This is your official warning to bring your heavy duty bags and library book carts because here are our San Diego Comic Con graphic novel and comic debuts. Need a workout? Well, you're gonna get it by grasping our beautiful tomes to your chest as you happily leave, arms full from a fun time at Fantagraphics, booth #1718!
How to Be Happy is Eleanor Davis's first collection of graphic/literary short stories collectingthe best stories she's drawn for Mome, Nobrow, and Lucky Peach, as well in her own self-published comics. Davis achieves a rare, subtle poignancy in her narratives that are at once compelling and elusive, pregnant with mystery and a deeply satisfying emotional resonance. Happy shows the full range of Davis's skills — sketchy drawing, polished pen-and-ink line work, and meticulously designed full-color painted panels — which are always in the service of a narrative that builds to a quietly devastating climax. In stores August, $24.99
An Age of License is Lucy Knisley's (French Milk, Relish) comics travel memoir recounting her charming (and romantic!) tour of Europe and Scandinavia. Featuring her hallmark mouth-watering drawings and descriptions of food, Knisley's experiences are colored by anxieties, introspective self-inquiries — about traveling alone in unfamiliar countries, and about her life — that many young adults will relate to. It's is an Eat, Pray, Love for the alternative comics fan. In Stores August, $19.99
Walt Disney's Uncle Scrooge and Donald Duck: The Son of the Sun (The Don Rosa Library Vol. 1)by Don Rosa -The Richest Duck in the World is back — and so are noisy nephew Donald, wunderkinder Huey, Dewey, and Louie, and rascally richnik Flintheart Glomgold! We’re proud to present our first complete, chronological book of Duck adventures by contemporary fan favorite Don Rosa, who drew a whopping two decades’ worth of ripping Scrooge and Donald yarns! It's at a price even Scrooge would consider a bargain! In stores September, $29.99.
Heroes of the Comics: Portraits of the Legends of Comic Books by Drew Friedman - Featuring approximately 75 full-color portraits and essays lovingly rendered and chosen by Drew Friedman. Heroes includes the full spectrum of American comics pioneers and legends of the ‘30s to the ‘50s: publishers, editors, and artists like Stan Lee, Harvey Kurtzman, Will Eisner, Al Jaffee, Jack Davis, Will Elder, Bill Gaines, and more. It’s a Hall of Fame of comic book history from the man Boing Boing calls "America’s greatest living portrait artist!" In stores August, $34.99
Hip Hop Family Tree Vol. 2 by Ed Piskor - Book 2 covers the early years of 1981-1983, when Hip Hop makes its big transition from the parks and rec rooms to downtown clubs and vinyl records. While many performers use flamboyant personas to stand out from the audience, a young group called RUN-DMC comes on the scene to take things back to the streets. This volume introduces superstars like NWA, The Beastie Boys, Doug E Fresh, KRS One, ICE T, and early Public Enemy, with cameos by Dolemite, LL Cool J, Notorious BIG, and New Kids on the Block(?!)!
In stores August, $27.99.
Hip Hop Family Tree Box Setby Ed Piskor - To celebrate the critical success of the first two volumes of Piskor's unprecedented history of Hip Hop, we are offering the two books in a mind-blowingly colorful slipcase, drawn and designed by the artist, featuring exclusive all-new cover art on each volume. Also included is the box set exclusive 24-page comic Hip Hop Family Tree #300, Piskor’s elegant reflection on the ‘90s confluence of hip hop and comics, told in a perfect parody/pastiche/homage to that era’s Image comics. In stores November, $59.99.
Jimby Jim Woodring - Jim is a mind-bending collection of all of Woodring's best non-Frank creative work — comics stories, prose stories, drawings, and paintings all centered around Woodring's cartoon alter ego. This fictional doppelganger has for 30 years inhabited Woodring's alternate universe where shifting, phantasmagoric landscapes, abrupt, hallucinatory visual revelations, and unexpected eruptions of uninhibited verbal self-flagellation are commonplace. Collected here for the first time, Jim is a bounty of Woodring's inspired artistry. In stores late July, $29.99.
Love and Rockets Library (Palomar & Luba Book 4): Luba and Her Family by Gilbert Hernandez - Beto's characters bid "Farewell, My Palomar" as they exit the Eden of the Central American town in Volume 10 of the Love and Rockets Library. When an earthquake levels Palomar, ever-resourceful Luba and her clan are on the move once again. In the U.S., the lives of Maria's daughters — mayor and matriarch Luba, body-builder Petra, and therapist/film star Fritz — and their families become more and more intertwined. In stores now, $18.99.
