|Mome 14 errata|
|Written by Mike Baehr | Filed under Mome, errata, Dash Shaw||10 Apr 2009 2:55 PM|
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Category >> Dash Shaw
• Plug: In an interview with Newsarama, Pulitzer Prize-winning author Junot Diaz says "I adore that Richard Sala miniseries Delphine that he's putting out through Fantagraphics" (new issue out this summer!)
• List/reviews: The Metabunker names and reviews their selections for the best comics of 2008, including Explainers by Jules Feiffer ("After half a century, Jules Feiffer’s classic Village Voice strips read at once as a succinct period portrait and an eloquent portrayal of everyday human affairs at any time... His nervous line captures well both the specific anxieties of the time, and the more general ones of simply being alive, with empathy and humour, while his unadorned, precise language captures with precision the way we continue to verbalise these problems to each other and ourselves, most of the time without making much sense. Revelatory and funny human white noise.") and Bottomless Belly Button by Dash Shaw ("...such a rare example of a young artist pulling out all the stops — as a young artist should — creating a vibrant cacophony of formal experiments and engrossing storytelling.")
• Things to see: Along with our PR for the Humbug event at the Strand in NYC next week, Stephen Kroninger posts scans from his own personal Humbug collection which are well worth a look
KGB ANNUAL EASTER GRAPHIC NOVEL READING
This year, featuring the past and future graduates of New York's
Reading: Dash Shaw ('05), acclaimed creator of Bottomless Belly
Leslie Stein ('03): creator of Baghead, Eye of the Majestic Creature
Ulises Farinas: ('06ish) Reading from his Act-I-Vate serial, MOTRO.
Alabaster Pizzo ('10) reading a story about mice at an open mic event.
and emceed by comedian Joe Boginski ('07).
Hosted as always by Tom Hart who might or might not read.
• Review: For Robot 6's "What Are You Reading?" column, guest contributor Kevin Church says of Sam's Strip, "It was either going to be the biggest success in the world or end within two years. Since it’s all collected in one volume now, you can likely work out how it went down."
• Review: Las Vegas Weekly gives Sam's Strip 4 stars: "How on earth did Sam's Strip... fail to set the funny pages on fire back in 1961...? The answer -- provided through this complete collection of 500 strips -- is that the time just wasn't right. Well, it's certainly right now."
• Review: Thought Balloonist Charles W. Hatfield examines Bottomless Belly Button by Dash Shaw: "Shaw is very good and getting better... With Bottomless Belly Button he has pulled off something remarkable: a 700-plus page book that doesn't feel like a stunt but rather is perfectly proportioned, intimate, and subtle, a privileged entryway into a private world that nonetheless feels universal in its emotive resonance and applicability... Bottomless Belly Button has depths. It evokes the power of memory and the phenomenal richness of ordinary experience with the sort of Proustian precision of observation and recall that alternative comics have been chasing since Spiegelman."
• Review: The title of The Washington Post's Express Night Out review of The Complete Peanuts 1971-1972 makes what is surely the first reference to Spin¨al Tap in a Peanuts review. From the review: "[These] volumes... are a spectacular tribute to Schulz's work... References to Bob Dylan's age aside (one strip mentions his 30th birthday — yikes!), Peanuts remains surprisingly fresh and timeless. Although Charles Schulz wrote these strips over 20 years ago, the ongoing popularity of the made-for-TV holiday specials... means that the Peanuts gang continue to remain relevant in popular culture. It would be a pity, however, to relegate Peanuts to special occasions only — Schulz's work should and can be enjoyed all year round."
• Events: See original pages from Ben Catmull's Monster Parade at the Heroes and Villains art show at Rock Paper Scissors in Oakland, opening this Friday April 3rd, 6-9 pm (via Ben's blog)
• Things to see: The most recent batch of sketchbook drawings & comics from Anders Nilsen
• Review: For Robot 6, Chris Mautner waxes rhapsodic about Humbug: "It's very easy with a book of this nature to engage in wild hyperbole... And yet, how else to talk about a project of this nature, a large collection of work featuring some of the most stellar cartoonists of their day, originally edited by one of the most important and influential humorists (and I really don't think this is hyperbole here - I'd put him up there with Richard Pryor in terms of significance) of the 20th century?... Something should be said about the packaging and restoration work, which is nothing short of astounding... I think it’s pretty safe to say that this collection will be on my top ten/best books of 2009 list at the end of the year. Really, how could it not? Apparently I like it more than breathing."
