• List: An old link that just popped up in my search feed: ComicCritique.com's Adam McGovern gives out some best-of-2008 awards, with The Lagoon by Lilli Carré tied for Graphic Novel of the Year ("Carré’s artisanal eccentricity carves intricate patterns and masklike faces into pages that stand like the folk-art furnishings of vanished but vivid earlier societies") and Carré tied with Grant Morrison for the M.C. Escher Prize for Non-Sequential Art ("Morrison and Carré are two creators at the cutting edge of both storytelling craft and conversational physics who make us uncommonly aware of the presence of time.")
• Review: "Love and Rockets: New Stories #2. The Hernandez Brothers have been producing such consistently good comics for such a long time that I often feel they get taken for granted. But their recent comics [don't] just maintain their high level of previous achievement, they also have a freshness and liveliness that any young artist would envy." - Jeet Heer, Robot 6
• Review: "More than anything, [Peter] Bagge's work does what it always does with perfection, which is capture people doing exactly what people really do, and how they often think when they think that nobody else thinks that they are thinking it (sorry). His art is constantly moving, perpetually fluid, and instantly recognizable to a 21st century American culture raised on Tex Avery and Bob Clampett cartoons. Whether you agree with his politics or not, Everybody Is Stupid [Except for Me] is thought-provoking and, most importantly, hilarious." - Monster on a Rope
• Interview: The Daily Cross Hatch posts the second of three parts of Brian Heater's interview with Jordan Crane: "The art—those are the tools I use to transfer the story. Pictures, words—those are the conveyance of the story. The important thing is the story, so once I get my tools there, I convey the story in a way I want to."
• Profile: Amy Stewart visited Ellen Forney in her studio: "There are only certain kinds of comics that interest me: I prefer the true-to-life ones that are well-drawn, have stories I can relate to, and make me laugh, cry, or think. Ellen does all three, in spades."
Today's Online Commentary & Diversions starts with a bang:
• Review: "...[A]n astonishingly rich and convincing picture of uncertain, developing human relationships. Besides the masterful storytelling, [Locas II: Maggie, Hopey & Ray] is notable for superb black and white artwork. Panel by panel and page by page, it's a delight to watch darkness crowding into open space, while supple linework dances freely in its allotted territory. This is a landmark in comics literature." - Publishers Weekly (starred review)
• Review: "From Wonderland with Loveis anexcellent introduction to the part of the Danish comics scene that tries to push the boundaries of the medium – and in particular to the “wild bunch” that emerged at the beginning of this millennium. If you’re an open-minded reader, there’s no getting past this book, even if it – as a Dane – at times feels a bit odd to read Danish comics in English. […] If you love the place where art challenges the status quo and moves the fence posts, gaining new land in the process, you’ll feel right at home here." - Ulf Reese Næsborg, tegneseriesiden (updated with new translation from the author - thanks Ulf)
• Review: "[From Wonderland with Love] is a beautiful book, full of very different temperaments and different styles. All comics are from the 21st century and together they show both the great width and breadth of Danish comics. There are quiet, direct, hard hitting stories... And there are more poetic, allegorical, dreamy stories... And if you want new, interesting and strange, look no further." - Fredrik Strömberg, Sekventiellt (books by Strömberg)
• Interview: At Marvel.com, Sean T. Collins continues his series of Strange Tales MAX contributor interviews with Michael Kupperman: "People are going to be very interested in the changes I've made to the Marvel canon. They're probably going to have to scrap everything they've ever published and start over. The new version of SECRET WARS is going to be called OVERT WARS."
• Interview: The Daily Cross Hatch's Brian Heater kicks off a 3-part talk with Jordan Crane: "Well, I’m trying to make [Uptight] less sporadic. I want to do it two times a year, solid. It’s been kind of a chaotic last couple of years. So now I’m focusing everything I can on it."
