|Final cover image for Walt Disney's Donald Duck: Lost in the Andes by Carl Barks|
|Written by Mike Baehr | Filed under Disney, Coming Attractions, Carl Barks||5 Aug 2011 12:46 AM|
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Category >> Disney
Today's Online Commentary & Diversions:
• Review: "...The Comics Journal #301... is crammed with fantastic content. The volume's texture, heft, and text make it the readers' equivalent of a dense slab of chocolate cake.... In short, Gary Groth and his editorial team have produced a stellar contribution to comics history and scholarship. It is a feast for comics aficionados and neophytes alike. " – Casey Burchby, SF Weekly
• Plug: The Forbidden Planet International blog shares our latest update on Walt Disney's Donald Duck: Lost in the Andes with its readers, and then bums them out with news of the book's unavailability in the UK
• Plug: "I second Tom Spurgeon’s recommendation of Bill Mauldin’s Willie and Joe Back Home. I was amazed by how brutally frank the comics are, and how affecting. I actually prefer it to his WWII work — it’s even more impassioned, and the cartooning loosens enough to show off a really expressive, cutting line." – Dan Nadel, The Comics Journal
• Plug: "Alex Chun has a new volume available from Fantagraphics Books in his series which profiles the 'few dollars a drawing' gag writers who sold work to the Humorama line of digest publications during the 1950s and into the early 1970s. As I have been writing on the lesser known artists who contributed, with the scant information available...I eagerly await the book!" – Jim Linderman, Dull Tool Dim Bulb
• Interview (Audio): Patrick Rosenkranz discusses Vancouver-based underground comix artist Rand Holmes with Vancouver-based Inkstuds host Robin McConnell in advance of the Holmes exhibit and presentation this Saturday at Vancouver comic shop Lucky's. Vancouver!
• Analysis: At Entrecomics, Alberto Garcia examines the Steve Ditko influence/homages in some of Gilbert Hernandez's early work — even if you don't read Spanish, the images will have you going "ah-haaaa..."
We produced this "BLAD" promotional brochure to help hype Walt Disney's Donald Duck: Lost in the Andes by Carl Barks, and we are pleased to present it here for the first time. You'll notice a different cover design for the book than we've shown you before, and you'll see a good sample of the recoloring job done by Rich Tommaso — not to mention, of course, some glimpses of Barks's genius. Click each page for larger images, or download the whole thing as a PDF.
Today's Online Commentary & Diversions:
• Review: "The harmony of words and illustration strengthen Kelso’s voice as a narrator of stories that appeal to women of all ages.... This collection of short stories is a fantastic starting point for those of you who still view comics as Marvel/DC, or as ‘kiddie’ entertainment. (Shame!!) While playing with fantasy elements we all loved reading as little kids, Kelso incorporates today’s real life issues — STDs, pregnancy, being broke, infidelity — into her comics. Raw, yet refined, Queen of the Black Black is an enjoyable, meaty read that left me pumped to experiment with my own comics style." – Erina Davidson, Bust
• Review: "The book itself is stunning.... Fantagraphics is well-known for their quality book projects and this may be one of their best yet.... The Mickey Mouse strip itself is a hoot — especially in these early days. Mickey’s a feisty little guy in the strips, more so than in most of his animated appearances. He frequently packs heat (gasp!), knows all kinds of dirty tricks, and isn’t afraid to get into some real fisticuffs.... Even if you don’t care much for Mickey or the whole Disney mouse machine, this book should be on your bookshelf just for the slice of 1930s Depression-era Americana and the amazing joy of Mickey’s flinty 'can-do' attitude.... Watch for this wonderful series to do very well in various comics awards next year. This is important stuff." – K.C. Carlson, Comics Worth Reading
• Review: "There's still an agreeable edge to the series at this point [The Complete Peanuts 1979-1980] — Peppermint Patty's resigned acceptance to a life of D-minuses is really kind of savage — but Charles Schulz was relaxed enough to enjoy a few in-jokes and celebrity shout-outs to the likes of Bill Mauldin and various tennis stars.... Each time that Schulz started one of his longer, weirder stories..., readers will find themselves wondering how in the world he resolved it. He succeeded every single time." – Grant Goggans, The Hipster Dad's Bookshelf (via Spurge)
• Review: "Like crisps, chocolate and bad puns; once you get the taste of Robert Crumb on your palate, it’s almost impossible to shift the craving for more. Here’s another re-released edition [Vol. 13] from the superb and multi-award winning Complete Crumb Comics series that will tickle the bad-taste-buds of discerning comics cognoscenti and is bound to make a whole new generation of fans among the cool kids..." – Win Wiacek, Now Read This!
