It's been a while, so let's catch up:

• New diary strips & sketches by Lewis Trondheim

• Artwork from Kurt Wolfgang's work in progress Pinokio plus some Mome meta-commentary and other sketches and characters at New Bodega

• Laura Park designed this placemat for fellow Chicago Mome-ster Jeremy Tinder's impending nuptials, and also this cool t-shirt design for The Mountain Goats & Jon Vanderslice

• At her Screened-in Porch blog, Carol Tyler presents “Will Work for Food” from The Job Thing — page 1 page 2 page 3 page 4 page 5

• "Crabby," a 3-pager by Tony Millionaire, plus "George R. Binks" and Billy Hazelnuts in color

• New artwork, dolls and other news in Dame Darcy's latest blog update

And more Things to See from the past 2 weeks:

• Illustrations, sketches, old strips and film reviews by Jason at his Cats Without Dogs blog

• Steven Weissman's latest "I, Anonymous" spot on his Chewing Gum in Church blog

• A new lithograph by John Hankiewicz

• Kevin Huizenga posted things on his blogs Fight or Run and The Balloonist

• Drew Weing posts the title lettering for the Serbian edition of S‍et to Sea and photos of Eleanor Davis painting a mural on his blog

• Vintage Jim Flora artwork and illustrations at the Jim Flora blog

• Sketches by Mark Kalesniko for his new graphic novel Freeway and more artwork at his blog

• "The Strangest Story You Ever Heard in Your Life" wraps up at Splog!, the Sergio Ponchione Lost Objects Gallery blog, plus illustrations at Mondobliquo

• Strips, illustrations and updates from Noah Van Sciver

• Recent illo jobs by Ray Fenwick on his Flickr page, including one for an article by Suze Orman in Oprah's mag — that's high profile!

• Drawings & photos by Renee French

• Recent illustrations and sketches, with commentary, by Steve Brodner

• Daily storyboards & production art from Dash Shaw at The Ruined Cast blog

• A coloring test for a work in progress by Robert Goodin

• Recent sketches by Tom Kaczynski at his Transatlantis blog

• Nate Neal's monthly men's mag strip

Catching up on several days' worth of Online Commentary & Diversions:

• List/Plugs: In an article titled "Fantagraphics: The Greatest American Comics Publisher," GUY.com's Rob Gonsalves says "What the Criterion Collection is to DVDs, Fantagraphics is to comics. Any self-respecting collection of graphic novels, any library public or personal, needs to sport at least one Fantagraphics book," and recommends a nicely idiosyncratic top-20 list of our publications which includes some of our more obscure releases

• Review: "While there definitely were some hardships, Clemente’s life was as unique and joyful as his persona and ball playing skills were, and Wilfred Santiago’s 21: The Story of Roberto Clemente reflects this uniqueness and joy through its own unique retelling of Clemente’s life. [...] The simple joy conveyed in this book is universally appealing... Baseball is a game that is full of life and story, and every year the game blooms in the spring with the trees and flowers of the season. 21: The Story of Roberto Clemente celebrates life, and new life, as much as it does baseball." – Andy Frisk, Comic Book Bin

• Interview: Pittsburgh City Paper's David Davis, who says "In his new graphic novel 21: The Story of Roberto Clemente, the author of 2002's In My Darkest Hour uses Clemente's life to explore issues on and off the diamond. These include the thorny politics of Puerto Rico (statehood or commonwealth status?) as well as the racism Clemente faced in America as a dark-skinned Latino. The result is both a superhero cartoon and a lyrical time-machine, rendered in the regal black-gold-and-white of the Bucs' uni," has a brief Q&A with Wilfred Santiago: "I began my career working on superhero cartoons. That's the look I wanted to get -- somewhere between a cartoon and a painting. I wanted to get the camera right there with him and you're experiencing the action up close."

• Plug: Philip Shropshire spotlights 21: The Story of Roberto Clemente at Mirror Universe

• Review: "Slavishly documenting and lavishly illustrating through band flyers and set lists and rare record sides and marvelous photography, along with first-person textual accounts, this strange, excited dialogue between misfits in America through bands, venues, zines, and lives and how it was all done punk and how punk was done. [...] Taking Punk to the Masses’ gallant bridging of universal punk history with our own in Ecotopia is a reason to celebrate. Your eyes can gnaw on decades of delicious artwork while you read and watch stories you may have heard of, but after this, will never forget." – Chris Estey, The KEXP Blog

