Happy New Year's! Here's to a great year of books and the next year and the year after that. We salute you and thank you for your friendship and purchases. Some of you sent in photos reading books from this year (and a few past ones).
The first* glass of spiked eggnog of Online Commentaries & Diversions:
• Review: Metroland'sSimcoe reviews Walt Disney's Donald Duck: A Christmas for Shacktown by Carl Barks and The Complete Peanuts: 1985 to 1986 by Charles M. Schulz. Glenn Perrett states, "Reading Carl Bark's "Donald Duck" stories from 60 years ago was entertaining. The animation and colours are excellent and sections such as "Story Notes" [etc.] . . . complement the wonderful comics making this book a nice addition to any library." And "The Complete Peanuts: 1985 to 1986 are sure to make the holidays more entertaining and makes a nice gift and keepsake."
• Review: Noel Murray of The AV Club continues the Christmas coverage with Schulz's Charlie Brown's Christmas Stocking which "is mainly meant to serve as a nice little accessory to holiday decorations, to be brought out every December with the ornaments and Andy Williams records. For that reason, it’s hard to humbug it…" With Walt Disney's Donald Duck: "A Christmas for Shacktown" by Carl Barks, Murray notes "These stories—nearly all published in the early ’50s—are mostly non-Christmas-y, but the title tale is a sweet one. . . For those who do want a surefire present for the comics buff in their lives."
• Review: School Library Journal goes over some of the favorite holiday graphic novels of 2012 like Charlie Brown's Christmas Stocking by Charles Schulz. J. Caleb Mozzocco states "It’s beautifully designed, a breezy, five-minute read, and about the size of a Christmas card, making it a pretty great gift. And, this being Schulz’s Peanuts, it’s the sort of gift you’ll never grow out of." As for Carl Barks' holiday and title story in Walt Disney's Donald Duck: "A Christmas for Shacktown", "It’s one of about 20 of the top-notch comics in the book, which range from one-page gags to the sort of sprawling adventures Barks was best-known for."
• Review: Noel Murray of The AV Club takes a peak at Heads or Tails by Lilli Carré. "Carré loves to constrict her characters, because she knows that limiting their options won’t necessarily limit their imaginations. . . her comics work often has the feel of avant-garde cinema, as she weds surreal images to everyday situations to enchant audiences and spark ideas. . . "
• Review: Christopher Borrelli of The Chicago Tribune writes a loooong article on Lilli Carré and her new book Heads or Tails "that best captures the range, humor and vague sense of ennui she's made her name on. . . "
• Review: Noel Murray of The AV Club enjoys Tom Kacynski's Beta Testing the Apocalypse. "Kaczynski’s comics are frequently nightmarish, starting from a slightly askew place and then tipping further into darkness. . . But while his stories have characters and plots—often with haunting endings—they’re more like essays than conventional narratives."
• Review: Noel Murray of The AV Club finished the You'll Never Know series with Book 3: A Soldier's Heart by Carol Tyler. "This is Tyler’s magnum opus: her thoughts on art, work, relationships, music, war, and anything else that came to her mind while she was piecing together her dad’s story."
• Plug:About.com fills in the blanks of their Christmas Sex Book List by adding our most recent titles. On No Straight Lines: Four Decades of Queer Comics edited by Justin Hall, Cory Silverberg slyly states "given the diversity of artists working today it's not a definitive collection, but it's sexy and joyful and difficult in parts, and definitely one to own." Meanwhile, Naked Cartoonists (edited by Gary Groth) contains "a number of stand outs among this overwhelmingly white, male collection of artists. And I imagine this could be a perfect gift for the right kind of comic nerd."
• Review: Danel Olson of the Weird Fiction Volume 3 writes on Richard Sala and The Hidden . "Sala has become one of my favorite American sequential artists because of his subtle tributes and expansions to four of the most memorable twentieth century American cartoonists - Charles Addams, Edward Gorey, Gahan Wilson, and Basil Wolverton. . . Forbidding and weird seem like weak adjectives for Sala's The Hidden, and I urge you to open it. . . Give a standing order to Fantagraphics for any noirishly weird fictions forthcoming from Sala."