• Scene/Plug: Comic Book Resources' Sonia Harris shares a charming Hernandez Bros. anecdote from Comic-Con and plugs the new Love and Rockets: "I won’t spoil it for you, but I can tell you that it is even better than the 3 that have come before it (and they were fantastic.) Seriously, Love and Rockets is just getting better and better."
• Plug: At The Truth About Cars, Murilee Martin pauses during an epic story about a 1965 Chevy Impala to note, "It was about this time that I became completely addicted to Peter Bagge’s brilliant Hate Comics, which seemed to capture the sense of diminished expectations and ironically-waiting-for-the-apocalypse mindset of my alleged generation a lot better than did Douglas Coupland with his much-hyped-by-mainstream-media novel Generation X: Tales for an Accelerated Culture (note: not that I have anything against Coupland; I’ve since become a serious fan of his work and recommend his novels without reservation). I suggest that you head over to Fantagraphics and buy everything published by Mr. Bagge immediately, pausing only to read his excellent editorial cartoons at Reason." (All links from the original article.)
The new Diamond Previews catalog is out today and in it you'll find our usual 2-page spread with our releases scheduled to arrive in your local comic shop in October 2011 (give or take — some release dates have changed since the issue went to press), plus a full-page Featured Item spotlight on Walt Disney's Donald Duck: Lost in the Andes by Carl Barks! We're pleased to offer additional and updated information about these upcoming releases here on our website, to help shops and customers alike make more informed ordering decisions.
In addition to our first Barks Library book you'll find hotly-anticipated titles like the second volume of Shimura Takako's Wandering Son; the husband-wife duo of Bill Griffith: Lost and Found – Comics 1970-1994 and Diane Noomin's Glitz-2-Go ("Certified Cool"!); our big Jack Davis art book; a surprise comic book treat for Jason fans, Jason Conquers America; and our already-acclaimed next book of rock-n-roll writing, Kevin Avery's Everything Is an Afterthought: The Life and Writings of Paul Nelson. See them all here!
Today's Online Commentary & Diversions:
• Review: "Originally appearing from 1958 to 1960, these insouciant, stylish, and thrilling dramas should appeal to readers of all ages. If they don't hook a whole new batch of bande dessinée fans, France needs to take back the Statue of Liberty in a huff.... Both stories zip by with nary a dull patch. Confections lacking in gravitas, they nevertheless own the supreme virtues of lightness and panache. Tillieux's art is always easy on the eye.... If Spielberg is looking for a second franchise after Tintin, he couldn't go wrong with Gil Jordan." – Paul Di Filippo, The Barnes & Noble Review
• List: At About.com - Manga, Deb Aoki shares comments that she and her fellow panelists on the "Best and Worst Manga" panel at Comic-Con made about Wandering Son Vol. 1 by Shimura Takako (named a Best New Teen Manga and a Best New Grown-Up Manga) and A Drunken Dream and Other Stories by Moto Hagio (named a Best New Grown-Up Manga)
• Review: "Thanks to well known translator Matt Thorn, this volume is a very smooth read. I don’t often comment on such things, but Thorn took great care in interpreting and presenting this book, and it pays off in a very pleasing flow of text. The art is also quite lovely, very simplistic, and flows well from panel to panel. The color pages in the beginning have a beautiful, water color look to them. Fantagraphics has put out a gorgeous hardcover book with Wandering Son." – Kristin Bomba, ComicAttack.net
• Review: "Fantagraphics’ The Pin-Up Art of Humorama collects hundreds of racy cartoons from the once-ubiquitous tasteless humor mag.... The Fantagraphics edition, edited by Alex Chun and Jacob Covey, 'remasters' these toons with a two-color treatment that really captures the graphic feel of the mouldering pulps that still grace the ends of yard-sale tables in cities across America. It must be said that none of these are very funny, but they’re often quite beautiful and nostalgic." – Cory Doctorow, Boing Boing
