The Georgetown Second Saturday Art Attack returns on Saturday, November 13 with challenging visual and performing arts presentation throughout the historic industrial arts corridor.
Among the many highlights on November 13: The AV Club, a new Georgetown film and video showcase located in the alley between Flora and Ellis behind Tacoma Screw, will feature the installation, "Ohio," by Laura Wright, which serves dual functions as an environmental installation and as the ambience for AV Club Cinema media presentations; the Georgetown Trailer Park Mall launches the Fourth Annual Holiday Bazaar including new work by Mark Tweed in the Lula B Lightning Trailer and Cooper Lanza in the Red Purse Airstream; the Georgetown Atelier is hosting its annual holiday party celebrating their second year in Georgetown with artwork raffled to raise money for student scholarships; Krab Jab Studio will be host a solo show of Mark Tedin's large works on paper; Calamity Janes will present oil paintings by Kyle Abernethy, assemblages by Corey Urlacher and photography by Michelle Smith Lewis; Mickey Williams' photographs are at the Nautilus studio; Fantagraphics Bookstore & Gallery hosts a book launch event for Destroy All Movies: The Complete Guide to Punks on Film with editors Zack Carlson, Bryan Connolly, and designer Jacob Covey, together with an exhibition of prints by cartoonist Charles Burns.
The Georgetown Second Saturday Art Attack is a monthly promotion of the Georgetown Merchants' Association. For more information contact Art Attack coordinator Larry Reid at the numbers above. For a site map of Art Attack participants, please visit: www.georgetownartattack.com.
• Review: "...[A] slobbery-gorge-mongous new Fantagraphics coffee table crusher and consumer-seducing guide to celluloid anarchy... Edited by VHS junkies, one-time punk record store owner and movie house curator Zack Carlson and Vulcan Video tastemaker Bryan Connolly, Destroy All Movies!!!is a $35 pink-splattered mind-bomb of enthusiastic but not uncritical assessment of high quality films loyal to the cause... and annoying to the cause... The eagle-eyed authors spent thousands of hours assimilating their assessments by staking camp at Seattle’s own utterly awesome Scarecrow Video. It shows in as much knowledge as passion for the material. [...] Have sushi and don’t pay for it, but buy this book." – Chris Estey, The KEXP Blog
• Plug: "Every few months like clockwork, I’m guaranteed that a delightfully fun read will land on my doorstep, for that is what the periodic arrival of Charles Schulz’s masterpiece has become. We’re now up to The Complete Peanuts: 1977-1978, which gives us weeks of strips about jogging and a few references to disco… Including a polyester-suited beagle. We’re now almost 30 years into Peanuts' 50-year run, and if you haven’t picked up any of these volumes yet, rectify that grievous oversight." – Ken Plume, FRED Entertainment
• Survey:Johnny Ryan is among the personages that Vice polls for their "favorite fright films"
Another two-day Online Commentary & Diversions (running a little off schedule, sorry):
• Review: "Hollywood is probably the most likely to misrepresent any culture, but their casting of punks as Neolithic, abusive, drug addicts with candy-colored hair and an inexplicable amount of chains is far too amusing to turn away from. [Destroy All Movies!!!] editors Zack Carlson and Bryan Connolly seem to have noticed this trend, and their commentary about each of these films borders on hilarious at several points. [...] In the end, you get both a compendium of thoughtful ruminations on punk culture and a hilarious collection of movie missteps..." – Thorin Klosowski, Denver Westword
• Review: "[Jason] is without immediate peer, and perhaps the closest I can get to him is Jim Jarmusch, the indie film director... Werewolves of Montpellier is less about the grand sweep of its pseudo-horror set-up (which is utterly demolished by a delicious final page denouement), and more about its mundane aspects, which resonate further than the book's forty-odd pages. ★★★★ [out of 5]" – Michael Leader, Den of Geek
