|Things to see: 2/17/10|
|Written by Mike Baehr | Filed under video, Things to see, Sergio Ponchione, fan art, Derek Van Gieson, Debbie Drechsler, Dave Cooper, Al Columbia||17 Feb 2010 4:05 PM|
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Category >> Dave Cooper
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Fresh off his wildly successful show in Manhattan, Robert Williams is celebrated as the Lord High Priest of Low Brow in the documentary film New Brow: Contemporary Underground Art. Shot by Justin Giarla of San Francisco’s Shooting Gallery, the film focuses on badass West Coast art and features all the superstars of modern pop (Ed. note: including an interview with Fantagraphics Bookstore & Gallery’s curator Larry Reid filmed at the store — the second voice you hear in the trailer — plus interviews with Blab!-published artists like Camille Rose Garcia, Shag and many more — you'll catch a glimpse of a Dave Cooper painting in the trailer too).
Happy day-before-Halloween — lots of treats in today's Online Commentary & Diversions:
• Bookmark: And I thought I was thorough! Hats off to Love and Rockets fan blog Love & Maggie, your one stop for comprehensive L&R/Hernandez Bros. link gathering, commentary and more (hat tip to Mike Sterling)
• Profile: Newcity's Beatrice Smigasiewicz talks to Paul Hornschemeier about the conclusion of his Mome serial "Life with Mr. Dangerous" and other topics: “People are routinely surprised to find that in person I joke around all the time and am obsessed with comedy: they think that I must walk around in a constant fog of philosophical conundrums and Weltschmerz.”
• Staff: Oh snap! Our own Jason T. Miles is now blogging at Comics Comics. Holy crap that guy can write
A new week brings an avalanche of new Online Commentary & Diversions:
• Profile: For the Philadelphia Inquirer, Tirdad Derakhshani looks at the past, present, and future of Prince Valiant: "The release Tuesday of Prince Valiant, Vol. 1: 1937-1938, the first in a new series of gorgeously printed, hardcover Valiant collections from Fantagraphics Books, served as a bittersweet reminder of the century-long rise and eventual decline of a great American art form, the comic strip."
• Review: "...Al [Columbia] decided to dredge up old ghosts, unfinished pieces, trifles he had thrown away then reconsidered and offered them up to us as proof that he hasn’t forgotten us. This 240-page book [Pim and Francie: The Golden Bear Days, Fall 2009]... has certainly filled in some gaps for me as to what goes on in Columbia’s mind... There seems to be something both amazing and horrifying around every corner, in any dark space, in the thick of the forest, in the bulbous eyes of maniacal creatures and the straight realistic lines of buildings that all have a dark window somewhere... It is truly a viscous treat and I am sure this one will never wash off." - Rachael M Rollson, Panel to Panel
• Review: "Though Low Moon doesn’t have the slow-building impact of Jason’s longer works, he’s still one of comics’ best storytellers, and it’s always a treat to spend time in his world of off-brand pulp clichés and not-always-so-funny animals. [Grade] B+" - The A.V. Club
• Review: "Jason is an immensely skilled artist capable of manipulating his self-restricted vocabulary to stretch space and time. Low Moon moves in a slow burn as the two antagonists move closer to their eventual showdown. In what is probably the best story in the book You Are Here, time moves more quickly as a father and son attempt to deal with the alien abduction of the father's wife. The father builds a rocket while the son grows up and has a life of his own. Eventually they pile into the rocket, and things end badly, but perhaps a bit more emotionally than with the other stories." - Michael Buntag, NonSensical Words
