Just beginning to catch up on Online Commentary & Diversions:
• Profile: With his big new art book out and his museum retrospective on the way, Daniel Clowes gets the New York Times profile treatment from Carol Kino: "Mr. Clowes can create a striking face with a few deftly placed lines or brush strokes, often seizing on some specific characteristic that summons up an indelible personality. Think of Enid Coleslaw, the snarky teenage anti-heroine of Ghost World, and her big, black nerdy-hip glasses; they cover most of her face, but they can’t conceal the tiny shifts in expression that loudly telegraph her mood."
• List:Daniel Clowes may be headed for a museum retrospective, but he is neither dead nor retired — but that doesn't stop Flavorwire's Elona Jones from naming 10 candidates to carry the torch of "his storytelling skills, interest in surrealism, and eye for biting observations," including Jason, who "receives international acclaim for his brilliant storytelling."
• Review: "The John Benson-edited anthology The Sincerest Form of Parody: The Best 1950s MAD-Inspired Satirical Comics assembles largely forgotten work by the likes of Jack Davis, Will Elder, Ross Andru, and Jack Kirby, parodying everything from Mickey Spillane novels to Rex Morgan, M.D. Some of these pieces can stand up to the best of Mad (or at least match the magazine’s average), but even the stories that are clunky and unfunny are fascinating for the way they rip off Mad shamelessly, including all the asides and mini-gags that Will Elder once labeled Mad’s 'chicken fat.' It’s a testament to how quickly the innovative and subversive can become mainstream." – Noel Murray, The A.V. Club
• Review: "Next to Pogo, the newspaper comics collection that fans have been most anticipating would be Ernie Bushmiller’s Nancy, which over the past few decades has garnered a reputation as the purest distillation of the gag cartoon, a triumph of minimalism... Nancy Is Happy: Dailies 1943-1945 joins Bushmiller’s magnum opus in full swing ... Bushmiller’s genius [was] to make everything in his strip so basic that anyone, anywhere, at any time, could get the joke." – Noel Murray, The A.V. Club
• Review (Video): Video blogger Robert Crayola looks at Nancy Is Happy: "If you like comics or comic strips especially and you haven't read Nancy or if you have and you just want more, I think you'll enjoy this.... Hopefully we can get many more volumes of this. I hope you support it. It's a great book."
• Review: "One of the signature achievements of ’80s alt-comics, Drew and Josh Alan Freidman’s Any Similarity to Persons Living or Dead Is Purely Coincidental: An Anthology of Comic Art, 1979-1985 is now back in print in a spiffy new edition that doesn’t really add anything to the original, but is still a necessary addition to any library that doesn’t already have a copy.... Drew Friedman’s stipple-heavy photo-realism and his brother Josh’s gleefully cruel humor combine to craft an alternate history of American entertainment that’s preposterous and yet feels true. Even now, decades after other cartoonists and comedians have tapped this well, the Friedmans’ pioneering work in the field of 'brattily dicking around with icons' remains unparalleled." – Noel Murray, The A.V. Club
• Review: "Folly... serve[s] as a good introduction to Rickheit’s beautifully ugly visions, of a world where cute girls and humanoid stuffed animals commit atrocities against oozing flesh. With a drawing style that resembles Jason Lutes and Charles Burns, and a storytelling style similar to Jim Woodring and Al Columbia, Rickheit excels in making nightmares lucid. Some characters recur from story to story in Folly, but really this book is just page after page of beautiful images juxtaposed with wounds and excreta. The single-mindedness of Rickheit’s approach — and the level of detail he applies to it — is impressively horrifying." – Noel Murray, The A.V. Club
Regrets? You'll have a few if you don't make it out to the Scott Eder Gallery for the opening reception of Drew Friedman: My Way, his very first New York gallery show of comic strip and illustration art!