• Review: "...Blake Bell has crafted an excellent look at one of comics' most underappreciated creators: compelling, well paced and entertaining. [...] Bell kept Fire & Water moving at an excellent pace, never dwelling too long on any details but giving us Everett's life in relation to his comic career. And that's the key: Bell is a comic fan and knows his audience is as well so that's the focus. [...] While the tale of Everett's life held my attention the art is the real star. Covering everything from early doodles to his last published page we get to see thirty plus years of material. [...] The fit and finish for Fire & Water is exceptional. A heavy matt paper is used that really shows off the material and gives it an almost period feel. The size is perfect for admiring the art and is easy to read; a new perfect package. I can't get enough of the dust jacket image and its design is stunning: a real eye catcher. At $40 it's a great value." – Scott VanderPloeg, Comic Book Daily
• Review: Sean T. Collins's "Love and Rocktober" review series at Attentiondeficitdisorderly moves on to Gilbert Hernandez's oeuvre, starting with Heartbreak Soup: "Whether in terms of family, sexuality, physicality, or deformity, biology is destiny for the people of Palomar... And although biology is obviously among Beto's primary concerns, destiny is the operative word. I don't think the Palomarians have the ability to escape the way the Locas do. Not all of them need to escape, mind you — there's a lot of really warm and adorable and hilarious and awesome stuff going down in Palomar — but whatever walks alongside them in their lives is gonna walk alongside them till the very end."
• List: At Robot 6, guest contributor Van Jensen names Josh Simmons's House as one of his "six favorite horror comics & movies" (and, by reduction, one of his three favorite horror comics): "Simmons uses no words through the entire story, but his real accomplishment is utilizing the design of the pages to deliver an increasingly claustrophobic, disorienting and terrifying story."
• Plug: At Robot 6, Sean T. Collins highlights our duo of creepy all-ages releases, David B.'s The Littlest Pirate King and Stéphane Blanquet's Toys in the Basement
• Interview:The Daily Cross Hatch's Brian Heater concludes his 3-part chat with Drew Weing: "What’s funny is, I’ve got Google Alerts for my name, so if somebody says it on the Internet, I show up like Beetlejuice. I click on it, like, 'ooh, this guy just dissed me.'" [Hi, Drew.]
• Analysis: At Comics Comics, Timothy Hodler compares the reproduction/restoration style of Four Color Fear: Forgotten Horror Comics of the 1950s with another, similar book which also came out recently, also noting that "Greg Sadowski’s [text] is preferable by a wide margin." (There's plenty of discussion in the comments, and from Alan David Doane at Comic Book Galaxy.)
Online Commentary & Diversions from Friday to today:
• Review: "In The Sanctuary, Nate Neal traces back the history of manipulation, power battles and betrayal to a single cave, thousands of years ago. The story unfolds entirely in a Paleolithic language Neal created, rendering the action subtle as a tribe careens toward possible chaos amidst the battles contained. [...] In the dynamics that Neal presents, you can see your country, your town, your work place and your family, all rolled into one cautionary tale. In stark black and white, Neal’s art exhibits much sophistication, while still maintaining a required roughness, given the time period and level of civilization he’s portraying. [...] Neal’s book digs deep down to the core of our humanity that almost requires manipulation for movement, but suggests that sometimes there are victories for us even if we do require a shifty style of prodding." – John E. Mitchell, The North Adams Transcript
• Review: "As ever, Jason's characters are universal precisely because they're so specific and odd; dog-faced werewolf Everymen, living their lives of quiet desperation. His art is precise and carefully defined, a collection of moments carefully chosen and arrayed to imply so much more than his characters could ever say. His silences are theatrical — he's the Beckett, or Pinter, of comics. And Werewolves of Montpellier is another masterly performance from one of our modern best." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Reviews: Sean T. Collins continues "Love and Rocktober" at Attentiondeficitdisorderly, delving into Love and Rockets: New Stories with Jaime's "Ti-Girls Adventures" from #1-2 ("If 'Locas' has taught us anything, isn't it that women should be the stars and driving forces behind their own damn comic, even if they're dressing up in one-piece swimsuits and punching each other in the process?") and the "Browntown"/"The Love Bunglers" duology from #3 ("Such power! ...[One] of the most devastating — and I mean so sad it impacted me physically — comics I've ever read. I will never forget reading this book.")