• Review: "Every once in a while, a book comes along that is simply spectacular. This collection of [Mickey Mouse] comic strips by Floyd Gottfredson is a perfect example of how to present, analyze and reconstruct subject matter that is viewed differently today. The series editors (David Gerstein and Gary Groth) pull no punches in discussing why Mickey was carrying a gun or the use of slang that is noticeably offensive by today's standards. This is a wonderful vehicle for presenting historically accurate art. Other companies should take notice.... This is a stunning work. The historical presentation is flawless, as is the artwork." – George Taylor, Imaginerding
• Review: "[In Celluloid], McKean is attempting to subvert hardened notions of both comics and pornography. It's a book that gets the blood racing just as it raises questions that just won't go away about the nature of art, porn, and the male gaze.... By painting an erotic sequence with a surrealist's brush, McKean reveals the raw sexual current that underscores all pornography." – Peter Bebergal, Bookslut
• Review: "An unapologetically hard-core hardcover, Celluloid follows a young woman’s sexual epiphany... and feels almost like a silent, erotic Alice’s Adventures in Wonderland, with the White Rabbit and the rabbit-hole replaced by an ancient movie camera and a doorway to…somewhere else. By itself, typically, McKean’s technical mastery (beginning with pen and ink and finishing with photography) steals the breath away; ditto his visual motifs — involving fruit, say, or eyes. A bravura performance, Celluloid (which ends, by the way, with signal wit) constitutes an astounding fusion of the Dionysiac and the Apolline, in Nietzschean terms, and less invites reading than demands rereading." – Bryan A. Hollerbach, PLAYBACK:stl
• Review: "In the oneiric power of his work as a writer/artist, Jim Woodring enjoys few rivals in contemporary comics... Within the first ten pages of Congress of the Animals, calamity literally descends on poor Frank in the form of a wood-boxed croquet set. In the next ten, our bucktoothed, bobtail boyo suffers both a labor dispute and a credit crisis, and thereafter, in the U.S. in 2011, it should come as no surprise that things fast go from bad to worse; just for starters, Frank has to enter the working world. Ameliorating all of his tribulations, at least from readers’ vantage, are his creator’s nonpareil pen and undulant line — a quivery visual seduction courtesy of Higgins. Moreover, by the finale, Frank’s [spoiler redacted – Ed.] — so the little guy ain’t doin’ too bad, y’know?" – Bryan A. Hollerbach, PLAYBACK:stl
• Review: "Like Weathercraft, this new work [Congress of the Animals] is completely silent, showcasing Woodring's amazing talent to convey a story without a word, with seemingly little effort. It's just an eye-popping visual feast of amazing illustrations in this crazy world where Woodring can put whatever he wants on the page, to a stunning end result." – Dave Ferraro, Comics-and-More (via the SPX Tumblr)
• Review: "How wrong I was to underestimate the powerful storytelling medium of the emerging graphic novel platform, especially when masterfully rendered by an author and artist as remarkably talented as Santiago. I expected an exciting visual presentation, and was not disappointed, as Santiago’s heavy-lined, representational graphic style was, in turn whimsical, arresting, quirky, and most of all, emotional. But I wasn’t prepared for the wonderfully passionate portrayal of the human side of Clemente’s legendary journey from Puerto Rico into baseball immortality.... Captivating, revealing, and dramatic, 21 accomplished through art, creative use of informed imagination, and pure passion, far more than I thought possible from a graphic novel. I believe I now have a more complete picture of Roberto Clemente, but not of his statistics, or even his style of play, or of his place in baseball history. I have a truer sense of his heart." – Mark W. Schraf, Spitball
Gracie: Charlie Brown! He's the one who thinks, "Life is going bad... I'm an awful person... Nothing good ever happens to me..."
