Start yer plannin'! These are all subject to last-minute change; we'll try to give advance notice of any changes if we can. We'll have more MoCCA-related announcements in the coming days so stay tuned.
Your daily dose of Online Commentary & Diversions:
• Profile: The Oklahoma Gazette dedicates a cover feature (pictured above) to native son Boody Rogers, talking to Yoe, Nadel and Spiegelman about his work. Of our collection of his comics they say "Boody: The Bizarre Comics of Boody Rogers reprints 13 of Boody Rogers' comic-book stories between 1948 and 1950. Although they have fallen into the public domain, publisher Fantagraphics has restored the color and images to its typical standards of quality ... not to mention standards of unapologetic weirdness."
• Review: "...Terr'ble Thompson is... playful fun... [Gene] Deitch’s upbeat mangling of the English language and silly twists will keep readers of many ages entertained." - Michael C. Lorah, Newsarama
IFC.COM TO PREMIERE ANIMATED WEB SERIES OF DASH SHAW'S NEW BOOK THE UNCLOTHED MAN IN THE 35TH CENTURY A.D.
THE UNCLOTHED MAN IN THE 35th CENTURY A.D., by DASH SHAW, will be promoted at the 2009 Book Expo America in New York City, May 29-31, with an appearance by the author on Friday, May 29, at 1:00PM at the Fantagraphics Booth and 4:00PM in the Autographing Area.
New York, NY - May 27, 2009 -IFC.com announced today that it will premiere an original animated web series based on graphic novelist and comic book artist Dash Shaw's latest book The Unclothed Man in the 35th Century A.D., set for release mid-November, 2009 with the web series following. Shaw's animation has been widely praised for its eclectic style, innovative design and emotional depth.
Each short episode of this five-part web series chronicles Rebel X-6, a man who works for a well-funded anti-droid organization. The fifth episode will provide behind-the-scenes footage of the making of the series. The premiere on IFC.com marks Dash Shaw's first animated series and will be based on a story line he has developed for several years. Seattle's Fantagraphics Books is set to publish a book by the same name and characters.
"Dash Shaw is a known entity in the comic book realm with a cult following. We're excited to bring him, his art and his fans to IFC.com, a platform that recognizes and broadens the reach of up-and-coming, independent content makers," said Craig Parks, vice president of digital media at IFC. "Shaw's work on IFC.com will offer a fresh and completely unique take on the animation genre; the type of approach that defines our brand."
The series features an animated hero, Rebel X-6, and his quest to bring out change in the 35th century A.D.. Rebel X-6 works for an anti-droid organization that opposes the use of droids in all sectors of modern society. An artist guild that opposes the use of droids in art class hires Rebel X-6. They believe living people should model for life drawings. Rebel X-6's assignment is to enter Art School 46 posing as "Model-Droid #343." Model droids appear life-like but do not laugh, cry, swear or exhibit other human shortcomings. His mission is to subvert the school's ban on drawings of real humans by tricking the students into drawing him.
About the Creator Dash Shaw (born April 6, 1983) is a U.S. (Brooklyn, NY) writer and artist of comic books. His comic short stories have appeared in many different anthologies, newspapers and magazines and his graphic novels have received critical acclaim. His breakthrough graphic novel wasBottomless Belly Buttonwhich was named Publishers Weekly best graphic novel of 2008, one of Entertainment Weekly's top ten books of 2008, and one of Amazon.com's top ten graphic novels of the year among many other accolades. The Unclothed Man in the 35th Century A.D. will also collect his acclaimed short stories from Fantagraphics' award-winning anthology MOME, and his next graphic novel, BodyWorld, will be published by Pantheon in Spring 2010.
About IFC Operating under the mantra "always, uncut," IFC (The Independent Film Channel) recommends and creates genre-bending content that indulges the alternative culture obsessions of our influential audience and makes it available across multiple platforms: on-air, online and On Demand. In pursuit of what's new, next and relevant, IFC creates original non-traditional comedies like The Whitest Kids U' Know and Z Rock and irreverent non-fiction such as The IFC Media Project. IFC's original programming airs alongside a comprehensive independent film library of award-winning titles and cult classics, as well as content inspired by music, web, gaming, animation, news, culture and more. IFC broadens the audience for independent culture through its exclusive live coverage of notable film and music events like the Independent Spirit Awards and South by Southwest. The network's On Demand offering, IFC Free, gives audiences the opportunity to watch premieres of all of IFC's original series before they air on the linear network. IFC Media Lab Studios offers financing, professional development and distribution opportunities for aspiring film makers. IFC is a subsidiary of Rainbow Media Holdings LLC.
