• List: For The Guardian, comics creators Bryan & Mary Talbot select their top 10 graphic memoirs, with Joe Sacco's Palestine at #4: "Sacco was trained as a journalist and singlehandedly created the genre of reportage in graphic novel form. Immersing himself in a situation, his in-depth reports use the medium of comics to its full potential. Like his Safe Area Gorazde or recent Footnotes in Gaza, Palestine follows his experiences as he investigates events and interviews residents, explaining the history, politics and dynamics of the place as he goes along. The palpable sense of place and the feeling that we're in the presence of the people who relate their experiences to him (and therefore to us) is a testament to his storytelling skills, his work being far more intimate than that of a filmed documentary. Sacco is a master of this medium."
• Feature: "Compiling the book was a learning experience for Thomas... 'They (the Panthers) switched from a gun-toting paramilitary organization to a more community-based entity offering free food, clothing, and medical care,' he says. And, perhaps, this may be Listen, Whitey!’s biggest strength — and greatest contribution — to future discourse about this topic that has been so distorted and misrepresented in its presentation to the consciousness of mainstream America. Maybe now, 40 years after the histrionics and exaggeration, enough time has passed so the emergence of Black consciousness can be scrutinized with a measure of clarity." – Gregg Reese, Our Weekly
• Interview: At The Atlantic, Steven Heller has a Q&A with Daniel Clowes: "I was trying to get work as an illustrator in the '80s, but no art directors actually ever called, which is what led me to throw up my hands in despair and slink back to comics. Originally, I was hoping to find a writer to collaborate with, since I was much more interested in the drawing part of the equation, but that didn't work out. And so I began writing my own stories."
• Review: "The names here are mysterious, but the book makes a good case for many of the artists to be better known, which seems to be its intent. Tommi Musturi’s 'Samuel' stories, for example, several of which are included, are colorful, wordless, and Zen-like in their focus on the here and now. Joanna Rubin Dranger’s 'Always Prepared to Die for My Child' is another highlight, with simple drawings that manage to convey a lot. And Jenni Rope’s minimalist stories, which nearly bookend the volume, are poetic and impressive.... The number of woman cartoonists is also worth noting, partially because there’s no attention called to it. Kolor Klimax is a good first offering and may well indicate a series worth revisiting." – Hillary Brown, Paste
• Review: "Between the heavy cross hatching and almost wood-carved appearance of Rickheit’s art and his fixation on the degraded physical form, Folly often looks like a Jan Svankmajer film or Tool video adapted by Geof Darrow or Jim Woodring. Rickheit’s work is visually striking... Folly is a gorgeous but uncomfortable collection best enjoyed a few pages at a time." – Garrett Martin, Paste
• Review: "Like a Velvet Glove [Cast in Iron] is an early work by a creator who will later become one of the artform's greatest creators. There are themes and moments in this book that will be revisited in Clowes's later works, and revisited in smarter and more focused ways in some of his newer and greater works. Daniel Clowes is clearly building his skillset in this book, as he works on his art style, story progression and thematic obsessions. But it's still an incredible work of art that shifted my perceptions of the world a bit as well." – Jason Sacks, Comics Bulletin
• Interview (Audio): Mike Dawson's final guest as host of The Comics Journal's "TCJ Talkies" podcast is Tim Kreider, about whom Dawson writes in his intro, "Tim has often insisted that he doesn’t consider himself a proper political cartoonist, but was only drafted into writing about current events by the lunacy of the times. It’s true that going back and re-reading Tim’s comics in the run-up to the Iraq war, is a vivid reminder of how hysterical things were at that time (not in a good way)."
• Analysis: Matt Seneca examines a 1937 Krazy Kat strip for his column at Robot 6: "This page expresses a single gem of an idea, duality of character. It’s an idea both simple and profound, perfectly suited to Herriman’s aesthetic, and the way it’s put forth is so straightforward that it’s easy to read the strip over time and again before realizing that what it achieves could only be done using the comics medium."
