• Richmond, VA: Don't miss this! Dash Shaw brings his animation and comic slideshow presentation to Velocity Comics tonight -- his talks are always compelling and fascinating, so get there on time! (more info)
Grab your pencils, paper and prepare to be rapped on the knuckles! Dash Shaw will be at SAW, The Sequential Artists Workshop, in Gainesville, Florida guiding and teaching YOU on February 24-28th of 2014. If learning from a master of comics and animation sounds like fun to you then sign up now for the workshop! And wonder of wonders, Mome veteran Gabrielle Bell is teaching the week after---you might need to take some serious time off of work. Check out New School while you wait, it might be required reading! More info to come soon, keep your eyes on the SAW website.
All board, Richmond, Virginia! Dash Shaw is coming your way August 8th with his animation presentation. Bring your well-loved copies of Bottomless Belly Button and buy a brand-spankin' new copy of New School for Dash to sign. Velocity Comics is the place to be! The boat to the mysterious island in New School is leaving the dock soon so make sure you're on time Thursday, August 8th.
Velocity Comics is located at 819A W Broad St Richmond, VA 23220.
• San Francisco, CA: The California College of the Arts concludes their summer "Comics in the City" series with special guest Dash Shaw! Dash's discussions on his work and his latest book, New School, are not to be missed. (more info)
• Los Angeles, CA:Johnny Ryan's solo art show, Johnny Ryan's Chicks With Dicks, opens at Мишка! Johnny will also be debuting two exclusive new t-shirt designs, available only at this art show. (more info)
This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
340-page full-color 8.75" x 11.25" hardcover • $39.99 ISBN: 978-1-60699-644-7
"Instead of a tidy narrative, [New School] is about art, about the art that's in the book itself...There's stuff going on at other levels, the intuitive, the leve of the unconscious, the subconscious I guess you could say....This book is just fascinating." –Glen Weldon, NPR
"The experience of reading New School is like temporarily inhabiting the body and brain of an artist: This is what growing up might feel like for someone who lives and breathes colors and shapes. It's heady, hallucinatory, and bizarre, but it's grounded in the simple experience of growing up in the shadow of a beloved older sibling." -Allison Hallett, Portland Mercury
232-page black & white/color 8" x 10" softcover • $29.99 ISBN: 978-1-60699-641-6
"He's about the only guy in America who's doing a readable, interesting daily comic strip for daily newspapers. He' s the only one left, as far as I know. I don't know of any others." -R. Crumb
"If you're already a fan, you'll love this new collection. If you're not afraid to dip into Zippy's unique style of humor, philosophy and social critique, this book may make you a fan." - S.C. Ringgenberg, Heavy Metal
The last thing you'll read before the San Diego PR Storm 2013:
• Review: The AV Club looks at Ulli Lust's Today is the Last Day of the Rest of Your Life. Noel Murray writes, "Today Is The Last Day Of The Rest Of Your Life takes the form of a post-apocalyptic horror story, wherein the heroine ekes out a meager existence by day and then fights off monsters by night.…Lust takes readers inside her experiences, letting them feel how high hopes can devolve into raw survival."
• Review: Ulli Lust's Today is the Last Day of the Rest of Your Life is reviewed in the New York Times by Douglas Wolk. "the book ripples with exuberance:…Lust’s pen-and-ink work (augmented by the pale green tint of European paperbacks) depicts the stretched and crimped features of the people from whom she bummed change, the architecture of St. Peter’s Basilica and the chaos of a Clash concert with equally manic panache, and her line is as seemingly unkempt but as deliberately molded as her younger self’s punk-rock shock of hair."
• Review:Booklist Online spends the day with Donald Duck: The Old Castle's Secret by Carl Barks. "The applause-worthy effort… Oodles of shorter pieces provide more evidence yet that this series is an essential addition to any serious (or just plain fun) comics collection" writes Ian Chipman.
• Review: The New York Journal of Books reads Donald Duck: The Old Castle's Secret by Carl Barks. "There is no tantrum like a Donald Duck tantrum…Every single page of this new collection of classic Donald Duck stories is filled with silliness and slapstick and adventure…Try not smiling at Carl Barks’ work. It’s impossible," says Mark Squirek.
