I always was very fond of the mini-comics format -- take two to four 8 1/2 x 11 sheets, fold them once, staple, and voilà! You have an adorable little 5 1/2 x 8 1/2 comic book for mere pennies. But I could never really figure out what to do with this old-school, low-tech format.
For this catalog season, we have created 21 "FBI•MINI" booklets (most in this format, although there are a few oddities), as premiums for customers who order books directly from us. They are available free with the purchase of their "matching" book or books -- or for those customers who've already bought those books but are desperate to get the FBI•MINI, free with the purchase of $50 worth of any other Fantagraphics mail-order merchandise.
If any of these catch your interest (and if you're reading this blog surely at least one of them will) you can click right on any of them to a more detailed listing on our website -- or just click right here and all 21 will pop up for you to peruse.
• Review: "...Kevin Avery’s Everything Is an Afterthought... chronicles the dramatic life of one of music’s keenest observers, Paul Nelson, and curates his finest critiques.... I read and adored [Nelson] growing up, but reading [him] in the context of today’s critical standards gave me the literary equivalent to the bends. It goes without saying that, in the age of the Internet, the whole idea of a critic has changed." – Jim Farber, New York Daily News
• Review: "It could well be ten years since I last read these stories [in Queen of the Black Black], and I’d either forgotten or never appreciated (my money’s on the latter) how astute and insightful they could be. Like a proto-Kevin Huizenga, [Megan Kelso] repeatedly turns up little rocks of human experience and chronicles what’s going on underneath, reintroducing us to feelings, sensations, and experiences we’d forgotten we’d had but recognize as if they happened this morning." – Sean T. Collins, The Comics Journal
• Review: "This collection of early stories from Megan Kelso shows a natural flair for the form, mixed with a self-critical determination to hone her craft, that’s helped her blossom into a master storyteller.... Anyone looking for a masterful example of the short story in comics would do well to give [Queen of the Black Black] a try. Beautifully written and well illustrated, this a wonderful portfolio of work from a creator showing a deep well of promise from the start." – Grovel
• Review: "...[E]asily... one of my favorite horror comics and one of my contenders for my Best of 2011 list.... Not only is the book carefully structured, it looks stunning.... The Hidden is a story that must be experienced to fully appreciate... There is an excellent story of slow-building despair to be found in its pages, with gorgeous depictions and coloring and a horror story that shocks, surprises, and entertains. Don't let this one get hidden on your shelves! It may not be Halloween, but I still give this book my highest recommendation!" – Rob McMonigal, Panel Patter
• Review: "Volume 2 of Fantagraphics' Gottfredson Library, which takes us up through the beginning of 1934, maintains the high production standards and copious ancillaries of the first volume.... Tom Andrae's opening essay emphasizes, with good reason, how Gottfredson "spun off" many of his early narratives from the plots of animated cartoons. IMHO, however, the Mickey strip truly became "great" once Gottfredson gained the confidence to craft his own plots." – Chris Barat
• Profile:Paul Gravett surveys the work of David B. and presents a transcript of his bookstore discussion with the artist this past summer (hat tip to TCJ.com's Tim Hodler)
• Plug: Pulitzer-winning author and known Love and Rockets fan Junot Díaz names Poison River by Gilbert Hernandez (collected in Beyond Palomar) one of his top 10 favorite books in an excerpt from Unpacking My Library: Writers and their Books posted at The Financial Times
• Plug:Oil and Water receives an excellent feature in the new issue of the Audubon Society of Portland Warbler newsletter, which can be downloaded here
• Tribute: At The Comics Journal, Bill Griffith remembers meeting, and later collaborating with, the late Bil Keane: "I was surprised when Bil told me he read Zippy in his local Arizona paper and liked it. He didn’t even qualify his opinion with the usual, “Of course, I don’t always get it.” Until then, I hadn’t paid much attention to The Family Circus, but I slowly began to see that you could read more into it than what appeared on the surface. This was before internet wise guys began mashing up random Friedrich Nietzsche lines for Billy and Jeffy’s and riffing on the strip as unconscious surrealism. But The Family Circus didn’t need hipsters to substitute incongruous dialogue to make the case that it was unconscious surrealism. It was unconscious surrealism on its own."
