The fresh-popped Online Commentaries & Diversions:
• Review:Publishers Weekly discusses The Hypo by Noah Van Sciver, "Van Sciver’s psychologically astute examination of what might be termed Abraham Lincoln’s “lost years” (1837–1842) is as gripping and persuasive as the best historical fiction. . .This characterization of Lincoln is thoroughly human and identifiable, tracking a shadowy but formative period in the very uneven life of a man who shows little signs of becoming known as one of the greatest Americans. A thoroughly engaging graphic novel that seamlessly balances investigation and imagination." Wow!
• Plug: Noah Van Sciver's diary comics are showing up at The Comics Journal. Enjoy Day #1, Day #2 and Day #3.
• Plug:Comics Alliance JUMPED at the chance to be the first to comment on Naked Cartoonists. Senior writer Chris Sims comments, "Have you ever wanted to see Dilbert creatorScottAdams naked? Yeah, we haven't either, but apparently [Gary Groth] thought that was a good idea . . . joining artists like Will Eisner, For Better Or For Worsecreator Lynn Johnston, Jeff Smith (feel free to make your own Bone joke here) and . . . legendary MAD artist Sergio Aragones."
• Review:The Mary Sue names Moto Hagio's A Drunken Dream and Other Stories one of the 10 Feminist Manga to Read, that is licensed in the USA. Kellie Foxx-Gonzalez says,"Hagio is not only a storyteller, she is undoubtedly a feminist author, using her manga to explore gender, power, and women’s issues. If extended metaphors in manga as an avenue to explore philosophical questions is as appealing to you as it is to me, please, don’t hesitate to pick up this anthology."
• Commentary: Shannon O'Leary of Publishers Weekly says,". . . with No Straight Lines , the most definitive collection of queer comics to date, [Justin] Hall and Fantagraphics have made the voluminous but largely hidden history of LBGT (lesbian, bi-sexual, gay, transgender) comics finally visible as well."
• Review:The Awl and Kim O'Connor talk about autobio comics and include such underground greats like Aline Kominsky Crumb, Carol Tyler in addition to Chris Ware and Joe Sacco. While on the subject of Aline: "An important part of her project was to promote self-loathing as normal and even funny in an era when to do so was extremely unfashionable." O'Connor touched on the rawness of Chris Ware's work,"there's this sense of playful geometry that's deeply satisfying, even if it sometimes gives you the impression the artist's memory palace looks a lot like the Container Store. But the central delight in reading Jimmy Corrigan, as in all of Ware's work, is how it's painfully awkward and incredibly cool at the same time."
• Review: Rob Clough on the High-Low reviews Jim Woodring's Congress of the Animals: ". . . is interesting because it's much more linear a narrative than most of his comics.. . .Unlike the typical Frank story, there's a greater sense of urgency to Frank's wanderings, as he encounters many temptations and pitfalls along his journey to a destination unknown to even him."
• Review:The Critcal Mob released their short list of summer reads and a few Fantagraphics titles made the cut. Paul Guie looks at Flannery O'Connor: The Cartoons: "O'Connor's artwork is frequently abstract and raw-looking. . .Nevertheless, her cartoons are always pleasing to look at thanks to the author's strong sense of composition. Panels are rarely cluttered by unnecessary lines, and O'Connor frequently frames her characters with an eye toward visual balance." Peanuts latest volume is also on Guie's radar: ". . . these later comics remain consistently witty and entertaining, and reflect Schulz's continued mastery of comedic timing within a four-panel layout.. . .Consistently subtle yet always timely, after 30 years, Schulz still had a winning formula on his hands." Last but not least, Guie takes Buddy Does Seattle to the beach,"Bagge's artwork [takes] the public's perception of '90s youth as angry and volatile and pushed it to hysterical levels. Heavily influenced by late-'60s counterculture cartoonists like Crumb, Bagge's drawings are fluid and grimy-looking, with frequent use of exaggerated facial expressions helping to cultivate an atmosphere of chaos."
• Commentary: Best Cover EVER on Forbidden Planet according to Richard: "The absolute iconic image. The raw power. Jaime’s incredible use of black in his art. The faces of the crowd. The stagediver (in heels) who’s just left the stage. But most of all, it’s the best comic cover ever because I swear that I’ve never looked at this cover and NOT heard the music they’re playing." The next best thing for Richard? Buying the new shirt featuring the cover of Issue 24.