• Review: Chris Estey of KEXP reviews the Bill Griffith collection called Bill Griffith: Lost and Found - Comics 1969-2003. Chris Estey writes that it is "a luxurious and generous Fantagraphics big book collection of his non-Zippy work, is required reading for those who may have missed his parodies and punk rock operas in the past, or want them all bound together. It’s also for those like me who were never really that much into Zippy in the first place."
• Plug: Dave Segal recants the events immediately following his Stranger article on Listen, Whitey!by Pat Thomason the Stranger Slog. White supremacists got all sorts of angry at this history book and the white dude who wrote it.
• Plug: One step forward, two steps back. The Adele Blanc-Sec movie is inching along towards distribution in America. Johanna Draper Carlson gets the scoop on DVDs Worth Reading on Jacques Tardi's graphic novel adaptation.
• Plug:Negromancer reviews the film adaptation of Art School Confidentialdirected by Terry Zwigoff based on the comics of Daniel Clowes. "While Art School Confidential comes across as a satire of art schools, the faculty, and students, it is also a love story and youth relationship drama. It works well as all three."
*let's be real, it's like our tenth glass of that local dairy's eggnog
Last night, director Terry Zwigoff appeared at Central Cinema's sold-out showing of Bad Santa, produced/toured/small printed by The A.V. Club's Cult Canon Tour. The 2003 hit resonated with the parents, malcontents and former elves in the audience (thank you, Dallas Northpark Mall, for that hellish winter month). A charmingly nasal and articulate Nathan Rabin of The A.V. Club moderated the Q&A while Zwigoff opened with a slide show of amazing parodies, criminal copy cats and a slew of Santa photos through the ages, too amazing to not share at least one.
Zwigoff went into detail about looking for the perfect people for this movie (especially since he choose the script over Elf with Will Ferrell already attached). De Niro, Penn graced the top of a list but Billy Bob Thorton was the name he knew could pull it off. In the search for the perfect kid to win the Bad Santa's heart, Zwigoff rejected the "Disney-face-proportioned" in an effort to capture a new Joe Cobb: a fat, scary kid. Which he eventually did find in new actor, Brett Kelly (right).
In addition to Bad Santa, Zwigoff directed such hits as the documentary Crumb, Ghost World and Art School Confidential (guess whosells booksthe movies were based on by Crumb and Dan Clowes?). We earnestly look forward to his next film adventure.
He'll be screening his 2003 film Bad Santa, but he'll also be doing a Q&A afterwards where you can ask him about his work on Ghost World or Crumb. Fantagraphics will be on site with copies of his screenplay for you to get signed!
Central Cinema is located at 1411 21 Avenue, in Seattle's Central District neighborhood at 21st Avenue and E. Union street. Look for the Neon Marquee!
The fantastically newest Online Commentaries & Diversions:
• Review: Over at Read About Comics, Greg McElhatton cracks open a copy of Lewis Trondheim's newest English translation. "Ralph Azham Vol. Oneis a nice little surprise; what initially looks cute and fun is dark and enjoyable, and Trondheim’s gradual reveals of the story’s contents are strong enough that it makes reading the next volume a must. . . I’m definitely back for Book Two; this was a great deal of fun."
• Interview (audio): Robin McConnell of the Inkstuds podcast interviews Noah Van Sciver on The Hypo and his newest work online, Saint Cole on The Expositor.
• Interview:AV Club caught up with Jaime and Gilbert Hernandez during this year, the 30th Anniversary of Love and Rockets! Jaime could not see a future without Love and Rockets: "The only thing I can see in the future is I picture Love And Rockets number whatever way down the road and they have to explain: 'This special issue, Jaime died halfway through doing it. So there’s going to be some pages with just pencils on it and some blank pages. But we thought we owed it to him to finish it, to print it.' A half-issue and then, well, that’s it."
