#10: A Drunken Dream and Other Stories by Moto Hagio: "Ten spooky, perceptive stories of girls and ghosts in trouble from one of the masters of shojo manga, who has her work translated into English for the first time."
#5: Set to Sea by Drew Weing: "He may look like a big lug, but he’s got dreams of the ocean and the heart of a poet. The hero of Weing’s salty debut sails off to adventure in this pocket-size sea-shanty of a graphic novel."
#1: Wally Gropius by Tim Hensley: "A candy-colored absurdist comedy about a teen so wealthy he barfs $100 bills, this ridiculously enjoyable book reads like Richie Rich on LSD."
• List:NPR's Glen Weldon names Cathy Malkasian's Temperance one of "The Year's Most Transporting Books": "Amnesia also plays a role in Cathy Malkasian's huge, haunting — and hauntingly beautiful — graphic novel Temperance. [...] Malkasian's plot is loose and elliptical, and she pokes at many of the same salty psychological truths that made the Brothers Grimm so grim; lies, guilt and violence buffet her characters about like gale-force winds. You won't know where the story's going, but Malkasian's pages are gorgeous, sweetly melancholic things, and you'll enjoy the trip."
• Review: "...[One of the] Books of the Year... An expansive allegorical fable, ...Temperance speaks to our times with prophetic pointedness. [...] A uniquely imaginative book, Temperance is an example of how a sepia-toned pencil can sing." – Neel Mukherjee, The Times
• List: At Attentiondeficitdisorderly, Sean T. Collins names Prison Pit Book 2 by Johnny Ryan one of his Comics of the Year of the Day, saying "take how you felt during the baseball-bat scene in Casino, then make a book out of it."
• List: British cartoonist Matt Brooker offers up his Best of the Year at the Forbidden Planet International Blog Log, including 2009's You Are There by Jacques Tardi & Jean-Claude Forest: "Alongside Mœbius’ The Airtight Garage of Jerry Cornelius, this is the defining classic of 1970’s Bande Dessinee, but unlike The Airtight Garage you really need to be able to read the dialogue to make it worth owning… this first English translation has been much too long coming, so I was delighted to be able to read You Are There at last. It was originally conceived as a screenplay, and reads like one of those particularly mad Sixties films (like Peter Sellers’ Casino Royale or The Magic Christian) of which I’m so unreasonably fond."
• Review: "The always-superb Jason too has a book out this year: Werewolves of Montpellier. Droll, laconic as always, dry as drought, and hilarious and sympathetic in equal measures... A mad, lovely and bright book." – Neel Mukherjee, The Times
• Review: "While we’re on the subject of Jason, it wouldn’t do to leave out a mention of Almost Silent, a deluxe collection of four of his earlier books... The book is worth searching out for [You Can’t Get There From Here] alone. It’s the longest story in the book and is a retelling of the Frankenstein story as a love triangle without words, set off by a Greek chorus-type duet between two hunchbacks." – Neel Mukherjee, The Times
• Review: "Destroy All Movies is a product of the tireless DIY work ethic: It is one of the most painstaking books ever written on punk rock. As such, it stands in the rarified league of Banned in DC, Fucked Up & Photocopied, and the long out-of-print masterpiece Loud 3D. Carlson and Connolly have managed to make a volume with both intellectual relevance and deep entertainment value. And if you don't have time to actually read through all 1,000 entries, it's still a blast just to look at." – Sam McPheeters, Bookforum
• Plug: On the Matablog, Matador Records co-founder Gerard Cosloy says "If I celebrated Xmas and/or hadn’t already purchased a copy, I’d be asking Satan Santa for the newly published Destroy All Movies!!!..." and calls it an "amazing tome" (link via our own Janice Headley)
• Plug: "This book is out of control. [...] The research that went into [Destroy All Movies!!!] is unfathomable. They even tracked down every instance of a punk in a made-for-TV movie. The mind boggles. And then the mind puts on a Crass album and head butts some prep in the face." – Kyle Olson, The Hipster Book Club "2010 Holiday Gift Guide"
• Review: "Castle Waiting’s a pleasant, upbeat series, a great way to spend a quiet afternoon. If you’re looking for high adventure and action, it’s not here. This series is exploring the quiet places and the emotional beats that exist just beyond the screaming and bloodshed, and it’s doing so with style and wit. Castle Waiting comes highly recommended." – Michael C. Lorah, Newsarama
• Review: "EC was not the only company putting out good horror comics in the 1950s. Fantagraphics’ Four Color Fear: Forgotten Horror Comics of the 1950s shines the spotlight on some of the other comic publishers who were putting out great horror comics back then. [...] As great as the stories are perhaps the best feature is the 20 page note section that provides details behind each of the 40 stories in the book with fantastic anecdotes. There is also an index to all the companies publishing horror comics with a listing of titles and issue numbers making this a fantastic resource. Grade A+" – Tim Janson, Mania
• Review: "Since continuity usually plays second fiddle to the avalanche of inventive ideas, the strips can be read in almost any order and the debauched drunkenness, manic ultra-violence in the manner of the best Tom & Jerry or Itchy & Scratchy cartoons, acerbic view of sexuality and deep core of existentialist angst (like Sartre ghostwriting The Office or perhaps The Simpsons) still finds a welcome with Slackers, Laggards, the un-Christian and all those scurrilous, lost Generations after X. [...] If you’re the kind of fan who thrives on gorge-rousing gags and mind-bending rumination this is a fantastic and rewarding strip, one of the most constantly creative and entertaining on the market today and this latest collection [Little Maakies on the Prairie] is one of the very best yet. If you’re not a fan of Maakies this is the ideal chance to become one and if you’re already converted it’s the perfect gift for someone what ain’t…" – Win Wiaceck, Now Read This!
