•Commentary: Ron Richards of iFanboy writes a con review and 1/2 of his swap was Fantagraphics fun, "I did a little dance when I saw [Love and Rockets: New Stories #5] was available . . . After the amazing #4 of this series, I can’t wait to see what Los Bros Hernandez come up with this time out"
•Commentary: Heidi MacDonald and Cal Reid finalize their digital SDCC thoughts on Publishers Weekly: "Comixology announced [many] new e-book distribution deals . . . . and perhaps most significantly, Fantagraphics, which had been a staunch hold out on the digital front. The Fantagraphics partnership will kick-off with the jewel in the crown: the much-loved work of the Hernandez Brothers starting with Love and Rockets New Stories #1-4 ."
•Commentary (photos): Cal Reid and Jody Culkin on Publishers Weekly photo-document a lot of the fun going on at Comic-Con including the Hernandez Brothers panel and signing.
•Commentary: Sonia Harris enjoyed her Comic-Con experience according to the report on Comic Book Resources. "[No Straight Lines editor] Justin Hall had a big year, speaking on panels about gay comic book characters and hosting a party on Friday night at the increasingly interesting Tr!ckster event for the launch of No Straight Lines."
•Interview:Chicago Pride finds the time to talk to editor Justin Hall on No Straight Lines, "My worry was that the literary queer comics were going to vanish, that there was no one looking out for that work. Especially with the gay publishers and the gay bookstores dying out."
•Review: Tom Spurgeon on the Comics Reporter covers the Tales Designed to Thrizzle digital comics release, "Kupperman's work looks super-attractive in print, which while that sounds counter-intuitive to its digital chances, is actually a vote for the print version having its own sales momentum that digital won't all the wayoverlap."
•Review:NPR hits home with Flannery O'Connor: The Cartoons. Glen Waldon: "What emerges is a portrait of a much-beloved artist as a young woman, when the sardonic and even brutal humor behind O'Connor's most memorable creations is still gestating."
•Plug (award): Cannibal Fuckface from Johnny Ryan's Prison Pit is a nominee in the Designer Toy Awards for "Best Toy from a Comic." Cast your vote today or we might bludgeon you.
•Plug (pictures): Can't make it Los Angeles? Check out artwork Keenan Marshall Keller posted from FREAK SCENE art show featuring Johnny Ryan (with Prison Pit pages), Jason T. Miles, Jim Rugg and many more.
•Commentary:A.V. Club enjoyed the Fantagraphics/D&Q panel at San Diego and Noel Murray believes, "real legacy of Comic-Con [is] the elevation of the medium’s literary merit and public profile combined with the preservation of its past . . . The outcome of all that? Handsome hardcover editions of Floyd Gottfredson Mickey Mouse strips . . ."
•Commentary: Cameron Hatheway of Bleeding Cool was a bit livid that Mickey Mouse Vol. 1 and 2 beat out our other title up for the Archival Reprint Collection/Project Eisner. "A part of me thought Prince Valiantwould be a sure thing because of its 75th anniversary this year, and people would be getting all nostalgic. Way to go, majority of voters; Prince Valiant will continue to roam the seven seas and seeking adventure without an Eisner to his name. I hope you’re all proud of yourselves! How do you even sleep at night? A pox upon your castles!"
•Commentary: Directly from the Comic-Con floor, Tom Spurgeon from The Comics Reporter is rich with the compliments, "speaking of Fantagraphics, I was surprised to see the Dal Tokyo book. It looks great. I also really liked the design on the second Buz Sawyer volume, a really atypical image being used."
•Commentary: Tom Spurgeon dishes up the best comics to buy at Comic-Con International and online on The Comics Reporter. On Gary Panter's Dal Toyko, ". . . I'm trying to get over the notion of only recommending comics that catch some sort of big-time marketing hook or novelty current as opposed to just being awesome comics. This is the kind of book that has peers, not betters." In reference to the Kickstarted, Fantagraphics-distributed The Cavelier Mr. Thompson by Rich Tommaso, Spurgeon mentions "It's one of the works that the generation-two alt-cartoonist serialized on-line. I heard three different people on the [Comic-Con] floor waxing rhapsodic about Tommaso's natural-born cartooning sensibilities."