• Review: "In Hate Annual #9, Buddy returns to Seattle to meet the dysfunctional family of his wife Lisa who he has never met despite having been with Lisa for close to 20 years. In a tension-filled 72 hours, Buddy is subjected to senile parents, criminals, and drug addicts. Each page is filled with the sardonic humor and high drama that are staples of Bagge's work. [...] Read this issue slowly because once you're done laughing your head off, you are sure to be sad that you'll have to wait another year to check in with one of the best characters of alternative comics." – Rip Ransley, Stray Riffs

• Review: "The particular fascination in this early work [The Arctic Marauder] is seeing one of the unique individual styles in cartooning at a formative stage. [...] As for the subject matter: It’s an example of parody that continues on when the thing parodied has long faded away. [...] Part of the appeal is feeling superior to an earlier age, and another part is being engaged in the traces of the earlier form embedded in the parody, which you would normally feel yourself too sophisticated to enjoy." – R. Fiore, The Comics Journal

• Plug: "At once a parody and a tribute to late 19th, early 20th century mystery/adventure Jules Verne-esque fiction, this gorgeous one-shot [The Arctic Marauder] is masterfully drawn scratchboard style, as to echo the woodcuts of the era. The result is sumptuous, and look at those elegant art-nouveau panels! [...] Fans of concentrated mysteries, steam-operated machines, dramatic adventures and over-the-top vilains should be all over this!" – 211 Bernard (Librairie Drawn & Quarterly)

• Review: "One of the greatest publishing endeavors in comics continues, with the 15th volume of The Complete Peanuts by Charles M. Schulz published by Fantagraphics! [...] I will give this book an A+ grade and highly recommend it to any fans of Peanuts..." – Mike Moon, Catgirl Critics' Media Mewsings

• Review: "With Woodring’s skill, I never found myself confused, at least, more than you’re supposed to be. I’ve never read a statement by Woodring saying this, but I always got the impression he wanted you to work for the meaning behind his stories. Even if it’s not the case, I highly enjoy the process. In one graphic novel [Weathercraft], I got what I think may have been a love story, a treatise on spiritual enlightenment and sometimes just a whole lot of fun." – Joe Keatinge, Joe Keatinge's Comics & Stories

• Review: "Weathercraft... [is a]nother volume of nightmarishly beautiful wordless comics by the remarkable Mr. Woodring. Even for those accustomed to his work, there is page after page that makes you say, 'I’ve never seen anything like that before!' And then hide under your bed." – M. Ace, Irregular Orbit

• Interview: Book By Its Cover's Jen Rothman, who says "Ray Fenwick has created yet another masterpiece. His second book, Mascots, hit shelves in the beginning of this year and it’s quite a beauty. It’s filled with his signature style that mixes ornate hand lettering and imagery, creating amusing little narratives," has a Q&A with Ray: "I thought of the idea of mascots because they’re these outrageous, often ridiculous figures, but they’re symbolic of something else. The thing they’re there to represent isn’t ridiculous at all. I thought that was similar in a lot of ways to the work in the book."

• Interview (Audio): Inkstuds host Robin McConnell talks with Set to Sea creator Drew Weing

• Interview: One Two One Two Microphone Check has a cultural Q&A with our own Kim Thompson: "There is no movie I love but would be embarrassed to talk about in a serious, intellectual conversation, because if I love it, it is worth talking about by definition. (I concede this could be taken as arrogant.) That said, I am mildly embarrassed at how much I actually love Love, Actually."

• Interview: Alex Dueben's great interview with Daniel Clowes at Comic Book Resources touches on Dan's design work for our upcoming series of Crockett Johnson's Barnaby collections: "It's probably the best written comic strip of all time. The artwork is disarmingly simple. It's the kind of thing that I would normally not be attracted to. He uses typography instead of hand lettering and very simple diagrammatic drawings, yet they are perfect, and work beautifully in a way that anything added to it would detract from it. My goal with the design of the book is to follow his very severe minimal design style and try to live up to that."

• Interview: At TCJ.com, Sean T. Collins also talks to Clowes: "I was always baffled that people who liked mainstream comics seemed to really gravitate towards [Eightball #22]. I couldn’t quite figure out what it was about that one, specifically, that made them like that so much."