• Review: Steven Heller writes about Dal Tokyo by Gary Panter on The Atlantic: "Dal Tokyo might best be seen as a combination of nightmare, daydream, ramble, and sketch, with a decided stream-of-consciousness tone, which is not unlike Panter's own Texas lilting manner when talking. In fact, for all its eccentricity, Dal Tokyo is akin to a Texas tall tale."
• Plug (video): The short film Objects of Our Desire focuses on the project Significant Objects as part of the The Future of Story Telling series. The book is edited by Joshua Glenn and Rob Walker. “Stories are the foundation of what we do everyday,” Richelle Parham, the vice president and chief marketing officer of eBay.
• Review:Read About Comics and Greg McElhatton looked at Walt Disney's Uncle Scrooge: Only a Poor Old Man by Carl Barks. "The more I see of Barks’ comics, the more I kick myself for having taken this long to read them. . . If you haven’t experienced Barks’ Duck comics yourself, I think this is a great a place as any to begin. Definitely check it out for yourself. Highly recommended."
• Review:Blog Critics's Sixy Minute Manga reviews and summarizes Shimura Takako's Wandering Son Vol. 2. Lesley Aeschliman states ". . . the more minimal and simplistic art works for the story being told in this series. . . I would recommend this manga series to readers who have an appreciation for literature that concerns LGBT issues."
• Review (audio):Deconstructing Comics podcast spend the full hour discussing A Drunken Dream and Other Stories. Tim Young and Kumar Sivasubramanian argue and agree on Moto Hagio's work in the book with stories that "dwelt on not fitting in, losing what you love, and other themes that could be depressing, but were usually expressed in innovative and compelling ways."
•Review: Gene Ambaum of Unshelved enjoys his read of Wilfred Santiago's 21: The Story of Roberto Clemente. Ambaum says, "I was intrigued how the author would fit his life story into a brief, illustrated book. It emphasized the major events that shaped his life, and the powerful, stark images made me feel like I experienced the tragic and poignant moments."
• Commentary:ComicBooked talks about the 90s and Fantagraphics' place within the context of pushing out music and the amazing album art of Charles Burns, Daniel Clowes and Peter Bagge.
The blackest ink in the pot of Online Commentaries & Diversions:
• Review:AV Club shows presidential love for Barack Hussein Obama and The Hypo. Noel Murray on Steven Weissman's book: "For the most part Barack Hussein Obama is just wild fun, built around the notion that a president can be easily reduced to his public image—and that we, the people, have the right to manipulate that image for our own delight." And Murray on The Hypo: "[Noah Van Sciverrenders] an American icon as a lumpen everyman, fighting through the same fog that many people find themselves in—even if few of those ordinary folks wind up in the Oval Office."
• Review:Publishers Weekly picks The Hypo by Noah Van Sciver as one of the best new books of the month. "Van Sciver’s psychologically astute examination of what might be termed Abraham Lincoln’s “lost years” (1837–1842) is as gripping and persuasive as the best historical fiction. . . .A thoroughly engaging graphic novel that seamlessly balances investigation and imagination."
• Review:Paste Magazine reviews Steven Weissman's newest book and Hillary Brown gives it a 8.1 (outta 10). "With its gold foil stamp and red, white and blue partial jacket, Barack Hussein Obama could well be a semi-official graphic rendering of a presidency. . . If this book is a portrait of anything, it shows the grind and the way that hope and idealism erodes when faced with the everyday, and that is valuable"
•Review:La Tempestad on Barack Hussein Obamaby Steven Weissman. Rough translation states "Through these pages, Weissman satirizes and creates a parallel reality of based on the stewards of American power."
• Review:MetroPulse enjoys reading Ralph Azham Vol. 1 "Why Would You Do That To Someone You Love" by Lewis Trondheim. Matthew Everett states "There’s action, drama, pratfalls, bad-ass mercenaries, and a last-panel surprise that promises future volumes will head off in entirely unexpected directions. . . Ralph Azham is off to a near-perfect start. It’s a quietly marvelous addition to the English-language catalog of a working world master. Get it while you can."