Cosplayers 2by Dash Shaw - The "Cosplayers" chronicle continues as Annie and Verti attend the 3-day anime convention "Tezukon." entering the competition as Princess Mononoke and the Devil May Cry Lady. During the convention they face off against a Street Fighter 2 Cammy, encounter two otaku boys who are obsessed with their youtube videos, and meet a manga scholar named Ben Baxter, who sleeps in a dumpster outside of the hotel and receives visions of the ending of Tezuka's unfinished "Phoenix" saga. "Cosplayers 2" is a sweet, funny, melancholic ode to the anime convention experience!
In stores now, $5.00.
Barnaby Vol. 2by Crockett Johnson; edited by Eric Reynolds and Philip Nel - The long-lost comic strip masterpiece by Crockett Johnson, legendary children’s book author (Harold and the Purple Crayon), designed by graphic novelist and Barnaby superfan Daniel Clowes. Vol. 2 collects the years 1944-1945 of the series, as five-year-old Barnaby Baxter and his cigar-chomping, bumbling con-artist Fairy Godfather J.J. O’Malley encounter leprechauns, gnomes, ghosts, ermine hunters, soap salesmen, and more! In stores now, $39.99.
Bomb Run and Other Stories (The EC Comics Library) by John Severin - Combining the taut emotional and psychological insights of Stephen Crane with the gritty verisimilitude of eyewitness reportage, Harvey Kurtzman and John Severin, with inker and friend Will Elder, produced 34 war stories in just under three years. Emotionally draining and dramatically eloquent, this book collects epic settings: the Roman empire; the Revolutionary War; the American-Indian Wars; the Alamo; the Civil War; World War I (in trenches and in air); World War II ; and the Korean War. In stores now, $29.99.
DKW: Ditko Kirby Woodby Sergio Ponchione - An exquisite tribute to three of the most acclaimed comic book artists of all time: Steve Ditko, Jack Kirby and Wallace Wood! Acclaimed Italian cartoonist Sergio Ponchione pays tribute to this "holy trinity" in this wildly imaginative one-shot comic, split into three chapters, with each chapter drawn in a pitch-perfect homage to one of his idols.
In stores now, $4.99.
Wandering Son 7by Shimura Takako - Takako's groundbreaking, critically acclaimed, and beloved Wandering Son continues to explore gender identity among its cast of middle school students in our 7th volume. Nitori-kun gets his first signs of acne. This may well be the end of the world - unless Anna-chan can help. Meanwhile, Nitori-kun and Chiba-san are scouted by the theater club, leading to friction with Takatsuki-san.
In stores August, $24.99.
Judgment Day and Other Stories (The EC Comics Library)illustrated by Joe Orlando - Judgment Day collects 23 of Joe Orlando’s best sci-fi comics, including Al Feldstein adaptations with classic O. Henry-style endings. With its blunt anti-racism message, the title story is one of EC’s most famous: after publisher Bill Gaines and Feldstein having fought the Comics Code to keep the story’s last panel (and thus its whole point) intact, “Judgment Day” became the last story in the last comic book EC published. Also included are outstanding Ray Bradbury adaptations and EC’s “Adam Link,” which was later adapted for The Outer Limits TV show featuring Leonard Nimoy. In stores now, $23.99.
Pirates in the Heartland: The Mythology of S. Clay Wilson Vol. 1 by S. Clay Wilson; edited by Patrick Rosenkranz - The first of a three-volume biography and retrospective, Pirates is the definitive account of the boldest and most audacious of the legendary underground cartoonists. Combining first person accounts from his peers with S. Clay Wilson’s own words, this book stands as a revealing portrait of a rebel who hid his shyness behind brash behavior and bluster.Pirates in the Heartland shows us an artist who truly lived his dreams and his nightmares. In stores now, $34.99.
Twelve Gemsby Lane Milburn - The mysterious Dr. Z has enlisted three space heroes to search the galaxy for the fabled Twelve Gems of Power: the hulking alien-brawn Furz; the beautiful and deadly sabre-wielding Venus; and the soft-spoken canine technician, Dogstar. They meet many strange and storied characters on their journey, but none so strange or sinister as their dear benefactor himself. With a heavy dose of humor and wall-to-wall action, this sci-fi epic is one of the most action-packed and funny books of the year.
