To celebrate, our nominated titles, except Peanuts (for contractual reasons), are now 15% off for a limited time! First buy, then (if you're a comics professional) vote!
Congratulations to all of our nominated colleagues, with special shouts-out to Al Jaffee for his Abrams book Tall Tales (multiple nominations), Chris Ware for Acme Novelty Library #19 (Best Single Issue or Story), and Jay Lynch & the Mineshaft folks for Mineshaft #23 (Best Cover Artist).
• List: Bdzoom reports that l'Association des Critiques et journalistes de Bande Dessinée (ACBD) has placed Bottomless Belly Button by Dash Shaw on their summer reading shortlist (there's Tardi on there too)
• Review: "Nell Brinkley was an icon for several generations of women... The art [in The Brinkley Girls] has been beautifully restored, a task that must have been pure torture given the density of Brinkley's drawings and that sophisticated color work. My hat's off to whoever did that fabulous job." - Allan Holtz, Stripper's Guide
• Review: "At one point in her comic-style memoir [You'll Never Know Book 1: A Good and Decent Man], Carol [Tyler] talks to us directly and says, 'The war was never really buried under tons of mental concrete. Rather, it was an active shaper of life, affecting moods and outcomes ... more than anyone ever knew.' Indeed. This is an important and deeply spiritual contribution to American culture." - David Crumm, Read the Spirit
• Review: "[You'll Never Know Book 1: A Good and Decent Man] is not your blood and guts portrayal of a ruthless soldier but rather an investigation into the emotional costs that war has on the combatant and the family that they sire, presenting a familiar story of the 'greatest generation' in an unfamiliar way." - Quentin Williams, two.one.five Magazine
• Review: "...Supermen! [is] a beautifully designed volume of early American comics... The edition is both aesthetically pleasing and sturdy, featuring clarified reprinting of the colour strips, covers, and scattered elements of advertisements and back matter." - Michael Leader, Den of Geek
• Review: "[West Coast Blues] is everything you would expect from a suspense thriller... Visually the comic book is also great. It's everything you would expect from Tardi... I don't believe that anybody else than him would have been able to visually translate Manchette's novel so well. It's like they worked together and that the comic book is the original material. Bottom line, this is another great comic book by Tardi. If you have never read anything by him you should. Luckily for North American readers, Fantagraphics announced that they that they were going to translate Tardi's work starting this fall." - Patrick Bérubé, Comic Book Bin
• Review: "You Shall Die By Your Own Evil Creation!... gathers all the remaining material that the alcoholic, abusive [Fletcher] Hanks did during his brief tenure as a comic book creator in the late 1930s and early 40s... [T]here’s still plenty of weird and wonderful tales to delight and disturb... [and] there are panels here that are rather stunning in their ability to create tension and drama... The work remains strange, powerful, funny, terrifying and yes, at times beautiful..." - Chris Mautner, Robot 6 (be sure to read the comments for an important clarification from editor Paul Karasik)
• Review: "Fans of Norwegian cult comics star Jason are in for something of a treat with Low Moon... what we have here are five stories, each of which would’ve previously warranted a collection in its own right, delivered together in one delicious hamper of Jason goodness... There’s never been a better time, then, to jump aboard the Jason train... This is as essential as comics gets." - Bookmunch
• Review: "It’s hard to think of a modern cartoonist with a more recognizable drawing style than Norway’s Jason... But Jason’s storytelling is just as distinctive as his drawing style... [and] the artist’s narrative approach has grown more adventurous over the years. Jason’s latest collection, Low Moon, is evidence of this trend... The reader, meanwhile, just lapses into a giddy comics coma." - Casey Jarman, Willamette Week
• Preview: Previews posts 7 pages from Low Moon. Have we mentioned it's in stores today?
• Interview: Brian Heater of The Daily Cross Hatch concludes his 2-part chat with "the visionary" Jason. Sample quote: "I worked in a furniture factory for nine months... I really hated it. So I went to art school instead. Turned out to be not that much of a difference, of course."