It all goes down on Friday, April 27th from 6:00 to 9:00 PM, so kick off your MoCCA weekend right with the largest display of Drew's original artwork to date! What will be on the walls? Well, Drew tells us:
The show will consist of 40 pieces, the earliest dating back to 1982. On display will be many comic strips which were originally collected in the first anthology of my work, Any Similarity to Persons Living or Dead Is Purely Coincidental. The timeline of the show ranges from my first comic strips (some written by Josh Alan Friedman) many of which originally appeared in RAW, Weirdo, High Times, Heavy Metal and National Lampoon, to comics created for Blab!, American Splendor and "Howard Stern's Private Parts", and more recent illustration work for created for Entertainment Weekly, MAD, The New York Observer, Rolling Stone and The New Yorker. Many beloved and familiar faces will be included: Tor Johnson, Shemp Howard, Wayne Newton, talk show host Joe Franklin, etc... the semi-famous, obscure, forgotten and maligned human beings who have resinated with me my entire life and whose legacy I've attempted to keep alive in my work. As my father, the author Bruce Jay Friedman has pointed out: "Drew notices the people that no one else pays attention to."
Alcoholic refreshments, Sodi waters, Artisan Cheeses, Crackers, Gefilte fishes, Pigs in the blankets, Wing Dings, lobster bibs, etc, will be served for your dining pleasures. There will be books, prints, and free My Way event posters! The Scott Eder Gallery is located at 18 Bridge Street, Suite 2i, in Brooklyn, New York.
...and Folly: The Consequences of Indiscretion by Hans Rickheit! Three great books, three long titles. Look for more & better photos and our video flip-through previews in the coming weeks (and about 5 other previews before that — gettin' hectic around here!).
Before there was Frank & Estelle Costanza on Seinfeld there was Leo & Sylvia Schauzer on Car 54, Where Are You?, portrayed by Charlotte Rae and Al Lewis. Car 54 aficionado Drew Friedman brings the bickering couple to life in this new illustration, available now as a signed, limited-edition print from Drew Friedman Fine Art Prints.
• List: Gustavo Guimaraes of Brazilian culture & entertainment site Ambrosia names "The best comics published in the U.S. in 2011 - Alternative and classic," including Congress of the Animals by Jim Woodring (all quotes translated from Portuguese)...
"The world created by Woodring is unique, beautiful and scary. His stories can be incomprehensible at times, but always intriguing and charming."
"Sala's characters look like something out of old horror and mystery movies, and his plots possess a rare levity for narratives of the genre. The colorful art makes the his twisted drawings even more attractive."
"Walt Kelly was a complete artist, his drawings were graceful, his stories were simple and fun while at the same time provoking the reader with hints of metalanguage and political content. His writing was faceted with the sensibility of a great satirist."
"A masterpiece of old adventure comics continues today thanks largely to Foster's fantastic realistic art. Landscapes and epic battles are played to perfection by the author, turning the limited space of each panel into a window to a world where historical characters live with mythological beings. Careful printing in oversize hardcover as well as meticulous reproduction of the beautiful original colors make this collection from Fantagraphics a model for classic comics publishing."
"Even if you already have all of Carl Barks' comics of you will want to buy this book. It is the first time that these comics are being reissued with the original colors, digitally restored. This deluxe edition, with hard covers and high-quality paper, includes articles on all the comics collected in the volume."
