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|Written by Mike Baehr | Filed under fan art, Daniel Clowes||1 Oct 2012 3:37 PM|
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The unbroken bottom ring of your three-ring binder Online Commentaries & Diversions:
• Review: Patrick Smith over at Spandexless cracks his knuckles and reads all of The End of the Fucking World mini-comics by Charles Forsman. Smith states,"Overall though, it’s a story about extremes and the kind of nihilistic worldview that only a teenager could have, while also adding on certain discerning touches that separates this book from so many other teenage melodramas." Forsman's complete The End of the Fucking World is slated for release in 2013.
• Review: Zap #2 gets Boing-Boinged. Adam Parfrey speaks on the series of ZAP comics that we will publish next year. "Throughout the book were pages of strange nightmare scenes in an quasi-psychedelic art style I had never seen before and didn't really understand."
• Plug: Banned Book Week is here! The Comic Book Legal Defense Fund posted about the most often banned comic book and Daniel Clowes' Eightball 22 is smack dab on there. The damn thing got a teacher fired!
• Interview: Print Mag posted the second part of their Roger Langridge interview where he mentions, "Top of the list right now is a Fred the Clown graphic novel. I'm thinking it might be a good time to return to the character, because I've had critical success, if not commercial success, with a couple of other things now."
• Plug: More pictures of Noah Van Sciver and The Hypo on John Porcellino's blog.
• Interview: Patrick Smith interviewed upcoming Fantagraphics artist Ed Piskor on his work including Hip Hop Family Tree at Spandexless.
The saltiest sounds of the ocean's Online Commentaries & Diversions:
• Interview: Dubbing them "The Four Horseman of AltComix" Sean T. Collins interviews Jaime and Gilbert Hernandez, Chris Ware and Dan Clowes all in one go on Rolling Stone. What a beautiful meetup of minds. Ware says, "Well, there are better cartoonists now than there ever have been. I firmly believe that. There's some amazing work being done." While Gilbert laments the change in alt comics, "That's what was missing from alternative comics after us: The art got less and less good."
• Plug: Dan Clowes is interviewed on what inspires him by the NY Times : "I didn’t really listen to the Kinks growing up at all — I was just vaguely aware of them, like everybody else — so when I was in my mid-20s I bought a couple of their records, just on a whim, and got sort of obsessed with them."
• Review: Comics Alliance reviews Lorenzo Mattotti's newest collaboration The Crackle of the Frost with Jorge Zentner. Sarah Horrocks points out,". . . what you're looking at in The Crackle of the Frost is a largely amazing new Mattotti release for North American audiences, with fantastic art that has to be seen to be believed. It is a work that is better than most of what you can get on the stands on any given Wednesday. But it's also a book that is hurt by how achingly close it gets to its own perfection."
• Review: InkedTV reviews Joe Daly's Dungeon Quest Volumes 1-3 on their new video reviews featuring Natalie Kim and George O'Connor. "You will never find a book or a series of books that is so genetalia-obssessed as this book." Take a gander at our back catalog and you might find more.
• Plug: The Comics Journal lets Philip Nel tell a bit of the tale before the legend of Crockett Johnson, from his biography on the man called Crockett Johnson and Ruth Krauss. Fans have their eyes on the horizon for Johnson's Barnaby, edited by Nel and Eric Reynolds. Nel writes, "But before Barnaby, there was Crockett Johnson. And before Crockett Johnson, there was David Johnson Leisk."
• Review: Broken Frontier covers King of the Flies by Mezzo and Pirus. "King Of The Flies by Mezzo & Pirus is one hell of a hardcore comic. It is noir on acid, dark and unrelenting. It is one of the most thorough examinations of the cimmerian darkness the human species can dwell on and it will hit you square in the chest." But what about Book 2? "King Of The Flies 2 : Origin Of The World is maybe even better than its original and though it bears the number 2 it can just as well be read on its own."
• Plug (roadtrip): John Porcellino details the roadtrip to SPX with The Hypo's Noah Van Sciver. They stop by another Fantagraphics artist's home, Tim Lane, and ohh-n-ahh over our twice-sold-out book, Four Color Fear.