• Interview: The hosts of The Comix Claptrap podcast "talk comics shop and try to get LA gossip from talented cartoonist, John Pham, of Sublife, Kramers Ergot 7 and Mome fame"
• Plug: "Low Moon: It’s the latest from Jason. Or, in other words, it’s one of this week’s absolute must-reads." - J. Caleb Mozzocco, Newsarama
• Plug: "Pick of the week: Low Moon... [B]y this point Jason has proven himself to be one of the stellar talents in Fantagraphics' roster (which is really saying something, by the way) and this collection of short stories... should likely only cement that reputation as the artist plays with such traditional genres as the Western, film noir, and alien abductions. All offered with the usual dollops of sardonic humor and heartfelt sympathy." - Chris Mautner, Robot 6
• Plug: "Low Moon: New Jason, from Fantagraphics. All I need to know... This guy's a treasure." - Jog - The Blog
• Plug: John Jakala of Sporadic Sequential takes us to task for the smaller trim size of Luba vs. Palomar, but concedes "the smaller size is actually easier to handle when reading. OK, you win this round, Fantagraphics"
With MoCCA already in the rear-view mirror, it's a bit late to be recapping the 2009 Book Expo America, which took place the weekend before at the wonderfully air-conditioned Javits Center. But who doesn't like convention photos? Don't let the lack of cosplay action fool you, BEA was a great time for myself, Jason Miles and Gary Groth, and we enjoyed hanging out with the likes of Kim Deitch, Monte Schulz, Michael Kupperman, and Dash Shaw.
We flew in Thursday morning, Jason and I waking up at 4:00AM only to get to the airport by 5:00AM so I could get dissed at the Hudson News Stand by Spike Lee. Side note to Mr. Lee: if you do not want to be recognized, even at 5AM, I recommend not wearing the same designer eyeglasses, Yankees cap, and Nike sweatsuit jacket that you were wearing on the FRONT PAGE of the daily newspaper that same morning.
Friday was the start of the show, and here's Jason Miles, unusually well-dressed (sorry ladies, he's taken), prepping for the morning onslaught in our swanky new space within W.W. Norton's mighty BEA pavilion.
Friday was the official "Salute to Graphic Novels" day at BEA, and we hosted signing with Dash Shaw, Kim Deitch, and Michael Kupperman. All three were utter gentlemen, signing books for fans in our booth and in the official autograph area:
That evening, we stopped in at a BEA/DAP party where Jason regaled us with the story of a ukranian giant who, like Izzy in Love & Rockets, can't seem to stop growing due to a botched thyroid surgery. We ran into some old friends like Gabrielle Bell and Last Gasp's Kristine Anstine, and later enjoyed a great dinner with Dash his girlfriend, Jane Samborski. Conversation veered from Alex Toth to David Mazzucchelli to French comics and Manga. Oh, and "The Pussy Generation," as Clint Eastwood calls those of us who dare to question the meaning of life rather than just punch it in the face.
That's Dash & Jane up top, and Jason and Gary below. I have an exceptional gift for capturing pictures of Jason's remarkably large hands (sorry ladies, he's taken).
Another late dose of Online Commentary & Diversions:
• List: CBC Radio's "Canada Reads: The Book Club" host Hannah Sung kicks off voting on the "Top 10 Graphic Novels" with Ghost World: "I love Dan Clowes’s clean, graphic style. I love Enid’s glasses, I love how everything is 'lame' and I love that Enid expresses how much she hates Sassy magazine even as she reads it."
• Interview: The Daily Cross Hatch's Brian Heater wraps up his 3-part talk with Michael Kupperman. Sample quote: "But of course the point of humor is that you always want it to look easy. You don’t want it to look like you spent two hours on your 140 character line — not that I’ve ever done that [laughs]."