In stores now, $19.99
Walt Disney's Mickey Mouse Vol. 5: Outwits the Phantom Blot by Floyd Gottfredson - Our latest book finds Mickey battling "Mighty Whalehunter" Pegleg Pete on the high seas, meeting a powerful genie, and taking on Disney’s greatest villain — the vile Phantom Blot! Lovingly restored from Disney's original proof sheets, this volume also includes more than 30 pages of extras: including rare behind-the-scenes art, vintage publicity material, and fascinating commentary by a most-wanted list of Disney scholars. In stores July, $34.99
witzendby Wallace Wood and various artists - When the formulaic constraints, censorious nature, and onerous lack of creators' rights in mainstream comics got to be too much for the brilliant cartoonist Wallace Wood in 1966, he struck out on his own with the self-publishedwitzend. It became a haven for Wood and his fellow professional cartoonist friends where they could produce the kind of personal work that they wanted to do, without regard to commercial demands — and with friends like Frank Frazetta, Al Williamson, Reed Crandall, Ralph Reese, Archie Goodwin, Angelo Torres, Steve Ditko, Harvey Kurtzman, Will Elder, Art Spiegelman, Don Martin, Vaughn Bodé, Jim Steranko, Jeff Jones, Howard Chaykin, Trina Robbins, Bernie Wrightson, and literally dozens more, it was bound to be a great ride! Now, Fantagraphics presents the complete run of witzendin this beautiful slipcased two-volume set with a special introduction by Bill Pearson and a history by Patrick Rosenkranz. In stores now, $125.00
The good news is here! Dash Shaw's next Cosplayers book continues with Annie and Verti attending a 3-day anime convention called "Tezukon." During the convention they face off against a Street Fighter 2 Cammy, encounter two otaku boys who are obsessed with their youtube videos, and meet a manga scholar named Ben Baxter, who sleeps in a dumpster outside of the hotel and receives visions of the ending of Tezuka's unfinished "Phoenix" saga. Cosplayers 2 is a sweet, funny, melancholic ode to the anime convention experience!
$3.99 for this 32 page comic from Dash Shaw can be yours!
"A former student of the genius artist-seer-cartoonist Gary Panter, Dash, it's fair to say, is something of a genius as well." - Chris Ware
This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
Praise for Cosplayers 1: "This comic looks to both examine and excise our notions of otaku, nerds, geeks, and the like. Cosplayers will strike a chord with anyone who turns to reading as an escape, be they lit-nerd, comic geek, messageboard troll, or a little mixture of all of the above." - HTML Giant
"It's a clever idea, and Shaw brings surprising insight to the very short stories. He uses different panel configurations and color palettes to break each story up into scenes, as if they were movies themselves, and his deft linework makes it all look easy." -Bridgid Alverson, Robot 6
"Part biography, part retrospective, part collected chronicles of a comic legend, this is a huge undertaking that pays off in every way you could expect, and a million ways you couldn't." – The Daily Planet
"It's a stunning body of work that brings together loosely personal and wholly fictional stories about joy, anguish, fear and loneliness - emotions all motivated by that essential quest to be the best you can be." – James Cartwright, It's Nice That
"This book contains many more examples of the sorts of stories that made him so rightly famous, including a couple of epic globe-trotting adventures, plenty of swiftly swelling domestic comedies, and two Christmas comics, which Barks seems to have specialized in." – J. Caleb Mozzocco, School Library Journal
"After last issue's splashy stories, this issue is a bit more low-key with regard to Killer and her story, preferring to lay some narrative pipe and give the characters a bit of room to breathe and interact." –Rob Clough, High-Low
A massively overdue collection of Online Commentaries and Diversions, now on a weekly (or so) basis:
Review: the Absolute on The Amateurs by Conor Stechschulte. "Where The Amateursand Stechschulte truly shine are the moments of calm reflection that heighten the tension between episodes of violence and dismemberment. The butchers continually discuss their predicament, shifting between sorrow, fear, rage, and exhaustion." – Marie Anellothe Absolute
Review: Comics Worth Reading recommends An Age of License by Lucy Knisley. "Like the best travelogues, An Age of License shows you what it would be like to visit a place while reminding you that you can never have the same experience. If you liked her last book, Relish: My Life in the Kitchen, you should definitely check this out — there are some food mentions you’ll appreciate, but where Relish focused on past events, An Age of License gives more insight into the person Lucy Knisley is now." – Johanna Draper Carlson, Comics Worth Reading