• Plug: "To accompany the number of Edward Gorey books... that we carry, D+Q now has The Strange Case of Edward Gorey by Alexander Theroux. If you find yourself curious about the man behind The Epilectic Bicycle and The Doubtful Guest, Theroux's portrait of Gorey is sure to please." – 211 Bernard (Librairie Drawn & Quarterly)

• Commentary: Tim Kreider pens an essay on the state of the cartooning industry for TCJ.com: "When you’re young, it’s exciting and fun just to have your work published in the local alternative weekly, or posted online, “liked” and commented on and linked to; but eventually you turn forty and realize you’ve given away a career’s worth of labor for nothing. What’s happening in comics now is what happened in the music industry in the last decade and what’ll happen to publishing in the next. Soon Don DeLillo will be peddling T-shirts too."

• Commentary: Robot 6 polled Gilbert Hernandez for their weekly "What Are You Reading?" feature: "The new comics I always enjoy are by R. Crumb, Dan Clowes, Richard Sala and Charles Burns. I haven’t seen Burns’ and Sala’s new books yet but I did read The Bible by Crumb, which I found tedious only because of the subject matter and Wilson by Clowes. That was hard to get through because the protagonist is so supremely hateful. Well executed, though."

At his Here There Be Monsters blog, Drew Weing has a nice little announcement about his acclaimed hit book Set to Sea going back to press for a second printing. So, if you're currently having a hard time finding the book (though we do still have mail-order copies), it should be widely available again before too long.

• Check out Mack White's illustrations for Michael del Ray's book Long Term Parking

• Monster Brains presents "Momster" by Ted Jouflas from Weirdo #26 (1989)

• "Ghost Dream," a sketchbook comic by Drew Weing

• From Lilli Carré, a short animated film, a poster for an event she'll be at, and a teaser of her work in the new Smoke Signal

• Leslie Stein gives this peek at artwork from the 6th issue of Eye of the Majestic Creature

• Panels for the next installment of "Nothing Eve" for Mome by Kurt Wolfgang at New Bodega

• Also working away on a new Mome story: Laura Park

• And yet more Mome previewing: new pages from "Wild Man" by T. Edward Bak

• Messages from Killoffer at Lewis Trondheim's Les petits riens blog

• Shirley from the TV show Community by Josh Simmons

• Renee French custom-painted this Dylan Sprouse vinyl figure; plus the usual drawings etc. at her blog; plus we like this photo on Sprouse's website for obvious reasons

• Sammy Harkham on Flickr

• A panel by Carol Tyler; also check out a photo of her drawing desk

And more Things to See from the past week:

• Illustrations, sketches and film reviews by Jason at his Cats Without Dogs blog

• Steven Weissman's latest "I, Anonymous" spot and sketching on his Chewing Gum in Church blog

• Drawings & diagrams from Frank Santoro

• Puppets in progress by Marco Corona

• Another possible puppet or other figurine in progress in some mysterious photos from Paul Hornschemeier

• Vintage Jim Flora artwork and illustrations at the Jim Flora blog

• Sketches by Mark Kalesniko for his new graphic novel Freeway at his blog

• "The Strangest Story You Ever Heard in Your Life" continues at Splog!, the Sergio Ponchione Lost Objects Gallery blog, plus an illustration at Mondobliquo

• Daily storyboards & production art from Dash Shaw at The Ruined Cast blog

• Watercolor panel process by Derek Van Gieson

• Daily sketches by Tom Kaczynski at his Transatlantis blog

Drew Weing announced yesterday that his debut graphic novel Set to Sea was named runner-up for the inaugural Lynd Ward Prize, a new award sponsored by the Penn State University Libraries and administered by the Pennsylvania Center for the Book, an affiliate of the Center for the Book at the Library of Congress, presented to the "best graphic novel, fiction or non-fiction, published in the previous calendar year by a living U.S. citizen or resident." We'd been waiting for the official PR to make our announcement, but since Heidi MacDonald has broken the news over at The Beat, anchors aweigh (as it were). Congratulations Drew!

UPDATED: The official announcement has now been posted online:

The prize jury also awarded an honor book prize to Drew Weing for Set to Sea, published by Fantagraphics. In this book, small in size but large in vision, the art of storytelling through pure visual image is at its height. Described by jurors as "a small wonder of visual narrative, the book's superbly executed single-panel pages combine iconic cartooning and realistic detail to deliver a quietly moving story that unfolds primarily through image. It epitomizes the whole notion of the graphic novel set forth by Lynd Ward — the illustrations are brilliant and the balance between word and image is spot on. The book encapsulates the power of comics to combine an aesthetic experience with a lovely story with strength and beauty that lies with its simplicity and subtlety." Weing will accept his honor prize at an event co-sponsored by Penn State and the Pennsylvania Humanities Council at 6 pm on May 23 in Foster Auditorium on the Penn State University Park Campus.

