|Drew Friedman talks Too Soon? with Mr. Media|
|Written by Mike Baehr | Filed under Drew Friedman, audio||5 Oct 2010 2:13 PM|
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Category >> Drew Friedman
New from Drew Friedman's Fine Art Prints concern is this portrait of John Lennon (originally published in TIME for a tribute to Lennon by Paul McCartney), released to commemorate what would have been Lennon's 70th birthday on October 9. Irwin Chusid's typically well-written description and ordering details can be found here.
From Harlan Ellison's website:
Due to the (uh)(ahem) inordinately "strained" relations passim one of his publishers and me, I never got a chance to tell the astonishingly wonderful artist/caricaturist Drew Friedman that I am, and was from the beginning of his career, a cockeyed fan of his merciless honesty. He once did a caricature of me and I always wanted to tell him that I considered it a memento mori of exquisite meanness. His is absolutely imperial iconography, and next to his hilarious portrait of my friend Patton Oswalt, his two books of Old Jewish Comedians are so dear to me, that I had them Lucite-boxed. I mention this now, in hopes someone will impart yet another Old Jew's admiration, because I have just now finished gasping, giggling, guffawing and geshrying over his latest collection of portraits.
Being a bit of a bohkun myself, it has been delightful to watch Drew Friedman chase Hogarth, Kley, Nast and them guys over the hill. He is to fine art what Guernica was to human observation.
Pass it on, yeah?
Yr. Pal, Harlan
At Grids, the official blog of the Society of Publication Designers, Robert Newman presents a selection of images from Drew Friedman's new book and says "Over the past 15 years, Drew Friedman has been one of the most popular and prolific illustrators in the magazine world. [...] Now Friedman has a brilliant new collection of his magazine work, Too Soon?: Famous/Infamous Faces 1995-2010, published by Fantagraphics Books. It's hardcover, 200+ pages, packed with hundreds of comics and caricatures and even more laughs. And it's graced with a wonderful introductory essay by Friedman that is a great history of both his illustration career and magazine illustration in general over the past 15 years."
Behold Drew Friedman's glorious cover illustration for today's issue of The Village Voice, showing Rush Limbaugh, Sarah Palin, Glenn Beck, Andrew Breitbart, and Dr. Laura in their natural habitat. See it unsullied by typography (and read a comment from someone purporting to be Breitbart) on Drew's blog.
Today's Online Commentary & Diversions:
• Review: "We are witness to a man's life unfolding, unraveling, before us in a series of postcards that leave nothing — or is it everything? — to the imagination. I don't know Drew Weing, or whether he's lucky or good, but in Set to Sea , he has reminded me once again just how much story you can share in a brief flurry of comic panels, so long as you know how to trim the sails and catch the wind." – Steve Duin, The Oregonian
• Review: "...Set to Sea... is so much more than a hauntingly inspiring story about a poet who ends up on a sea vessel. It is so much more than page after page of highly-detailed illustrations. It feels like a small precious art book full of engravings or paintings on each page or an old illustrated maritime novel. [...] Weing’s art is mesmerizing. You could stare at one page for hours. Each page is carefully planned and crafted to maximize its storytelling ability and it is easy to see the love and effort that went into each line and crosshatch." – Shawn Daughhetee, The HeroesOnline Blog
• Review: "The pages [of Set to Sea] are incredibly expressive, able to convey longing, panic, rage, camaraderie, mourning, and ultimately peace. Weing manipulates whole compositions to achieve these effects, not merely the expressions on characters’ faces." – Joshua Malbin
• Review: "Drew [Weing] uses the possibilities of the medium to perfection [in Set to Sea], telling the life story of the guy page by page, somehow pulling the impression of a richly lived life through scattered moments." – Kevin Bramer, Optical Sloth
• Review: "Imagine Sad Sack stepping out of his cartoon world and into ours — warts and all — and that’s what Lucky in Love almost feels like. [...] The real star of the show here is artist DeStefano, who mixes up this 1940s world as one-part humor strip outrageousness, and one-part gorgeous Will Eisner-style dramatic noir — a real visual tour de force." – John Seven, Worcester Magazine
• Review: "Revealed in these pages [of A Drunken Dream and Other Stories] are gentle but dark stories that are preoccupied with the loss and alienation that their intended audiences no doubt feel, often without any tangible reasons beyond the purely psychological. Several stories stand out for cherry pickers, but you’ll be rewarded by each entry." – John Mitchell, North Adams Transcript