Gilbert and Jaime Hernandez happened to be together in L.A. recently for the launch of the Daniel Clowes art book at Meltdown Comics and the folks there seized the opportunity to have the brothers sit down for an enjoyable chat on the Meltcast 2.0 video podcast. Topics include formative comics reading experiences, favorite superheroes, inspiration for their characters, and of course Dan: "The guy knew Mexican monster movies, like us, so why not be his friend?"
• Review: "Here’s the thing about Pogo. There’s never been anything like it. It’s utterly unique and individual in the same fashion that Peanuts, or Calvin and Hobbes or Little Nemo or any other of the great 20th century comic strips are.... It’s a much weirder strip than I think most people give it credit for and that is certainly something worth both recognizing and admiring." – Chris Mautner, Robot 6
• Review: "I highly recommend anyone who has an interest in LGBT issues to pick up Wandering Son, regardless of whether or not you read a lot of manga. It is, in many ways, distinctly Japanese, but its straightforward and honest deception of gender issues is rare in any medium, and it shines equally as a coming-of-age tale, especially for anyone who's ever felt they never quite fit in." – Anne Lee, Chic Pixel
• Review: "Prior to 1947, romance existed in comics but primarily as the humorous teenage variety for young readers, typified by the gang from Riverdale in Archie Comics. Simon and Kirby re-imagined the concept with mature stories aimed at adults, primarily women.... Fantagraphics recently collected many of these stories in the handsome hardcover Young Romance: The Best of Simon & Kirby's Romance Comics. Within the true artistic mastery of Kirby becomes evident. The same man, well known at the time for his bombastic stories, delivers these subtle, very human tales of angst, betrayal, and of course love. The volume's essays place these tales within the proper historical context. The beautiful reproductions were completely restored and unlike some of the Marvel Kirby reprints, nothing was recolored." – Rick Klaw, The SF Site: Nexus Graphica
• Interview:Drew Friedman writes us: "I wanted to share. This is the new online issue of INK, SVA's Student run comics mag, featuring an interview with me, also an article about WFMU radio's connection to cartoonists. This is pretty impressive I think. Enjoy!"
• Interview:Robot 6's Tim O'Shea has a Q&A with Kevin Huizenga: "Seems to me like you’re doing something wrong as a writer if you’re not affected or surprised by your own work. But it’s not something to talk about. You’re not supposed to laugh at your own jokes. The author at his desk, deeply moved by his own work is a pretty funny image."
• Scene: "In the exhibition, titled, 'Modern Cartoonist: The Art of Daniel Clowes,' we find the artist revealing the weird underbelly of America through quick and methodical strokes of a pen. Furrowed brows, sneers, and nervous beads of sweat accompany many of Clowes' odes to anxiety, causing us to acknowledge the strange and desperately sad state of his characters, who are striving to fit in." – Kathleen Massara, The Huffington Post
• Review: "The Complete Crumb Comics Volume One: The Early Years of Bitter Struggle, a 1987 book now republished in an expanded edition, gathers together the earliest surviving examples of the great cartoonist’s juvenilia taking him from age 14 or 15 to 18 years old. The high school scribbler that we meet in these pages is a very callow Crumb indeed: Crumb before he had sex, Crumb before he dropped acid, Crumb before he was adopted as a hero of the counterculture, Crumb before he honed his satirical stance on modern life, Crumb before he became the most radical, polarizing and influential cartoonist of the late 20th century. Yet in the lanky and awkward body of the teenage Crumb we can see the outlines of the substantial artist he would become.... There are very few cartoonists whose entire body of work demands to be read and Crumb belongs near the very top of that short list." – Jeet Heer, The Comics Journal
• Review: "Has Jason become more embittered and misanthropic as he’s aged, or do those tendencies just become more evident as one reads more of his work? Athos in America is up to his usual standards, full of stories that build slowly, with plenty of subtle detail in its stone-faced panels.... Mostly, we wait for things to end badly, which they almost always do, although never with much overt expression of drama.... The execution, as it always is with both Jason and Fantagraphics, is stellar." – Hillary Brown, Paste
