FLOG! Entries tagged 'Drew Weing'

Our Heroes at HeroesCon This Weekend!

janice

Fantagraphics won't be at this weekend's Heroes Con ourselves, but some of our artists sure will be! If you're in the Charlotte, NC-area, head out to the Charlotte Convention Center and meet 'em in the "Indie Island"!

• Jeffrey Brown | AA-417
• Dave Cooper | AA-515
• Colleen Coover | AA-113
• Jaime Hernandez | AA-415

• Roger Langridge | AA-220
• Jim Rugg | AA-537
• Rich Tommaso | AA-422
• Drew Weing | AA-444

You can even catch our artists in some panels, if you're so inclined!

Saturday, June 23rd

• 12:30 PM // Approaches to Humor, Room 203A: Sure the Convention is HeroesCon, but let’s never forget the funny side of the comic book world. Join The Beat’s Heidi MacDonald as she sits down with three of the very best cartoonists in the business. They are able to me us smile and even laugh out loud Roger Langridge (The Muppets, Fred the Clown) and Evan Dorkin (Milk & Cheese) and newcomer Tim Rickard (Brewster Rockit: Space Guy).

• 2:00 PM // Echoes of ‘82, Room 209: This year, to celebrate the 30th anniversary of Heroes Con, cartoonist Ben Towle and blogger Craig Fischer turn their attention to 1982, and ask: What are the comics, and comics events, from 30 years ago that continue to influence comics culture today? Ben and Craig zero in on three — Destroyer Duck #1, Love and Rockets #1, and the demise of Warren Publications early in 1982 — and they’ve asked an all-star roster of creators (Jaime Hernandez, Louise Simonson) and commentators (Stergios Botzakis, Toney Frazier, Heidi MacDonald, Andrew Mansell) to join them in discussing these and other comics. We’ll also beam in some off-site commentary from Kirby experts Steve Bissette, Geoff Grogan, Charles Hatfield, John Morrow and James Sturm. With a lineup like that, how can you resist pulling on your leg warmers and joining us for the fun?

Saturday, June 23rd

• 3:30 PM // Dave Cooper & Dave Johnson, Room 208AB: Two great artists sit down to talk technique, inspiration and influences. And what is better than a Dave? Two Daves!!! That’s what. This is going to be a great hour. Join us.

Daily OCD: 2/22/12

mike

Today's Online Commentary & Diversions:

• Feature: The Stranger's Dave Segal talks to Pat Thomas about the creation of Listen, Whitey! The Sights and Sounds of Black Power 1965-1975 and says of the book, "Listen, Whitey! presents Black Power's volatile ups and downs with stunning imagery. Designed by Fantagraphics' Jacob Covey, the copiously illustrated Listen, Whitey! is a joy to behold as well as to read.... Ultimately, Thomas captures the revolutionary spirit of myriad vital strands of the movement and stokes your desire to hear these recordings."

• Review: "...Action! Mystery! Thrills! Comic Book Covers of the Golden Age 1933-1945 [is] wonderful. ...Sadowski offers up an incredibly diverse gallery of forgotten superheroes, pistol-toting gangsters, cartoonish Nazis, and talking animals. Each cover has been painstakingly restored to pristine condition, and is presented in full color on glossy paper. It’s as close to browsing the comics rack of a World War II-era drugstore as most of us will ever get.... Sadowski... is one of the most adept chroniclers of comic-book history working today. He offers succinct but informative notes on each cover, but his most notable achievement in this volume is his selection of covers. The notes are helpful and fun, but it’s the progression of images itself that is the most telling.... At a perfectly reasonable $29.99, it’s a must for any comic-book fan’s library." – April Snellings, Knoxville Metro Pulse

• Review: "Set to Sea is a book to read and contemplate on, a book to look at and think about, a book to read slowly and then to read again. It's a lovely graphic novel from a creator I hope to see a lot more from as the years go on, and I hope his own busy life affords him enough leisure and time to continue to make gemlike, poetic stories like this one." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.

• Analysis: Buz Sawyer administers a spanking (and a beatdown) and Robot 6’s Matt Seneca analyzes the action in an October 1944 Roy Crane strip

Daily OCD: 9/21-22/11

mike

Yesterday & today's Online Commentary & Diversions:

• Review: "This latest in Fantagraphics' line of books featuring Jacques Tardi and the second of those books to feature an adaptation of the work of Jean-Patrick Manchette is lovely-looking, stylish and bleak as hell.... The short third act, where we learn what becomes of the assassin, proves so ruthlessly depressing it's almost a human rights violation. Tardi's artwork is beautiful here, although you probably already knew that. No one in comics does the frowning face better than Tardi, and Like a Sniper [Lining Up His Shot] proves to be an absolute showcase of down-turned mouths and the unhappy people bearing them.... What a show." – Tom Spurgeon, The Comics Reporter

• Review: "These are two masters at their best [in Like a Sniper Lining Up His Shot]. Crime novelist Manchette pulls no punches in delivering gritty, violent episodes that still can shock even the most jaded reader. Jacques Tardi’s confident, almost brazen artwork is just as dark, cold and gripping. His beautiful fluid lines juxtaposed with the stark ambivalence Martin Terrier, the contract-killer antihero adapts in applying his brutal trade is something that has to be experienced. Get this book!" – "Horatio Hornblower," The Comic Book Snob

• Review: "Undisputable fact: a new full-length Richard Sala book is a literary and comics event that makes you sit up and take notice. It's appointment reading, and ought to demand the attention of any serious enthusiast of the medium.... The newest from Sala is the graphic novel The Hidden... This book is a magic trick, the kind you'll want to share with friends because you can hardly believe what you've witnessed when it's all done.... Around the hundred page mark this book started scaring the living shit out of me. Sala's art is wonderful and holds up to a close analysis.... Like his peers from Fantagraphics' all-star squad, Sala conveys internal truth (fear, pride, jealousy) through body language and a minimum of lines. There's not a jot or gesture wasted on the page, and his color work is loose and instinctive but still pleasing." – R.J. Ryan, Comics Bulletin