• Review: "Rage of a different kind in Everybody Is Stupid Except for Me and Other Astute Observations by Peter Bagge. This collection of satirical rants from the American libertarian magazine Reason... is philosophically more about punk individualism than Ayn Rand, and artistically the heir to 1980s indie comics. Indeed, Bagge is an indie star, famous for his wonderfully elastic cartooning style and punk-inflected comedies." - Roger Sabin, The Observer
• Review: "These are good comics [in Everybody Is Stupid Except for Me and Other Astute Observations], fun to read and definitely funny, definitely searing and when he hits a target he gets it right. Also there’s something to be said for the journalist tone of the writing and the structure of the strips would translate well into a proper newspaper, were he so inclined." - Ibrow
• Review: "For fresh talent in comics, you have to go to the anthologies and there's none better at the moment than Mome... the highlight [of Vol. 15] is Dash Shaw's hallucinatory story about a tidal wave, which uses swaths of colour and elongated panels to create a sense of vertigo." - Roger Sabin, The Observer (same link as above)
• Review: "Schulz had gone from a fairly grounded sense of consensus reality to Snoopy's flights of fancy to outright weirdness... That seems to be the essence of Sparky Schulz to me: even with the pressure of the daily grind and his position as the lynchpin of what had become a vast empire, Schulz wrote to amuse himself... At his best in this volume [The Complete Peanuts 1973-1974], Schulz gave the readers some of the best stories of his career." - Rob Clough
• Review: "Ace cartoonist Jordan Crane makes a curious split comic choice. The first half [of Uptight #3 ], 'Vicissitude,' is the opening chapter of a brooding adult tale of marital dysfunction and deceit, while the second, 'Freeze Out,' is a kid’s story, the further adventures of Simon and his cat Jack, who were featured in Crane’s great graphic novel, The Clouds Above. Miraculously, the pairing works — each is superior in its own genre — but you might want to wait until 'Freeze Out' is collected on its own before showing it to your kids." - John Seven, Worcester Magazine
• Review: "Blazing Combat (Fantagraphics, 2009) collects the entire run in a beautiful, incredibly well-bound hardcover book... The stories' tone is very 1960s, ironic with a cynicism stemming from brokenhearted humanism." - Carol Borden, The Cultural Gutter
• Review: "Needless to say, I love the streak of darkness that permeates [Charles] Burns' work. I mean that both figuratively and literally, as his one-of-a-kind illustration style is at-a-glance recognizable because of his heavy use of black ink... That starkness emphasizes the cruel features on the faces of his characters - deep wrinkles, harsh teeth, beady eyes and unflattering noses, to say nothing of the occasional freak. Like the look of his characters, Burns is one of a kind, and Skin Deep is a good introduction to the man's singular vision - a good way to get your toe wet before diving in." - Rod Lott, Bookgasm
• Review: "[A.B.] Frost looked like he was painting with the line…on a half-dozen cups of coffee. Trust me, that’s hard to do... Also, it looks like Fanta-Graphic Books might have brought Stuff and Nonsense back in print in 2003. [Yes. -Ed.] Pick up and copy and be ready to weep - this work is untouchable." - Tony DiTerlizzi
• Plug: "Carol Tyler's You'll Never Know is my favorite book of the year thus far. This memoir/biography/scrapbook is both formally challenging and emotionally devastating. Any critic serious about compiling a year-end list needs to keep this book under consideration." - Rob Clough, Robot 6 (guest contributor)
• Things to see: Tim Lane ponders "What would it be like to punt the Venus of Willendorf into outer space from the surface of the moon?” and "...but WHAT about THE CHILDREN?"
Online Commentary & Diversions
• List: I haven't heard of pop group 3OH!3 before, but their frontman Sean Foreman has pretty good taste in comics going by this Top 10 list he gave to The AOL Radio Blog: Black Hole, Bottomless Belly Button, Monster Parade, Epileptic, Jimmy Corrigan...