• Plug:Comics Alliance and Caleb Goellner collect the most recent Adventure Time covers. James Hindle PLAYS an homage to Jaime Hernandez's distinctive cover. Check it out!
• Review:io9 recently created a list of the 10 Comic Characters Cooler than Batman. Jaime Hernandez's Maggie (the Mechanic) and Jacques Tardi's Adele Blanc-Sec topped the list. "Maggie is a survivor, who never stops kicking ass even she's dealing with depression and heartbreak." says Charlie Jane Anders and in reference to Adele Blanc-Sec:"She's a writer in pre-World War I Paris, which automatically makes her cool. . . She's not afraid to shoot guns, drink the hard stuff, or smoke like a man. She spent World War I in cryogenic suspension and then rocked the 1920s."
• Plug:The Last Vispo's editor Nico Vassilakis recently curated an online group of visual artists called Ten Turkish Visual Poets at Trickhouse.
• Interview: The powerful and deft Friedman brothers were interviewed about Any Similarity to Persons Living or Dead is Purely Coincidental by William Michael Smith of the Houston Press. Josh Alan Friedman talks about his brother's artwork,"Originally [Drew Friedman] worked with stippling technique, using a rapidograph pen. Bent over a desk like a watchmaker, doing thousands of dots. A technique made famous by 'Sunday in the Park with Georges' Seurat, but strictly shunned by art schools in the 20th century."
• Plug: Ron Regé, Jr. is up to something sneaky! At We Can Do It.
The sweetest smelling Online Commentaries & Diversions:
•Review: Partially and fully-reviewed on Em & Lo and SUNfiltered respectively is new book Significant Objects by Joshua Glenn and Rob Walker. Em and Lo said, "The book also organizes the stories and objects into groups that will be more familiar to thrift-store shoppers, based on the items’ original intended use: novelty items, figurines, kitsch, toys, etc."
•Review:Detroit News takes a look at No Straight Lines, edited by Justin Hall. Eric Henrickson wrote, "If 'No Straight Lines: Four Decades of Queer Comics' isn’t the definitive look at the world of GLBT comics, it surely must come darn close. . . I knew there was a lot out there, but I was surprised at the depth of the genre — in sheer quantity and in quality. It’s also a great volume for comics historians."
•Review:Wandering Son, Volume 3 by Shimura Takako is reviewed on Experiments in Manga. Librarian Ash Brown says, "Shimura deals with her characters and with identity, particularly gender identity, with a tremendous amount of sensitivity. Wandering Son is one of the few comics that I have had the opportunity to read that has accomplished this as a fictional work rather than as a memoir." But that isn't all Wandering Son is about: "The fact that the characters aren't characters per se but actual individuals is one of Wandering Son's greatest strengths. Ultimately, the story isn't about the 'issues' surrounding personal identity so much as it is about the people themselves."
•Review: Hillary Brown of Paste Magazine examines Flannery O'Conner: The Cartoons, edited by Kelly Gerald. "Fantagraphics has done us a service of scholarship in publishing these early linocuts, executed for O’Connor’s high school and college newspapers, and the essay by editor Kelly Gerald that follows their reproduction makes some interesting connections to her later literary works, but most of them don’t stand on their own."
•Commentary:Drew Friedman visited MAD Magazine almost 40 years ago and wrote a little about his trip, picked up by Boing Boing.
•Plug: The MOST OCD-happy site of Hernandez Brothers mentions, Love & Maggie, lists the newest mentions of the month.
•Review:Pornokitsch goes WAY back to a sold-out Jules Feiffer illustrated novel, Harry, the Rat with Women. Jared says,"Everything is there and familiar, but somehow drawn and thin and somewhat ethereal; delicate but distorted." Now you know to get it when at Half-Price books!