The first installment of the breathtaking series by French cartoonist David B. A boy's world is shattered by his brother's epileptic seizures and his growing awareness of turmoil in warring countries. The stunning two-color artwork evokes an extraordinary range of influences, from the boldness of primitive art to the lyricism of Winsor McCay.
• Review: "This slim volume is finely edited, and its narrative tone resides on the border between fairy stories and unbowdlerized folk tales. In other words, it is suffused with equal dismay and delight at the nature of the world. The drawings, printed in two crisp colors, would be worth the price of the book if it were stripped of words. Like Craig Thompson’s Habibi (which it precedes in its original publication date, pre-translation) and Umberto Eco’s Baudolino, it has a great deal of wonder in it, which it conveys in a surprisingly matter-of-fact way. Do note that the book is full of penises and violence (and I mean full), so you may not want to buy it for your ten-year-old niece, but if you are still under the spell of story, The Armed Garden will delight you." – Hillary Brown, Paste
• Reviews:Cosmic Treadmill begins their survey of the complete works of Jason with Hey, Wait... ("What starts out as a series of cute and fun moments of the protagonist’s childhood turns into one of the most memorable comic book moments I can think of.... This should be on everyone’s to-read list"), Sshhhh! ("utterly engrossing... another quite memorable book"), and The Iron Wagon ("Full of deceit, paranoia and some great characterisation, The Iron Wagon won’t soon be forgotten") — all of which are collected in What I Did
• Plug: "I loved [Mascots], and if you're the kind of person that this kind of thing might appeal to, I highly recommend it. It lands a tricky acrobatic mix of poetry, graphic design, painting, and general sketchbook goofballery." – Kevin Huizenga\
• Review: "Sala’s new book, The Hidden, does not wholly depart from the campy fascination with the morbid that marks his previous work, but is even darker in tone, despite the vibrant watercolor work. The visual markers of Sala’s humor are present — the affected font, the twisted faces — but there is arguably something more serious and disturbing at play here." – Jenna Brager, Los Angeles Review of Books
• Reviews (Video): "This week on the Comics-and-More Podcast, Patrick Markfort and I discuss Richard Sala's work, including his Peculia books and his new graphic novel The Hidden, perfect books to read for Halloween." So says co-host Dave Ferraro — watch the multi-part video at the link
• Review: "EC is often at the center of the story [of Pre-Code horror comics]... Four Color Fear strives to provide an accessible sampler of everything else. Editor Greg Sadowski is adept at such missions.... Sadowski keeps endnotes, often heavy with hard publication facts and extensive quotes from artists and observers, in the back of the book in order to structurally foreground the sensual, aesthetic experience of reading old comics." – Joe McCulloch, Los Angeles Review of Books
• Review: "Thirty years after the debut of their Love and Rockets series, the Hernandez Brothers continue to impress readers with their incredible Love and Rockets: New Stories #4.... More than ever, Jaime demonstrates a mastery of line and pacing, making for emotional realism that is rarely matched in the world of comics.... As for Gilbert, he presents readers with the captivating 'King Vampire,' a story which revolves around killer vampires.... The result is a gripping tale filled with plot twists, violence, and absolutely gorgeous art.... With Love and Rockets: New Stories #4, the Hernandez Brothers establish once more their immeasurable contribution to the world of comics. Instead of producing works that are stale and predictable, the duo is creating comics that are as imaginative and fresh as ever." – Jason Grimmer, 211 Bernard (Librairie Drawn & Quarterly)
• Review: "David B. is one of the most important cartoonists in France. A member of L'Association, his most important work is Epileptic... But I will confess that I like the stories in The Armed Garden more. These are stories about heretics. Heresy is a subject of particular interest for certain storytellers -- for example, Jorge Luis Borges.... These bizarre fable-like tales may seem far from us, but they show want can happen when societies are stressed." – Robert Boyd, The Great God Pan Is Dead
• Review: "The stories [in The Man Who Grew His Beard] are funny, ironic and absurd. In that, he reminds me of his fellow Belgian cartoonists, Kamagurka and Herr Seele. But he also reminds one of the avant garde Belgian cartoonists of Freon (later Fremok). These are more 'art comics,' where the visual aspect is paramount. This is not to say the narratives are unimportant, mere hangers onto which to hang the art. They are amusing, weird and compelling -- the visual aspect makes them all the more so." – Robert Boyd, The Great God Pan Is Dead
• Review: "Told with great confidence and uncomfortable frankness across a sprawling 450 pages, [Today Is the Last Day of the Rest of Your Life] is a coming-of-age narrative that inevitably places itself in the tradition of German travel literature, perhaps unwittingly joining the company of such august figures as Goethe and Hesse.... Despite its trauma, the journey ends up being one of liberation. Though its description of the risks inherent to the only semi-aware need for independence characteristic of youth is sobering, the book is never judgmental. There is a distinct undertone of empowerment to this story of one woman’s instinctive search for enlightenment. It is a grand tour." – Matthias Wivel, The Metabunker (Look for our edition of this book in Summer/Fall 2012.)