• Review: "This series is a non-stop rollercoaster of action and romance, blending realistic fantasy with sardonic wit and broad humour with unbelievably stirring violence, all rendered in an incomprehensibly lovely panorama of glowing art. Beautiful, captivating and utterly awe-inspiring Prince Valiant is a World Classic of storytelling, and this magnificent deluxe [Volume 2] is something no fan can afford to be without. If you have never experienced the majesty and grandeur of the strip this astounding and enchanting premium collection is the best way possible to start and will be your gateway to a life-changing world of wonder and imagination." – Win Wiacek, Now Read This!
• Review: "One could easily spend hours thinking of the hard concepts Kelso brings into the book without ever hitting the reader over the head with any of them. It's a sign of her storytelling ability that we get all of this without it ever feeling like she's preaching to me. [...] Artichoke Tales, at its heart, is about how complex the world is, with no one quite able to figure things out. ...I thought this was a well-crafted book that shows the human side of a conflict. It's a sad tale, but one worth reading." – Rob McMonigal, Panel Patter
• Interview:Comic Book Resources' Chris Mautner has a very informative chat with our own Kim Thompson about our new line of all-ages Eurocomics books: "Well, to be honest, I’m not sure how many kids will actually be reading this. It’s hard to get kids interested in comics, and foreign comics are even tougher. I’d welcome kids reading it but I’m assuming 98% of the audience will be grown-ups who dig this particular material. That said, I’m always a little baffled by how sensitive grown-ups are about kids’ material."
• Interview: At AfterEllen, Ariel Schrag talks to Gabrielle Bell: "I definitely prefer reading fiction to reading comics, except for a very small percentage of comics. And when I was a teenager I wanted to be a fiction writer. I’m much more interested in films, too. I feel like I’m more interested in the potential of comics, rather than what they’ve already accomplished, whereas with films and novels I’m interested in what they’ve already accomplished."
Today's Online Commentary & Diversions. Today's reviews come directly or indirectly via Hans Rickheit:
• Review: "Simmons’ artwork [in House] masterfully cranks up the tension and tightens the suspense as the ill-fated explorers descend into the building’s subterranean depths; as his characters enter the house, his dark frames thicken, becoming the walls of the house. The comic is wordless, but the characters have no trouble expressing themselves as they go from the heights of youthful elation to sheer terror as the house swallows them whole." – Ao Meng, The Daily Texan
• Review: "As both an anthology and as a survey of the times, [Four Color] Fear is incredibly successful, with nary a dud in the whole bunch. Each fun story offers its own brand of chill, thrills and maniacal laughter. [...] But the real disquieting aspect of these comics were probably not intended as such — chauvinistic behavior is rampant among the men, and women are portrayed as either damsels in distress or cold-hearted femme-fatales. These are artifacts of a simpler age." – Ao Meng, The Daily Texan
• Review: "The Squirrel Machine is not for the faint of heart, and features quite disturbing and grotesque imagery — H. R. Giger has nothing on Rickheit’s psychosexual nightmares. [...] Existing on the crossroad of creativity and madness, The Squirrel Machine is a nightmare in a series of gristly tableaus. The psychedelic rooms full of machinery, sex and death are an inward exploration as much as Jim Woodring’s ('Frank') comics are outwardly allegorical. An exploration of an artist’s mind, it uncovers the obscene, the things that were never meant to be brought to light." – Ao Meng, The Daily Texan
• Review: "Blimey, [The Squirrel Machine] is a weird one. Imagine a steampunk version of the last ten minutes of Eraserhead. [...] Its design and tone is indebted to Little Nemo in Slumberland, although far more disturbing. [...] The book is full of strange scenes which accurately convey the claustrophobic atmosphere and slight off-ness of a powerful dream. In no way is it fluffy around the edges. The detail is unflinching, with a refreshing lack of explanation... Is it all a dream? Who can tell?" – Grant Buist, The Name of This Cartoon Is Brunswick
• Review: "Another excellent debut graphic novel, another webcomic-printed-as-book, another beautiful Fantagraphics book-as-object, and another rollicking seafaring adventure. [...] What distinguishes [Set to Sea] from a merely average graphic novel is the excellent pacing, the thoughtfulness of the (unnamed) protagonist, and the minimal use of words in a book about writing poetry!" – Grant Buist, The Name of This Cartoon Is Brunswick