• Review: "...[Johnny Ryan] is easily one of the four or five most vital and important cartoonists working today. Prison Pit is like someone making a comic strip out of Mayhem's Live in Leipzig, played at half speed and double the volume your speakers can safely process. If you've never heard that album, then I'll spell it out for you: this is a brutal fucking comic.... The cosmic brutality of Ryan's story is emphasized by his lingering gaze. He doesn't just draw the big action moments, but the lulls and gaps and silences between them. The pace is non-stop, but that doesn't mean it can't slow down. In fact, it's those slowed-down sections that give the skull-smashing and throat-fisting the impact that they deserve." – Patrick Tobin, Multiversity Comics

• Plug: "Prison Pit 2 was TACO’s book of the year in 2010, and Prison Pit 3 is the early frontrunner for 2011. Featuring the series’ characteristic extreme ultra-violence, gore, scatophilia, and brutality, it’s another hit from artist Johnny Ryan." – L.A. TACO

• Review: "Here's the plot of Mark Twain's Autobiography [1910-2010]: Mark Twain, freed from the shackles of mortality, bums around the Twentieth Century doing whatever the hell he feels like and occasionally having untroubling yet far-fetched adventures.... Kupperman maintains a straight face throughout this look into the world that might have been, had Mark Twain roamed the earth, immortal and more than a little strange. This poker-faced treatment of juvenile, abstracted humor pays off in strokes both broad and small." – Patrick Tobin, Multiversity Comics

• Review: "Very few words are needed in Weing's debut graphic novel [Set to Sea] to tell the story of a poet wanna-be who is kidnapped by pirates and learns the ways of the sea through hard labor and even tougher battles. The cross-hatch styling is reminiscent of old engravings and perfectly suits the subject matter. Each page features just one frame, full of detail and atmosphere. With hints of The Odyssey, Moby Dick, Popeye and Treasure Island, Weing has created a modern classic in the pirate genre." – School Library Journal

• Plug: "Artist, editor, entrepreneur, publisher and cartooning auteur; in his 70-year career in comics this pioneering creator has done it all. The deluxe full-color coffee table book [The Art of Joe Kubert] traces Kubert’s history of comics spanning career from 1938 to the present with beautifully reproduced artwork alongside critical commentary." – "Horatio Hornblower," The Comic Book Snob

• Plug: "David B. intertwines history and myth in his carefully crafted tales of magic gods and grand battles. A master storyteller, his bold, timeless artwork and literary senses creates a kind of magic all their own. The Armed Garden and Other Stories collects three epic tales of adventure, faith, power, and love." – "Horatio Hornblower," The Comic Book Snob

• Scene: Daniel Herbert reports on the Friars Club launch party for Drew Friedman's Even More Old Jewish Comedians for The Paris Review: "The crowd’s spirits were high, which seemed due to more than just the release of Friedman’s book, or even the emergence of more canapés. Guests were happy to meet their idols; the comics were happy to convene for an event that wasn’t a funeral. And the celebration of the comedians’ Jewishness was significant."

Daily OCD: 9/16/11

mike

Today's Online Commentary & Diversions:

• Review: "...Mark Twain’s Autobiography 1910-2010 is both hilarious and very strange. The book exudes a unique mood of giddy amazement... Credit for both the mirth and oddness belong to cartoonist Michael Kupperman, who illustrated the book based on a manuscript he says was given to him by Twain. Given the fact that the off-kilter humour of the book is very similar to the sensibility displayed in Kupperman’s earlier work, notably his dada-esque comic book Tales Designed to Trizzle, the cynical might assume that Mark Twain is only the nominal author of this book. Yet it’s fair to say that the spirit of Twain hovers near the volume.... Aside from his debt to Twain, Kupperman belongs to the tradition of erudite humor that runs from Robert Benchley to Monty Python." – Jeet Heer, The National Post

• Review: "...[Eye of the Majestic Creature] is phenomenal.... The character, Larry, who is leagues more animatic and expressive than some of the characters around her (no doubt on purpose, as the character leaps out of each panel) is responsible for carrying the entire weight of the narrative through dialog. She does so fluidly, and through nuanced avenues.... I really enjoyed this collection, and I want to see more from this creator.... There is significant depth to this fantastic story about a girl, her guitar, and the quirks associated with staying alive." – Alex Jarvis, Spandexless

• Review: "Set to Sea is the kind of comic that you give to people you love with a knowing look that says 'read this, you'll thank me later.' The kind of book that is not exclusively reserved for aficionados of the comics art form. The kind of work that, by virtue of its poetry, leaves the reader in an emotional state once he's read the final page, and that simply demands to be flipped through again immediately so that the reader might breathe in this adventure's perfume for a little longer." – Thierry Lemaire, Actua BD (translated from French)

• Review: "Paul Hornschemeier uses the medium of cartooning [in The Three Paradoxes] as the message he is sending, as each new chapter in the book references different cartoon styles and axioms.... The skill of Hornschemeier is abundant on these pages, as he effortlessly transitions from style to style. Despite that, each style fits within the story; none is so strange that it breaks the reader out of the story.... The book gets a lot of information packed into its relatively smaller frame. The book’s presentation is similarly phenomenal...; it’s really solid and uniform.... I loved it. Well done, Paul." – Alex Jarvis, Spandexless

• Plugs: Calvin Reid and Heidi MacDonald's list of recommended recent comics and related books for Publishers Weekly includes The Art of Joe Kubert by Bill Schelly ("The great war artist’s entire history is surveyed in spectacular fashion, along with critical commentary by Schelly") and Pogo: The Complete Daily & Sunday Comic Strips, Vol. 1: Through the Wild Blue Wonder by Walt Kelly ("The whimsical, wise adventures of the residents of the Okeefenokee swamp are collected in a deluxe edition for the first time")

• Plug: "Fantagraphics has prepared a nice preview video for the fourth and final [Final??? Not at all — I don't know where they got that idea. – Ed.] issue of Love and Rockets: New Stories in stores soon. It features a 35-page story called ‘King Vampire’. Oh boy, if even the Hernandez bros succumb to the vampire craze, this really is the end of the world now, isn’t it?" – Frederik Hautain, Broken Frontier

Fantagraphics at SPX 2011!

janice

I am pleased as punch to present to you the Fantagraphics low-down for the 2011 Small Press Expo, happenin' September 10th & 11th in Bethesda, Maryland!

We're bringing so many beautiful new books with us, and most of these listed below aren't even in stores yet!