• Review:The Quietus peeks at Dal Tokyo by Gary Panter. Mat Colegate can barely contain himself: "Panter is probably one of the single most influential underground American cartoonists of all time, a kind of Ramones to Robert Crumb’s Jefferson Airplane, which makes his relative unknown status a bit baffling. A cartoonists’ cartoonist, maybe?. . . The man’s inks are practically sentient, devouring white space like it was candy floss as his crude likenesses become imbued with a very deliberate purpose, that of guiding the reader through Panter’s personal inferno: the urban Twentieth Century."
• Review:The Quietus continues comic coverage on Joe Daly's Dungeon Quest: Book Three. Mat Colgate states,"Dear J.R.R. certainly never had one of his characters wank off a gnome, did he? Indeed Dungeon Quest’s good natured, silly humour gives it much of its character and combines with Daly’s beautiful Charles Burns-esque artwork to make the book much more than the sum of its parts. It feels like a real labour of love and when you read it you’ll see why. Nerdgasm guaranteed. I’m in love with this comic."
• Review:Unshelved looked at Dungeon Quest: Book Three by Joe Daly. Gene Ambaum writes "I never know where this weird, Dungeons & Dragons-ish adventure will take me next. . . Every dungeon should have a vending machine [a la Dungeon Quest]! Makes more sense than turning a corner and finding an elf with a fully-stocked shop where there’s little to no foot traffic."
• Review:The Quietus focuses New York Mon Amour by Jacques Tardi. Mat Colgate states"Using only black, white and red, Tardi illustrates a seedy, roach-infested New York that’s utterly plausible. You can practically smell the trash on the sidewalks as you follow the hapless narrator’s spiral into madness and murder. . . .if you know anyone looking to take the plunge into comics, someone who’s interested in what the medium can do and the fascinating ways it can do it, then point them in this books’ direction."
• Review:BUTT Magazine sinks its teeth into No Straight Lines, edited by Justin Hall. "Justin’s 328-page anthology is a very thorough introduction to the world of GLBT comics. His knowledge on the subject is pretty extensive, probably because he’s been a fan of the medium since he was a kid. Justin tells me that’s how he learned to read. . . In fact, the entire collection features a healthy dose of realism from a genre usually characterized by fantasy."
• Interview: Brandon Soderberg of The Comics Journal interviews the elusive Josh Simmons on The Furry Trap and his recent short film, The Leader, plus horror in all aspects: "Often, the best horror is about losing. And maybe struggling to keep a shred of dignity while you do. But often, you don’t even get that. Sometimes, you get your throat cut while a clown is pulling your pants down. It’s not enough that you’re getting murdered, you’re being humiliated at the same time!" Simmons eloquently states.
• Review: Los Angeles Review of Books ponders Listen, Whitey! The Sights and Sounds of Black Power by Pat Thomas. Rickey Vincent says,"The book is meticulously detailed, reflecting Thomas’s skills as a researcher (and record producer), yet conversational in tone, balancing the voice of a rock critic with the heft of a historian. . .The book remains consistent with its vision, and Thomas delivers black power with authority."
• Commentary:SFWeekly talks about Love and Rockets' art show at the Cartoon Art Museum, Chris Hall explains "If Love and Rockets brought one innovation to the comics field, it could be its lack of misogyny. . . Love and Rockets has, from the beginning, been praised for consistently depicting strong, complex women characters."
• Commentary:Jordan Hurder posted some APE coverage on the Hernandez Brothers and our company: "Fantagraphics crushed this show. It helps that they had Los Bros celebrating 30 years of Love and Rockets and Jim Woodring was already there as a special guest, but there was a consistent buzz around their table, and there were lines for pretty much every signing they had."
• Commentary:Jaime, Gilbert and Mario Hernandez appeared at APE much to JK Parkin of Robot 6 's delight. "All three Hernandez Brothers were at the show, and when they hit the Fantagraphics table the crowds surrounded them."