• Review: "A luxurious collection of Moto Hagio’s influential comics, ...[A Drunken Dream and Other Stories] is a valuable sampler of her long career, a compilation of short stories from 1970 to 2007 which feature her innovative panel layouts and expressive characters, and include many of her favourite themes, such as sibling rivalry, postnatal depression and ghosts. [...] This is yet another beautiful book-as-object-of-desire..." – Grant Buist, The Name of This Cartoon Is Brunswick
• Review: "An utter nightmare. [...] Over a hundred densely-drawn pages [of Weathercraft], filled with Woodring’s bejewelled creatures and salamandric hallucinations, Manhog achieves a kind of enlightenment. A great if unsettling work." – Grant Buist, The Name of This Cartoon Is Brunswick
• Review: "The first of Norwegian cartoonist Jason’s books to be published in translation, and one of his neatest and most satisfying stories. [...] If it were a film, Hey, Wait… would melodramatically labour the childhood tragedy it features, but in a Jason book it’s an understated pivot for the two halves of the story." – Grant Buist, The Name of This Cartoon Is Brunswick
• Coming Attractions: "The Arctic Marauder [by Jacques Tardi] – A steampunk story with mad scientists, sea monsters, and futuristic machines at the North Pole. In a 'faux woodcut style.' Fantagraphics continues to be the most consistently innovative publisher of adventure comics around." – Michael May, Robot 6
• List:Flashlight Worthy polls various online critics for The Best Graphic Novels of 2010:
"Moto Hagio is to shojo manga what Will Eisner is to American comics, a seminal creator whose distinctive style and sensibility profoundly changed the medium. Though Hagio has been actively publishing stories since the late 1960s, very little of her work has been translated into English. A Drunken Dream, published by Fantagraphics, is an excellent corrective — a handsomely produced, meticulously edited collection of Hagio's short stories that span her career from 1970 to 2007." – Katherine Dacey (The Manga Critic)
"Truly the most welcome English translation of the year, this collection of aching vignettes from the mud and blood of WWI [It Was the War of the Trenches] forms a unique human patchwork, fitting for a time and place where bodies and souls went to pieces. Tardi is a skilled artist, placing his soft, eminently fragile human forms against natural scenes so dense and thick (and buildings so heavy and broken) you'd swear that the entire Earthly organism has been put to bed by war's viral infection, but the true power here comes from his accumulation of carefully detailed narratives, ringing sadly as the greater accumulation of corpses remains painfully implicit." – Joe McCulloch (Comics Comics, Jog – The Blog)
"Packed to the gills, surprising, and unabashedly ambitious, MOME 19 isn't just the best volume the series has seen, it's a shot across the bow to a format that's been ceded to fans and friends-only collectives. Anthologies, said Fantagraphics. They're still at their best when there's an adult behind the wheel." – Tucker Stone (The Factual Opinion)
Werewolves of Montpellier by Jason: "One of comics' most inventive and offbeat practitioners of the art returned this year with a story that was not exactly groundbreaking for him but still wildly fun and different from most other stories out there. Jason's books are always hard to classify exactly, but this tale of a thief who dresses up as a werewolf (it helps scare people, which helps him pull off his crimes) is one of his most intriguing." – John Hogan
A Drunken Dream and Other Stories by Moto Hagio: "Few creators in the 60-year history of Japanese manga are more important than Moto Hagio, one of the cohorts of the so-called 'Magnificent Forty-Niners' who revolutionized the shoujo genre in the 1970s. A Drunken Dream and Other Stories features a thoughtfully chosen selection of 10 short tales translated by Matt Thorn and published in lavish, oversized hardcover. The title story in particular offers a rare treat, its implacable, mythological cruelty rendered in soft-focus color." – Casey Brienza
• Review: "I finally read Special Exits last weekend. And I am here to tell you: It was tough. It was not fun. But it was truthful. It was specific. And it ... helped. In this, it was utterly unlike the book on grieving that a well-meaning relative pressed into my hands. That book's blandishments felt feathery and abstract; they had nothing to do with Pop, or with how I felt about him. Special Exits, on the other hand, is all about specificity. Farmer captures the tiniest, most mundane — and at times ugliest — details of caring for someone you love, and watching them pass from you. It's bracingly clear-eyed and unsentimental... Her pages and panels seem crowded with detail — deliberately and effectively so, to mirror the way her parents' house, and their lives, fall steadily into clutter and disrepair." – Glen Weldon, NPR