The furtherest-traveled Bethesda-sent postcard of Online Commentaries & Diversions:
• Review: NPR's Glen Weldon looks at The Hypo by Noah Van Sciver. "Although The Hypo is painstakingly researched, the book is no dry accretion of biographical detail. That's because Van Sciver approach's is so deeply, palpably personal, even idiosyncratic. . . Inspiring? No. But achingly familiar, relatably human and — most of all — profoundly real."
• Interview: Comic Book Resources and Ryan Ingram pulled Noah Van Sciver aside to talk about The Hypo. Van Sciver says, "My reason for spending so much time working on The Hypo was an honest to god interest in the subject of depression and the struggles Lincoln was going through at that time. Probably nobody else would have done this book."
• Review: We Got Reviews looks at Noah Van Sciver's The Hypo. Chad Parenteau closes it beautifully states," In The Hypo, Van Sciver proves in these pages that you can bring an almost mythic figure of the past to modern day terms while still making that figure heroic."
• Plug: Large-Hearted Boy got his mitts on The Hypo by Noah Van Sciver: "I've been looking forward to this book for what feels like two years now. . . It's a side of Lincoln rarely revealed, beautifully illustrated, and wonderfully told."
• Commentary: Rob Clough of the Comics Journal and High-Low made sure to organize some Noah Van Sciver within the Library of Congress mini-comic collection: "Everything's coming up Noah these days, with an Ignatz nomination for The Death of Elijah Lovejoy and the release of his Abraham Lincoln book The Hypo from Fantagraphics." Clough also comments on Jaime and Gilbert's Ignatz awards, "I dubbed Jaime Hernandez the King of SPX after he took home three extremely well-deserved Ignatz awards. After getting shafted by the other major comics awards shows, it was great to see him relishing this moment."
• Commentary: Tom Spurgeon says a bunch of nice stuff about the Hernandez Brothers, Noah Van Sciver on the Comics Reporter. "Los Bros had a steady line of admirers at the show, which was really encouraging to me. They had good solo panels, too -- Frank Santoro talked to Jaime and got him to choke up a bit, and Sean T. Collins talked to Gilbert and applied to that conversation the benefit of reading the holy shit out of all of Gilbert's work sometime in the last year. . . I enjoyed that Abraham Lincoln book of [Noah's]."
• Commentary: The Beat loves on all creators, great and small including the Hernandez Brothers
• Plug (video): Junot Diaz talks about the Hernandez Brothers in Vol. 1 Brooklyn.
• Plug: Best photo EVER of Gilbert, Jaime and Frank Santoro
• Commentary (audio): The podcasts Hideous Energy attends not only SPX but the Politics and Prose signing for the Hernandez Brothers . The hosts have a frighteningly good time at SPX despite the trials and tribulations of their hotel room at Red Roof Inn.
• Review: The School Library Journal dissects The Adventures of Venus by Gilbert Hernandez and includes some questions to ask when using it in an English or literature class: ". . . while certainly young readers should appreciate many aspects of the book, some of its content may land as so idiosyncratic (albeit playfully so) as to inaccessible. And that’s actually a good thing."
• Review: The Chicago Reader enjoys Lilli Carré's Heads or Tails. Noah Bertlasky compares,"Eschewing the autobiographical meaning-through-trauma tradition of Maus, the pop art goofiness of Fort Thunder, or the sex and drug spewing of underground artists like R. Crumb, Carré specializes in surreal narratives and exquisite design.. . . Reading this, it's easy to forget there was ever a time comics were viewed as separate from art."
• Plug: Alex Pardee of Juxtapoz picks Johnny Ryan as his dude du jour and demands you read Prison Pit #4 and all previous volumes."I'm pretty sure the words 'Johnny Ryan' mean 'Fuck You' in Elvish or Klingon. . . Lucky for us, Johnny Ryan doesn't give a Russell Brand about pissing anyone off. . . amassing a huge cult following based solely around brilliantly conveyed hemorrhoid jokes, hitler bashing, and 'shit-fucking-shit'. . ."