• Review: "Fantagraphics Books is doing a good job of preserving and publishing important cartoons. A good example is Willie and Joe: The WWII Years.... These cartoons about World War II provide the reader with a glimpse of what army life was like. Willie and Joe: The WWII Years is more than a book of cartoons by a two-time Pulitzer Prize winning cartoonist, it is a significant history book." – Glenn Perrett, Simcoe.com
• Review: "Fantagraphics Books continues to make available Charles M. Schulz's wonderful Peanuts cartoons in attractive books that make nice keepsakes. The latest volume covers the years 1983 and 1984. Lots of fun things are happening with the Peanuts gang including Snoopy's brother Spike requiring help from attacks by coyotes in the desert (they're attacking him with rubber bands), Lucy is still pursuing Schroeder, Charlie Brown is still in a "love triangle" with Peppermint Patty and Charlie Brown joins Peppermint Patty's baseball team...as a mascot. This volume includes a Foreword by Leonard Maltin. As with other Peanuts books, The Complete Peanuts 1983-1984 would make a nice gift for those who enjoy Peanuts and the work of Charles M. Schulz." – Glenn Perrett, Simcoe.com
• Interview: Geoff Boucher of The Los Angeles Times has a Q&A with Daniel Clowes about looking back on his career: "One thing that really shocked me was to go through some of the fan mail I used to get in the pre-Internet days. Lots of people — like a truly surprising number of complete strangers — would write me 10- or 15-page letters, telling me all about the most mundane details of their twitterless existence. Pretty much inconceivable nowadays."
• Opinion:Newsarama's Graeme McMillan counts down "The 10 Most Glaring Eisner Nomination Omissions," placing Dave McKean at #9 ("With 2011 seeing the release of Celluloid, the erotic graphic novel that not only marked the return of the much-loved multimedia creator... to comics but also his first full-length graphic novel ever, you would've been forgiven for thinking he would've been given some kind of nomination nod...") and Jaime Herandez at #1 ("A heartbreaking story that not only showed Jaime on top form after a 20+ year career in comics -- and definitely in a class of his own as modern-day storyteller -- 'Love Bunglers' topped many year-end lists for 2011 and was the rare comic that, it seemed, was loved and appreciated by everyone that read it.")
Just beginning to catch up on Online Commentary & Diversions:
• Profile: With his big new art book out and his museum retrospective on the way, Daniel Clowes gets the New York Times profile treatment from Carol Kino: "Mr. Clowes can create a striking face with a few deftly placed lines or brush strokes, often seizing on some specific characteristic that summons up an indelible personality. Think of Enid Coleslaw, the snarky teenage anti-heroine of Ghost World, and her big, black nerdy-hip glasses; they cover most of her face, but they can’t conceal the tiny shifts in expression that loudly telegraph her mood."
• List:Daniel Clowes may be headed for a museum retrospective, but he is neither dead nor retired — but that doesn't stop Flavorwire's Elona Jones from naming 10 candidates to carry the torch of "his storytelling skills, interest in surrealism, and eye for biting observations," including Jason, who "receives international acclaim for his brilliant storytelling."
• Review: "The John Benson-edited anthology The Sincerest Form of Parody: The Best 1950s MAD-Inspired Satirical Comics assembles largely forgotten work by the likes of Jack Davis, Will Elder, Ross Andru, and Jack Kirby, parodying everything from Mickey Spillane novels to Rex Morgan, M.D. Some of these pieces can stand up to the best of Mad (or at least match the magazine’s average), but even the stories that are clunky and unfunny are fascinating for the way they rip off Mad shamelessly, including all the asides and mini-gags that Will Elder once labeled Mad’s 'chicken fat.' It’s a testament to how quickly the innovative and subversive can become mainstream." – Noel Murray, The A.V. Club
• Review: "Next to Pogo, the newspaper comics collection that fans have been most anticipating would be Ernie Bushmiller’s Nancy, which over the past few decades has garnered a reputation as the purest distillation of the gag cartoon, a triumph of minimalism... Nancy Is Happy: Dailies 1943-1945 joins Bushmiller’s magnum opus in full swing ... Bushmiller’s genius [was] to make everything in his strip so basic that anyone, anywhere, at any time, could get the joke." – Noel Murray, The A.V. Club
• Review (Video): Video blogger Robert Crayola looks at Nancy Is Happy: "If you like comics or comic strips especially and you haven't read Nancy or if you have and you just want more, I think you'll enjoy this.... Hopefully we can get many more volumes of this. I hope you support it. It's a great book."