• Interview: Zak Sally on The Comics Journal interviews on Peter Bagge and The Beat follows up. Bagge states, "I like the way [a pamphlet or floppy comic] feel. To me it's an ideal format, the traditional comic book format. It's the perfect amount of material to read in one sitting."
• Commentary:The Beatand Hannah Means-Shannon discuss the humor panel from HeroesCon 2013 featuringPeter Bagge(there promoting his new book, Other Stuff). When asked advice from a younger cartoonist Bagge replied, “If you’re goal is to be a starving artist, it’s an easy road ahead."
• Review:Dead Canary Comics look at Prison Pit series by Johnny Ryan. "It's so extremely excessive in its hilarity it draws stifled belly laughs from your gut on packed trains as parents and politicians glance witheringly at images of monsters shitting themselves, ghouls eviscerating ghouls... in an age when we've got more X Men titles than people on the planet it's refreshing to just have a comic book that's all about entertainment!"
• Plug: Speaking of Johnny Ryan, show off how you don't fucking mess around with a PRISON PIT patch! Only $5 (plus shipping).
• Review: Brian Heater of BoingBoing looks at Leslie Stein's Eye of the Majestic Creature Vol. 2."It’s a sort of childlike forgiveness of life’s darker corners, which carries on into grown up stories…Stein's is a welcomingly unique take on the well-trod world of autobiographical comics, and once you've excepted her rhythms as your own, it can be a hard world to step away from."
• Review (audio): NPR's Pop Culture Happy Hour enjoy Dash Shaw's New School. Glen Weldon states, "Instead of a tidy narrative, [New School] is about art, about the art that's in the book itself…There's stuff going on at other levels, the intuitive, the leve of the unconscious, the subconscious I guess you could say.…This book is just fascinating."
• Review:Booklist Online reviews Goddamn This War by Jacques Tardi and Jean-Pierre Verney. "…six years of hopelessly indistinguishable trenches, explosions, corpses, mud, and maggots, all of it depicted via three panoramic panels per page rendered in smoky grays and foggy blues—with blood accents… The pages are strewn with images of dead bodies and midexplosion terrors, but the unforgettable centerpiece is two wordless pages of disfigured postwar faces"
• Review:About.com looks at Anders Nilsen's The End. Jeff Alford writes "these pages come from such a raw emotional place that they'll reverberate like an echo from a well....It's a message we've heard before, but its majestic delivery and the difficult path that led to this revelation make The End all the more exceptional."
• Review:Comic Pusher looks at Anders Nilsen's The End. "This isn't a non-fictional description of grief written after the fact, this is grief, unfiltered and complete…The best sequences are where Nilsen breaks away from the heartbreaking emotional literalism and opens out into almost abstract expressions of the nature of grief."
• Review: Johanna Draper Carlson of Comics Worth Readingunpacks Walt Disney's Mickey Mouse Color Sundaysby Floyd Gottfredson. "The lighter approach makes this book a better choice to share with your young ones. They should love the timeless highjinks of the mouse and his friends. And anyone can appreciate the skilled cartooning and astounding art, so well-done it almost seems to move on paper."
• Commentary: Heidi MacDonald of The Beat talks about Lorenzo Mattotti at BEA. "In Italy Mattotti is pretty much an all around art and design god, and he's known here for his New Yorker covers, and Fantagraphics has been putting out his recent work in Englias."
• Review:Wandering Son Vol. 4 by Shimura Takako gets reviewed by Read Comic Books. "…what continues to make Wandering Son a fantastic read is the frankness it presents developmental sexual identity…Few comics will challenge you like Wandering Son. It covers a topic not widely written about or discussed, and does so in a tactful, warm, embracing manner," concludes Nick Rowe.
• Review: The Smithsonian Asian Pacific American Center gives Wandering Son Vol. 4 a whirl. Terry Hong comments," ‘Fresh' is exactly the right word to describe this gentle gender-bender series…Creator Shimura Takako is a compassionate, empathetic storyteller without judgment or guile. Her young characters face their inescapable maturity as best as they can in a brave new world of ‘gender-fluid'."