• Interview:The Comics Reporter links to some great vids from SPX interviews with Jaime Hernandez, Gilbert Hernandez and Daniel Clowes.
• Review:Simcoe looks at Walt Disney's Uncle Scrooge: Only a Poor Old Man by Carl Barks. Glenn Perrett says, "The stories are entertaining and the illustrations are excellent with a wonderful use of colour. . . Walt Disney's Uncle Scrooge: Only a Poor Old Man will appeal to young and old."
• Review:Pat Afforo looks at Stigmata by Lorenzo Mattotti and Claudio Piersanti. "If anyone has not read it you are definitely in for a ride and it is not a smooth one at the very least. This book covers a lot of different topics: religion, redemption, reincarnation, sin, good vs. evil, and above all love."
• Review:AV Club has high hopes for Rich Tommaso and his future books starring The Cavalier Mr. Thompson. Noel Murray posits,"Tommaso’s talented enough that The Cavalier Mr. Thompson might one day be seen as the lurching beginning to something truly great. . ."
•Interview:The Guardian asks Chris Ware some questions. In answer to Rosanna Greenstreet's question 'Which living person do you most admire and why?' Ware answers,"For intellect: Art Spiegelman. For art: Robert Crumb. For poetry and vision: Gary Panter. For decency: Barack Obama. For genuine goodness: Charles Burns. For genius: Charlie Kaufman. For soulfulness and love: Lynda Barry. For words: Zadie Smith. For unique life's work and superhuman effort expended: Ira Glass, Dave Eggers."
Thank you to everyone who came by our booth this past weekend at APE: the Alternative Press Expo in San Francisco, CA! Look at how happy you made our Marketing Director, Mike Baehr! We hope we were able to make you guys happy, too, with all our amazing debuts and wonderful guests.
Our good pal Daniel Clowes made an unofficial appearance, and braved the crowds for a visit with The Hernandez Bros! I think that lady to the right just realized who cut in front of her in line...
Jim Woodring delighted fans with sketches of his iconic characters, and he somehow did it with just a cheapie ballpoint pen! (His usual drawing pen decided to give up the ghost right before signings began.)
The great Mark Kalesniko was all-smiles as he signed copies of his books for fans! Mark also brought both an electronic slideshow and some originals, which was a wonderful lesson in cartooning for everyone who stopped by.
We didn't manage to snap a pic of the elusive Tim Hensley, but he was at APE, debuting his Ticket Stub collection with Rina Ayuyang's Yam Books! And, good lord, can I tell you people, it is a thing of freakin' beauty. Get one, seriously.
Speaking of elusive, the rumors were true: Zak Sally did make an unexpected secret appearance at the show! He snuck away before I could take a photo, though!
While I visited with Fanta-friends Tom Neely and Emily Nilsson of Sparkplug Comics, Mike had to contend with that line you see in the upper-righthand corner of this pic for the Love and Rockets signing! Yikes, sorry, Mike!
A quick run back to our own booth, and I was able to catch the adorable Brett Warnock of Top Shelf kanoodling with Rich Koslowski across the aisle!!!
Going through our photos, I was surprised that neither Mike nor I snapped any pictures of my birthday-buddy Tom Devlin of Drawn & Quarterly. (We both turned a year older on Saturday of the show.) But his v-neck sweater really did look great with the collared-shirt. Happy birthday, dear Tom!
Yay, that was fun! Let's do it again next year, San Francisco!
• Review:Dal Tokyo by Gary Panter is listed in The Times of UK as one of the essential books for Chris Ware. Ware says "Gary Panter is the William Blake of comics; a true poet who sees and feels what the rest of us can't, and he's done more to expand the power of drawing in the medium thatn probably anyone else alive." Original article here.
• Interview: Cartoonist and creator of Jimmy Corrigan, The Smartest Kid on Earth Chris Ware is interviewed by Phawker by Rita Book.