• Chris Ware draws Tiny Tim for 6-year-old Clara Ware's review of a Tiny Tim compilation album at Roctober (yes, you read that correctly)

• Dame Darcy offers artwork for sale with partial proceeds donated to the Red Cross for Japan relief; she also encourages you to donate directly

• Fight or Run artwork from Kevin Huizenga; also some super-moon-related cover art

• A commissioned sketch of Wonder Woman from 1998 by Richard Sala

• Drew Weing posts a page from the story he drew in the new issue of Papercutter

• Title design (in various stages) by Leslie Stein

• It was tough deciding between this and the kitty portrait by Renee French

• A tantalizing glimpse of something in progress by Joe Kimball

And more Things to See from the past week:

• New original Matthias Lehmann illustrations for sale at La Galerie de Matthias Lehmann

• Illustrations, promotional artwork, sketches and film reviews by Jason at his Cats Without Dogs blog

• Steven Weissman's latest "I, Anonymous" spot on his Chewing Gum in Church blog

• Artwork and sketches from Frank Santoro

• Recent sketches by Marco Corona

• Leslie Stein posts the real-life Marshmallow & friends and links to some Eye of the Majestic Creature fan art

• Sketches by Mark Kalesniko for his new graphic novel Freeway at his blog

• Sketches, strips, a horrible experience and other updates from Noah Van Sciver

• New sketchbook strips by Laura Park on her Flickr page

• "The Strangest Story You Ever Heard in Your Life" continues at Splog!, the Sergio Ponchione Lost Objects Gallery blog

• Daily storyboards & concept drawings from Dash Shaw at The Ruined Cast blog

• Tony Millionaire dug an old interactive Maakies strip thing out of the bowels of the internet

• More new sketches by Tom Kaczynski at his Transatlantis blog

• Eleanor Davis just keeps murdering it on her We Be Ouija blog (NSFW, some of it)

• Jason goes on a murderous rampage, plus more old strips and illustrations and new film reviews at his Cats Without Dogs blog

• A doozy of an "I, Anonymous" spot by Steven Weissman at his Chewing Gum in Church blog

• A new comic page by John Hankiewicz

• Pages from "Professor Fleischmann," an in-progress collaboration between Lamelos and Olivier Schrauwen (via Kuš!)

• This is just a small portion of the catstravaganza that is Drew Weing's back cover for Papercutter #15 from Tugboat Press (he's also in the issue) — see the whole thing at Drew's Here There Be Monsters blog

• Tim Lane's Belligerent Piano Miniature Cut-Out Collectible Diorama Figure No. 2 - One-Eyed Lunatic Goon (in 2 versions, plus assembled photos!)

• Johnny Ryan's original "Mark & Gary Forever" artwork is for sale

• Lilli Carré's poster for the Small Press & Comics Symposium in Chicago next week

• Derek Van Gieson gives a glimpse of the final chapter of his Mome serial "Devil Doll" plus other drawings & projects at his These Days I Remain blog

And more Things to See from the past week:

• Album cover sketches from Matthias Lehmann at his Bloc-Notes blog

• Loads of new mythical drawings from Frank Santoro

• Some cute character design by Marco Corona

• Leslie Stein posts the real-life Marshmallow & friends and links to some Eye of the Majestic Creature fan art

• Sketches by Mark Kalesniko for his new graphic novel Freeway at his blog

• Noah Van Sciver's sketches and photos from his recent trip to Australia

• New sketchbook strips by Laura Park on her Flickr page

• Drawings, sketches, photos by Renee French

• "The Strangest Story You Ever Heard in Your Life" serializes at Splog!, the Sergio Ponchione Lost Objects Gallery blog

• Sketches and an illustrated interview from Steve Brodner

• A sketch from Los Angeles by Josh Simmons

• Daily drawings from Dash Shaw at The Ruined Cast blog

• Another old Chrome Fetus strip from Hans Rickheit

• Copious new sketches by Tom Kaczynski at his Transatlantis blog

• Nate Neal's latest monthly men's-magazine comic strip

• Thumbnails for an unfinished comic by Eleanor Davis

Today's Online Commentary & Diversions:

• List: Matthew J. Brady posts his picks for the best comics of 2010 on his Warren Peace Sings the Blues blog (where there are links to his past reviews), including:

"25. Temperance... is a confounding work, and a fascinating one, with some excellently moody art. I still don't know if I really understand it, but it's a strange, unforgettable book."