Review: The Irish Times discusses how The Love Bunglers by Jaime Hernandez exemplifies the strengths of the graphic novel format. "As ever with Hernandez, it’s funny, complex, unsettling and beautifully drawn. It’s also a reminder that a graphic novel can do things that a novel told in straightforward prose simply can’t." – Anna Carey, The Irish Times
"That's the fascinating paradox of John Severin's war comics, and of Kurtzman's war comics in general. A story like "Night Patrol!" may have all the details of the soldier's uniforms correct, portray their formations precisely and even be photo-referenced from the landscape of the region in which these men hike. But what really stands out here (maybe my favorite piece in the book due to its noir feel) is the sense that the men are trapped by their surroundings and their job, oppressed by the desolate landscape, unfeeling sky and cold rain that conspire to make their lives miserable." – Jason Sacks, Comics Bulletin
Review: The Comics Alternative examines the political and historical contexts of Wallace Wood's Cannon. "For anyone familiar with spy fiction, the stories serialized in this collection are fairly standard, often serving as political mirrors that reflect the disillusionment felt by soldiers and veterans exiting the Vietnam War. In the course of the book, Cannon fights South American insurgents (led by Hitler in disguise, of course), domestic terrorists, right-wing militias, emasculated conmen, and neo-Nazis (but not the ones led by Hitler in disguise)." – Kenneth Kimbrough, The Comics Alternative
Check out this amazing video on S. Clay Wilson, with highlights from the upcoming Pirates in the Heartland: The Mythology of S. Clay Wilson Vol. 1:
Review: Comics Bulletin on Mickey Mouse Outwits the Phantom Blot by Floyd Gottfredson. "This is a gorgeous, surprising, wonderful package of stories full of thrills, surprises and a heady level of quality cartooning. The twists and turns that the masterful Floyd Gottfredson delivers are wonders to behold. If you think that Mickey is just a boring corporate icon, you need to read his battles with the Phantom Blot." – Jason Sacks, Comics Bulletin
Review: Comics Bulletin on M.K. Brown's collected works in Stranger than Life. "Brown is one of those rare cartoonists who's been able to follow her own muse for most of her career, and while some of the material presented in this book has the sort of off-center approach that many of the bestNew Yorker cartoonists take (as in the excerpts above), other pieces are more freeform, more of what seems like a reflection of Brown's unique inner life; all bulbous people drifting through life, doing faintly ridiculous things for pretty much no good reason." – Jason Sacks, Comics Bulletin
Review:Comics Alliance looks at Inio Asano's Nijigahara Holograph and it's legacy of violence. "Nijigahara Holograph manages to do many things very well. It's a sprawling story that never loses its focus on characters. It's symbolically laden without being heavy handed...It carries a palpable dread that will haunt you well after you put it down." – Kevin Church, Comics Alliance
Review: HTML Giant on Cosplayers by Dash Shaw. "This comic looks to both examine and excise our notions of otaku, nerds, geeks, and the like. Cosplayers will strike a chord with anyone who turns to reading as an escape, be they lit-nerd, comic geek, messageboard troll, or a little mixture of all of the above." – HTML Giant
Dash Shaw is having a prolific year, with no signs of slowing down. His newest graphic novel, Doctors, is due this Fall. As with his other sci-fi-tinged stories, Shaw uses futuristic technology to explore human issues — this time, the ethics and emotional impact of interrupted mortality.
In our downloadable preview, an older woman with a seemingly idyllic life finds romance with a younger man — but her daughter appears with an unbelievable claim that her life as she knows it is not what it seems.
We just sent the files off to the printer for Dash Shaw's new graphic novel Doctors, so now's a good time to show you the elegant all-new cover design by our capable newbie Keeli McCarthy. (If you liked the old version with the can-can line of doctors, don't worry, that artwork is inside the book now.) A heady sci-fi tale that explores the human impact and ethical implications of advanced technology on an intimate level, in the vein of movies like Primer or Moon, Doctors posits a neurological afterlife and a machine that exploits it to revive the dead.
The first copies of the book will be available in September, and we will almost certainly have it in stock at SPX. To get your copy stat, pre-order today!