• Commentary: "Long gone publisher St. John's line of romance comics has a chronicler in the person of John Benson. He edited [Romance Without Tears] from Fantagraphics in 2003. He argues that this line was superior to just about everybody else's line of romance comics and he is good at peopling his argument, particularly in a second book [Confessions, Romances, Secrets and Temptations] he put together in 2007." – Eddie Campbell
• Plug: "Two — count ’em — two books fold into one in Everything Is an Afterthought. First, we get a heartbreaking biography of the late, great rock critic Paul Nelson. Then, to prove the greatness part, the author of the first section (Kevin Avery) compiles Nelson’s most incisive hits." – Jim Farber, New York Daily News
• Plug: On Librairie Drawn & Quarterly's 211 Bernard blog, Jason Grimmer runs down some highlights from Mark Twain's Autobiography 1910-2010 by Michael Kupperman, saying "Come on, that's a helluva CV know matter how you slice it. The least you could do is read about it."
The signed, limited-edition 2-color silkscreen print for David B.'s August, 2008 exhibit at Fantagraphics Bookstore & Gallery features imagery from his short story "The Armed Garden," collected in 2011 in The Armed Garden and Other Stories. Signed by the artist, in an edition of 75. We are pleased to now offer this item to our mail-order customers!
Printed in black and metallic bronze on white heavy bond paper. Designed by Adam Grano; printed by Art Garcia in Seattle, WA.
• Feature: At SF Weekly, Alan Scherstuhl provides you with "10 Reasons Why Prince Valiant Bests All 2011's Adventure Heroes" (starting with "He lances giant crocodiles"), saying "Sure, those glossy lips and that pageboy bob makes him look something like ye olde Ramona Quimby, but don't let that fool you. The star of what is arguably the twentieth century's best-drawn newspaper comic strip, Hal Foster's Prince Valiant is all hero, through and through, for his age and ours. The first four volumes of Fantagraphics' collected Prince Valiant reveal young Foster's creation as both the sum total of the heroic ideals that preceded his debut in 1937 as well as a source of serious inspiration for all the heroes that have followed him, in all media formats, in the decades since."
• Review: "War and disorder [in The Armed Garden and Other Stories] from the creator of the much-admired Epileptic and, more recently, Black Paths, visually styled to each story’s setting. The first was my favourite to look at: a forest of spears, a torrent of arrows and a swirling sandstorm of bleached bones and skulls against a velvety, light mushroom brown — a tremendous sense of space.... So there you have it: religion, jealousy, conflict and a great deal of transmogrification. Oh yes, death; a great deal of death too." – Stephen L. Holland, Page 45
• Review: "It helps if you can illustrate your fever dreams as well as Sala can — lavishly watercolored in brown, saturated orange and yellow, punctuated by bright blue and (especially later) red, [The Hidden] is beautiful to look at, and as usual, he gives us memorable grotesques and lovely girls in equal measure. Those who are fans of the artist’s previous work will find more of what they like here, and will be gratified by the deviation from his usual norm. Those who are new to his efforts will be entertained, I think, by the story, which is a bit of a page-turner, and will like his beautifully colored art. His best since he wrapped up Evil Eye a few years ago." – Johnny Bacardi, Popdose
• Review: "Dense, claustrophobic, intense and trenchantly funny, the self-contained [Nuts] strips ranged from satire to slapstick to agonising irony, linking up over the years to form a fascinating catalogue of growing older in the USA: a fearfully faithful alternate view of childhood and most importantly, of how we adults choose to recall those distant days." – Win Wiacek, Now Read This!