• Review: "This thing [The Furry Trap] is a nightmarish monster. It's pretty great. ...[W]hat Simmons does so well -- without peer, honestly -- is smash together sweetness and nightmare. Innocence and the most vile corruption imaginable. The stories are unsettling, but Simmons takes it three steps further than many other creators in this vein and then pushes the events into exceedingly horrific territory and then shows how unsettled even the characters are, when they realize the kind of world they live in.... Yeah, this stuff is really good, in surprisingly different ways from story to story. It's a reprint collection that feels like a wonderfully terrible, vibrantly new manifesto on what comics are capable of." – Tim Callahan, Comic Book Resources
• Review: "Popeye Vol. 6: Me Li’l Swee’ Pea... is the last of the real, 'classic' Popeye volumes, meaning it’s the last batch of Popeye comics E.C. Segar did before dying of leukemia in 1938. Underscoring the tragedy is the fact that Segar’s skills hadn’t dimmed at despite his illness. The final daily storyline, King Swee’ Pea, is as strong and hilarious as Segar’s best material... This volume is also special as it contains one of the saddest sequences I’ve ever read in comics, wherein Swee’ Pea is taken from a distraught Popeye. ...I think it speaks to Segar’s genius about how verklempt this sequence still makes me." – Chris Mautner, Robot 6
• Review: "Krazy & Ignatz 1922-24: At Last My Drim of Life Has Come True... is the final volume in Fantagraphics’ Krazy Kat collection, though for roundabout publishing reasons, it catches the strip midway through its run. Reading this latest collection, I feel like I have a deeper appreciation for Herriman’s narration, which I always kind of saw as entertaining, but secondary to the dialogue and situations. I’m not sure why, but I feel like something 'clicked' here and another piece of the Herriman puzzle has fallen into place for me. Another great thing about this book: A whole run of Herriman’s 'Us Husbands' strip as well as some really early stuff." – Chris Mautner, Robot 6
• Review: "[Pogo: Vol. 1 of the Complete Syndicated Comic Strips:] Through the Wild Blue Wonder is an absolute peach of a collection; it features the typically handsome deluxe binding we’re used to from Fantagraphics and a beautiful cover, and the non-strip material within is more than enough to justify the double-sawbuck price tag.... Of course, any such collection lives and dies by the quality, readability and durability of the strips inside... [Pogo's] art... is simply breathtaking; the facial expressions and body language in these strips are often deceptively simple, but they offer a master class in how to communicate emotion and expression in cartooning.... [Kelly's] backgrounds are lovely and provide a perfect balance to the detail in the character illustrations... But what puts Pogo way, way over the top in terms of sheer audacious greatness isn’t its art, great as that is. It’s Kelly’s remarkably eclectic writing and inventive use of language that makes the strip." – Leonard Pierce, A Schediastic Hootenanny
• Commentary: "...Any Similarity to Persons Living or Dead is Coincidental... is a beautiful book, and I’ve been thinking a lot about it recently. There’s a certain brand of mean-spirited, petty humor that’s been pretty popular over the last few decades, in which the main point seems to be laughing at some celebrity or another who no longer has a thriving career. As if failing to maintain A-list status in as fickle and luck-dependent as Hollywood was a valid reason to be mocked. At first glance, some of Friedman’s work, with its cast of has-beens and never-weres, can seem to be another example of this kind of comedy, but it isn’t — most of these strips cut a lot deeper than that. The reader feels the sting and pain of failure and despair too strongly to feel superior. In other words, we’re all Rondo Hatton." – Tim Hodler, The Comics Journal
It's no coincidence that the fabulous Drew Friedmanwill be joined by esteemed film historian Leonard Maltin this Saturday, May 19th in Los Angeles!
Drew states, they'll be in conversation about "all things Shemp, Old Jewish Comedians, Joe Franklin, Wheezer, Al Kilgore, Shemp, Woim, Officer Joe Bolton, Shemp, Darla, Gene Baylos, Gummo Marx, Buckwheat, Jerry Ohlinger, Shemp and so much more" at Book Soup [ 8818 Sunset Blvd, West Hollywood ].