• The Armed Garden by David B.
• The Art of Joe Kubert, edited by Bill Schelly
• The Extraordinary Adventures of Adèle Blanc-Sec, Vol. 2: The Mad Scientist and A Dusting of Mummies by Jacques Tardi

• Ganges 4 by Kevin Huizenga
• The Hidden by Richard Sala
• Like A Sniper Lining Up His Shot by Jacques Tardi

• Love & Rockets New Stories 4 by The Hernandez Bros
• The Man Who Grew His Beard by Olivier Schrauwen
• Mark Twain’s Autobiography by Michael Kupperman

• Mome 22, edited by Eric Reynolds
• Nuts by Gahan Wilson
• Prison Pit Vol. 3 by Johnny Ryan

• Walt Disney's Mickey Mouse box set
• Walt Disney's Mickey Mouse, Vol. 2: Trapped on Treasure Island by Floyd Gottfredson

And while you're at the Fantagraphics table, picking up these excellent new titles, why not get them signed by the artists? Many will be there! Check out our action-packed signing schedule below:

Saturday, September 10th
11:00 - 12:00 PM     Chuck Forsman / Jim Rugg
12:00 - 1:00 PM       Warren Bernard / Drew Weing
1:00 - 2:00 PM         Anders Nilsen
1:00 - 3:00 PM         Kevin Huizenga
2:00 - 4:00 PM        Johnny Ryan
3:00 - 4:00 PM        Diane Noomin
3:30 - 5:30 PM         Jim Woodring
4:00 - 5:00 PM        Ted Stearn
5:00 - 7:00 PM        Leslie Stein
5:30 - 7:00 PM        Paul Hornschemeier

Sunday, September 11th
12:00 - 1:00 PM      Chuck Forsman / Ted Stearn / Drew Weing
1:00 - 2:00 PM        Warren Bernard / Anders Nilsen
1:00 - 3:00 PM        Johnny Ryan
2:00 - 3:30 PM        Leslie Stein
3:00 - 4:30 PM        Kevin Huizenga
3:00 - 5:00 PM        Jim Woodring
4:30 - 6:00 PM        Paul Hornschemeier
5:00 - 6:00 PM        Diane Noomin

And surely you've taken note of our doozy of a panel schedule by now, right? If not, check it out on the Flog! Print it out, and carry it in your pocket, or perhaps stash it in this stunning Jim Woodring SPX exclusive tote bag? In fact, you'll wanna bring an extra tote bag to carry all our incredible debuts, plus, did I mention there will be some bargain boxes?

So, be sure to stop by and say hi to Kim, Gary, and Conrad! See you at SPX!

Now in stock: Set to Sea by Drew Weing (2nd Printing)

mike

Back in stock in a new and improved (colored endpapers, slightly better printing) second edition:

Set to Sea
by Drew Weing

144-page black & white 5.5" x 6.25" hardcover • $16.99
ISBN: 978-1-60699-368-2

See Previews / Order Now

The central character is a big lug and an aspiring poet who runs up tabs at the local bars by day and haunts the docks by night, writing paeans to the seafaring life. When he gets shanghaied aboard a clipper bound for Hong Kong, he finds the sailor’s life a bit rougher than his romantic nautical fantasies. He helps rebuff a pirate assault, survives a gunshot to the eye, and learns to live — and love — a Conradian life on the sea, all the while writing poetry about pirates, bad food, unceremonial funerals, foreign ports, and unexpected epiphanies. By the end of his life, he’s found satisfaction in living a life of adventure and finding a receptive and appreciative readership. What more could one ask for?

This is Drew Weing’s debut graphic novel, after honing his craft with numerous, lovingly produced self-published comic stories. Drawn in an elaborate crosshatched style that falls somewhere between Gustave Doré engravings and E. C. Segar’s Popeye, Set to Sea is part rollicking adventure, part maritime ballad told in visual rhyme. Every page is a single panel, every panel is a stunning illustration, every illustration a part of a larger whole that tells a story in the deft language of cartooning.

Recipient of the Lynd Ward Graphic Novel Prize Honor Award

An ALA 2011 Top 10 Great Graphic Novel for Teens

One of Booklist's Top 10 Youth Graphic Novels for 2010

Ranked #5 on New York Magazine's Top Ten Comics of 2010

Daily OCD: 8/1/11

mike

Today's Online Commentary & Diversions:

• Review: "Originally appearing from 1958 to 1960, these insouciant, stylish, and thrilling dramas should appeal to readers of all ages. If they don't hook a whole new batch of bande dessinée fans, France needs to take back the Statue of Liberty in a huff.... Both stories zip by with nary a dull patch. Confections lacking in gravitas, they nevertheless own the supreme virtues of lightness and panache. Tillieux's art is always easy on the eye.... If Spielberg is looking for a second franchise after Tintin, he couldn't go wrong with Gil Jordan." – Paul Di Filippo, The Barnes & Noble Review

• List: At About.com - Manga, Deb Aoki shares comments that she and her fellow panelists on the "Best and Worst Manga" panel at Comic-Con made about Wandering Son Vol. 1 by Shimura Takako (named a Best New Teen Manga and a Best New Grown-Up Manga) and A Drunken Dream and Other Stories by Moto Hagio (named a Best New Grown-Up Manga)

• Review: "Thanks to well known translator Matt Thorn, this volume is a very smooth read. I don’t often comment on such things, but Thorn took great care in interpreting and presenting this book, and it pays off in a very pleasing flow of text. The art is also quite lovely, very simplistic, and flows well from panel to panel. The color pages in the beginning have a beautiful, water color look to them. Fantagraphics has put out a gorgeous hardcover book with Wandering Son." – Kristin Bomba, ComicAttack.net

• Review: "Fantagraphics’ The Pin-Up Art of Humorama collects hundreds of racy cartoons from the once-ubiquitous tasteless humor mag.... The Fantagraphics edition, edited by Alex Chun and Jacob Covey, 'remasters' these toons with a two-color treatment that really captures the graphic feel of the mouldering pulps that still grace the ends of yard-sale tables in cities across America. It must be said that none of these are very funny, but they’re often quite beautiful and nostalgic." – Cory Doctorow, Boing Boing

• Review: "Every once in a while, a book comes along that is simply spectacular. This collection of [Mickey Mouse] comic strips by Floyd Gottfredson is a perfect example of how to present, analyze and reconstruct subject matter that is viewed differently today. The series editors (David Gerstein and Gary Groth) pull no punches in discussing why Mickey was carrying a gun or the use of slang that is noticeably offensive by today's standards. This is a wonderful vehicle for presenting historically accurate art. Other companies should take notice.... This is a stunning work. The historical presentation is flawless, as is the artwork." – George Taylor, Imaginerding