• Review: "...A Drunken Dream and Other Stories... sucked me into its stories and made me want to read a lot more of Hagio’s comics. A mixture of romance, science-fiction, and family drama, this ten story compilation is one of the strongest examples I’ve seen of the depth and breadth that the shôjo genre can contain. [...] Highly recommended." – Greg McElhatton, Read About Comics
• Review: "...[Temperance] is an intimidatingly rich work, full of symbolism and moody art... It's all lushly rendered in spooky gray tones, with lively, somewhat pudgy characters always striving forward toward their dubious goals... Malkasian clearly has poured her heart into this story, bringing the characters to life even as they act to make readers think beyond the story itself. It's a beautiful book, and one that will stick in the mind for some time after reading it." – Matthew J. Brady, Warren Peace Sings the Blues
• Review: "...[T]his fabulous tome highlights the astounding wizardry of one of the most accomplished draughtsmen and yarn-spinners of [comics'] incredibly fertile early period. [...] Evocatively written by biographer Blake Bell, with dozens of first hand accounts from family, friends and contemporaries; the sad, unjust life of this key figure of comics art is lovingly recounted here with hundreds of artistic examples... Fire and Wateroffers an opportunity to revel in the mastery of a truly unique pillar of America’s sequential Art establishment. [...] Brilliant, captivating, and utterly unmissable, this is the book Bill Everett deserves — and so do you." – Win Wiacek, Now Read This!
• Plug: "Wow, punk is now nostalgic. You can’t stop getting older, can you? Well, you can, but it’s not a good alternative. Anyway, Fantagraphics has announced that next month they will release Destroy All Movies!!! The Complete Guide to Punks on Film, over 400 pages of reference to 'every appearance of a punk (or new waver!) to hit the screen in the 20th Century.'" – Johanna Draper Carlson, DVDs Worth Watching
• Commentary: At Robot 6, Chris Mautner gives you a beginner's guide to Kevin Huizenga in the latest "Comics College" feature: "In the short time he’s been making comics, Huizenga has shown himself to be an author of considerable talent and probing sincerity."
• Interview:Avoid the Future talks to Kevin Huizenga: "I often feel that I’m not really a true artist or a writer, just a fan whose playing make-believe. The inner compulsion I have is to put together something with a kind of complex structure, with some complex arrangement of things that surprises me, or makes me feel like my favorite comics do."
• Commentary: At the Schulz Library Blog, read "Lyonel Feininger: Lost Expressionist Master of the Sunday Comics Page," a comics-history class essay by Andy Warner (CCS, Class of 2012)
• Coming Attractions: Library Journal's Martha Cornog spotlights R.I.P.: Best of 1985-2004 by Thomas Ott and Approximate Continuum Comics by Lewis Trondheim in their Graphic Novel Prepub Alert for January 2011 releases
• Review: "The Sanctuary is a powerful story, telling of the timeless conflict between learning and ignorance. Nate Neal provides readers with an insightful look at the tension in a community when the balance is challenged by new thinking. In short, The Sanctuary is a very promising debut, and probably one of the best new comics of the year." – Michael C. Lorah, Newsarama
• Review: "In Four Color Fear: Forgotten Horror Comics of the 1950s, editors John Benson and Greg Sadowski and publisher Fantagraphics drive a stake into the notion that EC was the only game in town. [...] There are enough goofy and ghoulish vignettes to satisfy the most bloodthirsty readers... I spent several evenings skipping through the book and reading stories that happened to catch my eye (and drag it down the hall, yuck, yuck), and I was impressed by the economics of storytelling. [...] It’s such a packed package that it may very well last through next October, unless rightfully gobbled up after midnight, long after the trick-or-treaters have retreated to their safe havens. Thankfully, these zombies of old can now lurk atop bedside tables and in four color — the next bite only a page away." – Alex Carr, Omnivoracious