We received the list of our nominees for this year's Ignatz Awards. It's a good lookin' list, and we're especially proud to have staffer Jason T. Miles nominated for Outstanding Comic! As is traditional, we've put all of our nominated titles on sale -- 15% off for a limited time! Click here to browse & buy. Recipients of the brick will be announced at SPX on September 26. For all the nominees, head to the SPX website for the official announcement.
Tim Hensley, Mome (Fantagraphics), Kramer's Ergot #7 (Buenaventura)
Congratulations to everybody, including T. Edward Bak, nominated for Outstanding New Talent even before his amazing Mome story was eligible, and Dash Shaw, nominated for Outstanding Online Comic for Bodyworld.
A new week brings an avalanche of new Online Commentary & Diversions:
• Profile: For the Philadelphia Inquirer, Tirdad Derakhshani looks at the past, present, and future of Prince Valiant: "The release Tuesday of Prince Valiant, Vol. 1: 1937-1938, the first in a new series of gorgeously printed, hardcover Valiant collections from Fantagraphics Books, served as a bittersweet reminder of the century-long rise and eventual decline of a great American art form, the comic strip."
• Review: "...Al [Columbia] decided to dredge up old ghosts, unfinished pieces, trifles he had thrown away then reconsidered and offered them up to us as proof that he hasn’t forgotten us. This 240-page book [Pim and Francie: The Golden Bear Days, Fall 2009]... has certainly filled in some gaps for me as to what goes on in Columbia’s mind... There seems to be something both amazing and horrifying around every corner, in any dark space, in the thick of the forest, in the bulbous eyes of maniacal creatures and the straight realistic lines of buildings that all have a dark window somewhere... It is truly a viscous treat and I am sure this one will never wash off." - Rachael M Rollson, Panel to Panel
• Review: "Though Low Moon doesn’t have the slow-building impact of Jason’s longer works, he’s still one of comics’ best storytellers, and it’s always a treat to spend time in his world of off-brand pulp clichés and not-always-so-funny animals. [Grade] B+" - The A.V. Club
• Review: "Jason is an immensely skilled artist capable of manipulating his self-restricted vocabulary to stretch space and time. Low Moon moves in a slow burn as the two antagonists move closer to their eventual showdown. In what is probably the best story in the book You Are Here, time moves more quickly as a father and son attempt to deal with the alien abduction of the father's wife. The father builds a rocket while the son grows up and has a life of his own. Eventually they pile into the rocket, and things end badly, but perhaps a bit more emotionally than with the other stories." - Michael Buntag, NonSensical Words
• Review: "Rage of a different kind in Everybody Is Stupid Except for Me and Other Astute Observations by Peter Bagge. This collection of satirical rants from the American libertarian magazine Reason... is philosophically more about punk individualism than Ayn Rand, and artistically the heir to 1980s indie comics. Indeed, Bagge is an indie star, famous for his wonderfully elastic cartooning style and punk-inflected comedies." - Roger Sabin, The Observer
• Review: "These are good comics [in Everybody Is Stupid Except for Me and Other Astute Observations], fun to read and definitely funny, definitely searing and when he hits a target he gets it right. Also there’s something to be said for the journalist tone of the writing and the structure of the strips would translate well into a proper newspaper, were he so inclined." - Ibrow
• Review: "For fresh talent in comics, you have to go to the anthologies and there's none better at the moment than Mome... the highlight [of Vol. 15] is Dash Shaw's hallucinatory story about a tidal wave, which uses swaths of colour and elongated panels to create a sense of vertigo." - Roger Sabin, The Observer (same link as above)
• Review: "Schulz had gone from a fairly grounded sense of consensus reality to Snoopy's flights of fancy to outright weirdness... That seems to be the essence of Sparky Schulz to me: even with the pressure of the daily grind and his position as the lynchpin of what had become a vast empire, Schulz wrote to amuse himself... At his best in this volume [The Complete Peanuts 1973-1974], Schulz gave the readers some of the best stories of his career." - Rob Clough
