• List:Politics and Prose, perhaps the most graphic novel-friendly bookstore in Washington DC, lists their Favorite Graphic Literature of the Year:
"Every few years a graphic novel comes around that is so good you have to stop reading for a while, because if you read anything else you'd only be disappointed. ... The Squirrel Machine... is a masterpiece of comic fantasy. When I finished this book, I immediately returned to the introduction and read the whole book again, and again. Read this book to see what heights serial art can achieve in narrative and in the creation of worlds that exist in one character's mind. Read it if you think you can handle it, for it abandons the typical narrative structure and accomplishes its ends as only serial art of the highest quality can. This is a fine, gut-wrenching book, written and drawn by a true master." – Thad Ellerbe
"West Coast Blues is an unflinching story, perfect for any fan of the thriller." – Adam Waterreus
"C. Tyler's You'll Never Know, Book One: A Good and Decent Man... is also an impressive and beautiful history of the era; Tyler creates a panorama of images that sweep across the page as she documents her father's childhood, her parent's engagement, and her own young life. Her pen, ink, and color transform her creative panels (at times evoking a scrapbook) into vibrant memories intertwined by her restless imagination." – Adam Waterreus
"[With Abstract Comics] it becomes a treat to take a page of art — or a simple panel — and consider how the shapes, texture, depth, and color interact with one another; to reflect on how, when one takes the time, the enjoyment one ordinarily finds in reading a purely textually-oriented, narrative-driven written story can — with the graphic form — be translated into something completely different." – Adam Waterreus
"From Wonderland with Love: Danish Comics in the Third Millennium... is fantastic! This amazing collection just blew me away. There was not one moment when reading this book — in one sitting, slouched and unblinking on my couch, coffee going cold — that I did not completely love. ... Mythic and dreamlike, meditative and fantastical, this is a superb and surprising collection." – Adam Waterreus
• Review: "...[F]rom the moment he showed up [Michael] Kupperman was a master of stomping around the living room of modern reality and shoving pieces of conceptual furniture next to one another to awesome, knees-out-from-under effect. Kupperman's work has always had that charge that the really good stuff has... Kupperman doesn't get enough credit for building a comic book vehicle in Tales Designed To Thrizzle that serves to facilitate those skills. ...I'm not certain anything under heaven or earth could make something greater than Kupperman's peerless ability to craft funny moments." – Tom Spurgeon, The Comics Reporter
• Review: "Unclothed Man delivers just the right amounts of story, whimsy, art, and heft for four two-minute entries. It offers actual nutritive cultural substance, as opposed to so much web filler one often gets. And you’ll want to go back and watch them a few more times. There’s a lot of variety behind the series’ simple elegance." – Michael Shaw (no relation), Tubefilter
• Plug: "Compiled by Portland, Oregon-based trash cinema expert Jacques Boyreau, Portable Grindhouse honors the pulp video era that inspired Quentin Tarantino." – Hugh Hart, Wired
Starting with today's Online Commentary & Diversions, some minor formatting changes to hopefully make it easier to scan all that text:
• Review: "Published in the oversize Sunday page format ala the Fantagraphics’ Popeye collection (also, brilliant), Prince Valiant Vol. 1: 1937-1938 collects the earliest of Foster’s tales of the exiled Prince of Thule. ... The colors are warm and vibrant, and the line art pristine. The stories themselves are a delight. ... The art is consistently stunning... each page is spectacular to behold. ... The strips in Prince Valiant Vol. 1: 1937-1938 are merely the first installment of a massive, groundbreaking, and thoroughly exciting adventure saga that was better than nearly anything during its time, and remains better than nearly anything on the shelves today." – Michael C. Lorah, Newsarama
• List: The Village Voice 's R.C. Baker names 2009's Best Comics and Graphic Novels. Among the choices: "A lucid nightmare, Al Columbia's dazzlingly well-drawn Pim & Francie features vignettes of its young protagonists menaced by creepy relatives or starring in exceedingly grim fairy tales. These inky visions seem unearthed from the deepest vaults of Uncle Walt's id. ... Anything but Victorian, Nell Brinkley (1886–1944) celebrated the Roaring '20s with sinuous lines and colors as lurid as William Randolph Hearst's presses could muster. Author Trina Robbins notes, in the lavishly oversize The Brinkley Girls, that the illustrator 'closely resembled the girls she drew.' But Brinkley, with her thrilling fantasias of pirate abductions and aviatrix romances, remains an inspiration beyond flapper flamboyance to any young lady seeking to break into the boys' club of high-end illustration."