About Fantagraphics Books Fantagraphics Books ( www.fantagraphics.com ) has been the world's leading publisher of comics and graphic novels since 1976. The work of artists such as R. Crumb, Peter Bagge, Gilbert and Jaime Hernandez, Daniel Clowes, Joe Sacco, Jason, Chris Ware, Dash Shaw and others has continued to gain commercial momentum and critical recognition over the last 20 years by combining the social relevance of the previous generation of underground comix artists, attention to personal and psychologal veracity, and formal experimentation and innovation.
Rainbow Media Holdings LLC Rainbow Media Holdings LLC is a subsidiary of Cablevision Systems Corporation (NYSE: CVC). Rainbow Media is a leading producer of targeted, multi-platform content for global distribution, creating and managing some of the world's most compelling and dynamic entertainment brands, including AMC, IFC, WE tv, Sundance Channel, LIFESKOOL, SPORTSKOOL, and VOOM HD Networks. Through IFC Entertainment, Rainbow Media also owns and manages the following: IFC Films, a leading distribution company for independent film; IFC Productions, a feature film production company that provides financing for select independent film projects; and IFC Center, a three screen, state-of-the-art cinema in the heart of New York's Greenwich Village. Rainbow Media also operates Rainbow Advertising Sales Corporation, its advertising sales company; Rainbow Network Communications, its full service network programming origination and distribution company; and 11 Penn TV, a company that manages Rainbow Media's NYC studios and post-production facilities.
Let's catch up on our Online Commentary & Diversions:
• Review: "...Monologues [for Calculating the Density of Black Holes is] spare and scratchy where [Anders Nilsen's] other work was detailed; loose and spontaneous where his other work was considered; and funny where his other work was melancholy. It's interesting to see the many influences that inform Monologues; there's a bit of absurdists like Ionesco, elements of Tom Stoppard's wit and philosophical musings, stream of consciousness dada in the style of Tristan Tzara, and oblique New Yorker type gags with the scratchy looseness of James Thurber and Saul Steinberg." - Rob Clough
• Review: "...[O]nce again, I’m engaged in Blazing Combat. What a thrill! And the art!... Highly recommended. Don’t argue! Just buy it!" - David McDonnell, Starlog
• Review: "This collection of the 1965-66 Blazing Combat war comic magazine is a stellar publication... It's a master class on how to tell a short story, and I highly recommend checking it out." - Sandy Bilus, I Love Rob Liefeld
• Review: "Blazing Combat, a new hardcover collection from Fantagraphics, showcases some truly fantastic work from a multitude of comics greats... The collection itself is sharp as a tack... Fantagraphics really packages it nicely..." - Litany of Schist
• Review: "This omnibus of all 11 issues of Humbug is equal parts giddy genius and period piece. The satire is razor-sharp... [T]here are such subtleties here and such rapier wit that the line is clearly visible from the Algonquin Round Table to Kurtzman to Crumb to Ralph Bakshi to Mr. Show to The Colbert Report." - Byron Kerman, PLAYBACK:stl
• Review: "In his way, [Michael] Kupperman's just as concerned with making comics' formal aspects work for him as Chris Ware. In his way he's every bit as effective. Goddammit this book [Tales Designed to Thrizzle #5] is funny." - Sean T. Collins
• Review: "[Beasts! Book 1] is captivating, wistful, funny and truly extraordinary - a Bestiary of the traditionally fantastic for the dreary 21st century where imagination and wonder have been formularised as crypto-zoology... a vivid package of sheer fantasy and artistic excellence..." - Win Wiacek, Now Read This!