•Commentary: Director of PR, Jacq Cohen, was interviewed on the Graphic Novel Reporter about her Comic-Con memories and First Second editor, Calista Brill, loves our books: "I got myself the latest in Fantagraphics' beautiful collected Uncle Scrooge series."
•Commentary: Overheard at Comic-Con. Matt Groening was talking to Eric Reynolds about Twee-Deedle in reference to "perfect" comics reproduction and he said, "Speaking of perfect..." and leaned over and grabbed a Donald book and said, "These are PERFECT."
•Plug: Mark Frauenfelder on BoingBoing mentions Significant Objects (because he's in it!): "Culture jammers extraordinaire Rob Walker and Joshua Glenn bought a bunch of less-than-worthless objects at thrift stores and garage sales and then assigned people to write a short story about one of the objects."
•Review:Reason.com reviews Daniel Clowes work making comics into art. Greg Beato says, "Clowes. . . brought a different sensibility to his comics: An obsessive compulsive commitment to craftsmanship. . . Clowes strove to make the comic book as artful as possible, a complex but organic object that was perfect in all its parts. "
•Interview:The Guardian prints a small Q&A with Daniel Clowes who IMMEDIATELY posts his full answers to some the questions since someone had fun in the editing room. "It doesn't take much to alter the tone or meaning of someone's words in an interview with some editing."
•Interview: Gary Groth interviews Gilbert Shelton at SDCC on the Beat and The Comic Books, Heidi MacDonald, "Among the topics were origins of Wonder Worthog and Fabulous Furry Freak Brothers, talked about working with Harvey Kurtzman and how he knew Janis Joplin. . ."
•Plug:The Comics Bulletin covers the Comic-Con International and the Fantagraphics panel on new releases. Danny Djeljosevic says, "Fantagraphics is Fantagraphics. They put out killer material and in beautiful packages to boot."
•Review (audio): Dann Lennard of Kirby Your Enthusiasm podcast covers THREE of our books in his Australian-based comics podcast. Is That All There Is? by Joost Swarte "If you like Herge and Tintin, it might not be for you. It's pretty full-on. . . if you're into sex and violence, you might like this." On Sincerest Form of Parody, edited by John Benson: "This full color book . . .collects work from another EC publication called Panic, not quite as good as MAD and didn't last as long, but features quite good artists and humor. It's the pick of the other titles." In regards to The Hidden by Richard Sala, Lennard says its "actually quite a powerful, horrific book of violence, it's really quite sickening in places."
The newest and week-old pre-SDCC stinky socks found under your bed-style Online Commentaries and Diversions minus the hullabaloo about Love and Rockets:
•Interview (video):Noah Van Sciver is interviewed by documentary film maker Dan Stafford on his upcoming book about Lincoln's depression, The Hypo, coming out this fall. "Lincoln battled things his whole life. He battled with poverty in his youth; the part that I cover, battling with depression; the struggle of his own fate followed by keeping the nation together, how we know him best."
•Interview: The Advocate and Jase Peeples takes some time to speak to No Straight Lines editor Justin Hall on comics and the LGBTQ community. Hall says, "There are interesting parallels between comics and queers; both have a hard time getting respect by the dominant culture, and both have problems understanding their own history."
•Interview (audio): On the heel's of Pride Month, Comic Book Queers interview a gaggle of people including No Straight Lines editor Justin Hall. Hall states, "We turned the project into a class. I taught at the California College for the Arts and the backbone of the class was bringing in queer cartoonists and had the students interview them."
•Commentary: On The Rumpus editor Justin Hall writes about the history of Queer Comics. You can read more in the anthology!
•Interview:The New York Times and Penelope Green cover uncoventional taxonomy in Significant Objects while interviewing editor Joshua Glenn. Glenn states, "Even if we don’t identify ourselves as collectors, we are collectors of things. And things are collectors of meaning in various ways."
•Commentary:Electric Literature covered the fun book launch of Significant Objects at the Strand on July 10th. Editor Joshua Glenn is quoted by Karina Briski: "the stories become the things of value, all on their own."