• Plug: Claire Donnor of comiXology focuses on No Straight Lines, edited by Justin Hall. "Besides offering an exciting array of new and rare talent, this volume presents a very refreshing change from the familiar straight male fantasizing that has traditionally dominated the indie and underground scenes."
• Review: The North Adams Transcript reviews Mattotti and Zentner's The Crackle of the Frost. John Seven writes, "What the words cannot portray, the images do, the real psychological landscape that Samuel's confused analysis grapples with, and a testament to the power that can be born of the collusion between the literary and the illustrative in the best examples of graphic storytelling."
• Review: Carter Scholz returns to The Comics Journal to pen a review of Dal Tokyo by Gary Panter, "So think of it as a comic strip, a periodic commitment. A blog before and after its time, a day book spanning three pitiless decades. Each strip of the first series is time-stamped, by hand, to the minute, testimony to Panter’s living and working and recording in the here-and-now of it."
• Interview: Max Robinson of City Paper interviews Dan Clowes and about the continuing success of Ghost World: "I’m heartened that it seems to live on. It’s about teenage girls from another world, really; [they] don’t text, don’t have cell phones, don’t have computers. It’s really about the olden days and yet it seems like the whole new readership of teenagers seems to take to it every year."
• Review: Pop Matters talks about Daniel Clowes. Features editor Josh Indar says, "This is why I love Dan Clowes. He’s the only comic artist I’ve read who can do this to me, to pull me so completely into his world that, just as the old lady said, I start seeing reality through the lens of his work."
• Review: Nick Gazin's Comic Book Love-In #72 on Vice includes Jacques Tardi's New York Mon Amour. "Many of the comics they're publishing have never been translated into English before so it is a big, big deal that they are providing this service to all American lovers of comics. . . The art's great and it captures what New York in the early 80s was."
• Review: LA Review of Books looks at Walt Kelly's Pogo The Complete Syndicated Strips Vol. 1: "Through the Wild Blue Wonder" and its satirical edge. F.X. Feeney says,"Walt Kelly seems never to have troubled himself with either the notion [of genius] or the word: he simply put it into effect, day after day, for a quarter-century. Anyone who thinks political cartooning is stale need only take a closer look at these two bodies of work."
• Interview: Print Mag interviews the indeliable Roger Langridge on comics, acting and life. It's worth reading yourself for the gorgeous panels full of exquisite details. Langridge says, "It's a fascinating world, theater."
• Interview: Chris Auman of Reglar Wiglar interviews Ed Piskor on his previous book and upcoming Hip Hop Family Tree. "I grew up surrounded by hip hop. I feel like the fact that I even learned to draw was shaped by a hip hop mentality."
• Plug: Michael Kupperman is now posting comics up at Huffington Post!
Occasionally a finger on the camera slips and reporters or other publishers accidentally take a picture of the people working on publishing the books, rather than our wide array of talented artists and authors. Here are some nice things people said about us and some semi-nice photos of Gary, Kim, Eric, Jacq and Jen: Tom Spurgeon at Comics Reporter, Chris Mautner on Robot 6 and Comic Book Resources, artist Nick Abadzis, Charles Brownstein at CBLDF, Heidi MacDonald at The BEAT.
Save the visit to the Library of Congress, which will come up later, these are THE pictures and thoughts on Small Press Expo 2012. We honestly were so busy that there was little time to make the rounds to other aisles and buy books or snag pics of our friends at this family reunion of a show. So please accept my apology for no SWEEPING landscapes of the table set-up as it was busy, busy, busy. SPX'sExecutive Director, Warren Bernard, ran a good show and David Michael Thomas could not have been better with convention previews and making sure we were comfortable throughout.
The Washington alt-weekly newspaper or insert covered the special guests of the con including the Hernandez brothers. Love and Rockets tattoos are the ink du jour as you can see along with Jughead hats and SUPER short skirts (even though we all know leggings that look like wormholes or intestinal tracts are really in this year). Drawing by Thomas Pitilli.
The signing at Politics and Prose in D.C. kicked off the 30th Anniversary Northeast Tour. With trusty escorts like Associate Publisher Eric Reynolds, PR Director Jacq Cohen and myself, what could go wrong? First things first though, toothpicks to make sure teeth are clean.