• List: From GQ, another one of those ubiquitous "what to read after Watchmen" lists, this one with The Girl from HOPPERS by Jaime Hernandez ("Hoppers... makes Gotham and Metropolis seem as bland as Scranton"), Safe Area Gorazde by Joe Sacco ("Graphic in every sense of the term... it’s the best argument around for comics as a journalistic medium"), and Bottomless Belly Button by Dash Shaw ("honest, meditative"), as well as work by Jessica Abel and Charles Burns
This is a meaty one:
• Review: For The Savage Critics, Sean T. Collins says The Last Lonely Saturday by Jordan Crane is "pretty much the best love story in comics form I've ever come across... It's an intelligent, moving, beautiful, terrific little comic."
• Review: Rob Clough says that Beasts! Book 2 "mingles myths, warnings, fairy tales, correctives, and genuinely unexplained phenomena and allows its artists to run with them. The end result is a consistently beautiful, lovingly assembled book that forms a kind of metacommentary on the entire notion of the fantastic."
• Review: The SF Site's "Nexus Graphica" says R. Crumb & David Zane Mairowitz's Kafka is "a terrific guide to Kafka's life and work — Mairowitz deftly sums up Franz' family/Jewish/pre-Holocaust European experiences and influences, and Crumb's heavy inkings lend the exact tones of darkness to recreations of both Kafka's life — and work." (See sidebar)
• Blurb: Gear Live's "Comix 411" "vote[s] yes" on Ho! The Morally Questionable Cartoons of Ivan Brunetti
• List: Tom Spurgeon of The Comics Reporter weighs in with his Best of 2008 lists. In the top 10 "Archival Editions" there's Where Demented Wented by Rory Hayes at #7, Popeye Vol. 3 at #6, The Complete Peanuts Vols. 9-10 at #3, Explainers by Jules Feiffer at #2, and Willie & Joe: The WWII Years by Bill Mauldin at #1; Most Outrageous: The Trials and Trespasses of Dwaine Tinsley and Chester the Molester by Bob Levin is named "Best Book on the Subject of Comics"; the top 25 "Best Comics (First Run, First Translated, Definitively Collected) of 2008" includes Fuzz & Pluck: Splitsville by Ted Stearn at #19, Bottomless Belly Button by Dash Shaw at #15, Sammy the Mouse #2 by Zak Sally at #12, and Ganges #2 by Kevin Huizenga at #4
• Interview: Robot 6 talks to Anders Nilsen about his most recent book, Monologues for Calculating the Density of Black Holes
• Interview: The final installment of The Daily Cross Hatch's interview with the great Al Jaffee finally gets around to Humbug
• Preview: The First Post presents a slideshow of images from Humbug, saying "the short-lived Humbug [was] an exquisite satirical work that, over its 11 issues, routinely equalled MAD in its displays of creative genius... providing a level of trenchant satire that was almost unheard of at the time."
• Preview: Bryan Munn, in "hyping" The Complete Peanuts 1971-1972, states "Now that two whole decades of Peanuts have been reprinted in the deluxe hardcover format published by Fantagraphics and designed by Seth, we can really get a sense of what a huge achievement this project is and will continue to be for a generation."
• Bookmark: Quotes on Comics gives you what's in the name, presented randomly for your diversion
• Review: The A.V. Club "Comics Panel" likes Mome Vol. 14, saying of two featured stories, "Both [Dash Shaw and Lilli Carré] combine striking illustration with a nuanced sense of place and character for a winning mix of the classic and the progressive."
• Review: At the same link, The A.V. Club "Comics Panel" finds Boody. The Bizarre Comics of Boody Rogers "wild" and says the stories "read like uneasy fever dreams punctuated by cornpone gags. They aren’t funny ha-ha or funny strange, they’re funny with a touch of madness."
• Review: Italian site Il Sole 24 Ore says our collection of Mort Walker & Jerry Dumas's Sam's Strip is "exceptional... As always, the presentation of Fantagraphics is superb and worth sharing," according to the Google translation
• Review: Dutch blog Koen says of Dash Shaw's Bottomless Belly Button (according to the Google translation) that "Shaw proves himself a master of the portrayal of inner pain and dysfunctional relationships without being depressing, with the addition of humor and mystery... This book is one of the best comics of 2008."
• Preview: Introducing an exlusive 7-page excerpt from Unlovable Vol. 1 by Esther Pearl Watson, New York Magazine says "Tammy [Pierce]'s hopes, dreams, and humiliations are brought vividly to life in Watson's grotesque-but-touching book Unlovable. Even if you never wore leg warmers with high heels, you'll still recognize your teenage self in Tammy Pierce's unguarded, most secret thoughts. And if you did wear leg warmers with heels, well, maybe this was your diary."
• Things to see: A status update on the upcoming Tales Designed to Thrizzle book from Michael Kupperman
• Things to see: Jim Woodring, bad student
An unlikely Dash Shaw-Jason Miles-Frank Cho mash-up. And even more weirdly, an effective one. See more at Miles Manor online.
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