• Interview: The Comics Reporter's Tom Spurgeon talks with Stan Sakai: "Usagi was first published 27 years ago, and that time I just concentrated on the next story. It was around maybe... I would say with book four, The Dragon Bellow Conspiracy. That was the first major storyline. It took maybe 10 issues or something, I'm not exactly sure. Maybe eight issues.... Before then, I was thinking, 'Usagi's going to be canceled any month.' [laughter] 'I can't spend too much time devoting myself to a long storyline.' But once I did that and got over that hurdle, that's when I realized that hey, this could go on for a long time."
• Plug: "A trip to the comics shop yesterday netted me a copy of Drew Weing’s Set to Sea. It’s pure indulgence, because I have already read the story online, but Fantagraphics’ small, almost jewel-like presentation is really beautiful. Weing tells his story one panel at a time, and each panel could be framed as a work of art in itself, so having it in a book, without the clutter of the web, is a worthy investment." – Brigid Alverson, Robot 6
• Scene: Comic Book Resources' Marlan Harris gives a recap of our 35th Anniversary panel at Comic-Con — unfortunately it contains several factual errors, some of which I have endeavored to correct in the comments thread
Today's Online Commentary & Diversions:
• Commentary: We're pleased (really) to see Adult Video News picking up on our announcement of The Complete ZAP Comix, despite some glaring fact-checking errors in their report (see if you can spot 'em!)
• Review: "The coolest reprints of the year have hit the shelves as Fantagraphics tears it up by releasing Floyd Gottfredson’s run on the comic strip Walt Disney’s Mickey Mouse. To start with, this is a great edition of the material. It looks great, the black and white art is classically bold and pops right off the pages at you, and it’s over 200 pages and bound in a nice hardcover. Readers of this column and site know I can be a little judgmental about the quality of reprints, but there is no need for frowns here as they have done an A+ job. They even packaged it with essays on the strip and artists, and even gave us Mickey’s jungle adventure which ran in the strip before Gottfredson stepped aboard.... Each stroke of ink is perfect under Gottfredson’s direction, and the best years of the comic strip result entirely from the genius of his that lies in these pages." – Drew McCabe, ComicAttack.net
• Plug: "An icon in the animation world, Gottfredson is accredited with making the Mickey strip into a masterpiece, and an imaginative series that is still greatly sought-after by comic fans and collectors.... While the first volume will include some of the series’ more rough and experimental ideas that came before the characters had really found their proper place, this seems like a worthwhile purchase for the traditional Mickey-lover. After all, there is something to be said for the origins of Mr. Mouse and his incredible transformation over the years." – Amanda Correia, The Disney Blog
• Review: "Weathercraft feels like a day-in-the-life story. It’s a weird and wild one, but you don’t have to know anything going on, you just experience it. ...Weathercraft has an arc and a story and all that, but it’s probably not exactly what you’d think if you’re more used to traditional comics. Still, it’s a great piece of fiction to pick up and really experience..." – T.J. Dietsch, United Monkee (via Sean T. Collins)
We'll be catching up on the past week's Online Commentary & Diversions over the next several days.