• Review (audio):It Has Come to My Attention recorded a short 7-minute review of Barnaby Vol. 1 by Crockett Johnson. "Fantagraphics deserves a Nobel Prize in Literature for their efforts to reprint complete runs of classic American comic strips… There is rarely an attempt at more than 2-dimensions but that flatness provides a late art deco elegance to [Barnaby].…This strip is fun, funny, I'm so glad its back and Fantagraphics is giving it their usual top-notch presentation,"
• Review: Letterer Todd Klein looks at Pogo Vol. 2Through the Wild Blue Yonder by Walt Kelly. "…this strip is perhaps the opposite of 'Peanuts,' which went with a minimalist approach. 'Pogo' is maximalist! Both are great fun and often quite funny.…There’s really not a single thing to fault in this fine book"
• Review: Jack Davis' new collection 'Tain't the Meat reviewed on Sound on Sight. "It's entertaining in the juvenile delight it takes in grossing out readers. You also get to witness Davis' style as it improves with every story: his lines get sharper, there's more detail and contrast in the panels… It might also provide a good trip down memory lane for some, reminding them of late nights spent with smuggled comics contraband and a flashlight under the sheets. It's a good introduction as well to a genre that may today seem corny and hackneyed, but I'll be damned if it still ain't pretty creepy, bad puns an all," writes Chris Auman.
• Review: Broad Street Review gazes upon 50 Girls 50 by Al Williamson with love. Bob Levin pens, "Williamson's art could infuse aliens and monsters, no matter how hideous, with sympathetic personalities that reinforced Feldstein's feelings about brotherhood and tolerance.…His delicate line, intricately constructed panels and gossamer-like space-station cities and landscapes are fully on display in this book."
• Review:Comics Bulletin on Came the Dawn by Wallace Wood. "…the true delight and fascination of Came the Dawn will be seeing again Wood's sublime understanding, indeed his enrichment of, the comics language, from panel and page composition to the pacing, direction, of capturing and conveying of mood…Let's face it: No one draws an emaciated corpse - especially in zombie form - better than Wood," pens Eric Hoffman.
In celebration of the arrival of the inaugural class of MFA in Comics graduate students, the California College of the Arts in San Francisco will host a summer guest speaker series featuring some of comics' most talented creators.
On Friday, July 5th, CCA kicks off the series with a bang, with special guest Cathy Malkasian! Cathy will be discussing her work in the animation industry, as well as her most recent book, Wake Up, Percy Gloom!
In this brand new graphic novel from the acclaimed author of Bottomless Belly Button and BodyWorld, Dash Shaw dramatizes the story of a boy moving to an exotic country and his infatuation with an unfamiliar culture that quickly shifts to disillusionment. A sense of "being different" grows to alienation, until he angrily blames this once-enchanting land for his feelings of isolation.
All of this is told through the fantastical eyes of young Danny, a boy growing up in the '90s fed on dramatic adventure stories like Jurassic Park and X-Men. Danny's older brother, Luke, travels to a remote island to teach English to the employees of ClockWorld, an ambitious new amusement park that recreates historical events. When Luke doesn’t return after two years, Danny travels to ClockWorld to convince Luke to return to America. But Luke has made a new life, new family, and even a new personality for himself on ClockWorld, rendering him almost unrecognizable to his own brother. Danny comes of age as he explores the island, ClockWorld, and fights to bring his brother home.
New School is unlike anything in the history of the comics medium: at once funny and deadly serious, easily readable while wildly artistic, personal and political, familiar and completely new.
The fastest hot-to-trot release of online Commentaries & Diversions:
• Review:Good Dog has it this week. Graham Chaffee's return to comics gets a starred review from Publishers Weekly. "Chaffees’s art is both lyrical and dramatic when it needs to be, mixing Craig Thompson and Gilbert Hernandez. As with White Fang and Black Beauty, Chaffee goes inside the psychology of animals without over sentimentalizing and shows why the human/pet relationship is so precious for both sides."
• Review: Diamond Scoop is all over Wake Up, Percy Gloom by Cathy Malkasian. "Malkasian fills the story with multiple levels, never once making any of them obvious. Her experience as an animator shines through as her pencil and panel construction holds an incredible sense of movement inside a graphic novel format.…More than a fable, Percy Gloom is part of story telling myth that can be traced back to campfires around a cave. This is an inspiring work that speaks to all levels of our existence."