• Review: "Ace cartoonist Jordan Crane makes a curious split comic choice. The first half [of Uptight #3 ], 'Vicissitude,' is the opening chapter of a brooding adult tale of marital dysfunction and deceit, while the second, 'Freeze Out,' is a kid’s story, the further adventures of Simon and his cat Jack, who were featured in Crane’s great graphic novel, The Clouds Above. Miraculously, the pairing works — each is superior in its own genre — but you might want to wait until 'Freeze Out' is collected on its own before showing it to your kids." - John Seven, Worcester Magazine
• Review: "Blazing Combat (Fantagraphics, 2009) collects the entire run in a beautiful, incredibly well-bound hardcover book... The stories' tone is very 1960s, ironic with a cynicism stemming from brokenhearted humanism." - Carol Borden, The Cultural Gutter
• Review: "Needless to say, I love the streak of darkness that permeates [Charles] Burns' work. I mean that both figuratively and literally, as his one-of-a-kind illustration style is at-a-glance recognizable because of his heavy use of black ink... That starkness emphasizes the cruel features on the faces of his characters - deep wrinkles, harsh teeth, beady eyes and unflattering noses, to say nothing of the occasional freak. Like the look of his characters, Burns is one of a kind, and Skin Deep is a good introduction to the man's singular vision - a good way to get your toe wet before diving in." - Rod Lott, Bookgasm
• Review: "[A.B.] Frost looked like he was painting with the line…on a half-dozen cups of coffee. Trust me, that’s hard to do... Also, it looks like Fanta-Graphic Books might have brought Stuff and Nonsense back in print in 2003. [Yes. -Ed.] Pick up and copy and be ready to weep - this work is untouchable." - Tony DiTerlizzi
• Plug: "Carol Tyler's You'll Never Know is my favorite book of the year thus far. This memoir/biography/scrapbook is both formally challenging and emotionally devastating. Any critic serious about compiling a year-end list needs to keep this book under consideration." - Rob Clough, Robot 6 (guest contributor)
• Tweet: "Still, the most beautifully designed bk so far this yr is still IMO Fantagraphics 'The Brinkley Girls': http://bit.ly/CSYpH Swoon-worthy." - bookjones
• Analysis: For Comics Comics, Dash Shaw pens an appreciation of the work of Tim Hensley: "It’s like what he chooses to draw in the environment (and what he chooses not to draw) is determined by some graphic Feng Shui. When his comics are at their most beautiful, these environments function both as the story’s world and abstractly... With his best dialogue, a line that you first read as being surreally disconnected on a second reading is funny and on a third reading reveals a wider scope of the story."
• Review: "Yes, both of these books are like kryptonite to good taste. But there are a couple of big differences between what Johnny Ryan is doing in Comics Are for Idiots!, his latest Blecky Yuckerella strip collection, and what he's doing in Prison Pit, his ultraviolent action-comic debut... The four-panel Blecky strips often feel like a breakneck race to the punchline through some kind of bizarre obstacle course requiring the basic premise of the gag to get more ridiculous with each panel... Ryan's rep as altcomix's premier overgrown juvenile delinquent is well deserved--and don't get me wrong, you can absolutely enjoy Prison Pit on that level--but the poetic savagery he depicts here is the work of a grown-ass man." - Sean T. Collins
• Review: "[Delphine], Richard Sala's contribution to Fantagraphics's prestigious Ignatz Series, is some of his strongest and most personal work yet... He sets his pop-cultural influences aside this time to lead us down a grimmer path... As for the art -- well, what can I say? It's recognizably Sala's, and at the top of his game, but taken to the next level, in that the usual precision of his black-and-white work is here inflected with sepia washes that give an added visual dimension to the murkiness of the hero's experience... The heavy dustjackets, with such gorgeous full-color art not only front and back but on both big inside flaps, deliver a lush visual and tactile experience that no bonus gallery in a collection will be able to duplicate... By whatever route you get here, I highly recommend this." - Curt Purcell, The Groovy Age of Horror