"23. Set to Sea... is lovely to look at, full of beautiful seascapes and cartoony movement. It may be a small and quick read, but it doesn't seem that way in subsequent memory."

"18. Wally Gropius... is a deeply weird comic, but one that is not easily forgettable, starting with an off-kilter take on old teen comics and throwing in a sort of dada energy, social commentary that isn't always easy to decipher, some startling sex and violence, and an angry attitude toward the idly manipulative rich and their disdain for the rest of humanity. It's also really funny, and what seems like random incidents eventually cohere into an actual story, but the crazy contortions of the characters, the financial imagery and sound effects, and the bizarre dialogue and actions from the characters are what will haunt the mind for some time to come."

"10. It Was the War of the Trenches... is one of the most incredible books of the year, an ugly, grimy, angry look at the devastation of war on everything it touches, an endless cascade of horrors that are all the more effective due to their reality. This is arresting work, something everyone should read, lest we forget how easy it is to get caught up in the killing once again."

"7. A Drunken Dream and Other Stories [...] From the beautiful artistic filigrees that fill panels throughout, to the firm grasp of character and complex emotional examinations, every page of this book is an essential bit of reading for manga fans."

"3. Love and Rockets: New Stories #3... is an amazing example of how great these creators are, and the way comics can be used for maximum effectiveness to tell emotional, realistic, beautifully real stories."

• Interview: Sean O'Toole of South African culture mag Mahala talks to Joe Daly: "Whatever other influences effect my comics worldview, I always end up coming back to Tintin. It’s an impeccable foundation text in terms of characters, story telling and artwork. I also appreciate the fact that it’s written and drawn by one person, George Remi aka Hergé (although I know he had studio assistance later in the series). It’s a complete creation, in that way, there’s a deep level of cohesion between the drawing and the narrative."

• Interview: At Comicdom, Thomas Papadimitropoulos talks to Jim Woodring (interview in English follows introduction in Greek): "I write all my stories out in words, describing the action. After a lot of rejecting of alternatives I end up with something that feels meaningful to me, even if I don't know why. In fact I prefer it if I don't know why. If I can tell there is some significant meaning respiring in the depths of the proposed action, I don't worry about what that meaning might be; I draw the story up and allow the meaning to occur to me and to readers whenever the time is right." (via The Comics Reporter)

In their March 15 issue, Booklist announces their Top 10 Graphic Novels in Adult and Youth categories. We're honored that they've chosen the following books in the former category:

Artichoke Tales by Megan Kelso

A Drunken Dream and Other Stories by Moto Hagio

It Was the War of the Trenches by Jacques Tardi

And in the latter category:

Set to Sea by Drew Weing

The issue also includes the reviews excerpted below:

The Arctic Marauder by Jacques Tardi: "A strong Jules Verne flavor dominates the story’s stew of mystery farce and sci-fi adventure, from the ship named the Jules Vernez to the assortment of just-plausibly-outlandish vehicles and deep-sea mechanical apparatuses. But the real fun comes from marveling at it all in Tardi’s expansive, ice-blasted scratchboard tableaus that feature one breath-stealing scene after another, all the way through to the cheerfully villainous finale. A devious bit of far-fetched fun." – Ian Chipman

Freeway by Mark Kalesniko: "Kalesniko reprises his alter ego, Alex Kalienka, for his most ambitious and accomplished graphic novel yet. [...] Although Kalesniko’s formal storytelling devices, particularly his deft panel arrangements and intelligent compositions, are largely responsible for Freeway’s impressive effectiveness, it’s his distinctive and delicate drawing style that supplies the emotional component, best displayed in the economical character design and in the painstakingly researched, lovingly depicted scenes of a bygone Los Angeles." – Gordon Flagg (Starred Review)

Stigmata by Lorenzo Mattotti & Claudio Piersanti: "Obviously but never verbally a parable of Christian redemption, Piersanti’s story becomes extremely compelling in Mattotti’s hands. ...[H]is swirling realization of atmosphere, the protagonist’s states of mind, and human figures conjures the raw power and compassion of such great Italian neorealist films as Bicycle Thieves and La Strada." – Ray Olson

Drew Weing has a couple of anthology contributions on the way: he posted this teaser panel from a story he has in the upcoming Fluke anthology, and he drew a story written by M.K. Reed in the new issue of the always-unmissable Papercutter from Tugboat Press (shown below with cover art by Jonas Madden-Connor; photo from the Tugboat Press Flickr page). Can't wait!