The first book of the weekend AND the first copy of The Hypo by Noah Van Sciver went to Leon Avelino, publisher at Secret Acres.
Lilli Carré's new book Heads or Tails was a smash hit and the first to sell out followed by Chris Wright's Blacklung, The Hypo, Ron Regé's Cartoon Utopia and many more. Here Carré and Van Sciver sell their books, librarian Caitlin McGurk from OSU's Billy Ireland Cartoon Library & Museum eager to read the newest, greatest books.
Long lines formed for the Hernandez Brothers both days and were chock full of other exhibitors and cartoonists like First Second's George O'Connor.
Fans got books signed, bought drawings and got their SPX convention badges signed.
That night at the Ignatz awards, Gilbert and Jaime Hernandez cleaned up. While humbly accepting their Herriman bricks, they thanked Daniel Clowes & Art Spiegelman for NOT having new stories this year. The Brothers won Outstanding Series for Love and Rockets while Jaime won Outstanding Artist and Outstanding Story for "Return for Me"of Love and Rockets: New Stories #4.
Author Phillip Nel sold his Crockett Johnson and Ruth Krauss biography to whet everyone's appetite for the Barnaby book. Rich Tommaso sold his The Cavalier Mr. Thompson, a Fantagraphics-distributed book about a 1920s hotel in Texas.
Fans and friends got their signatures and tiny drawings by Tommaso.
Cartoonist TJ Kirsch shows off his Daniel Clowes drawing in Twentieth-Century Eightball.
Despite his dour face, Daniel Clowes genuinely liked Gary Panter's Dal Tokyo while Charles Burns looks on.
As always, my partner-in-crime Jacq Cohen and I accidentally dressed to match some of our favorite classic books, me with Nancy and Jacq with Peanuts.
Jacq and I ran off after the convention to eat some delicious food with our good friends. Clockwise from the bottom left: Gilbert Hernandez, me, Jaime Hernandez, Tom Neely of Sparkplug, Joseph Remnant of ZAP/Top Shelf, Noah Van Sciver and John Porcellino. Delicious!
And finally, a picture from 2010's MoCCA Fest where I'm handing Jaime minis as a fan. Now we get to argue about baseball uniforms and proper sock height while working the Fantagraphics table. Thank you everyone for coming to the Fantagraphics table to buy our books, talk to our artists and spread more of the convention cheer. See you next year!
Photos by Jacq Cohen and me. Attitude by Fantagraphics.
Join Fantagraphics this weekend for the 2012 Small Press Expo in Bethesda, Maryland! On September 15th & 16th, we'll be filling the Marriott Betheseda Conference Center with some dazzling debuts, panels, and signings! Come meet your favorite artists and get your books signed:
Saturday, September 15th
Fantagraphics will be located at tables W40-W44, as seen in the map excerpt below! For a larger version of the complete floor map, please click here.
It's mind-boggling how many debuts we're bringing -- and many of these books won't be in stores until October or November! Check out more details here.
• The Lost Art of Ah Pook Is Here: Images from the Graphic Novel by Malcolm McNeill
• Blacklung by Chris Wright
And click here to see a schedule of programming featuring our fantastic Fantagraphics artists!
It's gonna be an incredible year! See you at SPX!
The 1-2-3-4 color process Online Commentaries & Diversions:
• Interview: Italy's VICE interviewed Josh Simmons on his work like The Furry Trap. Here is a snippet translated by journalist Tim Small, "In comics, I think the good horror cartoonists are few. But I like Renee French, Junji Ito, Al Columbia, Charles Burns and Suehiro Maruo. Horror directors have probably have the most influence on me of all. The best movies from John Carpenter, David Cronenberg, George Romero and Tobe Hooper were huge from me as a kid."
• Review: Rob Clough has more coverage than a local news team. He writes a tribute to Gilbert Hernandez and his work collected in Heartbreak Soup, Human Diastrophism, and Beyond Palomar on the High-Low, "In Gilbert's Palomar stories, there's a rawness that dominates the proceedings: raw anger, raw sexuality, raw passion for life, death and art." To round out his Love and Rockets weekend, Clough writes another High-Low review of the most recent Love and Rockets: New Stories #5 with both Gilbert and Jaime Hernandez. "Both brothers, after thirty years, are looking forward and looking back at the same time, revisiting characters on the verge of adulthood like in the earliest days of their comics (characters who were the same age as they were, essentially) while still spending time with characters who are now pushing fifty."
