Comica, the London International Comics Festival, announces:
"On Saturday March 12th, mesmerising Italian maestro Lorenzo Mattotti makes a rare visit to London to discuss his career in comics and beyond, including his latest graphic novel Stigmata, translated by Fantagraphics, and his collaborations, from his animated terrors in the movie Fear(s) of the Dark to illustrating Lou Reed’s concept album The Raven. Joining Mattotti in conversation will be his friend and fellow artist Dave McKean, famed for his multi-media solo projects, most recently the erotic graphic novel Celluloid, and his works with Neil Gaiman notably on The Sandman. Introduced and hosted by Comica Director, Paul Gravett, don’t miss this opportunity to witness a unique encounter between two of the world’s greatest contemporary visionaries from 6 to 7.30pm followed by book signings at Goldsmiths University in South-East London."
Purchase advance tickets and get more information here.
• Review: "Like WWI itself, it's difficult to summarize It Was the War of the Trenches — each moment and story is precise and poignant and devastating, and they add up to far more than the sum of their parts, but they add up as a mosaic does, with each shard forming a point of color that only makes sense from a distant perspective. [...] Tardi is one of the giants of world comics, and this is one of his strongest works, a rare combination of ability, ambition, and subject. ...It Was the War of the Trenches is immediate and moving and deeply involving from page to page, showing once again the power that comics has to both illuminate dark corners of the world and to turn them into a compelling narrative accessible to nearly everyone." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Feature: At The SF Site: Nexus Graphica, Rick Klaw dubs Jacques Tardi "the Martin Scorsese of European comics" and runs down his reactions to all of our recent English reprints of Tardi's work: "Before my discovery of the French artist Jacques Tardi, how did I enjoy comics?"
• Interview (Audio): Guests Jean Schulz, Nat Gertler (The Peanuts Collection) and Kevin Fagan (Drabble) discuss the legacy of Charles M. Schulz on yesterday's episode of Southern California Public Radio's AirTalk (via Spurge)
#71: Werewolves of Montpellier by Jason: "Every time Jason dives into an age-old genre he finds a way to make it seem alien. His cast of animal characters feel like an emotionally suppressed oven full of loaded guns. His expedition into werewolf tales brings all of these elements together throughout its rooftop chases and playful approach to the supernatural." – Brian Warmoth
#67: It Was the War of the Trenches by Jacques Tardi: "You want to know how brutal war can be? You want to know how war should be depicted in comics — how to look the utter savagery, inhumanity and square in the eye using only pen and ink? This is how you do it." – Chris Mautner
• List: Comics writer/commentator Kevin Church selects Love and Rockets: New Stories #3 for his "Not A Best Of: Comics in 2010" list: "I’ll just add my voice to the chorus: 'Browntown' is likely the best comic that Jaime Hernandez has done, period. The fact that it’s bookended by Gilbert’s masterfully bleak sociosexual sci-fi story of first contact, 'The Love Bunglers' makes this possibly the highest-potency dosage of quality comics that came out this year. Like the Coen Brothers are for film, I am pretty convinced that I could read just comics by Los Bros Hernandez and feel immensely satisfied."
• List: In MTV Geek's poll "Comic Book Creators Pick Their Favorite Top 3 Comic Stories of 2010," Michael Fiffe chooses Johnny Ryan's Prison Pit Book 2 ("This may be one of the most romantic stories I've ever read. The entire world should read this book") and the Hernandez Bros.' Love and Rockets: New Stories #3 ("I'll never get tired of saying that if you don't like this comic, then you hate comics and thus, you hate life")
• List: Matthew Rosenberg of Ashcan Press ranks Prison Pit Book 2 at #15 on his Best of 2010 list: "Johnny Ryan’s Prison Pit may be everything a 12 year old me liked about comics boiled down to its essence and then pumped full of crystal meth. The book reads like hitting someone in the face… in a good way."
• Review: "Written with impressive empathy and obviously heartfelt, angry frustration even years later, this memoir confronts issues that will affect every single one of us whether or not we have the guts to face it, and the light airy art and terrific supporting cast — especially Ching the cat — keeps the tone hopeful and ultimately upbeat even through the worst of all times. This is a book you must read. Like Robert Crumb, I too found tears in my eyes at the book’s end — and so will you. [...] Unsentimental, educational and inspirational Special Exits is a tale no rational mortal can afford to miss." – Win Wiacek, Now Read This!