The terrific meltdown in the grocery line of Online Commentaries & Diversions:
• Review:nbsp;Cosplayers by Dash Shaw "It's a clever idea, and Shaw brings surprising insight to the very short stories. He uses different panel configurations and color palettes to break each story up into scenes, as if they were movies themselves, and his deft linework makes it all look easy." –Bridgid Alverson, Robot 6
• Review: Locust Moon on New School by Dash Shaw "...golly-gee wide-eyed comic classicism mixed with an antiquated, old-testament use of language and heavy moral seriousness, all in service of a surprisingly traditional and very relatably human story of a young kid's worship, envy and disillusionment with his older brother. Like so many of Shaw's comics, it's a wild experiment that works." -Josh, Locust Moon Comics
• Review: "Shaw is messing with the conventions of the comic strip narrative in a radical way, and that disruption is his true subject...…New School is a broad-ranging fantasia with the emotional template of a blockbuster film, where personal issues of love and loss are overshadowed by grandiose abstractions of good and evil." –Carter Scholz, The Comics Journal
• Plug: Thirteen Minutes lists New School as one of the top 10 comics of 2013 "Aside from the rich family dynamics and subtle sci-fi exploration of the new, New School is largely a paradigmatic tale about willfully crafting a cultural sense of identity. It's the best work so far from a daring creator who just gets better and better with each successive project." -Justin Giampaoli, Thirteen Minutes
• Review:Comics Bulletin lists New School by Dash Shaw on the Top 10 of Comics of 2013. "Dash Shaw expands the vocabulary of comics with his poetic approach to his graphic novel…New School is the most beguilingly fascinating, smartly innovative, deliberately off-putting work of comics art that I've read in several years. It's a masterpiece of innovation." –Jason Sacks, Comics Bulletin
• Review: Booklist Online looks at New School. "More enigmatic than Shaw's previous work, New School is a spectacular display of his graphic artistry... Stunning enough to be suitable for framing." -Ray Olson
• Review:Darling Dork on New School by Dash Shaw. "New School's title could be seen a call for a new breed of comics, a breed that takes only the bare minimum required from the past as it strides boldly toward the future. The New School is here, and Dash Shaw may just be its headmaster." –Nate Derr
• Review: On Jaime Hernandez's latest graphic novel "To experience Maggie's story is to watch a modern comic-book master explore the potential of his craft, and The Love Bunglersrepresents a high point for both the character and her creator." –Oliver Sava, A.V. Club
• Review: Broken Frontier on The Love Bunglers. "Even if you haven't shared the accumulated history of Maggie and Ray over the past 30 years, this is a universal story of literally breathtaking power...It might seem counter-intuitive to suggest that you jump in at what might be the end of it all, but once you've been through this story with the characters, you'll want to immerse yourself in the hundreds of pages that led them there. And your life - in comics and beyond - will be immeasurably richer" –Tom Murphy, Broken Frontier
• Review: Starred Review for Nijigahara Holograph by Inio Asano "Equal parts beautiful and highly disturbing, this story of love and loss, obsession and vengeance, is sometimes too opaque to be easily understood, but it has the kind of depth and layers that encourage multiple readings"–Publishers Weekly
• Review: Sarah Horrocks on Nijigahara Holograph< by Inio Asano. "Life in Nijigahara Holograph is depicted through the management of trauma and memory. Adults become adults by what precious things they are stripped of as children, and how well they function as adults is down to just how well they can deny those memories…That the horrors we are exposed to or create as children are perhaps unfairly navigatory in the horrible lives we end up living. The fragility of children in a horrible world, and how it predisposes them to perpetuate an eternal hell from which there is no salvation. Wire Seaon 4, ya." –Sarah Horrocks, Mercurial Blonde (1 of 2), Mercurial Blonde (2 of 2)
• Review:< \Nijigahara Holograph by Inio Asano "If David Lynch were a Japanese manga artist rather than an American film director, this is the sort of story one imagines he would tell in his hypothetical medium." –J. Caleb Mozzocoo, Robot6
• Review: Suvudu, Random House's blog on Nijigahara Holograph"Nijigahara Holograph has the same strong focus on character [as Asano's previous works], but with much more emphasis on the creepy and violently destructive…The complex, multi-layered storytelling rewards attention...I was left thinking about isolation and the need to belong and how much childhood traumas could shape the adults they became." –Johanna Draper Carlson, Suvudu