• Review: "Fantagraphics Books, which has previously done such an amazing job of collecting other classic comic strips like Prince Valiant and Peanuts , once again hits it out of the park with this collection [Walt Disney's Mickey Mouse Vol. 1].... From the beautifully reproduced strips to the densely packed ancillary features, this must be the book that editors David Gerstein and Fantagraphics’ co-founder Gary Groth wanted for years for their own libraries. Their enthusiasm shows in the wonderfully designed package. This book is highly recommended for any Disney fan and fans of America's rich comic strip history." – Rich Clabaugh, Christian Science Monitor
• Review: "Murder by High Tide introduces Maurice Tillieux’s private detective Gil Jordan to America, collecting two 1950s stories from an acclaimed series that has never before been translated into English. Tillieux isn’t quite Hergé, but he’s adept at writing and drawing suspenseful detective stories with brief flurries of action. ...Tillieux’s plotting and deft hand at action, figures, and environments make Murder by High Tide a thrilling read." – Garrett Martin, Paste
• Review: "...Fantagraphics is always a good place to start if you’re worried about trying something new. The venerable comics publisher is a stamp of quality, a guarantee that the vetting process has been serious and that, at very least, the book you hold in your hands will have been beautifully printed. Wandering Son [Vol.] 1 bears all that out.... It’s a lovely, tactile-y rich object, but it’s also a sweet book in terms of content. ...[T]he characters are pleasant to spend time with, the art is emotive and expressive (embarrassment comes up a lot), and there is a gentleness to the whole project that is welcome." – Hillary Brown, Paste
• Review: "...Shimura Takako's Wandering Son, with its direct treatment of transgenderism, feels simultaneously natural and singular in the world of manga.... The true distinction of Wandering Son is not its subject matter so much as Shimura Takako's quiet and sensitive handling of it. Fifth grade is a difficult time and age for any author to handle well, and throwing transgenderism into the mix merely adds to the challenge. By keeping the story's focus on the intensely personal thoughts, experiences, and emotions of the characters, Shimura avoids both heavy-handed preachiness and overly melodramatic scenes, keeping the tone of the story sympathetic and realistic and — most importantly — a story." – Caleb Dunaway, Otaku USA
• Review: "...Fantagraphics' edition is beautifully presented as a full-sized hardcover with excellent print and paper quality. The volume is just as lovely to behold as it is to read.... Instead of following a strictly linear narrative, Wandering Son provides a somewhat fragmented view. To me, it seems more like a collection of memories, glimpses of important and influential moments in the characters' lives. Though told chronologically, the story has an impressionistic quality to it. Wandering Son is lovely and quiet with tremendous emotional depth.... I was very pleased with the first volume of Wandering Son and greatly look forward to the release of the second volume." – Ash Brown, Experiments in Manga
• Review: "Brought straight to your chamber door from the ever-awesome Fantagraphics, we finally have The Raven graphic novel. Personally commissioned by Reed, legendary illustrator Lorenzo Mattotti (Dr. Jekyll and Mr. Hyde, Stigmata) has sketched some remarkably vivid scenes for what amounts to the definitive bard of Baltimore project from New York City’s own poet laureate.... Hardcovered, with a jacket by Grammy-nominated designer Jesse LeDoux, the whole presentation is indeed first-class." – Logan K. Young, Paste
• Review: "...Taking Punk to the Masses: From Nowhere to Nevermind... is a dense tome... packed with beautiful photos of EMP’s vast collection of instruments, posters and flyers and assorted rock and punk memorabilia, with commentary and excerpts from the oral history project, featuring testimonials from people like Greg Ginn and J Mascis and Grant Hart and Novoselic, on facing pages. The effect is that of taking a guided tour through the museum, exhibit by exhibit, with headphones on.... There’s an awful lot to look at here, and the book stands up to repeated readings.... Taking Punk to the Masses is a definite keeper for anyone who loves the bands of the Pacific Northwest or the history of rock in America." – John G. Nettles, Flagpole
• Review: "Simply put, if you’ve enjoyed any of Alex Chun and Jacob Covey’s series of glamour-girl cartoon retrospectives they’ve assembled for Fantagraphics over the years, you’ll want — if not need — their latest, The Pin-Up Art of Humorama.... As with Chun and Covey’s previous collaborations, the captions to the cartoons rarely matter — sometimes, they don’t even match what’s depicted. All that matters is the art, full of lovely, curvy, super-sexy women whose bra sizes run deep into the alphabet. It may not come in a brown paper wrapper, but yeah, this book’s hot. It spills over with an abundance of retro tease to please." — Rod Lott, Bookgasm
• Reviews: At his High-Low blog, Rob Clough looks at several of our translated volumes of the work of Jacques Tardi: "Tardi is an interesting figure because he felt comfortable writing mainstream material like detective stories, mysteries, fantasy and even science-fiction (though usually of a period nature; The Arctic Marauder, for example is a steampunk book) as well as more experimental and mature fare. No matter what the subject, his books always have a density and meatiness to them that rewards multiple readings. I'll briefly examine each book roughly in order of narrative complexity."