•Review:Pop Matters enjoys Walt Disney's Uncle Scrooge and Mickey Mouse Vol. 3: High Noon at Inferno Gulch (edited by David Gerstein and Gary Groth) with childlike wonder but still has those nagging questions. Michael Barrett: "There’s still no explanation for how some animals are “humans” while others are just animals, like how Mickey can ride a horse in the West and then come home to be greeted by his pal Horace Horsecollar."
•Review: The Tearoom of Despair takes a look at the Hate Annuals by Pete Bagge. Bob Temuka laments, "Bagge has actually done so many comics over the past decade and a half, that he is almost – shamefully – taken for granted. While new books by the likes of Clowes or Ware are almost an Event, a new mini series from Bagge might get a couple of reviews, most of which will point out that it’s more of the same."
•Commentary: Video gamesite, 1Up features some satirical video game adaptations including Pete Bagge's Hate, Ghost World by Dan Clowes and the most epic Jimmy Corrigan panel by Chris Ware.
•Review: Music magazine and site Under the Radar enjoys the writings of Stephen Dixon's What Is All This? Uncollected Stories. Hays Davis: "Stephen Dixon has a gift for revealing mundane environments as vibrant social microcosms. With that, it seems almost apropos that Dixon's flown under the radar commercially for decades, though he's always garnered respect in literary circles"
The most-current Online Commentaries & Diversions:
•Interview:MTV Geek questions Noah Van Sciver about his new graphic novel, The Hypo, and why he chose to focus on the man before the president. ". . . it’s important to see who [Lincoln] became, or I should say how he became is more spectacular when you think about who he was, and where he came from, because I don’t even know if that’s possible anymore, to come from nothing and then become a president, you know?"
•Review: Drew on ComicAttack.net reviews kid-friendly The Adventures of Venus by Gilbert Hernandez. "It’s not quite Betty and Veronica, but it’s not quite Calvin and Hobbes; it’s that special place in between that catches that transition from childhood into adolescence, which doesn’t get captured on the comic book page much, and is a rare treat that Hernandez delivers here to such perfection."
•Interview (audio):ABC News Radio's Sherry Preston interviews Daniel Clowes (at the 30 minute mark) as his work is on display at the Oakland Museum of California. "I was more interested in kinda funny comics and comics about real life situations. And I thought it made no sense that there weren't comics about every subject you can imagine." You'll love the following story.
•Commentary: TURN IT OUT in clothes inspired by Daniel Clowes' Ghost World and America's two favorite juveniles on Trent.
•Plug:Follow the White Rabbit eloquently mentions Jacques Tardi's New York Mon Amour. A rough translation might say, "Altogether, a perfect Edition for the lovers of this French author that already amazed us at 'The cry of the people,' 'The war of trenches' or 'The extraordinary adventures of Adèle Blanc-Sec'."
•Commentary: Chris Mautner of Robot 6 gives a nice mention to Michael Kupperman's Tales Designed to Thrizzle #8. "A pretty solid issue overall, the best and funniest part being the opening segment, a parody of coloring books, this time involving trains that … well, it’s not fit for polite conversation, really."
•Review: Greg Burgas of Comic Book Resources breaks down one beautiful page by Archie Goodwin and Alex Toth from Blazing Combat. "This story shows off [Toth's] strengths very nicely, because it’s one of the bleaker stories in the volume (none of them are happy; I mean “bleak” in that the landscape is stripped of vegetation and is dotted with destroyed building, giving this story its post-Apocalyptic tenor) and Toth does very well with that."
•Plug:The Daily Beast features an excerpt from Joe Sacco and Chris Hedges' new book Days of Destruction, Days of Revolt. In this article, they "detail the effects of coal mining in West Virginia, a state destroyed by mountaintop removal."
•Interview: Peering from under a swell hat, Noah Brand from The Good Men Project interviews TCJ contributer and cartoonist Tim Kreider on the art of writing. "Cartooning also seems to allow me to express a much sillier, stupider, more puerile part of my personality than writing. I get all stiff and serious and writerly when I sit down to write prose."
Not a ton going on this week... I s'pose we're all either recovering from CAKE, or gearing up for... SAN DIEGO! (More details about that coming soon.)