• Commentary: ArtVoice visits the Spain Rodriguez retrospective at the Burchfield Penney Center in Buffalo, NY. Jack Foran says,"Rodriguez was a kind of incorrigible rebellious type. . . when abstract expressionism with its two-dimensionality principle was dogma—he was into three-dimensionality, in spades—and his blue-collar employment in Buffalo area manufactories, where the curriculum was the much more interesting subject to him of simmering socioeconomic class warfare."
• Review: Rob Clough of High-Low reposted his Seqart post on Megan Kelso and The Squirrel Mother. Cough states, "What makes Kelso one of my favorite artists is her total devotion to the medium and a constant desire to improve. . . Kelso's art is all about the narrative. Every word and every line advances the story; there are no extraneous pyrotechnics. Indeed, Kelso's line is more elegant than spectacular."
• Review:Publishers Weekly enjoys Love and Rockets New Stories #5. "In the 30 years they’ve been writing and drawing Love and Rockets, Los Bros Hernandez have created wonderfully complex story lines and characters. . . This web of superior magical-realistic storytelling involves readers in the perplexed yearnings of a huge cast of unforgettable characters unaware of their own capacity for general self-delusion and occasional self-discovery."
• Commentary: Hannah Means-Shannon contines her SPX coverage with more on the Bros on The Beat. On the "Life After Alternative Comics" panel, Jaime Hernandez and Daniel Clowes spoke about the past and present of their comics-making environment. "Dan Clowes addressed the 'wasteland' of comics in the early 1980’s and the origin of his LLOYD LLEWELLYN series and the strange, often intriguing piles of fan mail he received from readers and prison inmates."
• Interview: Also on Phawker is an interview of Charles Burns, creator of Black Hole. He weaves stories by "paying close attention to the way my brain functions. I sit and write every day and it amazes me how often I repeat myself – come up with the same “brilliant” solution to a plot thread only to discover notes from years earlier where I’ve already clearly laid out the same ideas."
• San Francisco, CA:Daniel Clowes and Dave Eggers take the stage at Litquake, San Francisco's annual literary festival! The two will discuss the vagaries of the creative process, their favorite comics, books, and movies, and anything else that might come up. (more info)
• Seattle, WA: Our latest exhibit The Horror: from the EC Comics Librarydebuts at the Fantagraphics Bookstore & Gallery! Our own Mike Catron will present a short slideshow presentation, and we'll have musical entertainment from Swedish-born, Berlin-based recording artist Molly Nilsson. (more info)
The weekend's newest Online Commentaries & Diversions:
• Plug: The best footnote IN THE WORLD? appeared on Grantland's excerpt of Marvel Comics: The Untold Story written by Sean Howe. It refers to Marvel's idea of hiring Gary Groth. . . Look for footnote 7.
•Review: Johnny Ryan'sPrison Pit: Book 4 is reviewed on Nick Gazin's Comic Book Love in #73 and Mr. Ryan himself is interviewed. . . via text. "There's no point in trying to explain Prison Pit. You can only experience it to understand it. Start buy buying all of them at once if you haven't yet. . . It wears its intentional stupidness and violence on its sleeve while also showing off Johnny Ryan's sophisticated sense of composition and black and white ink prettiness."
• Review: Comics Bulletin likes Rich Tommaso's The Cavalier Mr. Thompson. Nick Hanover says, "Tommaso's distinctly minimalist, animation-influenced style adds another seemingly disparate element that actually serves to enliven the material all the more, finding some sweet spot between the Coen Brothers and Popeye."
• Plug:Comics Alliance lists their favorite covers of the month and include Rich Tommaso's The Cavalier Mr. Thompson. Andrew Wheeler says,"I'm drawn to the graphic simplicity of this cover. It plays with scale, line and color in creative ways, and the composition pulls it all together."
• Review: Rick Klaw at RevolutionSF flips through Dungeon Quest 3 by Joe Daly ". . .rousing adventure and ass-kicking action — all staged in front of fantastic backdrops replete with strange vegetation, ancient ruins and steampunk imagery."