• Plug: Library Journal's Martha Cornog spotlights Diane Noomin's Glitz-2-Go in the latest Graphic Novels Prepub Alert: "Retro-glamgirl DiDi Glitz, Noomin's signature character, originally appeared in the women's comics anthology Twisted Sisters and other collections. Hypno Magazine described her as a 'shamelessly campy, mai-tai-swilling swinger with a voracious appetite for polyester, poodles, and doomed relationships.' Also, 'hysterically funny.' This volume collects nearly 40 years of Noomin comics. Catch this transcript of a Noomin presentation about her work, with sample strips, some NSFW."
• Plug: I was very excited to present Leonard Maltin with a copy of Drew Friedman's brand new book at Comic-Con, and today Maltin writes on his Movie Crazy blog "Fantagraphics Books had just received its first copies of Drew Friedman’s latest opus, Even More Old Jewish Comedians, which in the 'real world' is still a pre-order item."
• Interview: Jaime Hernandez reveals what kind of music he listens to while he's working in a survey on the topic by the Village Voice's R.C. Baker: "When told that one artist interviewed didn't want a fondness for a particularly 'retarded' pop song revealed, he cracks up. 'They don't want you to know they have a heart,' he says. 'I was never afraid to show mine — I put it out there in the comic every time.'"
• Scene: From Whitney Matheson's rundown of "50 Things I Learned at Comic-Con" at USA Today Pop Candy: "23. Johnny Ryan aims to scare us all. One of the most frightening moments on the convention floor came when a bloody, shirtless man walked up to the Fantagraphics booth and started screaming. Turns out he was portraying a character in Ryan's Prison Pit."
Today's Online Commentary & Diversions:
• Review: "...[F]eisty art-comics publisher Fantagraphics, for its new multivolume hardcover series devoted to Gottfredson’s rarely seen comic-strip work [Walt Disney's Mickey Mouse ], has gone back to the beginning, lavishing upon the cartoonist’s marvelously fluid, thrillingly kinetic serial adventures the same loving attention the company has brought to its benchmark Complete Peanuts library. Given that Fantagraphics is an adult-oriented press, production and restoration values are superlative, as are the more than 60 pages of historical essays and archival features that accompany these peerless black-and-white strips.... Anyone who ventures into this gorgeous 288-page tome will come away with a fresh appreciation for just what made Mickey an all-American comic-strip hero." – Steve Smith, Time Out New York
• Review: "Fantagraphics fucking whip ass at knowing what a beautiful book is.... The Mickey Mouse in this collection is a dynamic teenager with a whole lot of strong feelings, and it's both awesome and foreign to see him get mad or feel suicidal.... Fantagraphics are masters at collecting and presenting old comics.... This volume not only presents comics that you probably haven't seen before, but it places them in the proper context with about eight[y] pages of supplementary writing, images, and in-depth explanations that could merit their own little volume." – Nick Gazin, Vice
• Interview: Gazin follows up his Vice review of Walt Disney's Mickey Mouse Vol. 1 with a brief chat with series co-editor David Gerstein: "Floyd's greatest achievement... was his portrayal of Mickey himself. Instead of seeing the Mouse as a kind of dull, smiley-faced everyman — the way a lot of people seem to envision him — Floyd portrayed Mickey as what he called 'a mouse against the world.' He was a stubbornly optimistic, imperfect but determined youth trying to prove himself in a competitive, scary, adventurous place. Floyd gave Mickey length and depth."