Monday, June 18th
• New York City, NY: Tim Kreider will be doing a signing at the Half King Restuarant & Bar at 7:00 PM! (more info)
Friday, June 22nd
• St Louis, MO: Kevin Huizenga will be doing a signing at Star Clipper, along with Dan Zettwoch, at 7:00 PM! (more info)
Saturday, June 23rd
• Brighton, UK: There's gonna be a midsummer midnight 35mm-print screening of the Daniel Clowes movie Ghost World at the Duke Of York's Cinema. They'll have a Ghost World-themed bar, zine stalls, and a raffle! Plus, the screening will be preceeded by live music from Sacred Paws and The Choo-Choo Trains! What? No Blueshammer? (more info)
• Review: At Boing Boing, as part of their "Mind Blowing Movies" series of guest posts, Amy Crehore examines the Ghost World film: "I knew it was going to be good, but I had no idea that the movie Ghost World (2001) would bathe me in such an uncanny sense of deja vu from start to finish. The characters are so real and familiar that they could have been based on my friends and me."
• Commentary:Ashok Karra has a short but thought-provoking analysis of elements of the Ghost World graphic novel: "A ghost world could be three things. Two of them are types of haunting: either by the past (nostalgia for childhood) or the present (the glow of the television). The third possibility is that you pass through as a ghost."
• Plug: At Flavorwire, Emily Temple includes Ghost World on the list of "30 Books Everyone Should Read Before Turning 30," saying "Clowes writes some of the most essentially realistic teenagers we’ve ever come across, which is important when you are (or have ever been) a realistic teenager yourself."
• Plug/Preview: At The Beat, Jessica Lee posts a 5-page sneak peek of New York Mon Amour by Jacques Tardi et al., saying "This newest Tardi release... is slated for a July release, just in time for Independence Day, where we can all revel in the patriotic depictions of New York that Tardi has provided — oh wait. True to his new realism style, 'Manhattan' retains the same kind of gritty aesthetic as his illustrations of WWI trench warfare as well as Parisian life."
• Review: "The 11 horror stories in [The Furry Trap] showcase Simmons’s possession of a dark and capable imagination, one that has discomfort down to an exact science.... Simmons is at his best in stories like 'Mutant' and 'Demonwood,' where rash decisions and chance encounters lead to nightmarish consequences ... Simmons’s brand of deep unease permeates all of [these stories], even in the opening story, 'In a Land of Magic,' which features a scene of sexual and physical violence that could lead to sleepless nights. The book is also filled with illustrations and short comics that just add to the pile of evidence that Simmons has a wide-ranging talent, with an artistic sense that brings to life his most ghoulish creations. These stories are, hopefully, harbingers of even stronger and more sinister work in the future..." – Publishers Weekly
• Review: "The action [in God and Science] ebbs and flows, but the story remains engaging and exciting. I had to read it all in one afternoon because I just couldn't put it down. I was enjoying it too much to stop reading.... [There]'s another great thing about this comic — there's some subtle philosophical questions nudged in that the characters (and reader) have to answer themselves.... I can't recommend this title enough. I can easily say that I want more Ti-Girls, or at least comic characters like them." – Sheena McNeil, Sequential Tart
• Review: "Prince Valiant Vol. 5 — As the war years draw to a close, the strip finds Valiant settling down — at least a little bit — by finally winning his true heart’s love, Aleta. There’s still enough brigands and evildoers to keep Val busy, but a lot of Vol. 5 is spent with the couple developing their relationship, and Harold Foster deepening and developing Aleta’s character in the process. ...[I]t remains a thrilling, boisterous work." – Chris Mautner, Robot 6
• Review: "Dungeon Quest Book Three — Joe Daly’s faithful D&D fantasy by way of Harold and Kumar proceeds apace, with lots of bloody skirmishes with fierce animals and fiercer bandits and an abundance of jokes about penises, pot, hand-jobs and the like.... His incredibly detailed forest backgrounds are really quite exquisite, and the full panel sequences of his band of adventurers simply trekking along a forest path or walking through a stream were my favorite parts of the book." – Chris Mautner, Robot 6
• Commentary: It's been interesting seeing the evolution of the "hey, they should bring Love and Rockets to the screen" article in the age of the serialized cable drama. Arthur Smith at The Paley Center for Media is the latest to add his voice to the chorus
• Plug: "Got this beautiful Popeye compilation book (Fantagraphics) a couple of days ago. Haven't had a chance to even crack it open, but my son is now running around going 'Arf, arf.' It's a hit." – Ruben Bolling
• Tribute: At The New York Times, Tim Kreider remembers the great Ray Bradbury: "Prescience is not the measure of a science-fiction author’s success — we don’t value the work of H. G. Wells because he foresaw the atomic bomb or Arthur C. Clarke for inventing the communications satellite — but it is worth pausing, on the occasion of Ray Bradbury’s death, to notice how uncannily accurate was his vision of the numb, cruel future we now inhabit."