• Review: "A movie guide should make you want to watch movies, and none has ever made me want to watch as many as Destroy All Movies!!! The Complete Guide to Punks on Film. [...] In addition to being wildly informative, the writing is entertaining as all hell. All of the contributors are knowledgeable and enthusiastic about their topic. This is the kind of book that you’ll keep on your coffee table and pick up for a few minutes here and there, and every time you do, you’ll find something amazing. [...] Destroy All Movies!!! is as hyperactive, eclectic, and punk rock as the films it commemorates. [...] But even as spastic and irreverent as it can be, this is also a serious, respectful examination of an overlooked piece of film culture. [...] BUY THIS BOOK. You won’t regret it." – Brent McKnight, BeyondHollywood.com
• Plug: "For the budding or seasoned cult movie fan in your life, Destroy All Movies!!! by Zack Carlson and Bryan Connolly is the picture perfect present." – Tara O'Donnell, living read girl
• Review: Sean T. Collins's "Love and Rocktober" series at Attentiondeficitdisorderly rolls on with Ghost of Hoppers: "Jaime Hernandez has long displayed an infrequently utilized but alarming alacrity for horror. [...] At first I struggled with why Jaime would choose this particular storyline--Maggie Realizes She's All Grown Up, basically--to delve deeper than ever into this aspect of the Locas world. I mean, this thing becomes a horror comic toward the end, easily the most sustained such work in the whole Locas oeuvre. What does any of it have to do with the misadventures of Maggie, the story's protagonist? But then it clicked..."
• Review: "Love and Rocktober" continues with Sean T. Collins at Attentiondeficitdisorderly: "...[T]he comics in Penny Century look less dense and read that way, too. Maggie and Hopey seem to have settled down, somewhat — no longer careening from adventure to adventure or disaster to disaster, still involved in the lives and schemes of their eccentric friends but no longer completely swept up by them, still romantically (or at least sexually) entangled with one another but not to the all-or-nothing extremes of the past."
• Review: "Released at last, Blake Bell's biography [Fire & Water] devoted to Bill Everett... helps correct an injustice: Giving an author whose importance and personality are not recognized at their fair values a shot at the spotlight. [...] This is not a book that exhausts, by itself, Everett as a subject. But the book is moving (without falling into whining), documented and rich as Blake Bell restores a lot of truths about an author who did not 'merely' create Sub-Mariner and Daredevil." – Xavier Fournier, Comic Box [translated from French]
556-page 8.5" x 10.75" flexi-bound softcover; two-color, with 48 pages of full color • $35.00 ISBN: 978-1-60699-363-7
Ships in: November 2010 (subject to change) — Pre-Order Now
The most dazzlingly insane film reference book of all time, Destroy All Movies!!! is an informative, hilarious, and impossibly complete guide to every goddamn appearance of a punk (or new waver!) to hit the screen in the 20th Century. This wildly comprehensive eyeball-slammer features A-to-Z coverage of over 1100 feature films from around the world, as well as dozens of exclusive interviews with the creators and cast of essential titles such as Repo Man, Return of the Living Dead, The Decline of Western Civilization and Valley Girl. Everyone from Richard Hell to Penelope Spheeris to Ian MacKaye contributes his or her uncensored reminiscences from the front lines of a revolution. Other interviewees include Alex Cox, Nick Zedd, Lech Kowalski, Mary Woronov and Circle Jerks frontman Keith Morris. Also examined are hundreds of prime examples of straight-to-VHS slasher trash, Brooklyn junkie masterpieces, Filipino breakdancing fairytales, no-budget post-apocalyptic epics, and movies that shouldn’t even have been released, many of which have never been written about online or in print!