• List: Greek site Comicdom is halfway through counting down the top 100 comics of the '00s. On the list so far: Tales Designed to Thrizzle Vol. 1 by Michael Kupperman at #99 ("Following at a discreet distance from the legacy of Monty Python, Michael Kupperman should be considered a genius by any man who has laughed with the group of Britons"), Billy Hazelnuts by Tony Millionaire at #67 ("In the surrealist vein of Krazy Kat and the otherworldly, oneiric atmosphere of Little Nemo... misanthropy and almond sweetness"), Safe Area Gorazde by Joe Sacco at #60 ("The shock was, however, not an end in itself, since what actually manages to come across is the sense of pain and loss that each of the interviewees had experienced"), and Fred the Clown by Roger Langridge at #53 ("Ingenious comics by an equally intelligent designer who not only knows the history of the instrument and understand what makes it work"). [Quotes cobbled from autotranslation.]
• Review: "There have been a lot of great comic book releases this year, but none has the beauty and melancholy resonance of Fantagraphics' Prince Valiant: Volume 1-1937-1938. ... As for Hal Foster, Fantagraphics has given this artist his due and helped place him in his proper context as a great American artist and master of the comics form." – Mark Rhodes, Omnicomic
• Review: "Employing a storytelling dynamic not unlike that of Serling’s science fiction classic, Thomas Ott’s The Number 73304-23-4153-6-96-8 is itself a visit... to a dimension not of sound, but of sight and mind that at once both rewards and confuses. ... Ott’s hyper-meticulous attention to how detail relates to used space and negative space is at once both unsettling and captivating, utilizing a form of technical, pen-like cross-hatching for essentially every line that can only be described as Robert Crumb on Adderall. ... The Number is a universally literate work of fiction that is a quick first read with potential for longer lasting examination." – C.R. Stemple, Pads & Panels
• Review: "The Unclothed Man in the 35th Century A.D. is a fascinating first animated work [third, actually — ed.] from one of today's most original and unusual artists. Shaw adapts well from the comics page to the cinematic form. ... Almost as well as his comics, this film expresses Shaw's ongoing desire to look at the world from a slightly askew perspective, to express his fascination with the complexity of people's inner universes. ...[T]he film... [is] a probing, emotional examination of what it means to make art and to forge meaningful human interactions..." – Ed Howard, Only the Cinema
• Plug: In an interview with IFC found by our own Janice Headley, musician Chuck Prophet names Ghost World as a favorite movie: "A coming-of-age teen flick movie that pivots around Skip James’ 'Devil Got My Woman' can do no wrong with me. And shouldn’t with anyone else."
• Interview: At Comics Comics, Dan Nadel presents audio of the panel with Gary Panter & Peter Saul at the Brooklyn Comics & Graphics Festival last weekend
• Review: "...[T]here’s one reason why Pim & Francie pulls off the unlikely feat of being more than the sum of its fragmented, disconnected, half-inked parts: it’s terrifying. ... The book... hangs in your head long after you close your eyes." – Martyn Pedler, Bookslut
• Plug: "If you ever skipped school to zone out to stacks of rented VHS tapes, or exhausted the wealth of movies at your local video store by 1995, then this is the perfect item for you, or someone like you. Packaged lovingly to resemble an VHS tape from days gone by, the book Portable Grindhouse: The Lost Art of the VHS Box contains some of the greatest crap-rack video covers of all time." – The Incubator
Dash Shaw's animated web series for IFC.com, The Unclothed Man in the 35th Century A.D. (to which the book of the same name is the companion), is now online for your viewing pleasure! (Don't be thrown off by the preceding "sponsor messages.") There are 4 episodes plus a "making-of" segment with interviews with Dash, animator Jane Samborski, and soundtrack artist James Lucido. And as a bonus, IFC has put Dash's story "Look Forward, First Son of Terra Two," along with some exclusive wallpapers and "buddy icons," under "Extras."
• Lists: The Comics Reporter asked its readers to "Name Five Comics You Enjoyed This Year" — spot the Fantagraphics releases in the results
• Gift Guide/List/Plug: At Comic Book Resources, Kelly Thompson's "Awesome Women in Comics Holiday Gift List 2009" includes Ghost World by Daniel Clowes: "This tale of smart alternative teens just never gets old... Enid and Becky are both incredibly savvy teens that I think women can both relate and aspire to."