• Commentary:The Beat reports on an SPX panel with Daniel Clowes and his editors, Alvin Beaunaventura and Ken Parille, for The Daniel Clowes Reader. Hannah Means-Shannon states,"Clowes, who appeared energetic and amused by such a large crowd commented that working on the retrospective book with Buenaventura was a welcome thing because he’s 'lonely and working all the time'so it was 'fun to have someone to hang out with'. . . Little details provided by Buenaventura and Clowes about the research process set the scene for comedy, including Buenaventura rifling through Clowes’ closets constantly and 'measuring his art' while Clowes wondered what dirty laundry the writer might dig up that he had forgotten about."
• Review: Rob Clough of High-Low picks up The Squirrel Machine, which is being reprinted in soft cover next spring, by the creeptacular Hans Rickheit. "Rickheit's stories tend to take place in a more upscale, reserved and even Victorian setting, which befits his delicate, sensitive line. . . Rickheit strikes at the heart of what it means to be human: connecting with other emotionally and physically, seeking to express oneself through art, investigating the world around us--in other words, to be emotionally and intellectually curious."
• Review: Chad Parenteau reviews Hans Rickheit's newer Folly on We Got Issues. "Rickheit clearly wrestles with the meaning and purpose of his work with every page he creates, as other artists do. Hans might be consider rude for speaking so out loud about it if more people hung around long enough to listen. Me, I’m so ensconced in his Underbrain, I’m taking notes."
• Review:Comic Impact soaks up The Crackle of the Frost by Jorge Zentner and Lorenzo Mattotti. John Mueller states, "Frost is a sharply written book that takes the reader deeper into a character’s psyche more than any other comic in recent memory. Still, as well-written as the book is, what will undoubtedly get people to pick it up is the sensational art by the acclaimed Mattotti. . . the styles of the art can jump from impressionism to expressionism, symbolism to Hopper-esque realism often within the space of just two panels."
• Review:Bookgasm reviews The Crackle of the Frost by Jorge Zentner and Lorenzo Mattotti. JT Lindroos thinks,"THE CRACKLE OF THE FROST is realistic in a manner very few graphic novels are, pinpointing a phantasmagorical and poetic vision of human relationship in its naturally nonlinear movement. It’s also a perfect example of a work that might appeal to someone not customarily interested in comics"
• Interview:The Chicago Tribune talks to Chris Ware about life, comics and Peanuts. "When he was a child, Ware connected deeply with Charlie Brown, he said. He remembers connecting so deeply that he sent Charlie Brown a valentine." Fitting that Fantagraphics has published work by both.
• Commentary: Hannah Means on The Beat comments on the SPX Ignatz Awards. "The presence of the Hernandez brothers at SPX this year brought a great deal of energy, and often hilarity, and the Ignatz awards were no exception."
• Commentary: Hannah Means covered the Brooklyn Book Festival on The Beat including the 'Sex and Comics' panel that included Gilbert Hernandez. She describes, "Hernandez was asked whether he has used sex in his works as a plot device, but countered this possibility rather precisely by explaining the undesirable tendency of depictions of sex to slow down plot movements rather than usher them along."
• Interview (audio): Sean T. Collins interviewed Gilbert Hernandezrecently at SPX. Check out the full interview today.
• Interview: Vince Brusio caught up with Jaime Hernandez on the Northeast Coast Tour and interviewed him for PREVIEWSworld.
• Plug: On Forbidden Planet's Desert Island series, Gary Northfield said he could not live without Buddy Does Seattle by Peter Bagge and I Shall Destroy All Civilized Planets by Fletcher Hanks, edited by Paul Karasik. "This guy knew exactly what he was doing; his panels are graphically stunning, boldly drawn in full manipulation of the crude 4 colour printing processes being used to churn out the pulpy monthly comics. Monthly adventure comic books were in their infancy and finding their feet and Hanks was ploughing his own crazy, psychopathic path" meanwhile "Peter Bagge’s deranged, yet no doubt closely auto-biographical soap opera is an expert lesson in slice of life story-telling and comic book narrative."