Starting to catch up on Online Commentary & Diversions:
• Review: "The frighteningly hilarious world of Rickheit’s graphic novel is a deranged cabinet of curiosities, full of biomechanical tanks, writhing organic matter, amorphous monsters birthing adorable kittens, men and women in animal masks, and countless tubes, gas masks, sex toys, and pseudo-Victorian apocalyptic landscapes. It would all be too oppressive if Rickheit’s sense of humor weren’t so addictive.... This juxtaposition of dry humor undercuts the richly drawn horror of Folly, simultaneously adding to its strangeness and making it bearable for a casual read... The result is a narrative mosaic that pairs sumptuous, horrific imagery against a strange but lighthearted sense of humor." – Publishers Weekly
• Review:Walter Wehus looks at Kolor Klimax; key quote as translated by Kolor Klimax editor Matthias Wivel: "the common aspect is quality"
• Review: "While exploring this collection, I found myself enjoying the various challenges it presented. It did dare me to eschew my 'western' values of linear, results oriented thinking and simply give way to my intuitive understanding of the art before me. I can’t honestly say I 'get' every comic contained withing this anthology [Abstract Comics]... nor can I truly say I learned something about the medium that I didn’t already know. But to see comics stripped of their representational elements does amplify certain things that are so unique about the medium and probably reveals its potential even more fully. These are comics to be experienced." – Jason Newcomb, StashMyComics
• Preview:The Beat's Jessica Lee presents a 6-page preview of Nicolas Mahler's Angelman, saying "If you’ve noticed yourself to be a comic enthusiast who has become more and more disillusioned with the corporate transformation of super-hero comics, Angelman could well be the fresh breath of illustrated air you’ve been yearning for. What could easily be one of the most comedic releases thus far this year, Fantagraphics is releasing (in hardcover no less!) a new graphic commentary of the often-times outrageous and unbelievable trends in the comic industry."
• Profile:The Wall Street Journal's Ralph Gardner Jr. on the work and career of Drew Friedman: "Mr. Friedman's genius is that, on some level, his work is never utterly absent affection, or his subjects black and white, even when they're literally drawn in black and white. It might be a stretch to say that the artist captures their underlying humanity. What he does provide is a picture window onto their troubled psyches so that they and their moral afflictions, whatever they are, must be taken seriously."
• Interview: I don't think we've previously linked to Ted Widmer's career-spanning interview with Robert Crumb from the Summer 2010 issue of The Paris Review: "I was so eccentric when I was seventeen, eighteen, I used to walk around town wearing an Abe Lincoln frock coat and a stovepipe hat that I’d found in some junk store, defying people to ridicule me or think me eccentric. I was a teenage social outcast. At the time it made me feel very depressed, and rejected by girls. Later I realized I was actually quite lucky because it freed me. I was free to develop and explore on my own all these byways of the culture that, if you’re accepted, you just don’t do. I was free to explore the things that interested me."
• Interview (Audio): The Daniel Clowes victory lap continues with an appearance Monday on NPR's Morning Edition: "Clowes never aimed to be the kind of artist museums collect. But now, the walls of the Oakland Museum of California are covered with his drawings. It's 'quite embarrassing,' he laughs. After a stint as an art student at Brooklyn's Pratt Institute in the 1970s, Clowes tried unsuccessfully to get work as an illustrator. Sitting around drawing comics on his own, he decided to send a strip to underground publisher Fantagraphics. He was expecting rejection. Instead, 'they called me up and offered me a monthly comic book, and I felt like I hadn't earned anything,' he says. 'You know, it's like all of a sudden, you're being made president after you've been like, you know, on the city council in Cleveland.'" KQED also posts a couple of outtakes from the interview
• Interview: At The Comics Journal, Nicole Rudick talks with Diane Noomin about her new collection of DiDi Glitz stories, Glitz-2-Go: "In 1974, I did a full-fledged DiDi story for Wimmen’s Comix. It was four pages and was called “She Chose Crime”, and when I was putting this book together I realized that DiDi came out almost fully developed. She hasn’t changed, she hasn’t grown or anything like that. If I look at that first story, the drawing has changed and I’d like to think that certain things have gotten better, but in that story, DiDi’s persona is it. I don’t think I’d realized that."
To celebrate the re-release of Any Similarity to Persons Living or Dead Is Purely Coincidental, Josh Alan Friedman presents a behind-the-scenes look at one of the strips from the book, discussing his creative process with his brother Drew, with rare art not included in the book, seldom-seen photos and his full typewritten script for the strip.