• Review: "...The Artist Himself... present[s] a compellingly fresh... approach to the history of the medium... What makes The Artist Himself unique is in the title itself — Rosenkranz has constructed a sprawling portrait of Rand Holmes as a man in conflict with the 'the artist himself' — a man trying to carve out a way to live that allowed for art (never an easy feat) and an art that somehow made sense in his life. ...[A]side from the obvious benefits of learning about Holmes, I found myself selfishly drawing tremendous inspiration from Rosenkranz as he demonstrated the richness possible in writing the history of comics. He draws the curtain back as if to say, 'see, here’s someone you hardly think of, who lived an extraordinary life, and it’s a life that must be reckoned within the history.' It radically broadens what we think of as a cartoonist’s life, and in that Rosenkranz has given us a great gift." – Dan Nadel, Comics Comics
• Review: "If Love and Rockets: New Stories #3 only contained Gilbert Hernandez’s 36-page 'Scarlet By Starlight,' it would still be one of the most significant new comics of the year. [...Jaime's] 'The Love Bunglers' and 'Browntown' offer the kind of rich, intricate stories — packed with sharp observations about human desire and self-justification — that only an author with 30 years of experience with these characters could write. But readers don’t need to have read all the previous Maggie tales to follow them. Everything a newcomer needs to know is woven neatly into the stories themselves... There are acclaimed filmmakers and novelists who can’t do what Jaime Hernandez does — or Gilbert, for that matter. When the two of them are at their most inspired, as they are here, they make almost every other comics creator today look like a fumbling hack. [Grade] A" – The A.V. Club
• Review: "I won't pretend to have a clue as to what Beto's trying to do with this stuff; sometimes he seems to be paying tribute of sorts to junk cinema and/or comment on the current state of the movies, and sometimes it seems like he just wants to draw to naked dudes beating a cop to death with a rock. ...Jaime is note-perfect throughout, using every nuance and trick at his command to engage and move the reader. It's a masterwork, and I'll be damned if I can tell what he'll do for an encore. ...[T]his one brings the goods. If you care at all about this series and those characters, you'll want to get this [issue of Love and Rockets: New Stories]..." – Johnny Bacardi, Popdose
• Review: "...[T]his one is really damn good, with a typically surreal and horrifying story from Gilbert and an excellent bit of character work from Jaime. Isn't it awesome that stuff on this level is what we've come to expect? [...] Yes, it's another great issue of one of the best comics series of all time; what else is new? Jaime and Gilbert are rightfully revered as all-time great creators, but the fact that they are still pumping out incredible work and bettering themselves, sure to keep doing it for as long as possible, should make readers celebrate their wealth and fortune. Even if everybody else quit, we would still be pretty lucky. Long live Love and Rockets!" – Matthew J. Brady, Warren Peace Sings the Blues
• Review: "You open a Xaime story, you know what you’re gonna get. He’s a known quantity/quality on the richest level... With Xaime, you’re going to get a perfectly-told Locas story: clean... and humanistic and relatable, funny, sad, the whole package. Beto, on the other hand …. His shit is scary creative, and sometimes just scary. Gilbert is the higher mathematics, you know what I’m saying? Ever since 'Human Diastrophism' I haven’t felt safe in his company, haven’t trusted that crazy bastard. Because he will do some fucked-up shit when you least expect it. [...] So, boom, right on Jump Street of Love and Rockets: New Stories #3 there’s a Gilbert story. Deep breath. Okay. In we go with gun and flashlight." – Rob Gonsalves, Rob's Comics Zone
• Review: "The colors are garish, the stories grotesque, and the art much freakier than the norm. Where EC’s comics are more akin to the drive-in fodder of American International Pictures, the comics in Four Color Fear are the equivalent of a David F. Friedman grindhouse roughie: lurid, exploitative, and just plain wrong. In short, this book is awesome. Making it even more awesome is Sadowski’s annotation: ...the layer of scholarship is enough to make reading about decaying zombies and devil-worshippers seem almost ennobling. [Grade] A-" – The A.V. Club