• Review: "[In Celluloid], McKean is attempting to subvert hardened notions of both comics and pornography. It's a book that gets the blood racing just as it raises questions that just won't go away about the nature of art, porn, and the male gaze.... By painting an erotic sequence with a surrealist's brush, McKean reveals the raw sexual current that underscores all pornography." – Peter Bebergal, Bookslut

• Review: "An unapologetically hard-core hardcover, Celluloid follows a young woman’s sexual epiphany... and feels almost like a silent, erotic Alice’s Adventures in Wonderland, with the White Rabbit and the rabbit-hole replaced by an ancient movie camera and a doorway to…somewhere else. By itself, typically, McKean’s technical mastery (beginning with pen and ink and finishing with photography) steals the breath away; ditto his visual motifs — involving fruit, say, or eyes. A bravura performance, Celluloid (which ends, by the way, with signal wit) constitutes an astounding fusion of the Dionysiac and the Apolline, in Nietzschean terms, and less invites reading than demands rereading." – Bryan A. Hollerbach, PLAYBACK:stl

• Review: "In the oneiric power of his work as a writer/artist, Jim Woodring enjoys few rivals in contemporary comics... Within the first ten pages of Congress of the Animals, calamity literally descends on poor Frank in the form of a wood-boxed croquet set. In the next ten, our bucktoothed, bobtail boyo suffers both a labor dispute and a credit crisis, and thereafter, in the U.S. in 2011, it should come as no surprise that things fast go from bad to worse; just for starters, Frank has to enter the working world. Ameliorating all of his tribulations, at least from readers’ vantage, are his creator’s nonpareil pen and undulant line — a quivery visual seduction courtesy of Higgins. Moreover, by the finale, Frank’s [spoiler redacted – Ed.] — so the little guy ain’t doin’ too bad, y’know?" – Bryan A. Hollerbach, PLAYBACK:stl

• Review: "Like Weathercraft, this new work [Congress of the Animals] is completely silent, showcasing Woodring's amazing talent to convey a story without a word, with seemingly little effort. It's just an eye-popping visual feast of amazing illustrations in this crazy world where Woodring can put whatever he wants on the page, to a stunning end result." – Dave Ferraro, Comics-and-More (via the SPX Tumblr)

• Review: "How wrong I was to underestimate the powerful storytelling medium of the emerging graphic novel platform, especially when masterfully rendered by an author and artist as remarkably talented as Santiago. I expected an exciting visual presentation, and was not disappointed, as Santiago’s heavy-lined, representational graphic style was, in turn whimsical, arresting, quirky, and most of all, emotional. But I wasn’t prepared for the wonderfully passionate portrayal of the human side of Clemente’s legendary journey from Puerto Rico into baseball immortality.... Captivating, revealing, and dramatic, 21 accomplished through art, creative use of informed imagination, and pure passion, far more than I thought possible from a graphic novel. I believe I now have a more complete picture of Roberto Clemente, but not of his statistics, or even his style of play, or of his place in baseball history. I have a truer sense of his heart." – Mark W. Schraf, Spitball

• Review: Adorable alert! At Bookie Woogie, 11-year-old Gracie (and her dad Aaron Zenz) review The Complete Peanuts:

Gracie: Charlie Brown! He's the one who thinks, "Life is going bad... I'm an awful person... Nothing good ever happens to me..."
Dad: Would you be friends with him?
Gracie: I would. I love him. My love for him goes to the ceiling of a skyscraper. But nothing good ever happens to him ever. Once he won a race -- that's probably the only thing he's ever won. And the prize was 5 free haircuts...
Dad: Ha!
Gracie: He's only got a twist of hair in front. And he's like, "Five free hair cuts? I don't have much hair to cut! And even if I did... my dad is a barber!"
Dad: Poor Charlie Brown.
Gracie: Yeah, nothing good ever happens to him. He's always getting teased for his perfectly round head.

• Interview: The Comics Reporter's Tom Spurgeon talks with Stan Sakai: "Usagi was first published 27 years ago, and that time I just concentrated on the next story. It was around maybe... I would say with book four, The Dragon Bellow Conspiracy. That was the first major storyline. It took maybe 10 issues or something, I'm not exactly sure. Maybe eight issues.... Before then, I was thinking, 'Usagi's going to be canceled any month.' [laughter] 'I can't spend too much time devoting myself to a long storyline.' But once I did that and got over that hurdle, that's when I realized that hey, this could go on for a long time."

• List: The Hooded Utilitarian begins revealing the top 10 results in their International Best Comics Poll, with Walt Kelly's Pogo coming in at #8

• Plug: Canada's National Post spotlights Drew Friedman's forthcoming book Even More Old Jewish Comedians

• Plug: Michael Kupperman's Mark Twain's Autobiography 1910-2010 was a favorite acquisition at Comic-Con among some of Comics Alliance 's writers

• Plug: "A trip to the comics shop yesterday netted me a copy of Drew Weing’s Set to Sea. It’s pure indulgence, because I have already read the story online, but Fantagraphics’ small, almost jewel-like presentation is really beautiful. Weing tells his story one panel at a time, and each panel could be framed as a work of art in itself, so having it in a book, without the clutter of the web, is a worthy investment." – Brigid Alverson, Robot 6

• Commentary: Robot 6's Chris Mautner recommends The Classic Pin-Up Art of Jack Cole and Betsy and Me as "further reading" in his "Comics College" introduction to Jack Cole's work

• Commentary: At The Comics Journal, Frank Santoro talks about working with Dash Shaw on Dash's animation project and drawing for animation vs. drawing for comics

• Scene: Comic Book Resources' Marlan Harris gives a recap of our 35th Anniversary panel at Comic-Con — unfortunately it contains several factual errors, some of which I have endeavored to correct in the comments thread

• Scene: Our EC and ZAP announcements top Michael Dooley's list of 13 highlights from Comic-Con at Print magazine's Imprint blog

Daily OCD: 7/19/11

mike

Trying to keep up with Online Commentary & Diversions while also at Comic-Con may be foolhardy, but I'll be giving it a go:

• Plug: "Reviewers will compare [Everything Is an Afterthought] to Lester Bangs’s Psychotic Reactions and Carburetor Dung, but Avery’s palpable esteem for his subject elevates the book above anthology to research-rooted valentine; indeed, the book is partly a biography of a Minnesota-grown rock journalist whose lean style recalls the film noir he adored." – Heather McCormack, Library Journal

• Interview: At Comicdom, Thomas Papadimitropoulos talks to Michael Kupperman (interview in English follows introduction in Greek): "Despite having some enchanted associations, I still very much feel I'm an outsider, and I need very much to prove myself every day. This is one of the simplest rules of life - creativity is at it's strongest when it comes from necessity. I sincerely hope that at some point in the future I will be more successful and then I will not be as funny. That's how it works."