• Interview: The Metabunker's Matthias Wivel talks to Steffen Maarup, editor of From Wonderland with Love: Danish Comics in the Third Millennium, debuting at MoCCA this weekend. Sample quote: "My selection process was pretty much as simple as picking what’s good; so stories that were original, did interesting things with the medium of comics, or touched me in some way."
Updates of Online Commentary & Diversions may be oddly timed for the rest of the week as we're eyeball deep in MoCCA preparations.
• Review: "[Harvey] Kurtzman and company aimed high for a more sophisticated humor mag than the competition... Fantagraphics’ package for it is bar none — handsome, sturdy and restored with great care... I was most interested in the behind-the-scenes story of Humbug and the creative process that went into it — not to mention doomed it — and the book’s introduction and exclusive interviews more than satisfy on that count." - Rod Lott, Bookgasm
• Review: "In a way, Humbugalmost feels like a goof-humor version of The New Yorker or something. There’s a lot of fairly serious political/social commentary, cloaked in wry rainment. It’s a blend as interesting as any cocktail, and it’s goddamn great to have this stuff easily available. Hats away!" - Byron Coley & Thurston Moore, Arthur Magazine
• Review: "...[U]nparallel parodists Kurtzman and Elder ran rampant for themselves when they published these 11 exceptional issues of comic art anarchy. This two-volume hardcover box set has been reproduced from the original art and digitally restored to make everything look even better than when it first came out in 1957. This long-overdue definitive edition of Humbug is an essential slice of satire from the masters of the genre." - Jeffrey Morgan, Detroit Metro Times
• Review: "Everybody Is Stupid Except For Me [is] a compilation of the notorious Seattle libertarian [Peter Bagge]’s politically (and sexually) charged comics for Reason magazine... It’s great. So colourful (always my favourite part of Pete’s comics) and acerbic and smart-ass, but with a heart and purpose behind the bickering and keenly observes caricatures... It’s too early to say now, but right now I’m thinking it’s perhaps my favourite stuff of his, full stop..." - Everett True
• Review: "Connective Tissue... make[s] for an engaging read... While Darla sounds like she could be a handful, she is a good and sympathetic protagonist, making her a modern-day Alice in a 21st century Wonderland." - Jason Borelli, Beyond Race Magazine
• Preview: Spotlighting comics shipping this week, The Comics Reporter says of Uptight #3: "The previous issue of this series from the great Jordan Crane was super, super strong." Likewise, Chris Mautner at Robot 6: "The latest issue in Jordan Crane’s very good series about ghosts and melancholy comes to town. I feel we should be doing all we can to ensure Crane keeps making comics, don’t you?" And Matthew Brady says: "I missed the second issue of this series, but the first one was great... Check it out if you see it on the shelves."