• Review:The Blighted Eye, edited by Glenn Bray "...it is a strange and wondrous feast. Behold its glory!...Just try and stay away from this book of temptation, I dare you!" –Librarie D&Q
• Review:The EC Comics Slipcase Vol. 1"They are now considered some of the finest comic books ever published...Publisher Fantagraphics is finally making these comics affordable in a series of high-quality slipcase editions."-Mark Frauenfelder Wink Books "The greatest comic books ever published," He continued on Boing Boing
• Review:Sucker Bait & Zero Hour "These collections show comics in a pure, unadulterated form. Before the Superhero frenzy, before '60s cynicism, and just before the Comics Code Authority started trimming all the gory and sexy fun from the pages with their seal of approval." - Under the Radar
• Review:Zero Hour and Other Stories by Jack Kamen, Ray Bradbury and Al Fieldstein on Forbidden Planet. "…the moral reminder (hey, this is the 50s) that in the end crime doesn't pay and that everyone will get their just deserts...Throughout all of these short tales though Kamen's artwork is gorgeous - the lurid, leering expression of the villainous man, the seductive and yet somehow simultaneously vicious glance of the scheming femme fatale...It's very much of its time though - not just the style of storytelling, but of that early post-war society that it came from." –Joe Gordon, Forbidden Planet International
• Review:Zero Hour and Other Stories "Kamen excelled at drawing 'ordinary,' domestic scenes, and this ability was effectively juxtaposed in a number of creepy stories here, including a trio of Ray Bradbury adaptations...The focus, though, is on the stories themselves, and that is as it should be. Once again Fantagraphics has released a quality collection from an outstanding talent. It is to be hoped that these compilations just keep coming." -David Maine, Spectrum Culture
• Review:The Comics Journal Library Vol. 8: The EC Artists edited by Mike Dean and Gary Groth "This is a terrific book for anyone interested in the workings of the legendary EC Comics from behind the scenes...many of these interviews are obscure or long out of print, and are a trove of gossip and insight into the machinations of history's most notorious comics publisher." -David Maine, Spectrum Culture
• Review:Perfect Nonsenseby George Carlson "Prepare to be hurled deep into the past century to a vividly entrancing, pre-CG place of whimsy and wonder...Poring over the rich detail enlivening children's rhymes or his depiction of the Queen Mary ocean liner can be equally arresting and transporting." –Hays Davis, Under the Radar
• Review:Perfect Nonsenseby George Carlson "George Carlson shows himself to be the missing link between Lyonel Feininger and Dr. Seuss. He was not the sort of cartoonist who was broadly influential, but the sort whose work was known to a relative few and remembered by all of them…George Carlson takes us back to a visual environment where Disney doesn't exist, and thus his work has the fascination of the unfamiliar." –R. Fiore, The Comics Journal
• Review:Stranger Than Life by MK Brown is a staff pick at Last Gasp! "Holy shit, can she draw funny...MK Brown's art is terrific, her writing is unique, and this book makes me want to be struck by lightning while reading it, so I can die happy." –Kristine, Last Gasp
• Review:Stranger Than Life by MK Brown on TCJ: "Even if it wasn't one of those rare books where the writer of the afterword denounces the work of the writer of the foreword, Stranger Than Life would be guaranteed to be unlike anything else on your bookshelf, where it ought to be." –R. Fiore, The Comics Journal
• Review:Pretty in Ink by Trina Robbins "...her latest oversized, lushly illustrated offering is the most beautiful of the bunch. "Pretty in Ink" is encyclopedic in scope, if not scale, as Robbins summarizes lengthy careers with poetic succinctness..."-Jake Austen, Chicago Tribune
• Review:Castle Waiting by Linda Medley is listed on the LitReactor's 10 Most Unconventional Comics to Read. "Decidedly feminist and surprisingly light despite the inherent darkness of many fairy tales, Castle Waiting gives readers a rare and impressive glimpse into a collection of unusual characters and stories that will delight....It's frequently insightful, surprising, and is wonderfully dense and layered, not to mention literally long" -Kelly Thompson, LitReactor