• Review: "Even when she's not especially inspired, Dame Darcy creates superior goth comics: cheerfully mean-spirited, idiosyncratically stylish, and oozing with surreal ichor... In [Meat Cake #17], Darcy indulges her goth tropes and her feminism: men are tormented, sisterhood is affirmed, and light-hearted squick is relished by all. And, as always, Darcy's eccentric drawing is a joy, with perspective, proportion, and visual logic all flattened out to fit into geometrically obscure but oddly elegant patterns." - Noah Berlatsky, The Comics Journal (reprinted at The Hooded Utilitarian)
• Plug: "The big story here [in The Comics Journal #299] is Bob Levin's spectacular essay on Michel Choquette and his never-completed comics anthology... Sadly, the project never got off the ground, and Levin details in his typical stellar fashion why and how. It's a fascinating tale, one well worth your $12." - Chris Mautner, Robot 6
• Plug: "This is a particularly excellent issue of TCJ, thanks to Bob Levin's magnificent 50-page... history of 'The Someday Funnies'... You really need to read it." - Douglas Wolk, Comics Alliance
• Interview: Seth continues discussing his design work for The Complete Peanuts in the final part of Brian Heater's interview at The Daily Cross Hatch: "Schulz’s work is right there in the book. Every line in those strips is his. But the design stuff is just design stuff. It’s a setting to put a gem in. The setting is not the gem."
• Things to see: At the Covered blog, Anthony Vukojevich does a Gilbert Hernandez Birdland cover
It brings us great joy to welcome four of our favorite comic artists to the Mome fold in this Fall's Volume 16: Renée French (who graces the cover), Nicholas Mahler, Archer Prewitt and Ted Stearn. Of course, our returning artists are also nothing to sneeze at: T. Edward Bak, Dash Shaw, Lilli Carré, Conor O'Keefe, Laura Park, Nate Neal, Sara Edward-Corbett, and the "Cold Heat" crew of Ben Jones, Frank Santoro and Jon Vermilyea. This issue is now available for pre-order in our online shop. Download our free 12-page PDF excerpt for a sample page from each contributing artist. This book is scheduled be in stock and shipping in mid-September, and in stores approximately 4 weeks later (subject to change).
• Review: "[Abstract Comics: The Anthology] is designed beautifully... The content serves as a great introduction to a genre of comics that few people knew existed. [Editor Andrei] Molotiu takes somewhat of a scholarly approach to the content, placing the concept of abstract comics within art history in his introduction. He makes a good case... Overall, this is a cool concept and I was surprised by it. I think it’s definitely going to cause some debates about what comics are and are not, and that’s a good thing." - Eden Miller, Comicsgirl
• Review: "The status of [Ivan] Brunetti's... gag-cartoon collections... as trailblazers in the realm of going-way-too-far comic-book comedy is unquestioned... Brunetti's impeccable line looks like it'd be more at home in the pages of The New Yorker than Sleazy Slice, which I imagine is the point, but for me at least, this just neuters all but the most vicious jokes -- otherwise it's just a litany of beautifully drawn dick/poop/pedo jokes." - Sean T. Collins
• Interview: For Marvel.com, Sean T. Collins talks to Dash Shaw about his Dr. Strange story in the upcoming Marvel Strange Tales MAX. "The title is 'Dr. Strange Vs. Nightmare.' 'Nuff said!"
• History: Kevin Nowlan and Jan Strnad talk to Shaun Manning of Comic Book Resources about the creation of "Grimwood's Daughter," their backup feature in our long-ago series Dalgoda (being newly collected by IDW -- someone want to send me a copy?)
Aha! We teased this a little while ago and now it has appeared: Dash Shaw appears on Indy Mogul's "Reel Good Show" to discuss his upcoming animation project for IFC.com and accompanying book from Fantagraphics, The Unclothed Man in the 35th Century AD (official info on the project here), with a couple of brief interludes of other stuff. Hijinks ensue! Here's the YouTube video link for those who don't see the embedded player above.