|New Yorker two-fer: Clowes & Xaime|
|Written by Mike Baehr | Filed under video, Jaime Hernandez, Daniel Clowes||5 Oct 2009 4:07 PM|
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Category >> Daniel Clowes
October, when kingdoms rise, and kingdoms fall, but Online Commentary & Diversions goes on and on:
• Review: "If the world of alt-comics feels appealing but intimidatingly vast (what doesn’t these days), MOME is the perfect place to start. ... The volume is thick, slick and printed in what looks like Technicolor. An anthology is only as good as the sensibilities of those who compile it, of course, so it’s worth noting that a subscription of MOME equals four issues per year of work culled from the depths by an outfit that not only has keen vision in such matters, but also a stake in finding the very best. What’s not to trust?" – Molly Young, We Love You So
• Review: "...[Locas II,] the latest collected chunk of the (mis)adventures of locas Maggie and Hopey (and the occasional 'loco,' like Ray, the consort of sexy Frogmouth -- does it seem like a good soap opera yet? -- and their sprawling, recurring cast of compelling, sometimes hard-to-figure supporting characters) all brought me squarely back to Los Angeles. In the 80s. ... But returning to L&R, even sporadically, isn't simply an exercise in nostalgia. ...[W]hat's ultimately compelling about the L&R saga is the way the characters change over the years. ... So it's not just a [madeleine] cookie from our past, but something still fairly warm from the oven." – Mark London Williams, The SF Site: Nexus Graphica
• Review: "There is such a relentlessly fervid, even crazed, sheen to all [Fletcher Hanks's] work, that you can't look away. ... Hanks seemed nearly demon-driven in these stories of constant fighting, killing, betrayal and revenge. The panels are often cramped, and the color schemes are nearly incandescent, and you're not sure whether to liken the rawness of it all -- elastic, rubber-boned physiognomies included -- to listening to a record by Fear, circa 1980, or watching a half-dressed man shouting on the corner." – Mark London Williams, The SF Site: Nexus Graphica (same link as above)
• Review: "Tardi's intricate, cartoony, and beautiful art perfectly expresses Forest's ideas and words. The humorous You Are There masterfully satirizes French society and politics unlike any comic before or since." – Rick Klaw, The SF Site: Nexus Graphica
• Plug: "It always amazes me how [Kevin] Huizenga can take everyday moments, like, in [Ganges #3], trying to get to sleep, and turn them into extravagant, elaborate displays of cartooning genius." – Chris Mautner, Robot 6
• Interview: At Comic Book Galaxy, Alan David Doane poses 5 questions to our favorite Associate Publisher, Eric Reynolds
• Profile: "Comics creator Hans Rickheit's new graphic novel, The Squirrel Machine, is a stylish and surreal tale of brothers dabbling in the forbidden unknown. ... He lives in Philadelphia, but his work pulls from the style and antiquity of 19th Century New England. 'The objects, places, and people from that time period in New England grabbed my imagination," Rickheit says. 'I find them visually more interesting than modern trappings, modern buildings. And they're more fun to draw, because they're just so ornate.'" – John Seven, Worcester Magazine
• On his blog, Tom Kaczynski takes note of the inclusion of his story "Million Year Boom" from Mome Vol. 11 in The Best American Nonrequired Reading 2009 (along with Mome stories by Olivier Schrauwen and Émile Bravo — don't tell anyone, but they ain't American)
Befitting a Friday, today's Online Commentary & Diversions is heavy on the latter:
• Review: "...[L]ike the rest of Fantagraphics’ spectacular catalogue of books, [Mome] takes some of the most exciting talent around in comics at the moment (both Paul Hornschemeier and Dash Shaw feature in this volume, for example), adds some raw talent that you might not have heard of, and collates it into a cutting-edge anthology. An excellent taster in bite-sized portions for those who want to experiment with a range of sophisticated comics artists without breaking the bank." – Grovel
• Review: "[The Red Monkey Double Happiness Book] has a nice laid-back vibe to it, as Dave and Paul wander into and out of adventures. It's kind of fun to just watch them drive around in Dave's sweet red convertible and look at the scenery. The art has a simple, clean look that retains enough detail to make the setting feel like a real place. And, as I said, it's pretty damn funny. I liked this book and recommend it." – Sandy Bilus, I Love Rob Liefeld
• Things to see: The masthead for McSweeney's Quarterly #33's "San Francisco Panorama" Sunday-style newspaper sure looks like Clowes to me, and there for sure will be comics by Clowes, Ware and others inside (via The Beat)
Quoted directly from Paul Hornschemeier's blog:
Inimitable Cartoonist and Fine Human Being Anders Nilsen has pulled together some great artwork for an even greater cause: health care reform. The participating artists are:
Bring on the Online Commentary & Diversions:
• Interview: Sean T. Collins's series of interviews with Marvel Strange Tales MAX contributors at Marvel.com continues with Peter Bagge: "The Hulk story's about both the Hulk and Bruce Banner trying to cope with their many issues via the use of modern pharmacology, in the form of head pills, Viagra, et cetera. Needless to say, wackiness ensues."
• Interview: And another one from Sean at Marvel.com, this time with Jason: "With the Spider-Man story I pretty much followed the Stan Lee formula of him being a super hero but a screw-up as a private person."
• Interview: In the second part of his talk with Brian Heater at The Daily Cross Hatch, Seth discusses his involvement and design for The Complete Peanuts series: "The design evolves slightly for each decade, but it’s all about subtle change. For example, the end papers change each decade. The color scheme changes each decade, but it’s a very subtle shift."