• Review:Black Lung by Chris Wright on No Flying No Tights. "It's all very hazy and evoking something that's a step-sister of steampunk, or perhaps a drugged-out [new] Edward Gorey. Plunder, torture, lechery, drunkenness, mutilation, and madness throng this shocking story to the point that it becomes almost routine…the real point of Blacklung's existence is to let Chris Wright explore what he can do with his squirm-inducing, spooky cartooning style - each panel cross-hatched to infinity, with many blacked-out panels or even whole pages gone black for narrative effect, darkness setting in from all sides." –Emilia Packard, No Flying No Tights • Review:Cannon by Wallace Wood "I can't decide if it's the most amazing thing I've ever read or the most morally reprehensible thing I've ever read. In fact, it's amazing partly because it's so morally reprehensible. John Cannon is a more manly James Bond...Despite the rather warped sexual politics (which might have been more acceptable in the early 1970s, but still seem extreme for the time period), Cannon is a wildly entertaining strip, full of action and excitement." –Greg Burgas, Comic Book Resources
• Review: Sequential Crush takes a heartfelt look at Young Romance 2. "...What you'll discover after reading this volume is that the early Simon and Kirby romance stories are filled with young women who are steadfast in their dreams, and won't quit until they reach them... For me, the backgrounds are an education in our material past."–Jacque Nodell, Sequential Crush
• Review:Comics Worth Reading enjoys Young Romance 2 "...the impulses to risk everything for love or disobey parents who just don't understand are universal. The stories are dense - with intent, with events happening quickly, with full panels that establish setting background and costume, because all that is so important to getting caught up in these stories of women who only want to find love…It's a tribute to Jack Kirby's skill that the images, even when crammed into half the panel space, are so striking and evocative. The text, meanwhile, is full of flavor, setting a deeply emotional, almost melodramatic mood." -Johanna Draper Carlson, Comics Worth Reading
• Plug: Animation Magazine on Peanuts Every Sunday by Charles M. Schulz "You'll find very young versions of the gang and Snoopy in this edition, and it's quite fun to trace the origins of the more sophisticated characters we're more familiar with from later years and the animated specials...the whole reason to have this volume is to relive the joy of reading the Sunday morning funnies-and that's why the larger format is absolutely vital to the experience. Keep ‘em coming, folks!" –Ramin Zahed, Animation Magazine
• Plug: More kinds words about Charles M. Schulz's complete run of Peanuts "…the pleasure of spending time with Charlie Brown and friends isn't purely nostalgic. Schulz was like Emily Dickinson in comic strip form, boring to the core of human experience with just a handful of words and gestures." –John Warner, Chicago Tribune
• Review: Batter Up, Charlie Brown by Charles M. Schulz "Jacob Covey provides the beautiful book design, with a limited palette of spring-appropriate yellows and greens...no matter how humiliating the defeat, Charlie Brown always shows up to play, which is in large part what makes this particular loser such a loveable one."–J. Caleb Mozzocco, School Library Journal • Review: NPR on Charles M. Schulz and reading Peanuts. "Charlie Brown makes me feel better about myself. It's not your normal guilty pleasure read, I know. It's my escape from guilt, into pleasure. The thousands of strips are comforting in their vastness - the most solid books on my shelf that could shield me, momentarily, from the advancing troop of guilt." -Yiyun Li, NPR
• Review:Prison Pit Book Five by Johnny Ryan "Visceral and juvenile; hypersexualized violence and hyperimaginative pseudo-sci-fi-Prison Pit has it all...Over-the-top bananas. I quite enjoyed it. Your mileage may vary. You've been warned." -Jeremy Nilsen, Under the Radar
• Review:Prison Pit Book Five by Johnny Ryan "...despite all the gore, Ryan frequently is able to achieve a certain amount of sublime, horrible beauty, most notably in the way he transitions between scenes...here's a genuine sense of horror at the proceedings, as though the comic were some sort of test, not for the reader (it's much too entertaining and smartly paced) but for Ryan himself, gazing into the abyss perhaps to see what exactly will make him flinch... There's an artistry and legitimacy here that belies the notion that picking at scabs is an exercise in futility." –Chris Mautner, Robot 6
• Review:Ed Piskor's NY Times Best Selling "Hip Hop Family Tree is the story of a very different kind of mash-up counterculture emerging from the empty lots of the Bronx, where commercial pop and jerry-rigged sound systems turned an economic wasteland into a space for creativity, pride, and the birth of a new culture…With Hip Hop Family Tree, Piskor fully embraces the role of graphic historian that he began to fulfill in his earlier work on the Beats and the history of hacking…" –Jared Gardner, Public Books