• Interview: Spousal unit Eleanor Davis and Drew Weing answer David-Wasting-Paper's craft-oriented cartoonist survey. It's pretty darn cute!

• Comic-Con: Thanks to J.K. Parkin at Robot 6 for the big ol' plug of our Comic-Con activities!

Video: Drew Weing's Lynd Ward Prize honor award talk

mike

Drew Weing gave an illuminating talk about his career and the creation of his debut graphic novel Set to Sea a short while ago at the behest of the Pennsylvania Center for the Book in Philadelphia after the book received the 2011 Lynd Ward Prize for Best Graphic Novel Honor Award (runner-up to the main prize) earlier this year. Watch the complete talk, with introduction and follow-up Q&A session, embedded above or on YouTube here; also, in this video, you can watch the jurors for the Lynd Ward Prize discuss their selection of the book.

We Can Be Heroes... Just For Three Days

janice

Heroes Con is this weekend, June 3rd through 5th, at the Charlotte Convention Center in Charlotte, NC. And while Fantagraphics won't be there ourselves, a couple of our awesome artists will be in attendance!

Visit Drew Weing in the Artists Alley at Booth 423! According to his Twitter Account, it's your chance to get one of the last few precious copies of the first printing of his acclaimed debut novel Set to Sea. He'll also have some mini-comics and original art for sale.

Drew's got panels on:

Saturday, June 4th
• 1:30 PM // Designing Comics, Room 203A

Sunday, June 5th
• 2:30 PM // The Web Comics: Solo Shocker, Room 207BCD

And say hello to Roger Langridge, who will also be in the Artists Alley at Booth 518, all the way from London! According to his blog, he will also have some original art, so go check it out!

You can also check out Roger's panels:

Saturday, June 4th
• 12:00 PM // Approaches to Humor, Room 209

Sunday, June 5th
• 11:30 AM // Hammer Time (or more specifically it’s Mjolnir Time), Room 207BCD
• 4:00 PM // Adapting Licensed Properties to Comics, Room 209

Get more details about Drew and Roger's panels at the Heroes Con website!

Things to See: 4/20/11 Roundup

mike

It's been a while, so let's catch up:

• New diary strips & sketches by Lewis Trondheim

• Artwork from Kurt Wolfgang's work in progress Pinokio plus some Mome meta-commentary and other sketches and characters at New Bodega

• Laura Park designed this placemat for fellow Chicago Mome-ster Jeremy Tinder's impending nuptials, and also this cool t-shirt design for The Mountain Goats & Jon Vanderslice

• At her Screened-in Porch blog, Carol Tyler presents “Will Work for Food” from The Job Thing — page 1 page 2 page 3 page 4 page 5

• "Crabby," a 3-pager by Tony Millionaire, plus "George R. Binks" and Billy Hazelnuts in color

• New artwork, dolls and other news in Dame Darcy's latest blog update

And more Things to See from the past 2 weeks:

• Illustrations, sketches, old strips and film reviews by Jason at his Cats Without Dogs blog

• Steven Weissman's latest "I, Anonymous" spot on his Chewing Gum in Church blog

• A new lithograph by John Hankiewicz

• Kevin Huizenga posted things on his blogs Fight or Run and The Balloonist

• Drew Weing posts the title lettering for the Serbian edition of S‍et to Sea and photos of Eleanor Davis painting a mural on his blog

• Vintage Jim Flora artwork and illustrations at the Jim Flora blog

• Sketches by Mark Kalesniko for his new graphic novel Freeway and more artwork at his blog

• "The Strangest Story You Ever Heard in Your Life" wraps up at Splog!, the Sergio Ponchione Lost Objects Gallery blog, plus illustrations at Mondobliquo

• Strips, illustrations and updates from Noah Van Sciver

• Recent illo jobs by Ray Fenwick on his Flickr page, including one for an article by Suze Orman in Oprah's mag — that's high profile!

• Drawings & photos by Renee French

• Recent illustrations and sketches, with commentary, by Steve Brodner

• Daily storyboards & production art from Dash Shaw at The Ruined Cast blog

• A coloring test for a work in progress by Robert Goodin

• Recent sketches by Tom Kaczynski at his Transatlantis blog

• Nate Neal's monthly men's mag strip

Daily OCD: 4/8-13/11

mike

Catching up on several days' worth of Online Commentary & Diversions:

• List/Plugs: In an article titled "Fantagraphics: The Greatest American Comics Publisher," GUY.com's Rob Gonsalves says "What the Criterion Collection is to DVDs, Fantagraphics is to comics. Any self-respecting collection of graphic novels, any library public or personal, needs to sport at least one Fantagraphics book," and recommends a nicely idiosyncratic top-20 list of our publications which includes some of our more obscure releases

• Review: "While there definitely were some hardships, Clemente’s life was as unique and joyful as his persona and ball playing skills were, and Wilfred Santiago’s 21: The Story of Roberto Clemente reflects this uniqueness and joy through its own unique retelling of Clemente’s life. [...] The simple joy conveyed in this book is universally appealing... Baseball is a game that is full of life and story, and every year the game blooms in the spring with the trees and flowers of the season. 21: The Story of Roberto Clemente celebrates life, and new life, as much as it does baseball." – Andy Frisk, Comic Book Bin

• Interview: Pittsburgh City Paper's David Davis, who says "In his new graphic novel 21: The Story of Roberto Clemente, the author of 2002's In My Darkest Hour uses Clemente's life to explore issues on and off the diamond. These include the thorny politics of Puerto Rico (statehood or commonwealth status?) as well as the racism Clemente faced in America as a dark-skinned Latino. The result is both a superhero cartoon and a lyrical time-machine, rendered in the regal black-gold-and-white of the Bucs' uni," has a brief Q&A with Wilfred Santiago: "I began my career working on superhero cartoons. That's the look I wanted to get -- somewhere between a cartoon and a painting. I wanted to get the camera right there with him and you're experiencing the action up close."