• List: 1979 Semi-Finalist's "100 Best Comic Book Covers" includes Eightball #23 at #72, Love and Rockets #31 at #39, Love and Rockets #23 at #32, Love and Rockets #5 at #30, Black Hole #2 at #28, Acme Novelty Library #1 at #13, Love and Rockets #1 at #7, and Black Hole #4 at #4
• Review: "Fantagraphics' recent release Abstract Comics, while nicely designed and filled with some fantastic artwork (kudos to editor Andrei Molotiu and the Fantagraphics team), brings up an interesting argument...: at what point do you stop calling something comics and start calling it... well, something else?... I'm not sure there is an answer, but it's an interesting debate. Check out this book and come to your own conclusions." - Paul DeBenedetto, Wednesday's Child
• Review: Comic Book Bin's Leroy Douresseaux examines The Comics Journal #298, calling the Trevor Von Eeden interview "scandalous and provocative," saying R.C. Harvey's "Comicopia" column is "both thoughtful and insightful, the kind of exceptional writing that would normally earn a magazine about comic books an Eisner Award," and overall grading the issue an A-
• Plug: "I can't recommend Johnny [Ryan]'s comics highly enough. They go places no one else would dare and, like all great art, show you something you've always known but never have seen before." - Benjamin Marra
More Online Commentary & Diversions from yesterday, today and last week -- and thus we are caught up:
• Plug: Certain Fantagraphics employees will be excited to learn that Noel Fielding of The Mighty Boosh is a fan of Daniel Clowes and Eightball, as revealed in Brian Heater's interview at The Daily Cross Hatch
• Plug: "You Shall Die by Your Own Evil Creation!, the second and final collection of Fletcher Hanks’ Golden Age superhero and adventure comics work, ...is a bunch more bat-shit insane weirdness and violence. Paired with I Shall Destroy All Civilized Planets!, You Shall Die will comprise a complete collection of Hanks’ small but potent body of work." - J. Caleb Mozzocco, Newsarama
• Plug: "Collecting the remainder of material (at least that we know of) by early Golden Age artist Fletcher Hanks, [You Shall Die by Your Own] Evil Creation is pretty much a must-buy for anyone who picked up and enjoyed the first volume, I Shall Destroy All the Civilized Planets." - Chris Mautner, Robot 6
• Plug: "Both books are really good: Sala’s Delphine is the one that will probably get the most attention since he’s the better known cartoonist, but you really should take the time to track down Sergio Ponchione’s Grotesque. It’s a surreal charmer." - Chris Mautner, Robot 6 (same link as above)
• Plug: "I’m always curious as to what other countries get up to, comics-wise, so I’m a bit eager to check out this collection of Danish comics [From Wonderland with Love]. A quick thumb-through suggests a wide swath of styles." - Chris Mautner, Robot 6 (same link as above)
Earlier this week, we mentioned the Trina Robbins/Brinkley Girls signing taking place at this weekend's Silent Film Fest in San Francisco. Well, comics fans have another reason to head on down, as the Fest has just announced a Daniel Clowes/Terry Zwigoff signing on Sunday, July 12.
The signing will take place after a screening of the W.C. Fields classic, So's Your Old Man at approximately 5:15 pm as part of the San Francisco Silent Film festival (admission is by Festival ticket). Zwigoff will also be introducing the film. See HERE for details.
Go HERE for a link to the complete author festival line up with further info.
Today's Online Commentary & Diversions:
• List: The Complete Peanuts Vol. 9: 1967-1968 ranks on School Library Journal's "Great Comics for Kids Reading List: Comics That Celebrate America's Cultural Diversity" thanks to the introduction of Franklin
• Review: "Low Moon, the latest collection from this Norwegian-born graphic novelist [Jason], is certainly as funny as his previous books, but the humor is quieter, more mature. It balances the awkward sexuality and cynical humor of a teenage boy with the disillusionment and longing of an old man... Basically, it's been a while since I read a book and thought, 'This is changing the way I think about short fiction.' So, I've been carrying the book around, like a buddy, trying to understand out what makes Low Moon so perfect." - Heidi Broadhead, Publicola
• Review: "You’ll Never Know is, for good or ill, going to elicit a lot of comparisons to Maus... Yet while Tyler’s work... certainly deserves any accolades it receives, it’s a much different book — warmer, more overtly affectionate and more personal to a certain extent as well... Tyler’s art is constantly inventive and alive throughout the book. full of color and energy yet incredibly lyrical and graceful when need be... Tyler has long been a cartoonist’s cartoonist, which basically translates as 'Why is no one paying attention to the awesome stuff Carol Tyler is doing?' Both in subject matter and in delivery, she seems poised to finally break free of that term." - Chris Mautner, Robot 6
• Plug: "Everybody Is Stupid Except For Me and Other Astute Observations: Damn it Peter Bagge, now what am I going to call my autobiography? This is a nice-looking collection of a decade's worth of the master cartoonist's cartoons from Reason magazine. I'm working my way through a preview copy at the moment, but I can personally attest to the first two chapters being pretty great." - J. Caleb Mozzocco, Newsarama
• Plug: "Peter Bagge has become quite the comics pundit in recent years, sounding off on a variety of issues like drugs, gun control and abortion in the pages of Reason magazine. This book [Everybody Is Stupid Except For Me] — love the title, by the way — collects most of them... [I]t’s really funny and you should buy it." - Chris Mautner, Robot 6
• Plug: "Bigger, harder, thicker and better colors. Fantagraphics has decided to repackage Hal Foster’s seminal 'knights and text' once again, this time in a hardcover format [Prince Valiant Vol. 1: 1937-1938] and with improved production values... I was quite surprised how entertaining this strip was back in the day." - Chris Mautner, Robot 6 (same link as above)