• Review: "Josh Simmons' book The Furry Trap is truly disturbing in its depravity. Makes Ultra Gash Inferno look cute. An inspiring & exhilarating read! How many comics can you honestly say made you sick or upset when you read them? Furry Trap made me question the First Amendment at times." – Sammy Harkham
• Review: "By this point, the reader will know if [Dungeon Quest] is their cup of tea; anyone who enjoys alt-comics takes on fantasy and/or stoner humor will find this a sheer delight. I'd say the sheer level of craftsmanship and the way Daly shifts storytelling modes so quickly would at least interest other readers, especially those who enjoy deadpan absurdism, since that's the core of Daly's sense of humor. For the continuing fan of this series, Daly continues to raise the stakes in each volume and adds richness and depth for those who are looking for more detail. Above all else, he does for the reader what he does with his party: he keeps things moving even when his characters are navel-gazing." – Rob Clough, High-Low
• Review: "...Moto Hagio has more on her agenda than simply trotting out tired 'girly' storylines. Her protagonists struggle with loss, rejection, and insecurity in a manner sure to strike readers as honest and familiar, never reductive or patronizing.... The stories collected here [in A Drunken Dream] span 31 years of Hagio’s career and, while the later stories do seem a bit looser and more confident, the earlier stories certainly don’t suffer by comparison." – Andrew Fuerste-Henry, No Flying No Tights
• Review: "Boasting [Fantagraphics'] usual high-production values and showcasing the genesis of the indie comics icon, [Usagi Yojimbo, Book 1:] The Ronin is a meticulously curated artifact of comics history.... The book is worth buying for the art alone. Sharply reproduced on gratifyingly durable stock, the quality of the lines leap out from the page even in these early stories." – Abhimanyu Das, Slant Magazine
• Profile: At Comic Book Resources, Shaun Manning talks to Nicolas Mahler about his superhero spoof Angelman: "Mahler said he does not have an in-depth knowledge of the major events and storylines [in superhero comics] of recent years, but said he is still familiar with the culture. 'I think my point of view is very '80s, that is when I stopped reading them,' he said. 'After that, I only have very superficial information. I know more about the fanboys, actually. I enjoy the scene around superheroes more than the stories themselves. I like it when people take this very seriously, and can debate endlessly about little faults in a superhero's universe."'
• Interview: Following an introduction in his native Greek, Comicdom's Tomas Papadimitropoulos posts his untranslated (i.e. English) Q&A with Hans Rickheit: "I am compelled to draw these comics.... These stories follow a certain pattern of logic that makes sense to me. I don’t have the vocabulary to explain how it works, that is why I draw them as comic strips."
• Interview:The A.V. Club's Keith Phipps has a great Q&A with Daniel Clowes: "I can look at my early work and see what a pained struggle it was to draw what I was drawing. I was trying so hard to get this specific look that was in my head, and always falling short. I could see the frustration in the lines, and I remember my hand being tensed and redrawing things a thousand times until I finally inked it, and just having this general tense anxiety about every drawing. I think that comes through in the artwork, and gives it this certain kind of manic energy, this kind of repressed energy, so you feel like it’s sort of bursting at the seams or something."