• Profile: My Adventure Is Your Advantage spotlights the design work of our very own Art Director Jacob Covey, calling him "the bees knees of design" and presenting previously unseen previews of the forthcoming Abstract Comics anthology
• Profile: "[Dash] Shaw's online and bound comics inhabit surreal spaces both cerebral and emotional, leaping from zombie love stories to futuristic set pieces without resorting to predictability... It's probably safe to say he has arrived." - Wired
• Interview: Publishers Weekly's Heidi MacDonald asks our own Eric Reynolds for his thoughts about Book Expo America and its value for comics publishers like us; The Comics Reporter's Tom Spurgeon comments on the interview; meanwhile, The Daily Cross Hatch's Brian Heater gets a few words from Eric on the show floor
Your Online Commentary & Diversions for the first day of June '09:
• Review: "Holy cats!... Wolverton's illustrations [in The Wolverton Bible], done in the same unmistakable, stippled style that characterized his grotesqueries, show off the grim, the violent, and the destructive in the Old Testament, putting the blood and guts in the spotlight. The result is like no illustrated Bible you've ever seen... This is a side of Wolverton I never suspected, but it is perfectly him, humorous, grisly, mad and wonderful." - Cory Doctorow, Boing Boing
• Review/Profile: "...Unlovable by Esther Pearl Watson... was for me like discovering a nugget of gold in a sieve! ...really original and fun." - Lezinfo (translated from French)
• Review: "With great candor and wit, [Peter] Bagge tackles [the] issues... in Everybody Is Stupid Except for Me, a collection of his strips from Reason Magazine. As in his previous works like Hate and The Bradleys, Bagge deftly manages to simultaneously anger and amuse the reader with his intensely personal stories about larger topical issues." - Rick Klaw, The SF Site: Nexus Graphica
• Review: "...[T]he comics in this collection [of Blazing Combat] are astounding... The art is reproduced from 'the original printer’s films,' so the work is clear and detailed, with the washes and shading providing depth and a feeling of realism... The stories are still timely." - Johanna Draper Carlson, Comics Worth Reading
• Interview: The Comics Reporter's Tom Spurgeon talks to Bob Fingerman about his latest projects, including Connective Tissue. Sample quote: "I think if I did nothing but comics, I would end up hating comics. For a while there I was actually beginning to hate comics."
• Interview: Robot 6's Tim O'Shea talks to Supermen! editor Greg Sadowski about the collection of Golden Age hero stories. Sample quote: "I never liked those 'Archive' editions where they bleach out the old colors and replace them with modern coloring methods printed on glossy paper. That whitewashes all the distinction out of those vintage books and transforms them into a cloyingly slick and artificial product."
• Video: From Paul Hornschemeier's blog: "Via Tuono Pettinato on Facebook: A Peanuts documentary (broken into 5 parts on YouTube) where Charles Schulz discusses the making of the animated Peanuts and the role of music. It's great footage, and makes me miss Schulz's genius all the more."
Start yer plannin'! These are all subject to last-minute change; we'll try to give advance notice of any changes if we can. We'll have more MoCCA-related announcements in the coming days so stay tuned.
Your daily dose of Online Commentary & Diversions:
• Profile: The Oklahoma Gazette dedicates a cover feature (pictured above) to native son Boody Rogers, talking to Yoe, Nadel and Spiegelman about his work. Of our collection of his comics they say "Boody: The Bizarre Comics of Boody Rogers reprints 13 of Boody Rogers' comic-book stories between 1948 and 1950. Although they have fallen into the public domain, publisher Fantagraphics has restored the color and images to its typical standards of quality ... not to mention standards of unapologetic weirdness."
• Review: "...Terr'ble Thompson is... playful fun... [Gene] Deitch’s upbeat mangling of the English language and silly twists will keep readers of many ages entertained." - Michael C. Lorah, Newsarama
IFC.COM TO PREMIERE ANIMATED WEB SERIES OF DASH SHAW'S NEW BOOK THE UNCLOTHED MAN IN THE 35TH CENTURY A.D.
THE UNCLOTHED MAN IN THE 35th CENTURY A.D., by DASH SHAW, will be promoted at the 2009 Book Expo America in New York City, May 29-31, with an appearance by the author on Friday, May 29, at 1:00PM at the Fantagraphics Booth and 4:00PM in the Autographing Area.
New York, NY - May 27, 2009 -IFC.com announced today that it will premiere an original animated web series based on graphic novelist and comic book artist Dash Shaw's latest book The Unclothed Man in the 35th Century A.D., set for release mid-November, 2009 with the web series following. Shaw's animation has been widely praised for its eclectic style, innovative design and emotional depth.
Each short episode of this five-part web series chronicles Rebel X-6, a man who works for a well-funded anti-droid organization. The fifth episode will provide behind-the-scenes footage of the making of the series. The premiere on IFC.com marks Dash Shaw's first animated series and will be based on a story line he has developed for several years. Seattle's Fantagraphics Books is set to publish a book by the same name and characters.