• Review: "Caricature is a bit of a dying art, but there’s still a place for it, especially in a celebrity-obsessed culture like ours that goes out of its way to make its idols look even better than they already do. That’s why we need Drew Friedman, whose precise, pointillist style has been putting the rich and famous to the sword for decades. His new collection, Too Soon?: Famous/Infamous Faces 1995-2010, features another round of his inimitable caricatures, which manage to make everyone from venal creeps to well-meaning politicians look alternately hideous and noble. Friedman is still at the top of his game... [Grade] B+" – The A.V. Club
• Review: "One of the lesser-known lights of the Golden Age, illustrator Mort Meskin was a prolific workhorse whose angular, action-packed style and use of deep shadow effects would prove a huge influence on Steve Ditko. From Shadow to Light: The Life and Art of Mort Meskin, a new biography of Meskin compiling exhaustive interviews with his peers and extensive cooperation from his sons, doesn’t lack for material. It also has plenty of great anecdotes, and through quality reproductions, it skillfully makes its case that its subject was a very talented artist. [Grade] B-" – The A.V. Club
• Review: "The 1930 DeMoulin Bros. catalog, or Catalog No. 439: Burlesque Paraphernalia and Side Degree Specialties and Costumes, ...reached the jester of a more or less pronounced sadistic orientation, and offered them the tools and effects that made it possible to fool friends (?) to put their heart in their throat and give them pain here and there. Fantagraphics Books has recently reprinted the directory again (along with several essays that comment on product selection in a cultural perspective)... Although one might prefer to avoid being exposed to the tricks that comprise the DeMoulin catalog, I must admit that I laughed both three and five times when I looked through the offerings. Most of us probably have a little sadist in us, I guess." – Kjetil Johansen, Nekropolis – Den Historiske Bloggen (translated from Norwegian)
• Plugs: "Well, in our rambunctious endeavour to keep up with the literary radness of the Northwest, we... want to point you toward [Jim] Woodring’s newest graphic novel, Weathercraft, which is out now from Seattle-based publisher Fantagraphic Books. In addition to Weathercraft, we personally recommend their series Love and Rockets, from Los Bros Hernandez. If you’re looking for some reading that really is graphic, like super sexy female bodies comin at ya with homoerotic undertones that are never unleashed but still drive you crazy, you’ll want to pick up Love and Rockets. This series is an endlessly delicious ride through the relationships of men and women in crappy southern California neighborhoods." – Lori Huskey, Dark Sky Magazine
• List: Graphic Novel Reporter's "Fall Graphic Novels List: Essential Reading for the Season" includes The Complete Peanuts 1977-1978 by Charles M. Schulz, A Drunken Dream and Other Stories by Moto Hagio, Unlovable: The Complete Collecton by Esther Pearl Watson, Fire & Water: Bill Everett, the Sub-Mariner and the Birth of Marvel Comics by Blake Bell, From Shadow to Light: The Life & Art of Mort Meskin by Steven Brower, You'll Never Know, Book Two: Collateral Damage by C. Tyler, Love and Rockets: New Stories 3 by the Hernandez Bros., Prison Pit: Book 2 by Johnny Ryan, The Sanctuary by Nate Neal, Zippy: Ding Dong Daddy from Dingburg by Bill Griffith, The Extraordinary Adventures of Adèle Blanc-Sec Vol. 1 by Jacques Tardi, Bent by Dave Cooper, Mome Vol. 20, Forlorn Funnies Vol. 1 by Paul Hornschemeier, and Unexplored Worlds: The Steve Ditko Archives, Vol. 2
• Profile: Robot 6 presents a "Comics College" introductory guide to the work of Kim Deitch, written by Deitch Universe expert Bill Kartalopoulos: "Kim Deitch is an enormously vital and prolific cartoonist who was also one of the charter members of the underground comix scene that changed comics in the 1960s and 70s. [...] More than forty years later, Deitch stands as one of the few underground cartoonists who has steadily and consistently produced a large body of important work, spanning every available format from the alternative weekly comic strip to the graphic novel."
• Interview: Al Jaffee touches briefly on his Humbug days in this extensive Q&A with Mother Jones's Michael Mechanic: "I loved Harvey [Kurtzman] and I miss him to this day. He was a very, very inspiring guy. He was inventive and inspiring and he also was just a scrupulous editor. He could catch things that most people would just say, 'Let it go through, it really doesn't matter; who's going to know?' But once Harvey pointed it out, I would change it even if it took me the whole day. Harvey knew how to make things work because he wasn't greedy, he wasn't successful." (Via ¡Journalista!)
