|Eternal, Unresolvable Conflicts|
|Written by Eric Reynolds | Filed under Daniel Clowes||15 Dec 2011 10:10 AM|
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Category >> Daniel Clowes
Today's Online Commentary & Diversions:
• Review: "Ganges #4 is the Godfather Part II of comics about insomnia: the rare sequel that tops the already excellent original.... Here he returns to the sleeplessness well, but this time around Glenn’s mental avatar remains relatively stationary (though Glenn himself does plenty of wandering around the Ganges family manse), allowing Huizenga to instead burrow down deep into some of the most unpleasant sensations a bored and overtired brain is able to conjure. Folks, he does this so well.... The... comic maintains [a] dizzying blend of writing and drawing power, with alarmingly familiar sensations reproduced, and stop-and-marvel visual effects created, on nearly every page." – Sean T. Collins, The Comics Journal
• Review: "When did The Comics Journal get so freakin' fat? Weighing in at one and a half pounds, this 624 page sucker features more of what you love (or hate) about comics criticism: long, detailed interviews and reviews that will take you days to read." – Chris Auman, Reglar Wiglar
• Review: "Dave McKean’s art never fails to amaze me... At one point, as she goes deeper and deeper into the film, the woman encounters a fourteen-breasted being, and they have sex. McKean mixes images of real fruit with his drawings and color to create sexual images that are as fresh as they are startling. I’ll never look at a fig, a pear, or a red tomatillo the same way again. ...I think [Celluloid] would make a good paper anniversary gift." – Gene Ambaum, The Unshelved Book Club
• Review: "In Ghost World, Daniel Clowes doesn’t romanticize the teenage experience or show teenage girls as sweet and idealistic. His portrayal is raw, cynical, and honest, often hitting the nail on the head.... It’s an excellent portrayal of alienation, especially teenage alienation. Even when Enid and Rebecca aren’t being nice, they’re still understandable. This graphic novel is very funny, but it’s also very sad, and sometimes it’s both at the same time.... Though it’s only 80 pages long, this graphic novel still manages to leave a deep impression." – Danica Davidson, Graphic Novel Reporter
• Commentary: At Robot 6, Sean T. Collins concludes his impromptu week-long focus on Love and Rockets: New Stories #4 by encouraging new readers not to be intimidated by the cumulative volume of the series: "The point is that both Jaime and Gilbert have produced massive, high-quality bodies of work, with multiple, affordable collections, each of which contains a story or two fit to knock your block off. If you love reading good comics, and chances are good that you do if you’re reading this blog at all, that’s not intimidating — that’s inviting!"
Today's Online Commentary & Diversions:
• Review: "Wearing its stylistic debt to Chester Gould’s classic Dick Tracy strips on its sleeve, this Spanish-produced series [The Cabbie] (which was originally printed in the ’80s) revels in a stark and sleazy noir aesthetic that drags the reader on a vicious trip through the scabrous underbelly of 'the Big City.'... An intriguing throwback to the days of heroes with worldviews defined in terms as rigidly black and white as the panels they battled their way through, this visual and thematic love letter to (and simultaneous critique of) Gould’s tropes is highly recommended for grownups with a taste for refreshingly lurid pulp fiction." – Publishers Weekly
• Review: "The Hidden feels like a Poe short story, but Richard Sala actually reaches further back into gothic literature for information, filtering Frankenstein through a zombie apocalypse. Just like Poe, the fun here is all in the telling, and Sala’s campfire-ghost-story illustration is blunt enough to be cynically hilarious and cruelly gory, often at the same time. The allegory is the same as from Shelley’s original, but like the best gothic writing, the fun comes from putting the pieces — all the pieces — together at the end." – David Berry, National Post
• Interview: Robot 6's Chris Mautner has a brief chat with Richard Sala about a book that's not ours (the Nursery Rhyme Comics anthology from First Second) but any interview with Richard is worthwhile
• Review: "The final edition of Mome leaves a vacuum that thus far has always managed to get filled — let’s hope the graphic world hasn’t lost its taste for short stories just yet — but it will always be a shame to file something this sharply curated in the shelf. The fifth installment of Devil Doll is likely the most beautiful piece here, and there’s a terrific streak of humour throughout — Laura Perk’s Hobbesian, malevolent George is the pitch-black highlight, but there’s plenty of other strains — all adding up to an end that’s perfectly fitting, but no less unfortunate." – David Berry, National Post