• Interview (audio and transcript): A work long in the making, Ron Rege was interviewed by Maria Sputnik on Gazeta Comics a few years ago about Cartoon Utopia. Rege says, "And I love it that…with comics it’s a one-on-one communication. It’s not like a bunch of people in a movie theater sitting watching the movie all at the same time. It’s one person quietly and they’re looking at exactly what I drew…The marks I made with my hand are what they’re looking at. So it’s a one-to-one communication."
• Review: In case you needed another reason to read Ghost World, Kerry looks at Daniel Clowes' masterpiece at Hello Giggles. "Enid Coleslaw remains one of the best characters I’ve ever encountered because she seems like a real person. She’s not a hero or a role model; she’s flawed and confused. She’s not a bad person, but she does bad things. She makes mistakes, alienates people and cries a lot. But she’s also funny, smart and strong."
Seeing Enid and Rebecca on the cover of the current issue of Juxtapoz art journal reminded me of a similar feature I wrote on Daniel Clowes in the same publication in March of 2001. The Ghost World film was about to be released. Clowes was thrilled at the artistic freedom he and filmmaker Terry Zwigoff enjoyed. "We're below the radar at MGM," he observed. I was unfamiliar with young Scarlett Johansson, describing her as "a former child actress who played opposite Robert Redford in The Horse Whisperer."
Who would've guessed that Clowes and Ghost World would go on to have such a profound effect on American pop culture? Not me.
The fully charged Online Commentaries & Diversions:
• Review: School Library Journal will happily be lending out copies of Flannery O'Connor: The Cartoons to library patrons. Francisca Goldsmith says, "O’Connor’s viewpoint as a college student during the early years of World War II at an all-female Southern institution adds another layer of texture, too, for contemporary teen artists and observers of places and situations that fall outside popular media’s scope."
• Review: On Comics Worth Reading, Johanna Draper Carlson checks out Walt Disney's Mickey Mouse Vol. 3: High Noon at Inferno Gulch by Floyd Gottfredson, edited by David Gerstein with Gary Groth. "While the strips are surprisingly entertaining to readers not used to such a vibrant version of the title character, I enjoy the supplemental material just as much. The introduction by Thomas Andrae puts the work in context and point out key observations that aid in getting more out of the comics."
• Review: AV Club thumbs through the finest of our collection. Flannery O'Connor: The Cartoons, edited by Kelly Gerald, features "a Barry Moser introduction into how O’Connor used the medium and a Kelly Gerald-penned look at how O’Connor’s early life influenced her art. The Moser and Gerald pieces are so well-researched that they’d be worth reading even without the cartoons between them." Noel Murray continues onto Mort Meskin's Out of the Shadows, "Not tied down to any one character, Meskin was free to work in a variety of genres, most of which are represented here: jungle adventure, supernatural horror, westerns, science fiction, romance, crime, etc." The trip down comics-memory-lane makes at stop at Uncle Scrooge: Only a Poor Old Man by Carl Barks: "[the stories] are just as rich in their original form, packed with clever plans, narrow escapes, and a lead character who enjoys amassing and hoarding his huge fortune, even though it makes him a little nutty." On Walt Disney's Mickey Mouse Vol. 3: High Noon at Inferno Gulch by Floyd Gottfredson, Murray points out, "[editors] Gerstein and Gary Groth have assembled the usual outstanding array of contextual material, including a Gottfredson-inspired Italian Donald Duck strip from 1937 that helped seed that country’s still-fertile contributions to Disney comics…"
• Review: Nick Gazin at Vice looks Sexytime up and down. The Jacques Boyreau-edited collection is a mighty fun read because ". . . every one of the posters in this book is fascinating for one reason or another. It might just be that design is so ugly that even the lowest-level design from the 70s is better than the best of what anyone's making right now. . . Portable Grindhouse was a nearly-perfect book and so is this one."