• Review: "It’s often argued that the key element to any successful manga is a relatable protagonist. Shimura has crafted hers so meticulously and is revealing their natures so carefully that it’s virtually impossible not to be deeply invested in them. In part, it’s the actual portrayal in this volume [of Wandering Son], but it’s also the tremendous potential they have. I want to see them age and mature, struggle and succeed, and find their ways to lives that give them happiness and peace. I don’t think there’s any more a reasonable person could ask of a story like this." – David Welsh, The Manga Curmudgeon
• Review: "...[Wandering Son] is an elegantly-crafted, character-driven story that lets us into its characters’ private worlds with both candor and delicacy. We are brought into their lives completely, and though we’re privy to their some of their most private thoughts and fears, there is never a sense that we’re observing them as 'subjects' or invading their privacy—something I often feel when experiencing 'issue'-focused fiction." – Melinda Beasi, Manga Bookshelf
• Review: "[Mattotti's] enigmatic, brooding scenes [in The Raven] harness the terror and beauty of the texts which span three centuries. They're uncompromising — and that's a quality that has always been applicable to the force that is Lou Reed." – Dean Mayo Davies, AnOther
• Review: "Drawing Power: A Compendium of Cartoon Advertising... is 124 pages of some of the best advertisements from the 1870s to the 1940s. Starring both cartoonists and cartoon characters, the book surveys an immense collection of cartoon advertising, focusing on the commercial roots of the comic strip and the fantastic artwork that came from cartoonists' freelance work in advertising. There are surprising and also familiar examples of products, ad campaigns, widely known catch-phrases, and cartoon figures.... Lovers of vintage advertisements and classic cartoons, you're in for a walk down memory lane..." – Nicole Torres, Print
• Review: "Love from the Shadows is somewhat inappropriately titled, as it sounds like a romance, but is really a sci-fi sex mash-up, with a big dash of David Lynch-ian 'what the fuck just happened here?' It’s definitely no chick flick, despite its strong female lead." – Rod Lott, Bookgasm
• Review: "Congress of the Animals... [is] Woodring’s second book-length Frank story. Not so overtly horrific as last year’s Weathercraft, but somehow more unsettling to me. Perhaps I’m just traumatized by the destruction of Frank’s house. Fantastic wordless storytelling, as always." – M. Ace, Irregular Orbit
• Plug: "You may think of Flannery O’Connor as a writer of the sorts of books that are all words, but in her younger days she yearned to be a cartoonist—and she wasn’t half bad. Fantagraphics will publish Flannery O’Connor: The Cartoons in December..." – Brigid Alverson, Robot 6
• Survey: At The Guardian, Emine Saner asks a handful of prominent cartoonists to name their favorite graphic novelist, gathering comments from Peter Kuper on Robert Crumb, Bryan Talbot and Martin Rowson on Joe Sacco, Posy Simmonds on Jacques Tardi (pictured), Ariel Schrag on Gabrielle Bell, and Lynda Barry on Chris Ware
Today's Online Commentary & Diversions:
• Review: "Fantagraphics, always a publisher you can count on to rescue classic comic material from oblivion, has published a gorgeous 288 page hardcover archive edition of Mickey [Mouse]'s earliest serialized comic strip adventures and he's quite a different character than we know today...a little rambunctious, a little mischievous, and a whole lot of fun. This book takes readers on a glorious ride through depression-era adventures as Mickey battles villains, becomes a fireman, visits a circus, and meets his faithful pup Pluto for the first time. Besides the many great comic strips, Fantagraphics has filled the book with a ton of supplemental material... This is an absolute must-have for any Mickey Mouse fan. Grade A" – Tim Janson, Mania
Burgas: "McKean’s art is astounding, as it always is. He moves from his very rough pencil work that he used on Cages and moves quickly into a multimedia extravaganza, with photographs interspersed with film reels (more photographs, of course, but used in a different way) and paintings and more detailed pencil work. The colors are magnificent, too... It’s an astonishing work of art, to be sure..."