• Review: "Last month, Fantagraphics released The Art of Joe Kubert, a wonderful oversized art book that traces the career of the comics legend who has worked successfully in all the major 'Ages' of comics. While seeing the art in a larger format is nice, it's the text that winds through the book that opened my eyes to a lot of new things in comics that I had never known before.... Schelly's words opened up a new world of art critique for me.... The Art of Joe Kubert is probably the best DC book I read in September, and DC didn't even publish it. Fantagraphics did, and a wonderful job they did, from the raw materials to the book design and packaging." – Augie DeBlieck Jr., Comic Book Resources
• Review: "Maybe, perhaps, at last, the time is right for a mass re-evaluation of the Duck comics, as Fantagraphics steps into the breach to produce a definitive library of Carl Barks' oeuvre. Not only do they step in, but they do so fearlessly... The series starts in November with Walt Disney's Donald Duck: Lost in the Andes, an impressively affordable $25 hardcover... Happily, the stories look great and the book is a wonder to hold in your hand.... As to the content, itself, it's just as remarkable an achievement in comics as I remembered.... The contents of the book are as good as they're going to get, produced with an eye towards recapturing as much of the look of the original printings as possible, without sacrificing clarity or design. The quality of the black and white line work is top notch, too.... Pre-order today. Just do it. You can thank me later." – Augie DeBlieck Jr., Comic Book Resources
• Interview: Speaking of short interviews about books that aren't ours, there's a Q&A with Michael Kupperman on the Marvel website about his contribution to their upcoming humor anthology Shame Itself
• Commentary: Robot 6's Sean T. Collins points out and comments on Bob Temuka's (spoilery) writeup of the new issue of Love and Rockets: New Stories, saying "it’s as good at conveying the unique nature of the 'Locas' saga, the way its stories shift and grow and can be seen differently over time as we and Jaime and the characters all age and learn more about what happened, as well as any piece I’ve ever read."
Today's Online Commentary & Diversions:
• List: Flavorwire's Emily Temple names Daniel Clowes's Ghost World one of "10 Disturbingly Brilliant Graphic Novels" (a list which includes many of the usual suspects along with some off-the-beaten-path selections): "This novel is a cult classic for a reason (and no, the reason is not Scarlett Johansson): its frank depiction of teenage life, especially in boring, suburban towns, and the awkwardness of growing up garnered an instant following, along with its cynical, hilarious protagonists. It is intensely strange, and yet somehow universal in its strangeness — because who doesn’t think their teen years were completely weird? We know ours were."
• Review: "Trondheim (as depicted by Trondheim) is a mass of neuroses and tics. He's full of self-doubt and more than a little bit of anger. But what sets him apart from oh-so-many other autographical cartoonists is that he's also devoted to his life and his art. You might say that [Approximate Continuum Comics] is a book about beating yourself up in service of self-exploration, which itself is in service of creating great stories." – John R. Platt, Graphic Novel Reporter
• Review: "[Congress of the Animals] is wordless and flows from scene to scene with dream logic, so it’s a quick read. Woodring’s inking is so fabulous that I’ve already reread it, and opened it to specific pages to stare at the varying weights he gives his lines. I particularly liked the textures of the wood walls in the background of the factory where Frank works and how they make the machines stand out from the background." – Gene Ambaum, The Unshelved Book Club
Comics are taking center stage in America's Heartland this autumn, as the University of Iowa presents the exhibit Graphic Language: The Art and Literature of Comics, which runs through December 11th.
There's gonna be a special section devoted to original work for EC Comics, from artists like Wally Wood, Harvey Kurtzman, Jack Davis, Johnny Craig, and Bernard Kriegstein.
And covering the spectrum, the exhibit also spotlights contemporary cartoonists like Gilbert and Jaime Hernandez, Joe Sacco, Daniel Clowes, R. Crumb, Chris Ware, and Jessica Abel, as well as Alison Bechdel, Phoebe Gloeckner, Craig Thompson, John Porcellino, Jeff Lemire, James Sturm, and Matt Madden.