• Analysis:Robot 6's Matt Seneca performs a close analysis of a page from Al Columbia's Pim & Francie: The Golden Bear Days: "The genius of the page above is almost too simple: in four panels that follow the minimalist logic of the gag-strip format, it speaks to both the artificial nature of drawings and to the nature of sequence as something that breaks comics apart as much as pieces them together."
• Review: "Sala creates stories in which brightly colored, cartoony art and characters who speak in casual idiom tell of events that aren’t so much humorous or casual as provocative and scary. In [The Hidden], he combines motifs of a postapocalyptic landscape, wanderers, some vampiric businessmen, and, ultimately, Dr. Frankenstein. The stew works perfectly: readers have no chance to engage in incredulity... Characters are introduced at a steady but manageable pace, and it is only at story’s end that the opening pages become horrifyingly clear. Sala works with a full palette of beautiful, gemlike hues held in generous panels. Even the monsters have individuated faces, which only ramps up the horror." – Francisca Goldsmith, School Library Journal
• Interview:Comic Book Resources' Shaun Manning talks to Richard Sala about The Hidden: "It's a story about consequences. It's about what happens when you set wheels in motion that maybe you can't control, that in fact spin completely out of control. What do you do? Do you take responsibility for what comes next or, or do you run away and distance yourself from what you've caused and try to pretend it doesn't matter. And it's about what happens when you finally realize that it's up to you to stop what you started. Is that vague enough?! It's not exactly a 'high concept' description, I'm afraid."
• Review: "A dark horse contender for comics creator of the year can be found in the unlikely personage of the late artist Alex Toth... Setting the Standard aims at... a conceptually sound and compelling [goal]: the publication of Toth's work between 1952 and 1954 for the long-defunct comics publisher Standard... The work is in a variety of sturdy, popular genres. The presentation of the comics themselves proves crisp and strong. The manner in which the increasingly valuable Sadowski and his publisher chose to present the supporting material is even better." – Tom Spurgeon, The Comics Reporter
• Review: "I think the most important thing you need to know about [Mark Twain's Autobiography 1910-2010] is that it made me laugh out loud not once, but close to a dozen times. At one point, during an exchange with a famous cartoon strip writer, I think I laughed for a solid minute. It might have been longer, except the neighbors threatened to shoot me. And if they'd done me in, I'd never have gotten a chance to review this and tell you that this is one of the best books -- if not *the* best book -- I've read all year." – Rob McMonigal, Panel Patter
• Interview:Comic Book Resources' Alex Dueben chats with Gahan Wilson about Nuts: "On the whole, [the comic] was mostly autobiographical. It just rolled out and it was and continues to be very satisfying to me. It helped me see kids better, too. They're just wonderful. The creativity of children is kind of frightening. They all do these drawings which are just gorgeous and profound, and they'll do poetry. They're brilliant.... I think they're very encouraging because they give you a peek at what we could be if we grew up right. I think there's hope for us all, and kids are evidence of that."
• Interview: At The Comics Journal it's a Mome dude tête-à-tête as Frank Santoro quizzes Jesse Moynihan: "I did some color guides with Photoshop for a piece called Simon Magus (MOME 22). That was helpful but not usually how I do things. Since I’m using a medium that can build layers, it’s not difficult to go back in and edit the color scheme to an extent. For the most part I trust that my eye can decide what needs to happen on the fly."
• Interview (Audio): On the latest episode of the Panel Borders podcast, Alex Fitch talks to David B. about his new book Black Paths (audio in multiple formats at the link)
• Interview (Video): At SPX, Paul Hornschemeier sat down for an on-camera chat with Joe Mochove and Rusty Rowley. "We discuss all of the important topics of the day: Earnest Borgnine, mobility scooters, terrorism, and delicious orange juice," says Paul at his blog. (What is it with the Borgnine?)