• Review: "Now, with Low Moon, [Jason] has clenched his fist around me and won’t let me go - this is easily my favorite of his works to date... Top to bottom, I enjoyed Low Moon very much... A worthy addition to one’s bookshelf." - Marc Mason, Comics Waiting Room
• Review: "[In Abandoned Cars] Tim Lane presents a personal study of what he calls 'The Great American Mythological Drama,' a fog of events / thoughts / dreams / disappointments in music / literature / North American life... Lane leads to something more introspective and extremely sad." - Churrasco la Naje (from Google translation)
• Review: "...[A]lmost nothing is casual in Bottomless Belly Button and almost nothing is superficial in its narrative structure, nor its authorial intentions... [Dash] Shaw's work delves into the interior of the personal relationships of its protagonists, but also in the basic foundations of linear narrative... Shaw transcends the sphere of intellectual narrative to enter the much more epidermal level of physical sensations... Dash Shaw has composed a monumental work, sometimes puzzling, sometimes bordering on melodrama, but always strong and brave, a work full of qualities and findings that will, we believe, be a reference for future comics. His experimentation, his daring and his solutions can't help but remind us of an equally ambitious and dense work, Jimmy Corrigan... Do not miss this." - Little Nemo's Kat (from Google translation)
• Plug: Jonathan Ross gives us ("the company that flies the flag for independent, ground-breaking comics"), and The Comics Journal ("the only widely read and serious publication of comic-book criticism"), a nice shout-out in The Times
• Interview: The Daily Cross Hatch continues their conversation with Michael Kupperman. Sample quote: "I think the artist I feel closest with is Tony Millionaire, because he really lives in those comics. He could never be anything else."
Fantagraphics is on it's way to the Big Apple next week for Book Expo America 2009 (Stand #3422 in the W.W. Norton "pavilion") and we're bringing in tow a slew of previews of new Fall titles as well as hosting several signings:
KIM DEITCH (signing Friday from 2-3:00 in our booth 3422 and 4-4:30 in autograph area table 7)
MICHAEL KUPPERMAN (signing Friday from 12-1:00 in our booth 3422 and 4-4:30 in autograph area table 8)
DASH SHAW (signing Friday from 1-2:00 in our booth 3422 and 4-4:30 in autograph area table 25)
MONTE SCHULZ (signing Saturday from 2:30-3:00 in autograph area table 9)
We'll be promoting our summer and fall lines in particular, with advance previews of books like PIM & FRANCIE by Al Columbia, PRINCE VALIANT by Hal Foster, YOU SHALL DIE BY YOUR OWN EVIL CREATION! by Fletcher Hanks (edited by Paul Karasik), LOVE & ROCKETS NEW STORIES #2 by Gilbert & Jaime Hernandez, YOU ARE THERE and WEST COAST BLUES by Jacques Tardi, RED MONKEY DOUBLE HAPPINESS BOOK by Joe Daly, PRISON PIT by Johnny Ryan, BACKWOODS HUMORIST: THE ART OF NORMAN PETTINGILL, and many more.
BEA isn't open to the public, unfortunately, but if you're an attending bookseller, fellow pubisher, journalist, or otherwise sneaky badge-getter, please stop by and say hello to myself, Jason Miles and Fearless Leader Gary Groth.
The 15th issue of Mome is now available for pre-order. This issue boasts one new beginning (T. Edward Bak's "Wild Man"), two conclusions (Gilbert Shelton's "Last Gig in Shnagrlig" and Tim Hensley's "Wally Gropius"), new work from Dash Shaw, Andrice Arp (who also provides the cover), Sara Edward-Corbett, Conor O'Keefe, Noah Van Sciver, Robert Goodin, and Paul Hornschemeier, PLUS a bound-in minicomic by Spanish master Max! This book is scheduled to be in stock and ready to ship in June and in stores approximately 4 weeks later (subject to change).
On our product detail page we've got a free PDF preview with pages from almost every contributor, plus the full table of contents so you can see exactly what's in the issue. Photo and video previews are still forthcoming -- watch this space.
• Review: "Jaime [Hernandez]'s entry [in Love and Rockets: New Stories #1]... is like a huge riff on what might have happened if superhero comics started their evolutionary path by focusing on more female-centered concerns instead of testosterone-fueled fisticuffs... Gilbert's contributions are hard to describe, mainly because they are so surreal. They really have to be experienced and interpreted on your own." - John Jakala, Sporadic Sequential
• List: Library Journal recommends Paul Hornschemeier's Mother, Come Home as one of "14 Graphic Novels Honoring Mothers" (in the "Loss" subcategory), calling it "An exquisitely written and beautifully drawn exploration of grief."