• Review: "The bewildering events of this fourth volume [of Delphine] race towards a stunning conclusion, one that is quietly horrifying, yet terrifying in its sadness. ... The fourth book is a must for those who have read earlier issues, but it will make the uninitiated really want Delphine." – Leroy Douresseaux, Comic Book Bin
• Review: "Fortunately for today’s readers, Blazing Combat — nearly impossible to find for over a generation — is now conveniently available and immaculately produced in hardcover from Fantagraphics. Anybody who wants to read great great comics, war stories, or a superb tutorial in short form comics writing and unsurpassed comics illustration needs to read this one." – Michael C. Lorah, Newsarama
• Review: "It was, frankly, a nostalgic blast of fresh air to be able to read a graphic novel of Peter [Bagge]’s again, even if this is a series of unconnected pieces instead of a coherent narrative. ... Anybody who read Hate back in the day already knows to pick [Everybody Is Stupid Except for Me] up just because it’s Peter, and for you kids today who never read Hate, this is a good place to start with the guy." – Kevin Bramer, Optical Sloth
• Plug: "This is an uber-cool title by Jacques Tardi and Jean-Patrick Manchette... you can add this graphic novel West Coast Blues to the list of greats by this total fab (and late) French author." – Book Soup Blog
• Profile: Possibly apropos of the above-mentioned nomination, French blog Beware looks at the work of Daniel Clowes in an article titled "Cynisme et Comic Books" (autotranslation)
• Plugs: Robot 6's Chris Mautner and guest columnist Charles Hatfield are both reading The Comics Journal #300; the former says "regardless of what kind of comics reader you are, there's something in here you're going to want to read," while the latter says "in good Journal fashion, [it] contains a lot to chew on and some stuff that I emphatically disagree with. It’s a great issue that leaves me with both a nostalgic wistfulness... and a keen desire to write about comics into the unforeseeable future!"
This Saturday, get yourself to Williamsburg for an incredible comics event! With a lineup of guest artists including (from the extended Fantagraphics family) Gabrielle Bell, Charles Burns, Kim Deitch, Michael Kupperman, Mark Newgarden, Gary Panter, David Sandlin, Frank Santoro, Dash Shaw, R. Sikoryak and many many more, an amazing slate of programming, and a stellar group of exhibitors, all organized by our esteemed pals and colleagues at Desert Island and Picturebox, the first annual Brooklyn Comics and Graphics Festival is an absolute can't-miss! (Except we won't be there, wah.) Click here for all the info, including schedule, directions, and the full program.
• List: At NPR.org, Glen Weldon recommends "Tomes With Which to Tough Out Your Turkey Coma," including Linda Medley's Castle Waiting ("a wryly funny fairy tale narrative that's both women-centered and women-powered") and Gilbert Hernandez 's Palomar ("Dense, vividly realized and both literally and figuratively magical")
• Interview: Robot 6's Chris Mautner talks to Dash Shaw about The Unclothed Man in the 34th Century A.D., BodyWorld and other topics: "There’s a meshing going on between film/animation and comics. The meshing is happening in my own interests, the subject matter of my stories, the way my stories are created, and it’s been fueled a little by what’s going on outside of me..."
• Review: "Charles Burns offers a glimpse of what might happen if EC Comics existed today with three tales of intrigue and absurdity in this softcover reissue... [of Skin Deep]. A master of the unearthly atmosphere — David Lynch has nothing on him — Burns unleashes tales of a man transplanted with a dog’s heart, a failing marriage with an alarming secret, and, best of all, an evangelist’s son’s encounter with God and his path to millions because of it. At once cautionary, creepy and curious, Burns is consistently one of comics’ deepest thinkers." – John Seven, Worcester Magazine
• Review: "The Troublemakers is the second in a series of graphic novels adapting movies starring or co-starring Rosalba 'Fritz' Martinez from the popular Love and Rockets series. An adaptation of a fictional movie starring a fictional character… I can totally dig that. ... Well, Hernandez has totally captured the look and feel of a B-movie with this one. You’d swear that Roger Corman, Russ Meyer or Samuel Z. Arkoff had a hand in it somewhere… only it’s a whole lot prettier because the guy is a hell of an artist. ... The characters are all very distinct and memorable and the story keeps you intrigued from page one to 120. It actually feels like you’re watching a movie while reading it. ... One can imagine a young Quentin Tarantino taking in a Saturday afternoon viewing of The Troublemakers and being quite inspired." – Chad Derdowski, Mania.com
• Review: "...[A] phallic-galactic odyssey of epic proportions...Prison Pit, the latest [Johnny] Ryan work published by Fantagraphics, is just that, an apologia for sidereal 'poor taste' able to shake the guts of the average reader of comics... Yes, he has hit the target with a homemade bomb and high destructive capacity. Ryan, bastard, you've nailed it." – Alita Comics blog (from mangled Google translation)
• Review: "Jordan Crane is a pretty incredible cartoonist, and this issue of his anthology series [Uptight] demonstrates that wonderfully, with two stories that are different enough that it's impressive that they came from the same creator, but both beautifully drawn and well-told." – Matthew J. Brady