• Interview (Audio):Daniel Clowes sits down for a chat on Bay Area NPR station KQED's Forum with host Michael Krasny
• Video: Via Meltdown Comics and Boing Boing, a charming short film by Rocío Mesa about a couple of dedicated Daniel Clowes fans
• Plug: "...[W]e recommend checking out Love and Rockets Library: The Complete Vol. 1 from Fantagraphics, which collects every issue of the landmark alt-comic series between 1982 and 1996. In Love and Rockets, Gilbert and his brother Jaime Hernandez wrote stories ranging from satire to political intrigue, and introduced such noteworthy characters as Luba, the temperamental, full-figured mayor of a Central American village, and Maggie Chascarrillo, a punk rock-loving Mexican girl who becomes a solar mechanic. ...[T]here's no better time to become a Los Bros Hernandez zombie than right now." – Phil Guie, Critical Mob
Someone buy THIS for me? There was a time that we had this painting in the Fanta offices for awhile, during production of the first GHOST WORLD hardcover edition in 1996 or 1997. It's much larger in person than it was ever reproduced. I loved it so much I made a full-size color xerox of it that I still have. I'll just have to get that framed, I guess. *sigh*
• Commentary: "The completion of Fantagraphics's Krazy [Kat] Sunday series also means, quite possibly, the end of Krazy Kriticism — a brand of writing that, as far as I can tell, only the Kat engenders. Critic Gilbert Seldes first articulated its credo in the 1924 article 'The Krazy Kat That Walks by Himself.' After comparing Herriman to Dickens, Cervantes, and Charlie Chaplin, Seldes threw up his hands: 'It isn't possible to retell these pictures; but that is the only way, until they are collected and published, that I can give the impression of Herriman's gentle irony, of his understanding of tragedy, of the sancta simplicitas, the innocent loveliness in the heart of a creature more like Pan than any other creation of our time.' Thus did the gates open to a flood of ecstatic, mimetic writing in which every critical impulse was mercilessly drowned in gushing praise and fervent prayers to put the comics between covers." – Sarah Boxer, Los Angeles Review of Books
• Commentary: At Print magazine, Steven Brower looks at different ways comics publishers restore and present vintage comics material, including his own compilation of Mort Meskin comics, Out of the Shadows: "For the Mort Meskin collection, we hoped that a contemporary audience would rediscover him; Fantagraphic’s fresh, newly minted approach goes a long way toward achieving that."
• Review: "I mean this in the nicest possible way but self-confessed obscurist Hans Rickheit is clearly not all there in the head. ...[Folly: The Consequences of Indiscretion] is a collection of shorts from over the years, frequently featuring the same characters, in particular identical twins Cochlea & Eustachia, who inevitably get themselves into all sorts of unpleasant bother. Definitely the type of read to make you wary of opening doors when you’re not entirely sure what’s on the other side, as Hans frequently surprises his characters, and us readers, by taking you somewhere you’d never expect, nor probably want to go to." – Jonathan Rigby, Page 45
• Review: "‘Plunder Island’ is the fourth of six oversized volumes collecting all of E.C. Segar’s Popeye-era Thimble Theatre strips.... The Segar book is every bit as good as the three volumes that preceded it – brilliant cartooning and laugh-out-loud funny gags. The only difference this time around is that the Sunday strips fill the first half of the book and the dailies fill the second half (it’s usually the other way around) but otherwise it’s business as usual. I don’t have a single bad thing to say about Segar’s Popeye, and the whole book was thoroughly enjoyable..." – Rob Wells, Comics – On The Ration
• Profile: Andrew Dansby of the Houston Chronicle profiles Daniel Clowes: "Clowes describes an eerie but common sight in his studio. Since eyes are the last thing he draws when he's working, the room is full of characters without them. 'I've had other cartoonists come over, and they've told me it's pretty creepy to see all these faces with no eyes staring back,' he says. 'But that's where I can get the last 10 percent of the emotion on the page. If I get it just right, you can subtly influence any expression through the eyes more than any other feature. They're where the character comes to life.'"