• Coming Attractions/Commentary: At Robot 6, Graeme McMillan uses the occasion of our forthcoming Summer 2011 publication of "what might be, for me, the most eagerly-anticipated book of 2011, Dave McKean’s Celluloid" to ruminate on the subject of pornographic comics
• List: Cathy Malkasian's Temperance is one of Largehearted Boy's Favorite Graphic Novels of 2010: "I have been creating a list of my favorite graphic novels of all time, and as the list grows smaller, one title remains near the top of the pile. Cathy Malkasian's debut, Percy Gloom, skillfully told (and illustrated) its story, and wholly transported the reader into an alternative world. Malkasian is back with another stellar graphic novel, Temperance, a dark and literate dystopian fable centered on themes of violence and control."
• Review: "...Joyce Farmer... in the ’70s contributed to the feminist anthology Wimmen’s Comix and helped create a notorious series about women’s sexuality whose title can’t be reproduced here. She’s kept a fairly low profile since then, but her new book, Special Exits, is forceful, unsparing and equally concerned, in its way, with saying the unsayable. [...] Farmer’s tone recalls her underground days and suits the gently rambling narrative. [...] She renders her wobbly, minutely textured characters with wit and tough affection, and her habit of looking for the darkly funny side of everything keeps the book from getting too bleak." – Douglas Wolk, The New York Times Sunday Book Review
• Profile: Cindy Frazier of the Laguna Beach Coastline Pilot talks to Joyce Farmer and her early publishing partner Lyn Chevli: "'So I put a sign in the window saying, "Artist Wanted,"' Chevli said. Farmer, who worked at a bail bonds office next door, responded. The rest is comic book history, as the pair became pioneer women comic book publishers."
• Profile: Jennifer Erickson of the Laguna Beach Independent talks to Joyce Farmer: "While she honed very useful skills of observation at art school, 'reading about Socrates was life changing,' said Farmer, struck by inequities of contemporary society that echo ancient times. 'I wanted to do things to improve our culture – make the world a better place,' she said."
• Review: "Norwegian cartoonist Jason is a genius, full-stop, and that statement is undeniable by anyone who has even a passing knowledge of his work. ....What I Did... practically sell[s] itself, but those still in doubt can be assured that, apart from it being an excellent deal, the quality of the work within this book is impeccable. [...] Each story on its own is unquestionably superb, and readers will delight in the moods Jason evokes and the artistic techniques he employs. Together the stories in What I Did are sterling examples of Jason’s fantastic skill as both an illustrator and a storyteller that are well worth the purchase in spite of their vast differences in tone, style, and content." – Steve Higgins, PLAYBACK:stl
• Review: "Well, no children are brutally murdered in this one, so thank heaven for small favors! Of the Fritz B-movie books so far... [The Troublemakers] is the most straightforwardly a product of genre. Grifters and gunplay, seductions and quadruple-crosses, all that stuff. [...] And there’s magic, too, but like everything else it’s just used to fuck other people over." – Sean T. Collins, Attentiondeficitdisorderly
• Review: "The chief surprise with Newave! is the vitality and merit it sustains throughout its length and not so much in its content, although there is a lot of content … well over 70 complete minis from the day. This is altogether riveting stuff, a host of guerilla comics from so many different hands offering an astonishing variety of visual experiences." – Rich Kreiner, The Comics Journal
• Plug: "Compiled... to catalog the sometimes glorious, sometimes ignominious, always entertaining history of punks-on-film, this anthology [Destroy All Movies!!!] features over 1,100 mohawked rockers, funky new-wavers, and down-and-out weirdos..." – Thrillist
• Plug: "Fantagraphics have done an amazing job putting together this huge slab of Stan Sakai's samurai epic [Usagi Yojimbo: The Special Edition]. Over a thousand pages in a gorgeous slipcased two-volume set that may be overkill, but isn't that what the holidays are about?" – "Lydia Park," The Rack
• Coming Attractions: Greek site Comicdom reports on the triumphant return of The Comics Journal with issue #301 (coming in February 2011)
• Coming Attractions:Bleeding Coolreports on our Spring 2011 publication of Jim Woodring's Congress of the Animals and also reports on our Summer 2011 publication of Dave McKean's Celluloid