• Plug: "The latest from Fantagraphics... is Special Exits, a graphic novel from 71-year-old Joyce Farmer. Debut book it may be but she’s no newbie: Farmer was part of the whole underground comix scene in the time of R. Crumb... It’s the kind of memoir you can sit alongside Alison Bechdel’s Fun Home, or anything Harvey Pekar: a story about her elderly parents’ slow decline." – The Gosh! Comics Blog
• Review: "Usagi Yojimbo: The Special Edition... is the perfect collection for neophytes to the series — it starts from the top, and introduces many of Sakai’s running cast, including the titular wandering samurai rabbit and a selection of his friends, enemies, and allies-of-convenience. The high-glossy, bright-white pages make Sakai’s finely detailed, heavily Japanese-inspired black-and-white art pop off the page, and the collection covers enough of his work to show how he’s evolved as an artist, from the early days when he was finding his feet to art that looks much like what he’s producing today." – The A.V. Club 2010 Holiday Gift Guide
• Plug: "Stan Sakai has been drawing his funny-animal samurai series Usagi Yojimbo for upwards of 25 years now. Usagi Yojimbo: The Special Edition collects the first 38 issues of Usagi's own comics and various other early stories in which he appeared, along with a ton of bonus features and an extensive interview with Sakai — 1200 pages of ronin rabbit action in all, presented as a two-volume hardcover set in a slipcase." – Douglas Wolk, TIME/Techland "Comics Geek Gift Guide 2010"
• Review: "[Jason's] comics are consistently funny and heartfelt, but tinged with a particular brand of melancholy. [...] The new collection, What I Did, takes the first three albums Fantagraphics translated and published in English. The first piece, 'Hey Wait...' is a real heartbreaker. [...] The second album, 'Sshhhh!' is a collection of wordless strips about a bird in a tweed jacket, and his tribulations as a character through life. [...] The strips delicately and comically depict the absurdities of modern existence... The last story, 'The Iron Wagon,' is an adaptation of a Norwegian mystery novel. [...] It’s great stuff, and like all of Jason’s stuff it’s deeply humanist." – Ao Meng, The Daily Texan
• Plug: "Jason's silent comics are so great. The monster ones in Almost Silent and 'Hey Wait' in What I Did especially. They are funny and sad and those are the two things a person wants." – Atomic Books "Holiday Picks"
• Review: "...[Four Color Fear] will... blow your fucking head up. [...] Trying to describe what makes many of these comics strange would take too long. Weird characters, odd behavior, no real logic, the list is endless. What makes this shit gold is the art. [...] Flipping through this it's hard not to think to yourself, 'How did I not know about this until now? Why didn't anyone tell me?' There's a gallery of glossy cover art in the center that is flat out some of the best art I've ever seen." – Nick Gazin, Vice
• Review: "Overall, the experience of joining this large fellow on his life’s journey is a delight, if a fairly short one. [Set to Sea]’s a small book in length as well as size, able to be read in a single sitting, but it’s good enough that it invites multiple journeys through its pages, allowing explorers to marvel at the fluid movement of the characters, the chaos of an inter-ship battle, the choppy waves and calm harbors, the joys of a life lived and savored." – Matthew J. Brady, Warren Peace Sings the Blues
• Plug: "Gahan Wilson: 50 Years of Playboy Cartoons is as mammoth and daunting a career retrospective as anyone could wish for: a gorgeous three-volume set encompassing a thousand-plus of the macabre cartoonist's drawings, as well as additional features including a handful of short stories he also wrote for Playboy. It's beautifully designed, too — the slipcase itself involves a perfectly Wilsonian gag." – Douglas Wolk, TIME/Techland "Comics Geek Gift Guide 2010"
• Profile: "Throughout the 1990s [Peter] Bagge devoted himself almost completely to a comic book called HATE, the success of which brought him other opportunities, as well as a key choice: 'If I really wanted to play it safe after achieving a modicum of success I would have devoted myself to doing the same thing for life.' Instead, Bagge chose to take on new subjects and continued to experiment. [...] Bagge taught a course at Seattle University last winter. He recommends that students interested in comics and graphic novels visit Fantagraphics Bookstore in Georgetown, as their selection is interesting and outside the mainstream." – Cambray Provo, The Spectator (via The Comics Reporter)
Since opening in December 2006, Fantagraphics Bookstore & Gallery has become a treasured civic asset. In addition to feeding Northwest residents' insatiable appetite for challenging contemporary culture, the space has attracted visitors from across the country and around the world. Saturday, December 11 marks the bookstore's 4th anniversary, and to celebrate the occasion we're once again hosting the season's most festive party featuring amazing music, comix, art, and more!