Starting to catch up on Online Commentary & Diversions:
• Review: "The frighteningly hilarious world of Rickheit’s graphic novel is a deranged cabinet of curiosities, full of biomechanical tanks, writhing organic matter, amorphous monsters birthing adorable kittens, men and women in animal masks, and countless tubes, gas masks, sex toys, and pseudo-Victorian apocalyptic landscapes. It would all be too oppressive if Rickheit’s sense of humor weren’t so addictive.... This juxtaposition of dry humor undercuts the richly drawn horror of Folly, simultaneously adding to its strangeness and making it bearable for a casual read... The result is a narrative mosaic that pairs sumptuous, horrific imagery against a strange but lighthearted sense of humor." – Publishers Weekly
• Review:Walter Wehus looks at Kolor Klimax; key quote as translated by Kolor Klimax editor Matthias Wivel: "the common aspect is quality"
• Review: "While exploring this collection, I found myself enjoying the various challenges it presented. It did dare me to eschew my 'western' values of linear, results oriented thinking and simply give way to my intuitive understanding of the art before me. I can’t honestly say I 'get' every comic contained withing this anthology [Abstract Comics]... nor can I truly say I learned something about the medium that I didn’t already know. But to see comics stripped of their representational elements does amplify certain things that are so unique about the medium and probably reveals its potential even more fully. These are comics to be experienced." – Jason Newcomb, StashMyComics
• Preview:The Beat's Jessica Lee presents a 6-page preview of Nicolas Mahler's Angelman, saying "If you’ve noticed yourself to be a comic enthusiast who has become more and more disillusioned with the corporate transformation of super-hero comics, Angelman could well be the fresh breath of illustrated air you’ve been yearning for. What could easily be one of the most comedic releases thus far this year, Fantagraphics is releasing (in hardcover no less!) a new graphic commentary of the often-times outrageous and unbelievable trends in the comic industry."
• Profile:The Wall Street Journal's Ralph Gardner Jr. on the work and career of Drew Friedman: "Mr. Friedman's genius is that, on some level, his work is never utterly absent affection, or his subjects black and white, even when they're literally drawn in black and white. It might be a stretch to say that the artist captures their underlying humanity. What he does provide is a picture window onto their troubled psyches so that they and their moral afflictions, whatever they are, must be taken seriously."
• Interview: I don't think we've previously linked to Ted Widmer's career-spanning interview with Robert Crumb from the Summer 2010 issue of The Paris Review: "I was so eccentric when I was seventeen, eighteen, I used to walk around town wearing an Abe Lincoln frock coat and a stovepipe hat that I’d found in some junk store, defying people to ridicule me or think me eccentric. I was a teenage social outcast. At the time it made me feel very depressed, and rejected by girls. Later I realized I was actually quite lucky because it freed me. I was free to develop and explore on my own all these byways of the culture that, if you’re accepted, you just don’t do. I was free to explore the things that interested me."
• Interview (Audio): The Daniel Clowes victory lap continues with an appearance Monday on NPR's Morning Edition: "Clowes never aimed to be the kind of artist museums collect. But now, the walls of the Oakland Museum of California are covered with his drawings. It's 'quite embarrassing,' he laughs. After a stint as an art student at Brooklyn's Pratt Institute in the 1970s, Clowes tried unsuccessfully to get work as an illustrator. Sitting around drawing comics on his own, he decided to send a strip to underground publisher Fantagraphics. He was expecting rejection. Instead, 'they called me up and offered me a monthly comic book, and I felt like I hadn't earned anything,' he says. 'You know, it's like all of a sudden, you're being made president after you've been like, you know, on the city council in Cleveland.'" KQED also posts a couple of outtakes from the interview
• Interview: At The Comics Journal, Nicole Rudick talks with Diane Noomin about her new collection of DiDi Glitz stories, Glitz-2-Go: "In 1974, I did a full-fledged DiDi story for Wimmen’s Comix. It was four pages and was called “She Chose Crime”, and when I was putting this book together I realized that DiDi came out almost fully developed. She hasn’t changed, she hasn’t grown or anything like that. If I look at that first story, the drawing has changed and I’d like to think that certain things have gotten better, but in that story, DiDi’s persona is it. I don’t think I’d realized that."
Register and Login to receive full member benefits, including members-only special offers, commenting privileges on Flog! The Fantagraphics Blog, newsletters and special announcements via email, and stuff we haven't even thought of yet. Membership is free and spam-free, so Sign Up Today!