Today's Online Commentary & Diversions:
• Review: "Released last year, Johnny Ryan’s Prison Pit: Book One was the kind of offensive, polarising piece of trash that readers either embraced like a lovable, rotting puppy carcass or bolted from in aghast terror. Both camps will feel vindicated then, that Prison Pit: Book Two returns with just as much phallic, alien grappling gore as the original, if not more. Me? I’m content to let the book slam its bloody, jagged nailed middle finger through my cornea any day of the week. [...] Who needs Asterios Polyp when the central narrative movement of this comic is a mission titled 'Operation Rape Ladydactyl'? Not me, that's for sure." – Avoid the Future
• Review: "Prison Pit Book Two is as funny as Book One, and what it lacks in hysterical wordplay ('want me to send you an e-vite' remains the gold standard), it makes up for in its delirious commitment to excess, both in the grotesqueries on display as well as the suspense. This may not be the comic everybody else were waiting for, but around these parts, it most certainly was. Pin a rose on my dick, call me king of the geckos: I have found my homeland." – Tucker Stone, The Factual Opinion
• Interview: Ao Meng of The Daily Texan talks to Johnny Ryan about Prison Pit and his other work: "My experience when I’m watching a movie where somebody’s head explodes or some crazy monster cuts their legs off, I’m laughing my head off because it’s so outrageous and violent. That kind of stuff just makes me laugh, and so I guess I was incorporating that into my work."
• Review: "The net cannot convey what a marvelous little object-book [Set to Sea] is. And the content ain’t bad either. I’ll throw in the same comparison everyone else is making: it’s like a collaboration between Herman Melville and E.C. Segar." – M. Ace, Irregular Orbit
• Review: "Forgotten comics genius, Milt Gross, sends up arty 'wordless novels,' old-time melodramas and silent movie potboilers all at once with his inimitable cartoon flair [in He Done Her Wrong]. Why, oh why couldn’t I see this when I was a kid?!" – M. Ace, Irregular Orbit
• Review: Dominic Moschitti of The Quarter Bin video podcast looks at Jason's Meow, Baby! (out of print but compiled in Almost Silent) and also writes "Elvis fights Godzilla! A Caveman goes on a date! Dracula watches TV! If any of these events sound exciting to you, or the mere thought amuses you, then you need to pick up Jason’s graphic novel, Meow, Baby! I did and now I’m writing this! But honestly folks, if you’re into comic strips you have to read this book. It’s hilarious."
• Plugs: "Instead of coming out with regular comic books on an irregular basis, the Hernandez brothers have smartly turned their legendary, groundbreaking comic series [Love and Rockets] into an annual, trade paperback-sized tome. It's an annual treat that's well worth the wait. [...] Johnny Ryan's approach to humor is sort of like a scorched earth/take no prisoners strategy. Prison Pit mixes pro-wrestling, grindhouse, video games with Gary Panter and Kentaro Miura's manga and the results are brutal, hilarious and brutally hilarious. [...] Too Soon? collects Drew Friedman's celebrity portraits from the past 15 years. His style is simultaneously hyper-realistic and grotesque, and always engaging and delightful. This is an excellent collection of one of the finest caricature/portrait/editorialist artists working today." – Benn Ray (Atomic Books), Largehearted Boy
• Plug: "Love and Rockets: New Stories #3 is the latest from the Hernandez Brothers and sees Jaime return to the cast of Locas after his superheroic two-parter. Gilbert’s offering is a somewhat weirder tale of alien terrain and a furry mating season. Alien mating season. Not the dress-up-as-squirrels kind of furry. Or something. I think. [...] Drew Friedman’s been beavering away painting portraits of the famous and the infamous... so it’s about time someone collected the last fifteen years’ worth. Too Soon? is a hardcover full of familiar, grotesque faces..." – The Gosh! Comics Blog
This week's comic shop shipment is slated to include the following new titles (with one possible exception — see below). Read on to see what comics-blog commentators are saying about our releases this week, and contact your local shop to confirm availability.