• Review: "To say that it has been worth the wait is wild understatement. Pogo Through the Wild Blue Wonder is beautifully produced — no surprise to anyone familiar with the work of Fantagraphics Books in Seattle — and a joy to read. It comes as a genuine gift to anyone who loved Pogo and, it is to be hoped, as an introduction for younger readers to what many people believe was the best comic strip ever drawn in this country." – Jonathan Yardley, The Washington Post
• Review: "Wilson's genuine bravery, as this strip makes clear, is not that he set himself up as a rival to Charles Schulz but rather the directness with which Nuts confronts genuinely painful and baffling topics like sickness, mental illness, and death. When dealing with master artists, any ranking becomes absurd because each creator is memorable by the individual mark he or she leaves. So let’s leave Peanuts comparisons aside and say that Nuts is one of the major American comic strips and we’re lucky to have the complete run in this handsome, compact volume." – Jeet Heer, The Comics Journal
• Review: "Jacques Tardi’s interpretation of Jean-Patrick Manchette’s book [Like a Sniper Lining Up His Shot] is an intense and shocking thriller.... Dark, brutal and uterly compelling, classic thriller fans should lap this up. Put a few hours aside before picking it up though, because you won’t want to put it down and it’s a feast worth savouring." – Grovel
• Review: "I gave Roy Crane’s Captain Easy, Solder Of Fortune: The Complete Sunday Newspaper Strips Volume 1 1933-1935 a good thumbing many, many times before picking it up. The artwork was too simple, the stories silly. One day in my local comic shop with nothing new to read I picked it up. What I failed to comprehend as I stood in the comic shop flipping pages in this book is that Crane chose the elements of his strip carefully, especially those I dismissed it for. Simple character design, bright colours, fictional locations and action with a sense of humour. After finishing the volume I applaud his choices." – Scott VanderPloeg, Comic Book Daily
• Interview (Audio):The Comics Journal presents a recording of the Jack Davis interview conducted by Gary Groth and Drew Friedman at last month's Brooklyn Comics & Graphics Festival (posted here after a slight delay due to technical audio issues)
• Interview:Culture Brats has "Seven Questions in Heaven" with Esther Pearl Watson: "Even though now I have a huge collection of mini-comics, I try not to look at other comic artists as influences. They draw too nice, or have their thing down. Comic storytelling styles can be as individual as fingerprints. We spend years creating our own narrative language. Instead I look at naive drawing and self-taught artists to de-skill."
• Conflict of Interest: Our own Larry Reid names Love and Rockets: New Stories #4 one of his favorite comics of 2011 in a guest column at Graphic Eye: "The conclusion of Jaime’s poignant 'Love Bunglers' story alone made this book essential reading in 2011. Almost unfathomably, Love & Rockets keeps getting better with age."
Drew Friedman illustrated "Dave Barry's Year in Review 2011" for this past weekend's edition of the Washington Post magazine, with the cover and 8 spots (including H.R.H. Queen Rupert below) which can be seen in a slideshow on the WaPo website.
The new Diamond Previews catalog came out yesterday and in it you'll find our usual 2-page spread (download the PDF) with our releases scheduled to arrive in your local comic shop in March 2012 (give or take — some release dates may have changed since the issue went to press). We're pleased to offer additional and updated information about these upcoming releases here on our website, to help shops and customers alike make more informed ordering decisions.
• List: The National Post's David Berry names The Best Graphic Novels of 2011, saying of his #3 choice "This does feel somewhat like cheating, since there’s only a few sequences of proper graphic work here, but why quibble about format: Mark Twain’s Autobiography 1910-2010 is, quite simply, one of the funniest things you’ll read in any genre. Kupperman has a child’s free-ranging imagination and an aging intellectual’s dry wit... This supposed telling of Mark Twain’s 20th-century life... would be an awe-inspiring work of imagination if it wasn’t so absurdly hilarious. Somewhere between John Hodgman and Graham Roumieu, Kupperman has found stark comic brilliance."
• List:Comic Book Resources continues their Top 100 comics of 2011 countdown, with Ganges #4 by Kevin Huizenga coming in at #48 and Brian Cronin calling it "mind-boggling" and "remarkable. Absolute top notch sequential work."
• List:Comic Book Resources columnist Sonia Harris lists "My Top 10 Comics (for ANY Year)" with Love and Rockets taking the #2 spot: "Read Love & Rockets, all of them, both brothers, everything you can find. Your life will be richer."