• Review: "The latest in this anthology series... is what you need to give your really smart adult friends who are starting to enjoy sequential art but don't want to begrime themselves with the whole superheroics rigmarole: Because this is an excellent collection of work (comprising the serious, the funny, the weird, the contemplative, the goofy, and other flavors sublime or ridiculous) by a variety of new artists and old... Give this Mome [Vol. 14] to someone you love; they'll be queuing up to buy the next iteration." - Wayne Alan Brenner, The Austin Chronicle
• Review: "Supermen! is an interesting book. All these knockoffs of Superman have a certain creepy charm — like an off-brand children's entertainer — and there is some art, especially by Basil Wolverton and Jack Cole, that is literally decades ahead of its time." - Paul Constant, The Stranger
• Review: "...Boody: The Bizarre Comics of Boody Rogers is a real revelation... Boody Rogers' stories... don't seem to follow narrative structure. They're like Robert Crumb crossed with Li'l Abner. And they are amazing. This is the book to get if you think you know anything about comic book history; it will show you something you never would have thought existed." - Paul Constant, The Stranger (same link as above)
• Preview: "Tales Designed to Thrizzle #5: Ain't nothing better than the latest from Michael Kupperman; nothing else to say." - Jog, rounding up this week's new comics
• Interview: At RevolutionSF, Jay Willson has a Q&A with Comics Journal and future Mome contributor Noah Van Sciver. Choice quote: "I'm like the Bruce Springsteen of comics, only I'm actually really cool."
• Review: "...[T]he primitive funnybooks rescued from obscurity by Greg Sadowski in Supermen! The First Wave of Comic Book Heroes 1936-1941 contain within their awesomely naïve and rudimentarily brilliant pages all the seeds of the postmodern graphic novel... Compounded equally from pulp fiction, movies, newspaper strips, and sheer desperate commercial-deadline-brainstorm lunacy, these early superhero tales created their own fresh synthetic mythology and compositional tools on the fly." - Paul DiFilippo, The Barnes & Noble Review
• Review: "[Bottomless Belly Button] reads almost like a John Updike novel... [Dash Shaw] really utilizes the medium to its fullest capacity..." - Benn Ray (Atomic Books) on WYPR (Baltimore public radio - streaming audio)
• Review: "[The Wolverton Bible] is fascinating read; it's a fascinating document by one of the most important illustrators of the 20th century." - Benn Ray (Atomic Books) on WYPR (Baltimore public radio - streaming audio - same link as above)
• Review: "Fantagraphics’ collection of the four issues of Blazing Combat blew me away from the start. The size and heft of the hardback reminded me of my textbooks from my school days. And once I cracked open the book, I found myself getting a hell of an education with this one."- Tim O'Shea, Robot 6, "What Are You Reading?"
• Review: "If nothing else, Supermen! puts Fletcher Hanks’ career in perspective... These are comics designed to make you tear your hair out waiting for the next issue, just to see if these guys could top themselves. Great fun all around." - Tom Bondurant, Robot 6, "What Are You Reading?" (same link as above)
• Review: "Jason is an expert at expressing a complex idea with simple visuals and dialogue. Most of his works contain little to no dialogue, actually -- entire stories can be read in facial expressions, twitches, color changes and movements. The entirety of Tell Me Something contains 7 lines of dialogue. It tells the story of 2 lovers and the trials they go through to be together, using dual layered story arcs differentiated simply by the panel borders to convey depth and reshape the story into an intriguing form." - The Inside Flap [Ed. note: Tell Me Something is out of print, but will be collected along with other Jason stories in a forthcoming hardcover]
• List: For Robot 6, Chris Mautner names "Six ‘retired' artists we'd like to see return to comics," including Brian Biggs ("...Frederick and Eloise [brings] a whimsical, storybook approach that never seem[s] overly twee or sweet. Indeed, [it is] often grounded by some dark undercurrents, not to mention backed by some serious artistic chops"), Dave Cooper ("Surreal, mind-warping books like Suckle, Ripple and his ongoing series Weasel, which chronicled a number of sweaty, paunchy, disturbingly neurotic and oversexed characters, had Cooper earning acclaim equal to the likes of Clowes and Ware"), and Mary Fleener ("...[S]he remains one of the most original voices in comics, with an art style that’s completely her own (no one draws a sex scene like her)." [Note to Mautner: Mary Fleener had a new comics story titled "Niacin" in Hotwire Comics Vol. 2, which we put out last year])
• Interview: At Robot 6, Tim O'Shea talks to Esther Pearl Watson about Unlovable Vol. 1. Choice quote: "I was a lot like Tammy and still am. It’s everything I fear."