• Review: "Exuberantly expressive..., Santiago imbues his biography of famed Puerto Rican baseballer Roberto Clemente  with the furious energy of a Clemente triple. [...] Santiago evokes the world Clemente lived in, from the dusty Puerto Rican streets where he played baseball with bottle caps and tree branches to his years as a perennial All-Star. The art is scratchy and abstract when it’s dealing with home and homesickness, and then hardens into the stuff of superhero comics whenever Clemente steps to the plate." – Noel Murray, The A.V. Club
• Review: "…The Complete Peanuts: 1979-1980… features a touching intro by Al Roker — who conducted the one of the last interviews with Schulz — along with two years’ worth of strips that find Schulz still going strong as a documentarian of life’s simple pleasures and overwhelming anxieties." – Noel Murray, The A.V. Club
• Review: "Jacques Tardi’s 1972 graphic novella The Arctic Marauder... is a fine example of the French artist’s early work, which combines turn-of-the-century adventure stories with deadpan zaniness. It’s recommended for those who like submarines disguised as icebergs, world-domination plots, detailed schematics of bizarre inventions, heroic dowagers, and sudden reversals, as well as for those who’d like to see all of the above rendered in Tardi’s typically detailed linework, which looks amazing even when obscured by ice and snow." – Noel Murray, The A.V. Club
• Interview:The Comics Reporter's Tom Spurgeon talks at length with Dungeon Quest creator Joe Daly: "I want to develop a dedicated fan base, even if it's a small fan base, and reward their dedication with my best efforts to entertain them. More than a 'comics guy' or a 'writer' or 'artist' I want to build a reputation as an entertainer. I feel that the value of sheer entertainment is often overlooked or dismissed in today's sophisticated and occasionally pretentious comics world."
• Interview: At TCM's Classic Movie Blog Movie Morlocks, Paul Gaita talks to Drew Friedman: "I’m going from freaks back to Old Jewish Comedians for the third and final book — and again, I had to leave some comedians out. I feel bad about that, but I’m not going to do a fourth book. That’s it. I’m done with the Jews. I’m becoming an old Jew myself — I don’t need to draw them anymore." (via The Comics Reporter)
• Interview:The Daily Cross Hatch's Brian Heater begins serializing a transcription of his MoCCA panel conversation with Peter Bagge: "I’m slowly turning [Buddy Bradley] into the crazy old guy who works at the dump. That’s why I gave him the Popeye look. Though I’m always on the verge of having him get rid of it. I keep thinking that I’ll have another character make fun of him for it. He doesn’t need the eyepatch, he doesn’t need to shave his head, and there’s no reason for him to be wearing a captain’s hat."
Here are some great photos of Robert Crumb at the opening of R. Crumb: Lines Drawn On Paper at the Society of Illustrators in NYC last Friday (March 25). The top two are by Rob Sussman; the bottom one, with Bob in a saucy pose with SOI director Anelle Miller, is by Jordin Isip; all were provided by Drew Friedman (thanks Drew!).
We found out about this event too late to notify you about it in advance, but Drew Friedman had a book release extravaganza for his new book Sideshow Freaks from Blast Books at The Drama Book Shop in NYC last week where he was interviewed on stage by Irwin Chusid, with special guest appearances by Todd Robbins, Larry Storch, and James Taylor (not the singer) and an introduction by the one and only Joe Franklin! The whole thing was captured on video in 6 parts — part 1 is embedded above and here are part 2, part 3, part 4, part 5 and part 6. It can only be described, as Drew does, as "A once in a lifetime get-together!"
The great Drew Friedman was recently a guest on the WFMU radio show Fool's Paradise, discussing everything from, "Drew's early career, Tor Johnson sightings, the healing power of Joe E Ross and Drew's latest masterwork, Sideshow Freaks (Blast Books). Zagnut bars will also be referenced."
If you forgot to tune in, you can listen to the archive here! And toss those guys a few bucks -- it's the WFMU 2011 Marathon through March 13th!
• List/Review: At Seen, Sam Humphries ranks Special Exits by Joyce Farmer #6 on the Best of 2010: "Sure, Special Exits is sad. But it’s also funny, touching, thought-provoking, and life-affirming. It’s never trite, cheap, or hokey, like, say, Patch Adams. This is the raw, unvarnished truth about the end of life, elegantly put to page by Farmer’s lyrical drawings, a welcome, thoughtful evolution of the raucous underground style of the 60s and 70s. Most of all, Special Exits is powerful. It’s vital; almost essential. [...] It’s not for the faint of heart, but it’s one that everyone can benefit from reading. Your future self will thank you."
• List:Fangoria's Michael Koopmans puts two of our classic reprints on their list of the 10 Best Horror Comic Releases of 2010:
"If you asked me to make a list of my all-time favorite comic artists, I’d just hand you [Four Color Fear], because all the greats are present in this terror tome... This is a truly amazing, thick collection of rare treats, as well as a nice reminder that EC wasn’t the only ones churning out the goods back in the 1950’s."