Holy crap, right? Well, it gets even more envy-enducing...
To tie into the exhibit, the University of Iowa presents Symposium on Comics, Creativity, and Culture: International and Interdisciplinary Perspectives, running through this weekend with some impressive panels:
Friday, October 6th
3:15-4:15 PM // Preservation and Presentation: The Art and Business of Comics Publishing: Join our fearless leader Gary Groth in panel with Peggy Burns (Drawn and Quarterly) and Craig Yoe (YOE! Books). [ University Capitol Centre 2520D ]
7:30 PM // Joe Sacco: Keynote Lecture and UI Lecture Committee Featured Speaker [ Shambaugh Auditorium ]
Saturday, October 8th
1:30-3:30 PM // Editing Comics Criticism and Scholarship: This round table discussion features Gary Groth, along with John Lent (Editor, The International Journal of Comic Art) and Frenchy Lunning (Editor, Mechademia) [ University Capitol Centre 2520D ]
You can view the entire schedule of events at the University of Iowa website. If you read this FLOG and live in Iowa, you better be there!
We've had a small quantity of Eightball #22 (the original comic book version of Ice Haven) lurking unnoticed in our warehouse for a while, and we are finally bringing them to the light of day, offering them to you, our mail-order customers...
...However! Due to demand for this out-of-print and highly sought-after item, we are limiting purchases to customers who order at least $50 worth of other stuff. See the product details page for more information and get shopping!
When I first spotted a scan of this Enid & Rebecca cover of ARTnews on Tumblr last night I just assumed it was a forgotten bit of '90s or early-'00s nostalgia, but then Peggy Burns went and pointed out that it's the current issue, with an article on comic art in the fine-art world. Well all right! (Though I respectfully disagree with Peggy that comics require the attention of the fine-art world to be said to have "arrived." We're here on our own terms, maaaan.)
The comics community continues to come together to aid the family of late Sparkplug Comics publisher Dylan Williams, with a new round of benefit auctions featuring artwork donated by its creators organized by Floating World's Jason Leivian and Profanity Hill's (and Fantagraphics') Jason T. Miles. The marquee item of the moment is Daniel Clowes's cover sketches for the hardcover edition of Ice Haven, and more wonderful contributions from Fantagraphics artists follow below. Click each image to be taken directly to the eBay auction, and see additional contributions at The Divine Invasion blog.
Jeremy Eaton's "Richie":
Victor Kerlow 's "Second Variety":
James Romberger's "Transient Wake":
We've got a gorilla-sized weekend coming up at APE: the Alternative Press Expo in beautiful San Francisco, CA! Come see us on Saturday, October 1st and Sunday, October 2nd at the Concourse Exhibition Center, and be among the first to get your mitts on these hot numbers:
• Walt Disney's Donald Duck: Lost in the Andes by Carl Barks
Oh, you want a comic signed by an awesome artist, do you?
Saturday, October 1st
You can find us in our usual spot at tables 112-115. (Right by our good friends Jim Blanchard and J.R. Williams at table 116!)
[ Please note: this is a chopped-up map, just to give you an idea where you can find us! The Concourse Exhibition Center is too wide to fit on the FLOG, so check out a PDF map here. ]
And panels! Boy, do we have panels!
Saturday, October 1st
2:00 PM // The Comix Claptrap . . . LIVE!
3:00 PM // A Discussion with Daniel Clowes and Adrian Tomine
4:00 PM // Spotlight on Shannon Wheeler
6:00 PM // Drawing Inspiration: The Secrets of Comics Creativity
Sunday, October 2nd
12:00 PM // Indie Cartoonist Survival Guide: Part 3
The great Eric Reynolds will be manning the table, so come by and come buy! We'll see you at APE!
Remember that documentary that Eric was talking about last week, featuring interviews with Dan Clowes and Ivan Brunetti?
Well, I just got word from our friends at the Northwest Film Forum here in Seattle that it's screening there through September 29th! Holy crap, go see it.