• List:Bookgasm's J.T. Lindroos, running down the Best Euro Comics as part of the Best Books of 2011, writes "Fantagraphics continued its Jacques Tardi lineup, and I was particularly delighted by the proto-steampunk The Arctic Marauder, although I think one should own every single book in the series. I was also happy to see some less well-known artists get their chance, and both Sibyl-Anne Vs. Ratticus by R. Macherot and Murder by High Tide by Maurice Tilleux were wonderful surprises in the classic Franco-Belgian 'bigfoot' style. Fantagraphics is quickly becoming the Criterion Collection of comics publishing."
• List: Richmond VA comic shop Velocity Comics counts down their top ten Best Graphic Novels 2011, with Jim Woodring's Congress of the Animals at #9: "There are few artists’ work I can endlessly stare at with as much feverish perplexitude as Jim Woodring’s. Yes, I just made that word up."
• List: Vancouver BC culture site The Snipe surveys local comics industry folks for their favorite comics of the year. The Walt Disney's Mickey Mouse series by Floyd Gottfredson is named Best Collected Edition or Reprint by cartoonist Steve LeCouiliard...
"Floyd Gottfredson is one of the overlooked masters of the comic strip. Like Carl Barks, his work was always signed 'Walt Disney' but his craft and storytelling brilliance shone through. Comic strips really don’t provide much more pure joy than Gottfredson’s Mickey Mouse."
...and by VanCAF organizer Shannon Campbell...
"The two-volume collection of Floyd Gottfredson’s run of Mickey Mouse, hands down! These books chronicle the glory days of the old-school Mickey Mouse comics when Gottfredson did both art and story (from 1930-1934)."
...while the staff of Lucky's Comics can't pick just one:
"This has been a boon year reprint editions, but take your pick from Fantagraphics Books’ amazing editions of Pogo by Walt Kelly, Donald Duck by Carl Barks, Mickey Mouse by Floyd Gottfredson, and Prince Valiant by Hal Foster. Fantagraphics has done such an incredible job on book designs, colors, paper… all of the details that make these editions glow."
"It’s not just the subject matter that’s a winner here. Santiago has a knack for simplicity in his storytelling approach, and in a medium that’s often beset by needless complexity, that’s a rare gift."
"...[P]robably the best pure horror comic I read this year... and one that quite frankly shocked the hell out of me. Sala’s expressionist art style might not be the most obvious choice for telling blood-curdling horror stories, but its innocent cartoony quality somehow makes a perfect (and terrible) fit with the horrible, almost nihilistic story that Sala is telling."
• Review: "Swarte’s visuals are always gorgeous and distinctive, with a strong influence from Hergé but an even more rigidly mapped out structure. The more you look at them, especially the large ones, the more you see, as in a one-panel, one-pager that lays out a parodic vision of comics production as if it resulted from a Roger Corman-esque movie studio. His eye is careful and his line even more so. ...[Is That All There Is?] is a real pleasure to read and to look at, and it makes a case for Swarte as a real comics guy, not just an illustrator." – Hillary Brown, Paste
• Profile: At City Journal, an essay by Stefan Kanfer with a history of Walt Kelly and Pogo: "He frequently quoted a line that he had written for Porky Pine: 'Don’t take life so serious, it ain’t nohow permanent.' No, it ain’t. But art — even comic art — can be, in the hands of a master. Every book, every comic, every panel verifies the claims of Kelly’s fervent cheering squad: after 63 ever-lovin’ blue-eyed years, Pogo is still incomparabobble." (Via The Comics Reporter)
• Plug:Seattlest's Heather Logue spotlights Tony Millionaire's upcoming appearance and art show at Fantagraphics Bookstore & Gallery: "Aside from the fact that he has an amazing superhero name, Tony Millionaire also has the extraordinary talent to back it up. The cartoonist will be at Fantagraphics with his latest book 500 Portraits-- a collection of portraits (duh) of everything from the very famous face, to the very small bug. All meticulously crafted in his beautiful, yet grotesque way -- you're not going to want to miss Tony's take on portraiture."
• Scene:At his blog, Drew Friedman recounts his experience as keynote speaker at the International Society of Caricature Artists' annual convention last month, with lots of photos, a couple video clips and a transcription of a Q&A session