo is that rare breed of animal comic that works for me, blending Sakai's cartoon style with a story that would not be out of place in Lone Wolf and Cub. Fans of comics set in historical Japan should definitely check this out. You'll be glad you did. I think it would also be a good fit for manga fans looking to try a non-Japanese comic. I enjoyed this book a lot, and look forward to reading more." – Panel Patter
• Review: "Yet another reason to love Fantagraphics is their meticulous sequential collections of classic newspaper strips such as... Hank Ketcham’s Dennis the Menace. This volume collects the strips from 1961 - 1962 in a huge 654-page volume. What has always stood out about the Dennis the Menace strips is that they were single panel cartoons. It takes an incredible level of talent write a single panel cartoon and Ketcham was one of the best. ... Truly a delight that has lost none of its humor in fifty years. Grade A" – Tim Janson, The Gouverneur Times
• Review: "...Ho Che Anderson's Sand & Fury... [is] a slightly twisty tale of sex, serial killers, and the supernatural, told very stylishly in black, white, and red. Blood and shadows therefore get a lot of play across Anderson's desolate southwestern landscapes; and although his lines can be thick and blocky, his figures evoke a good bit of emotion. There's a lot of nudity, a whole lot of violence, and so the plot can be boiled down to a very simple level: revenge, good vs. evil, etc. However, Anderson's anonymous main character, and the people she befriends, are more than just nominally sympathetic. I feel like I'm not doing the book justice, because it is a very raw tale, full of death and sex, and I liked it a lot." – Tom Bondurant, Robot 6
• Plug: "King creator Ho Che Anderson has a brand new Scream Queen book, Sand & Fury. Ho's work always looks good, and I'm personally pretty happy to see this one..." – Chris Butcher, The Beguiling
• Interview: At Robot 6, Tim O'Shea talks to Ho Che Anderson about the new Special Edition of King ("That’s one thing I wish I could have done more of, slashing dialog, rewriting more of it, but at a certain point you gotta let it go. (Yes, George Lucas, I am talking about you.)") and his new graphic novel Sand & Fury ("To me, sex and horror or sex and violence seem to go naturally together. They seem to stem from the same twisted areas of our psyches. What scares us can often arouse us, sometimes despite ourselves, and vice versa.")
• Profile:CNN's Bob Greene pays tribute to Bill Mauldin on the occasion of the release of Mauldin's commemorative US postage stamp this month: "Mauldin, and his work, meant so much to the millions of Americans who fought in World War II, and to those who had waited for them to come home. He was a kid cartoonist for Stars and Stripes, the military newspaper; Mauldin's drawings of his muddy, exhausted, whisker-stubbled infantrymen Willie and Joe were the voice of truth about what it was like on the front lines." (hat tip to Walt Simonson)
The hits just keep on coming! We just completed this high-quality screenprint of Hanks's Fantomah in anticipation of the NYC book-launch for You Shall Die by Your Own Evil Creation! Don't miss this event. Paul Karasik and Dan Nadel will be on hand to discuss the Hanks legacy and field questions, and the book looks amazing.
that's 7 -9 pm Thursday July 23rd at Desert Island 540 Metropolitan Ave
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