"Dash Shaw is a known entity in the comic book realm with a cult following. We're excited to bring him, his art and his fans to IFC.com, a platform that recognizes and broadens the reach of up-and-coming, independent content makers," said Craig Parks, vice president of digital media at IFC. "Shaw's work on IFC.com will offer a fresh and completely unique take on the animation genre; the type of approach that defines our brand."
The series features an animated hero, Rebel X-6, and his quest to bring out change in the 35th century A.D.. Rebel X-6 works for an anti-droid organization that opposes the use of droids in all sectors of modern society. An artist guild that opposes the use of droids in art class hires Rebel X-6. They believe living people should model for life drawings. Rebel X-6's assignment is to enter Art School 46 posing as "Model-Droid #343." Model droids appear life-like but do not laugh, cry, swear or exhibit other human shortcomings. His mission is to subvert the school's ban on drawings of real humans by tricking the students into drawing him.
About the Creator Dash Shaw (born April 6, 1983) is a U.S. (Brooklyn, NY) writer and artist of comic books. His comic short stories have appeared in many different anthologies, newspapers and magazines and his graphic novels have received critical acclaim. His breakthrough graphic novel wasBottomless Belly Buttonwhich was named Publishers Weekly best graphic novel of 2008, one of Entertainment Weekly's top ten books of 2008, and one of Amazon.com's top ten graphic novels of the year among many other accolades. The Unclothed Man in the 35th Century A.D. will also collect his acclaimed short stories from Fantagraphics' award-winning anthology MOME, and his next graphic novel, BodyWorld, will be published by Pantheon in Spring 2010.
About IFC Operating under the mantra "always, uncut," IFC (The Independent Film Channel) recommends and creates genre-bending content that indulges the alternative culture obsessions of our influential audience and makes it available across multiple platforms: on-air, online and On Demand. In pursuit of what's new, next and relevant, IFC creates original non-traditional comedies like The Whitest Kids U' Know and Z Rock and irreverent non-fiction such as The IFC Media Project. IFC's original programming airs alongside a comprehensive independent film library of award-winning titles and cult classics, as well as content inspired by music, web, gaming, animation, news, culture and more. IFC broadens the audience for independent culture through its exclusive live coverage of notable film and music events like the Independent Spirit Awards and South by Southwest. The network's On Demand offering, IFC Free, gives audiences the opportunity to watch premieres of all of IFC's original series before they air on the linear network. IFC Media Lab Studios offers financing, professional development and distribution opportunities for aspiring film makers. IFC is a subsidiary of Rainbow Media Holdings LLC.
About Fantagraphics Books Fantagraphics Books ( www.fantagraphics.com ) has been the world's leading publisher of comics and graphic novels since 1976. The work of artists such as R. Crumb, Peter Bagge, Gilbert and Jaime Hernandez, Daniel Clowes, Joe Sacco, Jason, Chris Ware, Dash Shaw and others has continued to gain commercial momentum and critical recognition over the last 20 years by combining the social relevance of the previous generation of underground comix artists, attention to personal and psychologal veracity, and formal experimentation and innovation.
Rainbow Media Holdings LLC Rainbow Media Holdings LLC is a subsidiary of Cablevision Systems Corporation (NYSE: CVC). Rainbow Media is a leading producer of targeted, multi-platform content for global distribution, creating and managing some of the world's most compelling and dynamic entertainment brands, including AMC, IFC, WE tv, Sundance Channel, LIFESKOOL, SPORTSKOOL, and VOOM HD Networks. Through IFC Entertainment, Rainbow Media also owns and manages the following: IFC Films, a leading distribution company for independent film; IFC Productions, a feature film production company that provides financing for select independent film projects; and IFC Center, a three screen, state-of-the-art cinema in the heart of New York's Greenwich Village. Rainbow Media also operates Rainbow Advertising Sales Corporation, its advertising sales company; Rainbow Network Communications, its full service network programming origination and distribution company; and 11 Penn TV, a company that manages Rainbow Media's NYC studios and post-production facilities.