In the late ’70s, Punk Rock and its followers ambushed the world with nuclear force. It was an unprecedented phenomenon that infested radios, print, and culture as a whole. Of all its shell-shocked witnesses, the least prepared was Hollywood, who viewed the movement as a walking epidemic of self-abusive, garbage-eating, candy-colored manimals ripe for marketable stereotyping. The results were hilarious, as lowbrow cinema was forever altered in the shadows of 20-inch mohawks and steel-spiked wardrobes. Meanwhile, punk participants like Spheeris and Alex Cox managed to document the emerging outbreak in a more humanistic light, creating enduring visions of a new breed of youth through blazing music documentaries and innovative narrative assaults.
Destroy All Movies!!! nails down both ends of the spectrum with superhuman research, vicious precision, and electrically charged stills and images, and is the first and final definitive armchair roadmap to punk and new wave on celluloid. Five years in the making, this pulse-bursting monument to lowbrow cultural obsession is a must for all film fanatics, music maniacs, anti-fashion mutants, ’80s nostalgists, sleazoids, cop-killers, and spazzmatics!
Destroy All Movies!!!: The Complete Guide To Punks On Film is a wildly comprehensive release featuring A-to-Z coverage of over 1100 films from around the world, as well as dozens of exclusive interviews with the cast/creators of crucial titles like Repo Man, Return of the Living Dead, The Decline of Western Civilization and Valley Girl. Editors Zack Carlson and Bryan Connolly reviewed countless prime examples of straight-to-VHS slasher trash, Brooklyn skid row masterpieces, Filipino breakdancing fairytales, no-budget apocalyptic epics and movies that shouldn't even have been released, many of which have never been written about. Plus hundreds of eyeball-smashing stills and posters, many in full color!
This hot pink-infused tome nails down decades of insanity with superhuman research, vicious precision and electrically charged stills and images, and is the first and final definitive armchair roadmap to punk and new wave on celluloid. After over 5 years and 20,000 movies researched, this pulse-bursting monument to lowbrow cultural obsession is a must for all film fanatics, music maniacs, anti-fashion mutants, '80s nostalgists, sleazoids, cop-killers and spazzmatics!
DAM!!! also features tons of exclusive interviews with music/big screen luminaries including Ian MacKaye, Richard Hell, Penelope Spheeris, Nick Zedd, John Doe & Exene Cervenka, Alex Cox, Martha Coolidge, Lee Ving, Keith Morris, Mary Woronov and many more!
Destroy All Movies!!!: The Complete Guide To Punks On Film is slated to be released November 2010 just in time for Carlson and Connolly to hit the road on a movie screening and book signing tour. These two cinemasochists will pack a van full of books and 33mm film prints, doing 17 events in 8 cities in 14 days. Bookstore shows will incorporate the occasional live hardcore band or pile of free doughnuts, while ultra-rare 35mm theatrical screenings will include:
CLASS OF 1984 (1982) - Punk teen maniacs live the chaos in director Mark Lester's rabid ode to juvenile delinquency. The most violent punk classic of all boils over into mayhem as teachers take on new wave students in a battle to the DEATH!!
TIMES SQUARE (1980) - Two teenage girls set New York on fire in the ultimate street punk battle cry. This film was thought lost -- even by the studio that released it -- but we've found a one-of-a-kind 35mm print!
URGH!: A MUSIC WAR (1981) - The crucial on-stage document of the then-rampaging punk and new wave explosion. Earth-shaking performances from countless bands including Devo! Dead Kennedys! Klaus Nomi! Gary Numan! The Go-Go's! The Cramps! X! Gang of Four! Must be seen to be believed.
VALLEY GIRL (1983) - This '80s teen masterpiece is the first, last and most hilarious word in punk heartbreak. Nicolas Cage stars as an LA new waver who gets his guts tangled up over an all-American high school princess. Unstoppable.
…all these plus punk classics like LADIES & GENTLEMEN - THE FABULOUS STAINS, GET CRAZY, the afterschool special THE DAY MY KID WENT PUNK and many more!