• Review: "For my money, [Joe] Daly is hilarious, with an ear for great dialog, a nice feel for the way characters and convertibles glide across the landscape of the comic page, and a zest for uniquely convoluted plots [in The Red Monkey Double Happiness Book]."- Steve Duin, The Oregonian
• Review: "Previous assemblages of [Prince] Valiant being out of print, Fantagraphics, a leader in the field, has stepped forward with gloriously restored art reproduced in generous dimensions and abetted by the essays of experts. This initial volume... demonstrates just why Valiant continues to burn so brightly... Simultaneously nostalgic and eternal, Hal Foster's populist masterwork deserves this accessible enshrinement." - Paul DiFilippo, The Barnes & Noble Review
• Review: "I dont think I’ve ever read anything like Low Moon by Jason and I mean that in a good way... Low Moon has a brilliant almost tightrope deadpan mix of sad and funny... Jason is capable of stories with heart like no other; particularly stories with an aura of heartrending and heartbreak. Low Moon might be the second most melancholy book that I’ve read over the past year... Low Moon by Jason continues to push the medium forward and confound readers expectations with brilliant stories that defy categorization." - Brian Lindenmuth, BSCreview
• Review: "...[T]he primitive funnybooks rescued from obscurity by Greg Sadowski in Supermen! The First Wave of Comic Book Heroes 1936-1941 contain within their awesomely naïve and rudimentarily brilliant pages all the seeds of the postmodern graphic novel... Compounded equally from pulp fiction, movies, newspaper strips, and sheer desperate commercial-deadline-brainstorm lunacy, these early superhero tales created their own fresh synthetic mythology and compositional tools on the fly." - Paul DiFilippo, The Barnes & Noble Review
• Review: "[Bottomless Belly Button] reads almost like a John Updike novel... [Dash Shaw] really utilizes the medium to its fullest capacity..." - Benn Ray (Atomic Books) on WYPR (Baltimore public radio - streaming audio)
• Review: "[The Wolverton Bible] is fascinating read; it's a fascinating document by one of the most important illustrators of the 20th century." - Benn Ray (Atomic Books) on WYPR (Baltimore public radio - streaming audio - same link as above)
• Review: "Fantagraphics’ collection of the four issues of Blazing Combat blew me away from the start. The size and heft of the hardback reminded me of my textbooks from my school days. And once I cracked open the book, I found myself getting a hell of an education with this one."- Tim O'Shea, Robot 6, "What Are You Reading?"
• Review: "If nothing else, Supermen! puts Fletcher Hanks’ career in perspective... These are comics designed to make you tear your hair out waiting for the next issue, just to see if these guys could top themselves. Great fun all around." - Tom Bondurant, Robot 6, "What Are You Reading?" (same link as above)
• Review: "Jason is an expert at expressing a complex idea with simple visuals and dialogue. Most of his works contain little to no dialogue, actually -- entire stories can be read in facial expressions, twitches, color changes and movements. The entirety of Tell Me Something contains 7 lines of dialogue. It tells the story of 2 lovers and the trials they go through to be together, using dual layered story arcs differentiated simply by the panel borders to convey depth and reshape the story into an intriguing form." - The Inside Flap [Ed. note: Tell Me Something is out of print, but will be collected along with other Jason stories in a forthcoming hardcover]
• Preview: Doug Pratt and Monte Schulz have an exchange in the comments of Pratt's blog about Schulz's forthcoming novel This Side of Jordan (previewed here)
• Preview: The Kenyon Review makes note of our forthcoming Abstract Comics anthology
• Previews: Matthew Brady offers succinct commentary on two of our upcoming titles: Tales Designed to Thrizzle #5 by Michael Kupperman ("This comic is funny") and A Mess of Everything by Miss Lasko-Gross ("The art looks great")
• List: For Robot 6, Chris Mautner names "Six ‘retired' artists we'd like to see return to comics," including Brian Biggs ("...Frederick and Eloise [brings] a whimsical, storybook approach that never seem[s] overly twee or sweet. Indeed, [it is] often grounded by some dark undercurrents, not to mention backed by some serious artistic chops"), Dave Cooper ("Surreal, mind-warping books like Suckle, Ripple and his ongoing series Weasel, which chronicled a number of sweaty, paunchy, disturbingly neurotic and oversexed characters, had Cooper earning acclaim equal to the likes of Clowes and Ware"), and Mary Fleener ("...[S]he remains one of the most original voices in comics, with an art style that’s completely her own (no one draws a sex scene like her)." [Note to Mautner: Mary Fleener had a new comics story titled "Niacin" in Hotwire Comics Vol. 2, which we put out last year])
• List: Kiel Phegley's "The Ten Best Comics I Read in 2008" includes Love and Rockets: New Stories #1 by the Hernandez Brothers at #7 and Bottomless Belly Button by Dash Shaw at #1
• Excerpt: Entrecomics posts some of Jason's Darth Vader gag strips from Meow, Baby! (as also seen in our 2006 Free Comic Book Day offering) and a page of his juvenilia as printed in The Comics Journal #294
Got some extra links from Eric today: