This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability. (Please note we have several additional explanatory notes below as well!)
352-page black & white/color 8.75" x 11.25" hardcover • $45.00 ISBN: 978-1-60699-513-6
NOTE: The hardcover edition is already sold out from the distributor! This means that once a shop sells out of their initial shipment, they won't be able to order more copies. So if you want it and your store has it, pounce!
"A new edition (in both hardcover and paperback) of Jim Woodring's early Frank stories, which are utterly wonderful -- the first one, 'Frank in the River,' is my single favorite comics story ever at least 20% of the time. I can't think of much other art that's both so unironically devoted to pleasure and entertainment (in this case, in the form of funny-looking animals doing amusing things in colorful, inventively odd settings) and so deeply, primally unsettling and ambiguous." – Douglas Wolk, Comics Alliance
"...[I]f you're a fan of any and all good things in life you definitely want the Frank work by the great cartoonist Jim Woodring in as many forms as you can pull it across the table and into your lap." – Tom Spurgeon, The Comics Reporter
"A softcover edition of Woodring's landmark Frank features an anthropomorphic cat in a pyschedelic world." – Benn Ray (Atomic Books), Largehearted Boy
"...I’d pick up the second volume of Floyd Gottfredson’s Mickey Mouse. The first volume was a real treat, not just in terms of reintroducing myself to Gottfredson’s stellar work, but also in the sheer amount of incisive historical information about the strip, Gottfredson and his various Disney helpers. I’m sure Vol. 2 will be more of the same." – Chris Mautner, Robot 6
"These Floyd Gottfredson-created adventure strips following the early years of the now-neutered corporate icon are everything you want from a feature like this: exuberant, lovely-looking and a lot of fun." – Tom Spurgeon, The Comics Reporter
32-page two-color 8.5" x 11" comic book, with jacket • $7.95 Part of the Ignatz Series
NOTE: Again, this title is not on the official shipping list but we have confirmed reports that some stores received it last week and we believe it should be available everywhere tomorrow. Again, check with your local shop blah blah blah.
"Kevin Huizenga has blessed us all with another issue of Ganges, totally unexpected and entirely wonderful. Let's not disappoint him." – Chris Butcher, The Beguiling
"CONFLICT OF INTEREST RESERVOIR: My other favorite comic of 2011 so far is Jim Woodring’s Congress of the Animals, though I confess a lot of the effect it had on me (elation) was due to having lived with the mechanics and boundaries of Woodring’s wordless storytelling for so long that deviations from it proved meaningful – as luck would have it, new hardcover and softcover editions of The Frank Book are out this week to catch you up on most of the major stuff; $34.99 ($45.00 in hardcover). Elsewhere in ambulating creature-things, Walt Disney’s Mickey Mouse Vol. 2: Trapped on Treasure Island offers more from Floyd Gottfredson and his hungry team of pre-Imagineers; $29.99. And while it’s still not on Diamond’s list, keep an eye out for Kevin Huizenga’s Ganges #4, which I understand has floated into a store or two, maybe; $7.95."
(I should also note that The Manara Library Vol. 1 is out this week from Dark Horse, translated by our very own Kim Thompson. I'd sure like to see his "Adventures in Translation" notes for THAT series.)
• Review/Interview: Marc Campbell of Dangerous Minds calls Everything Is an Afterthought: The Life and Writings of Paul Nelson "music book of the year," saying "the thing I really appreciate in reading Paul’s writings is you get to a place where even if you disagree with him you want to really explore why. He challenges you, not outrightly, but through the sheer force of his own enthusiasm and the particulars of why he digs what he digs. That’s what great rock writers do - they send you to the music. Of all the books I’ve read this year, Everything Is an Afterthought is the one that has meant the most to me." Campbell also talks to the book's author/editor, Kevin Avery: "You could tell it was important for him to accurately convey how he heard the work he was writing about; how it made him feel. At the same time, there was often the suggestion that whatever he wrote about was in some way part of his own story. Though it was never overt. There was an ongoing mystery to it."
• Review: "It's fascinating to see the great intentions of good people of liberal Oregon run aground on the slick and complicated story on the ground... Duin and Wheeler spend much of [Oil and Water] showing the kind of cultural imperialism or Liberal Guilt that the Oregonians feel when trying to help their brethren from the South, and the resentment that the Southerners feel back at them. ...Shannon Wheeler's calm, quiet and almost abstract images capture the story in a way that allows the story to stray from straight reportage to a quieter meditation on the events that happen.... The story lives in the present and the past, both itself and something more." – Jason Sacks, Comics Bulletin
• Review: "The Extraordinary Adventures of Adele Blanc-Sec are extraordinary indeed.... The amazing Jacques Tardi creates a fully realized world in the two stories contained in this book, stories in which strange, almost mythological, creatures live right next to the Eiffel Tower, famous French cemeteries and the Louvre.... Tardi delivers an ending to the second half of this book that is thoroughly shocking. Adele and her friends aren't Doctor Who and his companions, gallivanting across space and time and always emerging unscathed. The adventures that occur in this book are real and terrible in their consequences. They may seem a bit outlandish... but they are real in a way that feels oddly intense for American readers." – Jason Sacks, Comics Bulletin
• Review: "This isn't your father's Mickey Mouse (it's more likely your great-grandfather's), and it's a shame we don't see him this way as much anymore. Floyd Gottfredson is one of the most talented artist/gag writers in comics history and it is wonderful to see his talent recognized in a medium and a manner so deserving of preservation. This giant-sized book is only mildly unwieldy, but it is the perfect size to replicate and do justice to every single panel of such a singularly perfect work.... Mickey Mouse is one of the most important and revered characters in pop culture, and no other creator has written him so human, so interestingly, so uniquely fun and vibrant as Floyd Gottfredson has. The cover price is too little to ask, as the stories in this book are a treasury of the highs sequential art can hit." – Rafael Gaitan, Comics Bulletin
• Review: "The Hidden is ridiculously good, silly fun... A great big orgy of schlocky gore and cartoon deaths, the plot is every old horror film rolled into one glorious genre cliché... and Richard Sala’s absurd humour bleeds through the lot like red ink on a crisp white collar.... As ever, the true joy here is seeing Sala in brilliant colour. Layer upon layer of masterfully applied paint creates every shadow, shade and unlikely bright pajama in the cartoon horror. Undead eyes stare from blue and green sunken sockets, blood splashes across the page in spurts of dark crimson. It is, to hammer it home with a bloody mallet, an absolute demented joy." – Hayley Campbell, The Comics Journal
• Interview (Translated): Gerardo Vilches of The Watcher and the Tower says of Joyce Farmer's Special Exits, which was just published in Spain by Astiberri, "I read this comic a few months ago and I think it is not only one of the comics of the year but the last decade" translates Alex Dueben's December 2010 Comic Book Resources interview with Farmer into Spanish, adding "I also wanted to do my bit to raise awareness of an awesome comic I hope has the impact it deserves."
• Commentary:The Comics Reporter's Tom Spurgeon responds to The Comics Journal's Love and Rocketslove-fest yesterday with some thoughts of his own: "I agree with Nadel, Santoro, Tomine and many of the comment-makers that Jaime Hernandez's new work represents a phenomenal achievement. I'm maybe not as interested in finding its place in the pantheon right this second. There's plenty of time for that down the road. One thing that's exciting and should never be denied about a creative achievement on the level of what Hernandez seems to have given us here is what that work might say to us in the future that it doesn't say right now."
• Commentary:Robot 6's Sean T. Collins responds, in turn, to Tom Spurgeon's response linked above: "If you’re looking for realistic and well-rendered women characters, or for women creators operating on an equal playing field, or for a serious examination of issues of gender and sexuality in all their glory and misery, then yeah, you can kick against the pricks and hope that someday an issue of Captain Copyright or the Teen Trademarks will deliver these things. Or you can put those comics down, walk a few aisles over or click on a different website, and discover things like Jaime’s 'Browntown'/'The Love Bunglers' suite, which over the course of two issues of Love and Rockets packs in more quality fiction about love, aging, motherhood, fatherhood, marriage, divorce, adultery, sexual assault, queerness, mental illness, adolescence, friendship, and sex than the last half-dozen comics-internet contretemps-causing comics combined."
• Review: "The conventional wisdom surrounding Prince Valiant these days characterizes it as a fussily drawn, belabored relic of the past. Of course, critical judgments of a comic stop mattering once you read it. A few pages into the fourth of Fantagraphics’ beautifully reprinted new editions of Hal Foster’s masterpiece and it’s difficult indeed to remember that this isn’t the greatest comic ever.... And the mastery Foster brings to bear on his every panel may have been equaled both before and since his prime, but it’s never been surpassed." – Matt Seneca, The Comics Journal
• Plug: "I could easily write a whole post about the brilliance of Barks (and probably WILL, at some point down the road!) but for now I will just say that this December Fantagraphics is releasing the first volume of a NEW Carl Barks Library, which is going to finally, finally, FINALLY put Barks's work back into print in America, in an accessible full-color format.... So please, if you have a kid in your life, PLEASE, for ME, buy them this book! And if you have never read any Barks and you don't understand why I'm being so crazy about this, buy one for yourself. I can personally guarantee that you won't regret it!" – Alec Longstreth
Fantagraphics Books is offering a tasty treat this Halloween season — a FREE Donald Duck mini-comic by cartoon genius Carl Barks! In the "Jet Witch," our plucky duck buzzes Duckburg on a jet-powered broom. Predictably, all manner of hilarious Halloween havoc ensues.
• Review: "Every now and then, if I’m lucky, I might just bump into a stone cold masterpiece. The kind of art that makes you just want to shout and scream it is so good. So, in the interest of doing just that, let me say that this Jaime Hernandez’s 'The Love Bunglers' (Love and Rockets: New Stories no. 4) is such a work. I don’t even need to qualify it for myself (i.e. 'what’s coming later; what’s come before; shouldn’t there be a cooling period?') when I say: This is not just Jaime’s finest work, but one of the best (at this moment I’d rank it in my top five of all time) works ever created in the medium. You can hold that over me in twenty years and I’ll still be right..." – Dan Nadel, The Comics Journal [SPOILER WARNING]
• Review: "Jaime Hernandez is my favorite cartoonist. I think he is the greatest cartoonist of all time. My opinion.... No art moves me the way the work of Jaime Hernandez moves me. I am in awe of his eternal mystery." – Frank Santoro, The Comics Journal
• Review: "I picked up a copy of the new issue at a signing Jaime was doing here in Brooklyn a few weeks ago. It was a packed house, and there were a lot of people I was happy to talk to. Amidst all the socializing, I allowed myself a quick glimpse inside the comic, and when I randomly flipped to pages 92 and 93, I felt like I’d been blind-sided. I had to look closer to make sure I was seeing what I thought I was seeing." – Adrian Tomine, The Comics Journal
• Commentary:Robot 6's Sean T. Collins spotlights the above TCJ links, saying "Paying off thirty years of continuity and character development. Delivering shocks, gasps, cheers, and tears in equal measure, seemingly at the author’s whim. Offering a master class in everything from laying out a double-page spread to drawing clothes. Telling a story about beloved characters so emotionally engaging that even their most ardent fans wouldn’t mind if this were the last one ever told. Any way you slice it, Jaime Hernandez's 'The Love Bunglers' — his contribution to the recently released Love and Rockets: New Stories #4 and the conclusion to the already wildly acclaimed 'The Love Bunglers'/'Browntown' suite from last year’s issue — is a hell of a comic. But you don’t have to take my word for it."
• Review: "As I finished reading Love and Rockets: New Stories #4, I had to sit back and just take a moment to take it all in and collect myself, as I know that I had just completed reading one of the greatest works in comics for 2011. Love and Rockets has been a source of inspiration within the comics industry for years, so it’s not like I’m the first one to praise the Brothers Hernandez for their contribution. But it’s even more incredible to see that after nearly 30 years, both Jaime and Gilbert Hernandez are creating some of the best comics of their careers and making them completely accessible to new readers. Love and Rockets: New Stories #4 is an achievement for the Brothers Hernandez and has earned a permanent spot on my required reading list for anyone interested in reading the great works of modern comics creators." – Ron Richards, iFanboy "Book of the Month"
• Review (Audio): "The artwork [in Pogo] is fantastic because Kelly, coming from a Disney background, had really great technical chops and he was able to put a lot of detail into a small daily strip while at the same time giving it breathing room despite the fact that the characters are quite talkative…. He crowded an awful lot into each panel without making it feel crowded, which is a neat trick. He really pulled it off well. …It's just a joy to look at, and it's so much fun to read too because the characters all have really funny personalities that are… very dimensional… It is beautifully designed by Walt Kelly's daughter Carolyn Kelly, and she and Fantagraphics did a really good job of finding all these strips… lovingly scanned and restored so that you get to see the line art in all its detailed glory…. I highly recommend it -- it's going to be one of my prize books... that I'm going to hang onto for a long time." – Mark Frauenfelder, Boing Boing "Gweek" podcast
• Review: "When you read the first volume of Fantagraphics' complete reprint of Gottfredson's Mickey Mouse — the first of its kind anywhere — you understand quickly why Disney decided to keep him on the daily strip. He was simply a natural talent." – Matthias Wivel, Nummer 9 (translated from Danish)
• Commentary: "...Jim Woodring is not one to rest on his laurels where his funny-animal protagonist Frank is concerned. Lately he’s been posting breathtaking images... to his blog on a surprisingly regular basis. They appear to show Frank up to his old mischievous tricks, and to augur another Frank book on the horizon. Check them out here and here, and marvel that a cartoonist of Woodring’s caliber is tossing these things out there for free like it ain’t no thing." – Sean T. Collins, Robot 6
“Oh, for gosh sakes!” Floyd Gottfredson’s classic 1930s Mickey Mouse is back for another round of thrills, chills, and epic quests — taking him from the depths of teeming jungles to the halls of spooky Blaggard Castle. Mickey’s classic Disney bad guys are here, too, with arch-enemy Pegleg Pete joined for this book by the mysterious “Bill Shakespeare” and hypnosis-happy Professors Ecks, Doublex, and Triplex!
Floyd Gottfredson, artist of Mickey Mouse from 1930-1975, made it the most popular cartoon-based comic of its time. Unafraid to tackle social satire and grown-up action-adventure, Gottfredson produced a Mouse for all ages — truly popular in a way that Mickey’s blander 1950s image could never be.
In this book you’ll relive Mickey’s fight with pirates on desolate Treasure Island; his quest with Goofy to catch ruthless counterfeiters; and his battles to save windy Horace Horsecollar from mad scientists, a robbery frame- up — and himself!
Lovingly restored from Disney’s original negatives and proof sheets, “Mickey Mouse: Trapped on Treasure Island” also includes more than 50 pages of fascinating supplementary features. You’ll enjoy rare behind-the-scenes art, vintage publicity material, and vivid commentary by a full team of seasoned Disney scholars.
Walt Disney often said that his studio’s success “all started with a mouse” — and today Mickey is among the world’s most recognizable icons in the world. Now it’s time to rediscover the wild, unforgettable personality behind the icon: Floyd Gottfredson’s Mickey Mouse.
Download and read a 19-page PDF excerpt (3.1 MB) which includes the full Table of Contents, David Gerstein's first chapter introduction, and 15 pages of strips!
The first two volumes of Mickey's thrilling adventures from the early 1930s, packaged in a beautiful and sturdy slipcase and priced cheaper than the individual volumes! A perfect gift and/or collector's item.
• Review: "Wearing its stylistic debt to Chester Gould’s classic Dick Tracy strips on its sleeve, this Spanish-produced series [The Cabbie] (which was originally printed in the ’80s) revels in a stark and sleazy noir aesthetic that drags the reader on a vicious trip through the scabrous underbelly of 'the Big City.'... An intriguing throwback to the days of heroes with worldviews defined in terms as rigidly black and white as the panels they battled their way through, this visual and thematic love letter to (and simultaneous critique of) Gould’s tropes is highly recommended for grownups with a taste for refreshingly lurid pulp fiction." – Publishers Weekly
• Review: "The Hidden feels like a Poe short story, but Richard Sala actually reaches further back into gothic literature for information, filtering Frankenstein through a zombie apocalypse. Just like Poe, the fun here is all in the telling, and Sala’s campfire-ghost-story illustration is blunt enough to be cynically hilarious and cruelly gory, often at the same time. The allegory is the same as from Shelley’s original, but like the best gothic writing, the fun comes from putting the pieces — all the pieces — together at the end." – David Berry, National Post
• Interview:Robot 6's Chris Mautner has a brief chat with Richard Sala about a book that's not ours (the Nursery Rhyme Comics anthology from First Second) but any interview with Richard is worthwhile
• Review: "The final edition of Mome leaves a vacuum that thus far has always managed to get filled — let’s hope the graphic world hasn’t lost its taste for short stories just yet — but it will always be a shame to file something this sharply curated in the shelf. The fifth installment of Devil Doll is likely the most beautiful piece here, and there’s a terrific streak of humour throughout — Laura Perk’s Hobbesian, malevolent George is the pitch-black highlight, but there’s plenty of other strains — all adding up to an end that’s perfectly fitting, but no less unfortunate." – David Berry, National Post
• Review: "Last month, Fantagraphics released The Art of Joe Kubert, a wonderful oversized art book that traces the career of the comics legend who has worked successfully in all the major 'Ages' of comics. While seeing the art in a larger format is nice, it's the text that winds through the book that opened my eyes to a lot of new things in comics that I had never known before.... Schelly's words opened up a new world of art critique for me.... The Art of Joe Kubert is probably the best DC book I read in September, and DC didn't even publish it. Fantagraphics did, and a wonderful job they did, from the raw materials to the book design and packaging." – Augie DeBlieck Jr., Comic Book Resources
• Review: "Maybe, perhaps, at last, the time is right for a mass re-evaluation of the Duck comics, as Fantagraphics steps into the breach to produce a definitive library of Carl Barks' oeuvre. Not only do they step in, but they do so fearlessly... The series starts in November with Walt Disney's Donald Duck: Lost in the Andes, an impressively affordable $25 hardcover... Happily, the stories look great and the book is a wonder to hold in your hand.... As to the content, itself, it's just as remarkable an achievement in comics as I remembered.... The contents of the book are as good as they're going to get, produced with an eye towards recapturing as much of the look of the original printings as possible, without sacrificing clarity or design. The quality of the black and white line work is top notch, too.... Pre-order today. Just do it. You can thank me later." – Augie DeBlieck Jr., Comic Book Resources
• Interview: Speaking of short interviews about books that aren't ours, there's a Q&A with Michael Kupperman on the Marvel website about his contribution to their upcoming humor anthology Shame Itself
Geoff Boucher of the Los Angeles Times talks to Gary Groth about The Carl Barks Library — "There is in fact an emotional truth at the center of Barks' work; he even said that this was his primary goal, though I can’t dig up the quote at the moment, perhaps I’m thinking of when he told an interviewer that in his stories he was 'telling it like it is' and 'laying it on the line.' The comics critic Don Phelps once told me that it was Barks who made Donald Duck a citizen of the nation of comics characters, which I always remember as being a particularly eloquent way of saying that he invested Donald with such humanity." — and presents a 10-page preview from Donald Duck: Lost in the Andes.
The delivery guy just dropped off our advance copies of Walt Disney's Donald Duck: Lost in the Andes by Carl Barks and we couldn't wait to tease you with a couple of photos! This is a book that many of us here have wanted to see for a very long time, we worked very hard to make it happen, and we're pretty darn pleased with how it came out if we do say so ourselves. We'll have more comprehensive previews in our usual photo & video formats for you soon.