• Review: "One of the signature achievements of ’80s alt-comics, Drew and Josh Alan Freidman’s Any Similarity to Persons Living or Dead Is Purely Coincidental: An Anthology of Comic Art, 1979-1985 is now back in print in a spiffy new edition that doesn’t really add anything to the original, but is still a necessary addition to any library that doesn’t already have a copy.... Drew Friedman’s stipple-heavy photo-realism and his brother Josh’s gleefully cruel humor combine to craft an alternate history of American entertainment that’s preposterous and yet feels true. Even now, decades after other cartoonists and comedians have tapped this well, the Friedmans’ pioneering work in the field of 'brattily dicking around with icons' remains unparalleled." – Noel Murray, The A.V. Club
• Review: "Folly... serve[s] as a good introduction to Rickheit’s beautifully ugly visions, of a world where cute girls and humanoid stuffed animals commit atrocities against oozing flesh. With a drawing style that resembles Jason Lutes and Charles Burns, and a storytelling style similar to Jim Woodring and Al Columbia, Rickheit excels in making nightmares lucid. Some characters recur from story to story in Folly, but really this book is just page after page of beautiful images juxtaposed with wounds and excreta. The single-mindedness of Rickheit’s approach — and the level of detail he applies to it — is impressively horrifying." – Noel Murray, The A.V. Club
• Kyoto, Japan: The exhibit Three Sides Chicago: Squares, Squirrels & Dots, featuring Archer Prewitt, alongside Sam Prekop and Eric Claridge, will be opening at the Trancepop Gallery. All three artists will make an appearance at the opening reception. (more info)
• Columbus, OH: Join Paul Hornschemeier at the Columbus Museum of Art as he speaks with Jared Gardner, a professor of English and Film Studies at Ohio State University. In conjunction with his talk, the museum will display a selection of Hornschemeier’s scripts, storyboards, and sketches highlighting his creative process. (more info)
• Tokyo, Japan: Three Sides Chicago: Squares, Squirrels & Dots spotlights the work of Archer Prewitt, alongside Sam Prekop and Eric Claridge, and they'll make an appearance at the Shibuya Parco B1F LIBRO on this final day of the exhibit. (more info)
Join Dan on Thursday, April 5th for this very special celebration of his new collection The Art of Daniel Clowes: Modern Cartoonist, from Abrams ComicArts. The evening will be hosted by Blair Butler (of G4's Fresh Ink), and there will be an interview conducted by Mark Frauenfelder of BoingBoing, followed by a Q&A!
The event starts at 8:00 PM, but get there early! If you purchase one copy of the new book from Meltdown, you'll be granted two tickets to this event. An extra ticket can then be purchased for $10. But you can't buy individual tickets, so bring a buddy and join the fun at Meltdown Comics [ 7522 Sunset Blvd ].
And at 6:00 PM, it's the First Annual "Enid Coleslaw" Meet-Up at Nerdmelt [ also 7522 Sunset Blvd ], the "nerdy little comedy theater that is the marriage between Nerdist Industries and Meltdown Comics."
Nerdmelt is inviting everyone to "wear your glasses, your favorite Enid looks, and your best bored expression" for an Enid Coleslaw cosplay night. Seeing as how a lot of my friends look like Enid no matter what, I wonder how many ladies are gonna wander on to that scene unsuspectingly!
There will be photo-ops, and a screening of the film version of Ghost World to get everyone pumped up for Dan's arrival. So, get ready for a Clowes Celebration in L.A.!