• Plug: Philip Shropshire spotlights 21: The Story of Roberto Clemente at Mirror Universe

• Review: "Slavishly documenting and lavishly illustrating through band flyers and set lists and rare record sides and marvelous photography, along with first-person textual accounts, this strange, excited dialogue between misfits in America through bands, venues, zines, and lives and how it was all done punk and how punk was done. [...] Taking Punk to the Masses’ gallant bridging of universal punk history with our own in Ecotopia is a reason to celebrate. Your eyes can gnaw on decades of delicious artwork while you read and watch stories you may have heard of, but after this, will never forget." – Chris Estey, The KEXP Blog

• Review: "In Hate Annual #9, Buddy returns to Seattle to meet the dysfunctional family of his wife Lisa who he has never met despite having been with Lisa for close to 20 years. In a tension-filled 72 hours, Buddy is subjected to senile parents, criminals, and drug addicts. Each page is filled with the sardonic humor and high drama that are staples of Bagge's work. [...] Read this issue slowly because once you're done laughing your head off, you are sure to be sad that you'll have to wait another year to check in with one of the best characters of alternative comics." – Rip Ransley, Stray Riffs

• Review: "The particular fascination in this early work [The Arctic Marauder] is seeing one of the unique individual styles in cartooning at a formative stage. [...] As for the subject matter: It’s an example of parody that continues on when the thing parodied has long faded away. [...] Part of the appeal is feeling superior to an earlier age, and another part is being engaged in the traces of the earlier form embedded in the parody, which you would normally feel yourself too sophisticated to enjoy." – R. Fiore, The Comics Journal

• Plug: "At once a parody and a tribute to late 19th, early 20th century mystery/adventure Jules Verne-esque fiction, this gorgeous one-shot [The Arctic Marauder] is masterfully drawn scratchboard style, as to echo the woodcuts of the era. The result is sumptuous, and look at those elegant art-nouveau panels! [...] Fans of concentrated mysteries, steam-operated machines, dramatic adventures and over-the-top vilains should be all over this!" – 211 Bernard (Librairie Drawn & Quarterly)

• Review: "One of the greatest publishing endeavors in comics continues, with the 15th volume of The Complete Peanuts by Charles M. Schulz published by Fantagraphics! [...] I will give this book an A+ grade and highly recommend it to any fans of Peanuts..." – Mike Moon, Catgirl Critics' Media Mewsings

• Review: "With Woodring’s skill, I never found myself confused, at least, more than you’re supposed to be. I’ve never read a statement by Woodring saying this, but I always got the impression he wanted you to work for the meaning behind his stories. Even if it’s not the case, I highly enjoy the process. In one graphic novel [Weathercraft], I got what I think may have been a love story, a treatise on spiritual enlightenment and sometimes just a whole lot of fun." – Joe Keatinge, Joe Keatinge's Comics & Stories

• Review: "Weathercraft... [is a]nother volume of nightmarishly beautiful wordless comics by the remarkable Mr. Woodring. Even for those accustomed to his work, there is page after page that makes you say, 'I’ve never seen anything like that before!' And then hide under your bed." – M. Ace, Irregular Orbit

• Interview: Book By Its Cover's Jen Rothman, who says "Ray Fenwick has created yet another masterpiece. His second book, Mascots, hit shelves in the beginning of this year and it’s quite a beauty. It’s filled with his signature style that mixes ornate hand lettering and imagery, creating amusing little narratives," has a Q&A with Ray: "I thought of the idea of mascots because they’re these outrageous, often ridiculous figures, but they’re symbolic of something else. The thing they’re there to represent isn’t ridiculous at all. I thought that was similar in a lot of ways to the work in the book."

• Interview (Audio): Inkstuds host Robin McConnell talks with Set to Sea creator Drew Weing

• Interview: One Two One Two Microphone Check has a cultural Q&A with our own Kim Thompson: "There is no movie I love but would be embarrassed to talk about in a serious, intellectual conversation, because if I love it, it is worth talking about by definition. (I concede this could be taken as arrogant.) That said, I am mildly embarrassed at how much I actually love Love, Actually."

• Interview: Alex Dueben's great interview with Daniel Clowes at Comic Book Resources touches on Dan's design work for our upcoming series of Crockett Johnson's Barnaby collections: "It's probably the best written comic strip of all time. The artwork is disarmingly simple. It's the kind of thing that I would normally not be attracted to. He uses typography instead of hand lettering and very simple diagrammatic drawings, yet they are perfect, and work beautifully in a way that anything added to it would detract from it. My goal with the design of the book is to follow his very severe minimal design style and try to live up to that."

• Interview: At TCJ.com, Sean T. Collins also talks to Clowes: "I was always baffled that people who liked mainstream comics seemed to really gravitate towards [Eightball #22]. I couldn’t quite figure out what it was about that one, specifically, that made them like that so much."

• Plug: "To accompany the number of Edward Gorey books... that we carry, D+Q now has The Strange Case of Edward Gorey by Alexander Theroux. If you find yourself curious about the man behind The Epilectic Bicycle and The Doubtful Guest, Theroux's portrait of Gorey is sure to please." – 211 Bernard (Librairie Drawn & Quarterly)

• Commentary: Tim Kreider pens an essay on the state of the cartooning industry for TCJ.com: "When you’re young, it’s exciting and fun just to have your work published in the local alternative weekly, or posted online, “liked” and commented on and linked to; but eventually you turn forty and realize you’ve given away a career’s worth of labor for nothing. What’s happening in comics now is what happened in the music industry in the last decade and what’ll happen to publishing in the next. Soon Don DeLillo will be peddling T-shirts too."

• Commentary: Robot 6 polled Gilbert Hernandez for their weekly "What Are You Reading?" feature: "The new comics I always enjoy are by R. Crumb, Dan Clowes, Richard Sala and Charles Burns. I haven’t seen Burns’ and Sala’s new books yet but I did read The Bible by Crumb, which I found tedious only because of the subject matter and Wilson by Clowes. That was hard to get through because the protagonist is so supremely hateful. Well executed, though."

Set to Sea: Back to Press

mike

At his Here There Be Monsters blog, Drew Weing has a nice little announcement about his acclaimed hit book Set to Sea going back to press for a second printing. So, if you're currently having a hard time finding the book (though we do still have mail-order copies), it should be widely available again before too long.