Fantagraphics Books & The Alamo Drafthouse Cinema Present: THE DESTROY ALL MOVIES!!! TOUR THE COMPLETE GUIDE TO PUNKS ON FILM
Meet authors Zack Carlson & Bryan Connolly plus special guests! MOVIES, BOOKS, MUSIC & MORE! ALL MOVIES SCREENED IN 35MM! PunksOnFilm.com
ALBUQUERQUE, NM
Tues, Nov 9 • 7PM Film Screening: VALLEY GIRL & TIMES SQUARE The Guild Cinema 3405 Central Ave NE Albuquerque, NM 87106 (505) 255-1848 www.guildcinema.com
SEATTLE, WA
Fri, Nov 12 • 5PM Book Signing: Scarecrow Video 5030 Roosevelt Way NE Seattle, WA 98105 (206) 524-8554 www.scarecrow.com
Fri, Nov 12 • 7PM Film Screening: VALLEY GIRL, GET CRAZY, CLASS OF 1984, URGH! The Grand Illusion Cinema 1403 NE 50th St. Seattle, WA 98105 - (206) 523-3935 www.grandillusioncinema.org
Sat, Nov 13 • 2PM Book Signing: Fantagraphics Bookstore & Gallery 1201 South Vale St (at Airport Way S.) Seattle, WA 98108 (206) 658-0110 www.fantagraphics.com/bookstore
OLYMPIA, WA
Sat, Nov 13 • 6PM Film Screening: THE DECLINE OF WESTERN CIVILIZATION PARTS 1 & 3 With Special Guest Penelope Spheeris Capitol Theatre 206 5th Ave SE Olympia, WA 98501 (360) 754-6670 www.olympiafilmfestival.org
OLYMPIA, WA (cont)
Sun, Nov 14 • 1PM Book Signing: Orca Books 509 4th Ave E Olympia, WA 98501 (360) 352-1456 www.orcabooks.com
Sun, Nov 14 • 7PM Film Screening: LADIES & GENTLEMEN -- THE FABULOUS STAINS and TIMES SQUARE Capitol Theatre 206 5th Ave SE Olympia, WA 98501 (360) 754-6670 www.olympiafilmfestival.org
Mon, Nov 15 • 8PM
Book Signing w/ live music by White Boss Olympia Timberland Library downtown 313 8th Ave Southeast Olympia, WA 98501 (360) 352-0595 www.trlib.org
PORTLAND, OR
Tues, Nov 16 • 6:30PM Book Signing with DJ HWY 7 Reading Frenzy 921 SW Oak St Portland, OR 97205 (503) 274-1449 www.readingfrenzy.com
Tues, Nov 16 • 9PM Film Screening: ROCK 'N' ROLL HIGH SCHOOL Hollywood Theatre 4122 NE Sandy Blvd Portland, OR 97212 (503) 281-4215 www.hollywoodtheatre.org
EUGENE, OR
Wed, Nov 17 • 6PM Film Screening: ROCK 'N' ROLL HIGH SCHOOL & URGH! Bijou Art Cinema 492 E 13th Ave Eugene, OR 97401 (541) 686-2458 www.bijou-cinemas.com
SANTA CRUZ, CA
Thurs, Nov 18 • 9:45PM Film Screening: CLASS OF 1984 Del Mar Theater 1124 Pacific Ave Santa Cruz, CA 95060 (831) 469-3220 www.thenick.com
SAN FRANCISCO, CA
Fri, Nov 19 • 3PM Book Signing: Needles & Pens 3253 16th St San Francisco, CA 94110 (415) 255-1534 www.needles-pens.com
Fri, Nov 19 • 7PM Film Screening: SURF II & TIMES SQUARE The Roxie 3117 16th St San Francisco, CA 94110 (415) 863-1087 www.roxie.com
LOS ANGELES, CA
Sat & Sun, Nov 20 & 21 • 5PM - CLOSE Film Screening: DESTROY ALL MOVIES!!! 2-DAY PUNK CINEMA MELTDOWN The Cinefamily 611 N Fairfax Ave Los Angeles, CA 90036 (323) 655-2510 www.cinefamily.org
Sun, Nov 21 • 2PM Book Signing: Wacko 4633 Hollywood Blvd Los Angeles, CA 90027 (323) 663-0122 www.soapplant.com
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