Thompson: "I agree that the success of this book is in that it is beautiful from cover to cover. As a rule I tend to prefer McKean’s very rough pencil work, though I very much appreciate the layering mixed media styles he uses, and I found all of it very beautiful and successful in that way. I was impressed with the color choices and the really wonderful cubist look he achieved for some of the work, and some of the mixed media he used toward the end was some of my favorite in the book period.... After discussing it, I feel more pleased with the book as a whole because I’ve been forced to admit that I don’t recall seeing many more effective executions of erotic subject matter as a legitimate work of art in this way..."
Burgas: "What is compelling about Celluloid is that McKean tackles a difficult subject and elevates it beyond a simple porn comic. I think the very fact that Celluloid makes you wonder about sex in many of its iterations is impressive. As you can see, both Kelly and I had our issues with it, but it’s a gorgeous comic nevertheless. It’s definitely something that you don’t see every day!"
• Review: "I have the impression that Lewis Trondheim is the most important European artist of his generation. Such is the creativity and productivity and so the breadth of his work that, for me at least, wins the title deservedly. Approximate Continuum Comics... is the first part of Trondheim's autobiographical adventures.... The brilliant humour of Trondheim, his sharp-tongued reason, the way with which it shows the mix of imagination with reality. Equally impressive is the effortless way in which the most espressive artwork works serving the story." – Aristides Kotsis, Comicdom (translated from Greek)
• Review: "Bell does the best job of any attempt I've ever seen to bring together everything we know about Ditko's life and work. The result [Strange and Stranger: The World of Steve Ditko] is fascinating, frustrating and eventually presents a sad portrait of an immense talent that withdrew from the world and denied it of his work and himself of the audience, acclaim and success that was easily within his grasp." – Tom McLean, Bags and Boards
• Plug: Sceneario takes note of the new entries in our new Franco-Belgian comics line with interest and excitement (en Français)
• Preview: At Flavorwire, Emily Temple shares some glimpses of the cartoons to be included in Flannery O'Connor: The Cartoons, saying "Her style is distinctive — the charmingly brusque drawings are cut from linoleum and then essentially stamped when she applied ink to the ridges, and while the content is largely related to her experience as a student, you can still feel the slightly skewed, individualistic perspective that appears in O’Connor’s short stories.... Lovers of her work will doubtless find joy and meaning in her cartoons, and other people will probably like them too."
• Preview: Jamie Frevele of The Mary Sue picks up on the preview of Flannery O'Connor: The Cartoons, saying "...while not as demented as some of her writing, the dark humor is still there, even in the short span of a single panel."
• Plug: "Flannery O'Connor: The Cartoons is the first compilation of her graphic work in pen-and-ink and linoleum cuts. Before her writing career the young student aspired to be a cartoonist, and she developed a visually bold and eye-catching style. The results are witty and acid comments on campus life and American culture that show O'Connor developing her own acerbic point-of-view." – M. Bromberg, BellemeadeBooks
• Interview (Audio): Kevin Avery, author/editor of Everything Is an Afterthought: The Life and Writings of Paul Nelson, is a guest on the Rockcritics Podcast. Host Scott Woods says "I’ve mentioned a few times here already Kevin Avery’s wonderful book, Everything is an Afterthought: The Life and Writings of Paul Nelson. Half a personal biography of Nelson, half a compilation of select Nelson reviews and essays, it’s one of the finest books I’ve ever read about a writer — and, needless to say, about rock criticism."
• Profile: "[Basil] Wolverton was one of the pioneers who made today’s highbrow comics scene what it is; his twisted abstract portraiture, all sweatbeads and pleading eyes, floated like a buoy in a sea of banal comic art, influencing kindred spirits like Robert Williams and Big Daddy Roth. Though best known for his nightmare caricatures in the vein of Lena Hyena, his sf and horror work — jewels like the 'Brain Bats of Venus' — is equally disturbing (or invigorating). God knows what brain bat attached itself to Wolverton’s fertile grey matter, but it certainly wasn’t of this atmosphere." – Joe Alterio, HighLobrow