120-page monochrome 6.5" x 8.5" hardcover • $19.99
"Stephen DeStefano — remember him from ''Mazing Man'? — and George Chieffet's graphic novel is the first of a two-volume project about a young man finding his way in the political and sexual world during World War II. It's a smart, discursive little story, and really nicely drawn, in a kind of grand post-Milt Gross style that one doesn't see very often these days." – Douglas Wolk, Comics Alliance
"You couldn’t ask for a better drawn comic than this original graphic novel by author George Chieffet and artist Stephen DeStefano. Well, you could, but you wouldn’t get it." – J. Caleb Mozzocco, Newsarama
"Nice looking book of the week about which I know little save for its looking nice... #2 – a new hardcover account of a short man’s romantic longings in and out of the WWII era, plotted and drawn by comics and animation veteran Stephen DeStefano, with a script by one George Chieffet." – Joe McCulloch, Comics Comics
"A hardcover memoir set in early 1940s Hoboken and starring the evocative art of natural-born cartoonist Stephen DeStefano working from a script by George Chieffet. I can't wait to see it." – Tom Spurgeon, The Comics Reporter
"It’s been awhile since we’ve seen much from DeStefano — he’s been busy with animation projects and illustration work — but I’m intrigued by his attempt to tell the story (working with writer George L. Chieffet) of WWII soldier Lucky and his various sexual misadventures with a number of women. DeStefano has a nice, thick, rubbery line that I really appreciate, so I look forward to lingering over these pages." – Chris Mautner, Robot 6
116-page black & white 6.5" x 8.5" softcover • $12.99
"Not sure I can say anything here that the cover image above doesn’t." – J. Caleb Mozzocco, Newsarama
"Continuing Johnny Ryan’s much-enjoyed fight comic, vol. 1 of which provided maybe the most unexpected bit of successful East-West comics fusion for 2009. Two huge battles dominate these 116 pages, one of them extensive enough to mutilate lead character CF into an entirely new character design, and the second foregrounding the motif of bodily (often sexual) function-as-transformation as a specific means of plot advancement. Parts of this one reminded me a bit of Josh Simmons’ House, which could be taken as a treat or a warning, depending on the reader’s disposition." – Joe McCulloch, Comics Comics
"Johnny Ryan's all-violence-and-scatology-all-the-time tour of some kind of personal videogame/quest-narrative mythology continues. Dude's got a vision. A really gross vision... you can tell that what he's making is, as far as he's concerned, the perfect comic book, and I admire that level of commitment." – Douglas Wolk, Comics Alliance
"As far as trade paperbacks go, we have Prison Pit 2 (Fantagraphics) from Johnny Ryan — we interviewed Ryan recently about this ultra-violent meditation on mutants, blood, and swearing." – Cyriaque Lamar, io9
"If I did have $15, you can bet one of the first things I’d buy is Prison Pit Vol. 2 ($12.99) Johnny Ryan’s sequel to his exquisitely Grand Guginol, no-holds-barred, incredibly violent and scatological action comic. To say this comic is not for the faint of heart is the understatement of the year — it features an insane amount of blood and viscera, an abundance of fecal matter and [Spoiler redacted – Ed.]. It’s also rather brilliant at the same time — a free-flowing, constantly imaginative display of pure cartooning power that is both disgusted and invigorated by the horror of its ideas. The first volume was one of the best books of last year. Will the second match its power? Bet on it." – Chris Mautner, Robot 6
204-page full-color 8.25" x 10.75" hardcover • $29.99
"Being a new 204-page Fantagraphics hardcover collection of illustrations by Drew Friedman, who probably didn’t need a link to his website as a means of your realizing who he his, but still!" – Joe McCulloch, Comics Comics
"Since I’m [hypothetically] splurging, I’ll also pick up a copy of Too Soon? by Drew Friedman, because, you know, it’s Drew Friedman." – Chris Mautner, Robot 6
The next one is not officially being released this week; read on for the explanation:
104-page black & white 7.5" x 9.25" softcover • $14.99
"Oh God the Hernandez brothers are so good. This isn't even on the Diamond list for this week, but it's on the Midtown list, it's propagating to lots of comics stores, and you need it: Jaime telling the sad story of Maggie's brother who nobody ever talks about, and Gilbert messing with everyone's mind. Plus Fantagraphics is running a special where all three issues so far of 'New Stories' are thirty bucks total." – Douglas Wolk, Comics Alliance
"Finally arriving, the 3rd 'annual' version of Love and Rockets is, by all accounts, the best yet." – Chris Butcher, The Beguiling
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