"A companion piece to last year's Strange Suspense (Vol. 1), this volume [Unexplored Worlds] continues to showcase the goods from one of my all-time favorite artists. And by 'goods' I mean the most unique and disturbing horror and sci-fi comics you will ever come across! As is the case with all Fantagraphics releases, the original works are untainted and scanned perfectly."
"Set to Sea, by Drew Weing, is actually the unqualified top of my list. My absolute favourite of the year, just for the sheer pleasure of it. It’s the deceptively simple life story of a struggling young poet who finds a life for himself at sea, and it’s a proper misty-eyed treat."
"Weathercraft, by Jim Woodring, is my tip to the old hands that brought out work this year. As much as I love the others..., Woodring is for me in a class of his own. Reading an extended work by the man, you find yourself falling into a different state of mind, a world of sickly, queasy imaginings. [...] Few are as adept at drawing you so deeply into worlds which are so utterly alien, yet so incredibly personal."
• Review: "If this is your first encounter with The Extraordinary Adventures of Adele Blanc-Sec, I feel I should warn you about the faint regret you'll feel for not having a chance to read these earlier in your life. These comics feel lost in time; they are reminiscent of Victorian adventure novels but maintain a strong contemporary cultural relevance. [...] Whatever your age, this is escapist reading of the finest sort — readers will get lost in Tardi's breathtaking ornamental artwork and marvel at how captivating an old-fashioned yarn can really be." – Jeff Alford, About.com: Contemporary Literature
• Review: "Action action action. Balls to the wall and guts to the ground action. And sick sick drawings. That's what you will find in this book. [...] Is this an evolution of Johnny Ryan we are witnessing with this series? Is he taking his unique manner of storytelling to another level with Prison Pit? Whatever, but there's obviously more to come with this series and I will be eagerly awaiting the next installment." – P.D. Houston, Renderwrx Productions
• Review: "Seattle-based publisher Fantagraphics' second volume of the collected Prince Valiant by series creator Hal Foster is a sumptuous package bringing together the Sunday strips that were published during 1939-40. ...[T]his restoration of one of the most influential comic strips of all time... [is] an essential purchase for anyone interested in the history of the American comic strip." – James Peaty, Den of Geek
• Review: "Throughout it all, Segar's art is energetic and expressive, the printed-page equivalent of the black-and-white cartoons of the '20s, and his characters are broad and exciting but always identifiable. Popeye in particular has depths that later stories rarely dealt with... Segar's Thimble Theatre stories are great American originals, and they suffered the fate of every other great American original: to be watered down and redone a thousand times by a thousand hacks in search of a quick buck and a sure thing. But the original endures to be rediscovered, as often as necessary, and that's no small thing." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Review: "Coming in at nearly 1,000 pages, [Meanwhile...] was done with the late Caniff’s full cooperation and benefits from the fact that he and Harvey were friends. [...] Any storyteller as influential as Caniff was and is deserves a biography of this caliber." – Tim O'Shea, Robot 6
• Review: "As biographer and historian, Bell excels. He is able to really understand the cartoonist he is documenting and boil it down to the essentials. [...] The production on [Fire & Water] is amazing. Bell is able to reproduce a good amount of original artwork that allows you to see just how skilled a draftsman Everett was." – Robin McConnell (Inkstuds), Robot 6
• Review: At The Panelists, a "One-Panel Review" from Jim Woodring's The Book of Jim by Charles Hatfield: "Something I miss in Jim Woodring‘s current work is a sense of fear being enacted directly through his drawing, through his handiwork—in other words, a sense that the drawings themselves are shivering and smearing and decomposing out of sheer, gut terror."
• Interview:The Comics Reporter's Tom Spurgeon talks to Daniel Clowes: "I can't say that I would never do another comic and call it Eightball. I say there's actually a very high probability that I would do that some day. Kind of for old time's sake, or something. Or just to kind of rethink what a comic book means at some point. But right now it sure doesn't feel like the thing to do."
• Interview: And another great interview from Tom at The Comics Reporter, this time with Jaime Hernandez: "Gilbert and me always ask each other, 'So, what do you got in the new issue? What's coming up?' And I go, 'Well, I got this one story about Maggie, blah blah blah...' and I called it 'Maggie in Palomar.' I kind of aimed it that way, where I'm like, 'Oh, boy. A place where nothing happened.' It gives them room to do everything, because there's nothing there."
• Interview:The Los Angeles Times asks Drew Friedman for his thoughts on the Academy Awards: "The Social Network gets my vote for best film. Aside from it being the only film I've seen this year, I always support films with Jewish leading men playing Jews, even if the Jew is Mark Zuckerberg via Jesse Eisenberg. Good for the Jews!"
• Coming Attractions: More reporting and commenting on our Carl Barks news from Matthias Wivel at The Metabunker
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