• Review: "Julia Gfrörer is a talented young cartoonist whose delicate linework brings to her gothic storytelling a fragile sensuality and somber humor. In her young career she has produced some splendid short work and mini-comics, but it is her debut novella, Black is the Color, that has brought her the attention she deserves." -Jared Gardner, Public Books • Review: FPI is excited about the upcoming How To Be Happy "Eleanor Davis is, without question, a major young creator...the constant is an incredible storytelling sense even when really pushing page layout, couple this with bravery, honesty, passion in what she makes and you have a star in the making." -Richard Bruton, Forbidden Planet International
• Plug: Ruben Bolling plugs our new Walt Disney's Donald Duck: Trail of the Unicorn collection by Carl Barks. "These Fantagraphics reprints of the Carl Barks Donald Duck/Uncle Scrooge comics are the gold standard for reprint publications -- which is an embarrassment of riches because the underlying material is the gold standard for cartooning. Some of the best comic book items ever produced, I can't 'Recommonday' them enough." –Ruben Bolling, Tom the Dancing Bug
• Review: Meat Cake by Dame Darcy is available to read digitally and people are loving it! "I was thrilled when I heard the first issue is now available for free on ComiXology. Grab it and enjoy the Victorian witches and that one lady who speaks via Pez messages. It's perfect. (Head to Fantagraphics to get it in print.)" -Whitney Matheson,USA Today
• Plug:Henry Speaks for Himself is mentioned on Gweek by Ruben Bolling on Gweek • Review:Dan DeCarlo "It turns out that DeCarlo was also a prolific cheesecake gag cartoonist, churning out dozens of drawings of buxom women that look like Betty and Veronica's older sisters. This Fantagraphics anthology is masterfully designed in two colors by Jacob Covey..." -Mark Frauenfelder, Wink Books
• Review: "[Barnaby] seems to float, as the best newspapers strips do, in some eternally mythic American moment." –Josh O'Neill, Locust Moon Comics
• Review:Nutsby Gahan Wilson is reviewed on Kitty Sneezes "a memoir-like piece about, ultimately, how scary childhood can be."
• Review: Heroes Online blog looks at VIP, edited by Jonathan Barli. "His madcap-often bawdy and even a little naughty- style was immediately recognizable and oft times laugh out loud funny... a career long retrospective of a comic genius that is long overdue. "–Andy Mansell, Heroes Online
• Review: From our friends across the pond about Janet Hamlin's books "Sketching Guantanamo is an extraordinary witnessing of history in the making. Hamlin's patient skill as a graphic artist seems to communicate the personality of her subjects far more deeply and expressively than any photographer could."–New Internationalist
April 22, 2014 - This just in! The New York Public Library's Dorothy and Lewis B. Cullman Center for Scholars and Writers has picked its sixteenth class of Fellows: fifteen extraordinarily talented independent scholars, academics, and creative writers whose work will benefit directly from access to the collections at the Stephen A. Schwarzman Building. Chosen from a pool of 288 applicants from 24 countries, the 2014 class of Cullman Center Fellows Dash Shaw will be the David Ferriero Fellow. While at the Cullman Center he will work on a graphic novel about a Quaker during the American Civil War.
"I am tremendously proud to welcome the Cullman Center's new class of Fellows to The New York Public Library," said NYPL President Tony Marx. "The Cullman Center offers these talented individuals access to our world-renowned collections within an environment that inspires and supports their exciting work. I congratulate the new Fellows and look forward to seeing the unique and creative ways they engage with our collections."
The 2014 class of Fellows will be in residence at the Cullman Center from September 2014 through May 2015. Each Fellow receives a stipend, a private office in the Cullman Center's handsome quarters at The New York Public Library's landmark Stephen A. Schwarzman Building at Fifth Avenue and 42nd Street and full access to the incomparable research collections and online resources there, as well as the invaluable assistance of the Library's curatorial and reference staff.
We look forward to seeing the results of Shaw's work and wish him a whole lotta luck!
"a more light-hearted, yet still artistically experimental, effort from [Shaw]." -Rich Barrett, Mental Floss
"Shaw appreciates this comic because he thought it would be cool to take things that are outside of the pamphlet comic culture and put it back in pamphlet comic form. He did this so it would be shelved next to Batman and Superman." -The Etownian