• Review: "David B.'s newest, The Armed Garden and Other Stories, finds the creator turning his gifts to the world of historical legend. The subject may be different but the artist's mysterious and melancholy style saturates every panel; what's more, the three graphic novellas collected in The Armed Garden provide him with plenty of opportunities to draw the epic battle scenes he so loves.... The Armed Garden and Other Stories is the witty, finely executed work of an artist uniquely capable of capturing both the fervid ecstasy of belief and the dull, heartsick ache left behind once it cools." – Glen Weldon, NPR.org
• Review: "In Mark Twain's Autobiography 1910-2010, Adult Swim contributor and comics creator Michael Kupperman (Snake 'n' Bacon) reworks [Hal] Holbrook's Twain as a Zelig-like immortal cruising through a century of life after his 1910 death.... Some of the tales are hilarious koans of absurdist comedy — Twain as the unknown fourth astronaut on the Apollo 11 mission is fabulous. Although it sometimes has the feel of a Saturday Night Live skit stretched into a feature film — perfect in small doses but unsustainable over a longer haul — the premise is too good to abandon." –Andy Lewis, The Hollywood Reporter (reviewing the book in tandem with Holbrook's memoir Harold: The Boy Who Became Mark Twain)
• Review: "Kupperman is a comedic genius. Filled with deliberately odd syntax, wizards, snarky dialog, vampires, outer space adventures, car UFO chasing, and nearly every significant event of the past one hundred years Mark Twain’sAutobiography [1910-2010] is easily the funniest thing that I have read in a very, very long time. Come to think of it, I don’t think I have ever read anything funnier. Nearly every page had me rolling. It wasn’t just a chuckle or even a hearty guffaw, either. It was maniacal hysterical, snorting, crying, temporarily not breathing, and contorting my body into uncomfortable shapes type of laughing. It’s that goddamn funny. So funny, in fact, that I would be entirely satisfied if Kupperman went ahead and decided to write the biographies of everyone else, ever." – Zack Kruse, A Little Nonsense
• Review: "Love And Rockets: New Stories Vol. 4 contains the conclusion to the recent run of 'The Love Bunglers' stories — again with a heartbreaking digression into the past.... This is incandescent work. At this point, Jaime Hernandez draws comics better than maybe anyone's ever drawn comics. The story is beautifully paced, there are at least two stop and stare sequences in there..., the characters are warm and human and funny, one of the subplots addresses with significant insight and potency Jaime's long-time fascination with the power of memory in providing life with meaning and the ending made me choke up both as a moment with resonance across decades of comics but also for the thematic twist it provides on something we've seen in the last few appearances of Jaime's best character... I don't know that it's something you can pick up out of the blue, but my God, what a remarkable comic. I'm so grateful to have read it." – Tom Spurgeon, The Comics Reporter
• Review: "Congress of the Animals might be my least favorite Woodring book, but it’s still overall strong and compelling. I love the fact that Woodring has made a huge, fundamental change to the world of Frank, and that in doing so it still feels like an old familiar friend. I’m not sure just anyone could have pulled this off so late in the game, but with Woodring it feels like a natural extension of everything we’ve seen up until now. There’s no other comics quite like Woodring’s out there, and I’m forever thankful that we get these amazing, disturbing, wonderful creations from him. After all, a 'merely good' comic from Woodring is still better than most other comics out there." – Greg McElhatton, Read About Comics
• Interview: If you read one interview with Johnny Ryan, make it Jesse Pearson's epic, revealing talk with Johnny at The Comics Journal: "When I was first doing book one of Prison Pit, I felt like even though it was about monster men and fighting and all that shit, it was revealing more about myself than any of my earlier works. I removed a lot of that aggressive humor that was working as my armor."
• Interview:Panel Bound's Matthew Manarino talks to Freeway creator Mark Kalesniko: "I like doing comics, as you saw in Freeway, I like doing some comics with detail, I like to go in and show people a world and paint it and draw it. With Freeway I can take you to downtown Los Angeles and really give you a tour.... With Freeway and even Mail Order Bride I wanted to give you something where it’s not a crude drawing but give you a layout so you really feel like you're there. There is also a joy with that kind of work were you can come back to it over and over again and always find something new." (Mark's advice for submitting work to publishers is great, by the way.)
• Feature: In "Graphic Medicine" at Comics Forum, M.K. Czerwiek (RN) spotlights Joyce Farmer's Special Exits in an article on comics dealing with hospice care issues
"The comics medium has grown adept at translating legendary stories from history... In The Armed Garden and Other Stories, the French artist David B. adapts less well-known, but no less interesting, mythic tales of man and their interactions with god(s).... The stories are held together by the artist’s sense of humor and tone, not to mention the striking, not-quite-black-and-white, two-toned art. The reader can’t help but smile as a goose leads a warrior to battle a man who has become a star. One of many fantastical events juxtaposed with a to the point, almost ho-hum narration, suggesting the idea that these legends are common occurrences. If only that were so."
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