Let's catch up on our Online Commentary & Diversions:
• Review: "...Monologues [for Calculating the Density of Black Holes is] spare and scratchy where [Anders Nilsen's] other work was detailed; loose and spontaneous where his other work was considered; and funny where his other work was melancholy. It's interesting to see the many influences that inform Monologues; there's a bit of absurdists like Ionesco, elements of Tom Stoppard's wit and philosophical musings, stream of consciousness dada in the style of Tristan Tzara, and oblique New Yorker type gags with the scratchy looseness of James Thurber and Saul Steinberg." - Rob Clough
• Review: "...[O]nce again, I’m engaged in Blazing Combat. What a thrill! And the art!... Highly recommended. Don’t argue! Just buy it!" - David McDonnell, Starlog
• Review: "This collection of the 1965-66 Blazing Combat war comic magazine is a stellar publication... It's a master class on how to tell a short story, and I highly recommend checking it out." - Sandy Bilus, I Love Rob Liefeld
• Review: "Blazing Combat, a new hardcover collection from Fantagraphics, showcases some truly fantastic work from a multitude of comics greats... The collection itself is sharp as a tack... Fantagraphics really packages it nicely..." - Litany of Schist
• Review: "This omnibus of all 11 issues of Humbug is equal parts giddy genius and period piece. The satire is razor-sharp... [T]here are such subtleties here and such rapier wit that the line is clearly visible from the Algonquin Round Table to Kurtzman to Crumb to Ralph Bakshi to Mr. Show to The Colbert Report." - Byron Kerman, PLAYBACK:stl
• Review: "In his way, [Michael] Kupperman's just as concerned with making comics' formal aspects work for him as Chris Ware. In his way he's every bit as effective. Goddammit this book [Tales Designed to Thrizzle #5] is funny." - Sean T. Collins
• Review: "[Beasts! Book 1] is captivating, wistful, funny and truly extraordinary - a Bestiary of the traditionally fantastic for the dreary 21st century where imagination and wonder have been formularised as crypto-zoology... a vivid package of sheer fantasy and artistic excellence..." - Win Wiacek, Now Read This!
• Review: "Now, with Low Moon, [Jason] has clenched his fist around me and won’t let me go - this is easily my favorite of his works to date... Top to bottom, I enjoyed Low Moon very much... A worthy addition to one’s bookshelf." - Marc Mason, Comics Waiting Room
• Review: "[In Abandoned Cars] Tim Lane presents a personal study of what he calls 'The Great American Mythological Drama,' a fog of events / thoughts / dreams / disappointments in music / literature / North American life... Lane leads to something more introspective and extremely sad." - Churrasco la Naje (from Google translation)
• Review: "...[A]lmost nothing is casual in Bottomless Belly Button and almost nothing is superficial in its narrative structure, nor its authorial intentions... [Dash] Shaw's work delves into the interior of the personal relationships of its protagonists, but also in the basic foundations of linear narrative... Shaw transcends the sphere of intellectual narrative to enter the much more epidermal level of physical sensations... Dash Shaw has composed a monumental work, sometimes puzzling, sometimes bordering on melodrama, but always strong and brave, a work full of qualities and findings that will, we believe, be a reference for future comics. His experimentation, his daring and his solutions can't help but remind us of an equally ambitious and dense work, Jimmy Corrigan... Do not miss this." - Little Nemo's Kat (from Google translation)
• Plug: Jonathan Ross gives us ("the company that flies the flag for independent, ground-breaking comics"), and The Comics Journal ("the only widely read and serious publication of comic-book criticism"), a nice shout-out in The Times
• Interview: The Daily Cross Hatch continues their conversation with Michael Kupperman. Sample quote: "I think the artist I feel closest with is Tony Millionaire, because he really lives in those comics. He could never be anything else."