• Review: Bob Temuka of the Tearoom of Despair checks out Peter Bagge's Other Stuff. "This book is excellent… the looser Bagge's stuff gets, the better. Other Stuff is funnier than [Everybody Is Stupid Except For Me], even if there is that same sociological satire, because it has Bagge people wigging the fuck out, and nuthin' is funnier than that.."
• Review: Shawn Starr of The Chemical Box reviews 3 New Stories by Dash Shaw. "3 New Stories is a comic which explores the juxtaposition and superimposition of images within the structure of text/drawing based comics (a.k.a. traditional comics) as a means of underlining the thematic nature of it's stories.…Shaw codes the pages of '3 New Stories' with layers of visual subtext that work as an interesting color palette and also through their existence as “images”, create additional layers of meaning to each page and the narrative as a whole."
• Review: Bill Boichel from Copacetic Comics enjoys New School by Dash Shaw. "This purposeful leveling of the high/low, fine/popular distinction in the arts has a specific aim in reinforcing the "message" encoded within the narrative. The basics of the story we are given in New School are about as old school as you can get, centering on two brothers, each sent by their father on a quest to a faraway land. The brothers, Daniel and Luke, are each given names with strong biblical associations. The latter, however, additionally references the modern mythology of Star Wars. This dual reference serves as a key opening the door to New School's narrative strategy."
• Review: IndieWire has a suggestion for you in regards to Micky Mouse Color Sundays by Floyd Gottfredson (edited by Groth and David Gerstein). Jerry Beck writes, "Leave it to Gerstein, with co-editor Gary Groth and the team at Fantagraphics, to reprint these rare strips with the greatest of care. The reproduction of the line art is superb, the coloring is vivid and faithful to the original newspaper printings … stop what you are doing and order this book today. 280 pages of absolute joy."
• Review: KC Carlson of Comics Worth Reading read and weeps (from laughter) in the latest Carl Barks collection, Donald Duck: The Old Castle's Secret. "I read it as a child. Yet I remember clearly every detail about it. Such is the power of Carl Barks’ work. His storytelling is designed to appeal to youngsters as well as folk who are as old as Scrooge.…I laughed so hard that I had to put the book down for a couple of minutes. Sharp-eyed readers should also pay attention to other jokes hidden in what Donald is reading in other stories throughout the book."
• Interview (audio): Associate Publisher Eric Reynolds and co-editor, Philip Nel, talk Crockett Johnson, Barnaby and Ruth Kruss on Inkstuds with Robin McConnell.
• Review:Comics Grinder makes some new meat with Beta Testing the Apocalypse by Tom Kacynski. "Kaczynski’s humor is, at times, acerbic, with an attitude…Read as a whole, the author’s vision comes through as heart-felt, witty, and maybe even, perhaps, genuinely concerned…Architecture is seen as a possible solution to the many ills of one struggling nation," writes Henry Chamberlain.
• Review:The Austin Chronicle weighs The Adventure of Jodelle by Guy Peellaert. Shannon McCormick writes, "Christ, this thing is gorgeous…Like his American Pop Art idols and comrades, Peellaert’s work smashed distinctions between "high" and ‘low’ modes of art, drawing from the visual language of advertising, cinema, fashion, and youth culture, as well as classical and neo-classical sculpture and architecture."
• Review: Stuff I Read This Week and the Darling Dork revisit Maggie the Mechanicby Jaime Hernandez. "A large part of the fun of Love and Rockets is seeing how the Herndandezes grew and developed as creators, with experimentation giving way to clarity of vision…You can look at these characters and still recognize them perfectly well, only sans several decades of growth…there’s still plenty of greatness to be found here."
• Interview (audio): Gilbert Hernandez talks about kids' comics, Love and Rockets, plus D&Q's Marble Season on The Dinner Party.
• Plug (video): Staffer Jen Vaughn speaks very briefly on working for Fantagraphics and comics at TCAF on Comics Bulletin (I apologize for speaking in 3rd person)
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