• Plug: Comic Book Resources mentions the The Art of Joe Kubert edited by Bill Schelly and mainstream comics. Augie De Blieck Jr. says, "I learned a lot about Joe Kubert from Fantagraphics' biography on him that I read last fall. It immediately made me want to go buy some reprints of 50 year old DC material that I previously had no affection for." Kubert was a master and will be missed.
• Review: San Francicso Chronicle reviews No Straight Lines edited by Justin Hall. Charlie Wells writes, "Hall's book provides a striking example of how entwined the history and literature of the gay rights movement have been since the early days of the battle.
• Review: Chicago Tribune likes the premise of the Significant Objects edited by Joshua Glenn and Rob Walker but was not bowled over by the micro-fiction. Christopher Borrelli said, " . . . attaching a story is partly the appeal of a farmer's market, a Happy Meal. The right back story for a brand such as Apple, the editors argue, helps build a phenomenon. . . A note about the physical book, itself a gorgeous, significant object. . ."
• Review: Recently found a Robot 6 review from SCAD cartoonig professor and cartoonist, Chris Schweizer, on Chris Wright's Black Lung before it was signed to Fantagraphics. According to Schweizer, his opinions still hold true: "It’s a graphic novel, both in its vernacular term and in a more literal sense, violent and horrible and poetic at the same time – the sort of thing McCarthy might write if he were more interested in pirates than cowboys or Appalachians."
• Plug: Torsten Adair posts on The Beat how to order and find those SPECIAL Halloween comics that your store may or may not give out for free. Buy a stack of 20 comics for $5 and this exclusive Spacehawk comic by Basil Wolverton can be yours! "You should offer to pay for them in advance, since the comics shop will most likely consider these unusual items, and be hesitant to place the order. Of course, if they’re a cool store, they are probably participating in Halloween ComicFest, and will be happy to add your order to their store order."
• Plug: Speaking of shopping, Johanna Draper Carlson gives some tips on finding that first volume of Wandering Son by Shimura Takako on Comics Worth Reading. Good news though, the second printing will arrive within the month!
• Plug: Tom Spurgeon gets worked up over the Daniel Clowes Reader on The Comics Reporter. Fantagraphics is releasing a "Ken Parille-edited book on Dan Clowes in early 2013. Ken Parille's stuff is routinely pretty great. . . Count me in."
Here at Fantagraphics, we're gearing up for one of our biggest SPX'es ever, taking place on September 15th & 16th in Bethesda, MD! We'll be rolling out our list of debuts and our signing schedule soon, but while you wait, why not memorize this schedule of panels at the 2012 Small Press Expo?
Saturday, September 15th
• 12:00 pm // Crockett Johnson’s Barnaby and the American Clear Line School [Brookside Conference Room] In a canny mix of fantasy and satire, amplified by the clean minimalism of Crockett Johnson’s line, Barnaby (1942-1952) expanded our sense of what comics can do. Though it never had a mass following, this tale of a five-year-old boy and his endearing con-artist of a fairy godfather influenced many. To mark the launch of The Complete Barnaby, Dan Clowes, Mark Newgarden, Chris Ware, and the book’s two co-editors — Fantagraphics’ Eric Reynolds and Crockett Johnson biographer Philip Nel — discuss the wit, the art, and the genius of Barnaby.
• 12:30 pm // Jaime Hernandez: The Love Bunglers [White Flint Auditorium] Jaime Hernandez and his brothers launched the alternative comics era with their epoch-defining series Love and Rockets. From 1981 to the present, Hernandez has produced a singular body of work tracing the life of Maggie Chascarillo and her vast network of friends, family, neighbors, rivals and lovers. In recent years, Jaime has, again, broken new ground with brilliant comics novellas that remain accessible to new readers while building upon years of narrative to invest his stories with a profound emotionality. He will discuss his work with artist Frank Santoro.
• 2:30 pm // Gilbert Hernandez: Love From the Shadows [White Flint Auditorium] Gilbert Hernandez and his brothers launched the alternative comics era with their epoch-defining series Love and Rockets. Gilbert first made his mark with his Palomar stories, an intergenerational saga detailing life and love in a fictional Central American town. But a parallel strand of Gilbert’s restless oeuvre has since taken center stage in new graphic novels and stories that combine formal play with genre experimentation to open another window into the workings of the human heart. Gilbert will discuss his work with critic Sean T. Collins.