Things to See: 4/4/11 Roundup

mike

• Check out Mack White's illustrations for Michael del Ray's book Long Term Parking

• Monster Brains presents "Momster" by Ted Jouflas from Weirdo #26 (1989)

• "Ghost Dream," a sketchbook comic by Drew Weing

• From Lilli Carré, a short animated film, a poster for an event she'll be at, and a teaser of her work in the new Smoke Signal

• Leslie Stein gives this peek at artwork from the 6th issue of Eye of the Majestic Creature

• Panels for the next installment of "Nothing Eve" for Mome by Kurt Wolfgang at New Bodega

• Also working away on a new Mome story: Laura Park

• And yet more Mome previewing: new pages from "Wild Man" by T. Edward Bak

• Messages from Killoffer at Lewis Trondheim's Les petits riens blog

• Shirley from the TV show Community by Josh Simmons

• Renee French custom-painted this Dylan Sprouse vinyl figure; plus the usual drawings etc. at her blog; plus we like this photo on Sprouse's website for obvious reasons

• Sammy Harkham on Flickr

• A panel by Carol Tyler; also check out a photo of her drawing desk

And more Things to See from the past week:

• Illustrations, sketches and film reviews by Jason at his Cats Without Dogs blog

• Steven Weissman's latest "I, Anonymous" spot and sketching on his Chewing Gum in Church blog

• Drawings & diagrams from Frank Santoro

• Puppets in progress by Marco Corona

• Another possible puppet or other figurine in progress in some mysterious photos from Paul Hornschemeier

• Vintage Jim Flora artwork and illustrations at the Jim Flora blog

• Sketches by Mark Kalesniko for his new graphic novel Freeway at his blog

• "The Strangest Story You Ever Heard in Your Life" continues at Splog!, the Sergio Ponchione Lost Objects Gallery blog, plus an illustration at Mondobliquo

• Daily storyboards & production art from Dash Shaw at The Ruined Cast blog

• Watercolor panel process by Derek Van Gieson

• Daily sketches by Tom Kaczynski at his Transatlantis blog

Drew Weing's Set to Sea named Lynd Ward Prize runner-up (updated!)

mike

Drew Weing announced yesterday that his debut graphic novel Set to Sea was named runner-up for the inaugural Lynd Ward Prize, a new award sponsored by the Penn State University Libraries and administered by the Pennsylvania Center for the Book, an affiliate of the Center for the Book at the Library of Congress, presented to the "best graphic novel, fiction or non-fiction, published in the previous calendar year by a living U.S. citizen or resident." We'd been waiting for the official PR to make our announcement, but since Heidi MacDonald has broken the news over at The Beat, anchors aweigh (as it were). Congratulations Drew!

UPDATED: The official announcement has now been posted online:

The prize jury also awarded an honor book prize to Drew Weing for Set to Sea, published by Fantagraphics. In this book, small in size but large in vision, the art of storytelling through pure visual image is at its height. Described by jurors as "a small wonder of visual narrative, the book's superbly executed single-panel pages combine iconic cartooning and realistic detail to deliver a quietly moving story that unfolds primarily through image. It epitomizes the whole notion of the graphic novel set forth by Lynd Ward — the illustrations are brilliant and the balance between word and image is spot on. The book encapsulates the power of comics to combine an aesthetic experience with a lovely story with strength and beauty that lies with its simplicity and subtlety." Weing will accept his honor prize at an event co-sponsored by Penn State and the Pennsylvania Humanities Council at 6 pm on May 23 in Foster Auditorium on the Penn State University Park Campus.

Things to See: 3/21/11 Roundup

mike

• Chris Ware draws Tiny Tim for 6-year-old Clara Ware's review of a Tiny Tim compilation album at Roctober (yes, you read that correctly)

• Dame Darcy offers artwork for sale with partial proceeds donated to the Red Cross for Japan relief; she also encourages you to donate directly

• Fight or Run artwork from Kevin Huizenga; also some super-moon-related cover art

• A commissioned sketch of Wonder Woman from 1998 by Richard Sala

• Drew Weing posts a page from the story he drew in the new issue of Papercutter

• Title design (in various stages) by Leslie Stein

• It was tough deciding between this and the kitty portrait by Renee French

• A tantalizing glimpse of something in progress by Joe Kimball

And more Things to See from the past week:

• New original Matthias Lehmann illustrations for sale at La Galerie de Matthias Lehmann

• Illustrations, promotional artwork, sketches and film reviews by Jason at his Cats Without Dogs blog

• Steven Weissman's latest "I, Anonymous" spot on his Chewing Gum in Church blog

• Artwork and sketches from Frank Santoro

• Recent sketches by Marco Corona

• Leslie Stein posts the real-life Marshmallow & friends and links to some Eye of the Majestic Creature fan art

• Sketches by Mark Kalesniko for his new graphic novel Freeway at his blog

• Sketches, strips, a horrible experience and other updates from Noah Van Sciver

• New sketchbook strips by Laura Park on her Flickr page

• "The Strangest Story You Ever Heard in Your Life" continues at Splog!, the Sergio Ponchione Lost Objects Gallery blog

• Daily storyboards & concept drawings from Dash Shaw at The Ruined Cast blog

• Tony Millionaire dug an old interactive Maakies strip thing out of the bowels of the internet

• More new sketches by Tom Kaczynski at his Transatlantis blog

• Eleanor Davis just keeps murdering it on her We Be Ouija blog (NSFW, some of it)

Things to See: 3/14/11 Roundup

mike

• Jason goes on a murderous rampage, plus more old strips and illustrations and new film reviews at his Cats Without Dogs blog

• A doozy of an "I, Anonymous" spot by Steven Weissman at his Chewing Gum in Church blog

• A new comic page by John Hankiewicz

• Pages from "Professor Fleischmann," an in-progress collaboration between Lamelos and Olivier Schrauwen (via Kuš!)

• This is just a small portion of the catstravaganza that is Drew Weing's back cover for Papercutter #15 from Tugboat Press (he's also in the issue) — see the whole thing at Drew's Here There Be Monsters blog

• Tim Lane's Belligerent Piano Miniature Cut-Out Collectible Diorama Figure No. 2 - One-Eyed Lunatic Goon (in 2 versions, plus assembled photos!)

• Johnny Ryan's original "Mark & Gary Forever" artwork is for sale

• Lilli Carré's poster for the Small Press & Comics Symposium in Chicago next week

• Derek Van Gieson gives a glimpse of the final chapter of his Mome serial "Devil Doll" plus other drawings & projects at his These Days I Remain blog

And more Things to See from the past week:

• Album cover sketches from Matthias Lehmann at his Bloc-Notes blog

• Loads of new mythical drawings from Frank Santoro

• Some cute character design by Marco Corona

• Leslie Stein posts the real-life Marshmallow & friends and links to some Eye of the Majestic Creature fan art

• Sketches by Mark Kalesniko for his new graphic novel Freeway at his blog

• Noah Van Sciver's sketches and photos from his recent trip to Australia

• New sketchbook strips by Laura Park on her Flickr page

• Drawings, sketches, photos by Renee French

• "The Strangest Story You Ever Heard in Your Life" serializes at Splog!, the Sergio Ponchione Lost Objects Gallery blog

• Sketches and an illustrated interview from Steve Brodner

• A sketch from Los Angeles by Josh Simmons

• Daily drawings from Dash Shaw at The Ruined Cast blog

• Another old Chrome Fetus strip from Hans Rickheit

• Copious new sketches by Tom Kaczynski at his Transatlantis blog

• Nate Neal's latest monthly men's-magazine comic strip

• Thumbnails for an unfinished comic by Eleanor Davis

Daily OCD: 3/8/11

mike

Today's Online Commentary & Diversions:

• List: Matthew J. Brady posts his picks for the best comics of 2010 on his Warren Peace Sings the Blues blog (where there are links to his past reviews), including:

"25. Temperance... is a confounding work, and a fascinating one, with some excellently moody art. I still don't know if I really understand it, but it's a strange, unforgettable book."

"23. Set to Sea... is lovely to look at, full of beautiful seascapes and cartoony movement. It may be a small and quick read, but it doesn't seem that way in subsequent memory."

"18. Wally Gropius... is a deeply weird comic, but one that is not easily forgettable, starting with an off-kilter take on old teen comics and throwing in a sort of dada energy, social commentary that isn't always easy to decipher, some startling sex and violence, and an angry attitude toward the idly manipulative rich and their disdain for the rest of humanity. It's also really funny, and what seems like random incidents eventually cohere into an actual story, but the crazy contortions of the characters, the financial imagery and sound effects, and the bizarre dialogue and actions from the characters are what will haunt the mind for some time to come."

"10. It Was the War of the Trenches... is one of the most incredible books of the year, an ugly, grimy, angry look at the devastation of war on everything it touches, an endless cascade of horrors that are all the more effective due to their reality. This is arresting work, something everyone should read, lest we forget how easy it is to get caught up in the killing once again."

"7. A Drunken Dream and Other Stories [...] From the beautiful artistic filigrees that fill panels throughout, to the firm grasp of character and complex emotional examinations, every page of this book is an essential bit of reading for manga fans."

"3. Love and Rockets: New Stories #3... is an amazing example of how great these creators are, and the way comics can be used for maximum effectiveness to tell emotional, realistic, beautifully real stories."

• Interview: Sean O'Toole of South African culture mag Mahala talks to Joe Daly: "Whatever other influences effect my comics worldview, I always end up coming back to Tintin. It’s an impeccable foundation text in terms of characters, story telling and artwork. I also appreciate the fact that it’s written and drawn by one person, George Remi aka Hergé (although I know he had studio assistance later in the series). It’s a complete creation, in that way, there’s a deep level of cohesion between the drawing and the narrative."

• Interview: At Comicdom, Thomas Papadimitropoulos talks to Jim Woodring (interview in English follows introduction in Greek): "I write all my stories out in words, describing the action. After a lot of rejecting of alternatives I end up with something that feels meaningful to me, even if I don't know why. In fact I prefer it if I don't know why. If I can tell there is some significant meaning respiring in the depths of the proposed action, I don't worry about what that meaning might be; I draw the story up and allow the meaning to occur to me and to readers whenever the time is right." (via The Comics Reporter)

Daily OCD Extra: Booklist Top Tens for 2010 and new reviews

mike

In their March 15 issue, Booklist announces their Top 10 Graphic Novels in Adult and Youth categories. We're honored that they've chosen the following books in the former category:

Artichoke Tales by Megan Kelso

A Drunken Dream and Other Stories by Moto Hagio

It Was the War of the Trenches by Jacques Tardi

And in the latter category:

Set to Sea by Drew Weing

The issue also includes the reviews excerpted below:

The Arctic Marauder by Jacques Tardi: "A strong Jules Verne flavor dominates the story’s stew of mystery farce and sci-fi adventure, from the ship named the Jules Vernez to the assortment of just-plausibly-outlandish vehicles and deep-sea mechanical apparatuses. But the real fun comes from marveling at it all in Tardi’s expansive, ice-blasted scratchboard tableaus that feature one breath-stealing scene after another, all the way through to the cheerfully villainous finale. A devious bit of far-fetched fun." – Ian Chipman

Freeway by Mark Kalesniko: "Kalesniko reprises his alter ego, Alex Kalienka, for his most ambitious and accomplished graphic novel yet. [...] Although Kalesniko’s formal storytelling devices, particularly his deft panel arrangements and intelligent compositions, are largely responsible for Freeway’s impressive effectiveness, it’s his distinctive and delicate drawing style that supplies the emotional component, best displayed in the economical character design and in the painstakingly researched, lovingly depicted scenes of a bygone Los Angeles." – Gordon Flagg (Starred Review)

Stigmata by Lorenzo Mattotti & Claudio Piersanti: "Obviously but never verbally a parable of Christian redemption, Piersanti’s story becomes extremely compelling in Mattotti’s hands. ...[H]is swirling realization of atmosphere, the protagonist’s states of mind, and human figures conjures the raw power and compassion of such great Italian neorealist films as Bicycle Thieves and La Strada." – Ray Olson

New Drew Weing in Fluke & Papercutter

mike

Drew Weing has a couple of anthology contributions on the way: he posted this teaser panel from a story he has in the upcoming Fluke anthology, and he drew a story written by M.K. Reed in the new issue of the always-unmissable Papercutter from Tugboat Press (shown below with cover art by Jonas Madden-Connor; photo from the Tugboat Press Flickr page). Can't wait!