• 4:00 pm // Mark Newgarden Presents: Cartoonists and Comics On Camera, Reel One: 1916-1945 [Brookside Conference Room] A once-in-a-lifetime presentation of rare footage featuring 20th century comics greats and some unusual animated adaptations of their work, curated by Mark Newgarden from his personal collection of rare 35mm film. See Rube Goldberg, Otto Soglow, Chester Gould, Frank King, Harold Gray, Hal Foster (and many more) at the drawing board! See Jefferson “Gags And Gals” Machamer act! Plus Krazy Kat and many more surprises!
• 4:30 pm // Daniel Clowes: Modern Cartoonist [White Flint Auditorium] Daniel Clowes first gained fame with his iconic comic book series Eightball and graphic novel Ghost World, which he co-adapted into a film of the same name. In recent books, including The Death-Ray and Wilson, his unique visual-narrative voice expertly manipulates the position of the reader to get more deeply under the skins of his sharply rendered characters. Recently the subject of a major retrospective exhibit and monograph, Clowes will discuss his work with Alvin Buenaventura, editor of The Art of Daniel Clowes: Modern Cartoonist, and scholar Ken Parille.
• 6:00 pm // Sammy Harkham Q+A [Brookside Conference Room] Sammy Harkham has left a lasting impression on the comics field as editor of Kramers Ergot, the irregular avant-garde comics anthology series that represents, for many, a carefully articulated statement about the art form today. Harkham is also an engaged cartoonist, mindful of comics’ legacy while telling intimate stories that resonate with contemporary concerns. Several of his stories are collected in his new book, Everything Together. Harkham will discuss his work with Picturebox publisher and Comics Journal co-editor Dan Nadel.
Sunday, September 16th
• 1:00 pm // Mark Newgarden Presents: Cartoonists and Comics On Camera, Reel Two: 1932-1965 [Brookside Conference Room] A once-in-a-lifetime presentation of rare footage featuring 20th century comics greats and some unusual animated adaptations of their work, curated by Mark Newgarden from his personal collection of rare 35mm film. See Al Capp, Bill Holman (and many more) at the drawing board! See a drawing lesson from Fred C. Cooper! Plus Popeye, Nancy, Jacky’s Diary and many more surprises!
• 2:30 pm // Life After Alternative Comics [White Flint Auditorium] In the years after underground comix, the medium’s flag of ambition was carried by so-called “alternative comics:” nonconformist work in conventional formats that occupied marginal space in comics speciality shops. Alternative comics found common cause with other subcultural movements—before internet culture and the bookstore economy permanently changed comics’ formats and context. Dan Clowes, Gilbert Hernandez, Jaime Hernandez and Adrian Tomine will discuss the changes they have seen in a conversation moderated by Bill Kartalopoulos.
• 3:00 pm // Drawing Energy [Brookside Conference Room] What does it mean to invest a feeling of energy, of activity, of physical or emotional intensity in a drawing? How does the process and mindset of the artist at work relate to—or differ from—the visceral feeling the reader is intended to experience from the published image? Artist Jim Rugg will discuss these issues and other questions of drawing process with Michael DeForge (Lose), Theo Ellsworth (Capacity), Hellen Jo (Jin and Jam), and Katie Skelly (Nurse Nurse).
• 3:30 pm // Perverse Comics Form: Challenging Comics’ Conventions [White Flint Auditorium] Comics’ traditional forms have been inventively engaged by countless artists towards unique expressive purposes. And yet, even skillful manipulations of the comics form often carry with them conventions forged over decades, often within a commercial context. This panel will discuss radically different approaches to comics form and their relationship to broader artistic practices. Bill Kartalopoulos will lead a conversation with artists Warren Craghead (How to Be Everywhere), Renée French (H Day), and Keith Mayerson (Horror Hospital Unplugged).
Did you memorize them? Good! We'll quiz you at the Fantagraphics table at SPX 2012! See you there!