The evening includes solo music sets by Zak Sally and Mark Pickerel. Zak was a founding member of alternative music legends Low and continues solo music endeavors while publishing great comics with Fantagraphics as well as producing exquisitely crafted small press projects on his own La Mano 21 imprint. This event will mark the debut of his ambitious Kim Deitch File portfolio project, among other recent La Mano offerings. Zak will be joined by Fantagraphics friend Mark Pickerel, who began his musical career with the highly acclaimed Screaming Trees and now fronts Mark Pickerel and His Praying Hands, in addition to being the proprietor of Seattle pop culture emporium Damaged Goods.
An exhibition of comix art curated by Jason T. Miles and Max Clotfelter, in association with Friends of the Nib, features promising emerging cartoonists. together with masters of the medium. "Medieval Thinkers" includes original works by Peter Bagge, Bruce Bickford, D. J. Bryant, Chris Cilla, Max Clotfelter, Eleanor Davis, Kim Deitch, Heidi Estey, Kelly Froh, Justin Green, Gerald Jablonski, Megan Kelso, Jason T. Miles, Nate Neal, Bob Rini, Zak Sally, Dash Shaw, Matt Tamaru, Drew Weing, Jim Woodring, Mary Woodring, Max Woodring, Martine Workman, and Chris Wright. According to Friends of the Nib co-curator Miles, "Many of these artists work with antiquated materials most commonly associated with 19th and 20th century cartooning, specifically the metal dip pen or crowquill pen nibs, although use of these tools was not a requisite for inclusion. What brings these artists together is an imagist approach to picture-making and a willful ignorance of the aesthetics, fashion, and politics of the fine art industry. Medieval thinkers organize their experience by executing lessons in perspective, balance, humor and alchemy."
All this plus screaming deals on comix, celebrity guests, holiday libations, demented Christmas platters spun by DJ Russ Fallout, and a few surprises makes Fantagraphics Bookstore & Gallery's 4th anniversary party the place to be on Saturday, December 11. This event coincides with the colorful holiday version of the Georgetown Art Attack with amazing visual and performing arts presentations throughout the historic arts community.
Fantagraphics Bookstore & Gallery's 4th Anniversary Celebration Music, Comix, Art and More!
Saturday, December 11, 6:00 to 9:00 PM
Music by ZAK SALLY and MARK PICKEREL
Medieval Thinkers original comix exhibition featuring Peter Bagge, Bruce Bickford, D. J. Bryant, Chris Cilla, Max Clotfelter, Eleanor Davis, Kim Deitch, Heidi Estey, Kelly Froh, Justin Green, Gerald Jablonski, Megan Kelso, Jason T. Miles, Nate Neal, Bob Rini, Zak Sally, Dash Shaw, Matt Tamaru, Drew Weing, Jim Woodring, Mary Woodring, Max Woodring, Martine Workman, and Chris Wright. Curated for Friends of the Nib by Jason T. Miles and Max Clotfelter.
Exhibition continues through February 8, 2011.
Fantagraphics Bookstore & Gallery 1201 S. Vale Street, Seattle, WA 98108 206.658.0110 Open daily 11:30 - 8:00 PM, Sundays until 5:00 PM
• Review: "Drew Weing's slender, hand-sized debut graphic novel Set to Sea is a crosshatched masterpiece. [...] Weing draws in an elaborate, crosshatched style that's half Popeye, half Maakies, and it meshes brilliantly with the subject matter and the storytelling. Set to Sea is so lovely in places that I found myself exclaiming aloud -- it's got a naive-but-self-conscious grace that is impossible to describe and that few have ever mastered. This one is highly recommended." – Cory Doctorow, Boing Boing
• Review: "In the first and the second volume [of Mome] there are a lot of things to enjoy. Stories differ both in length (there are one-page strips, too) and in narrative technique. [...] In these two books there [is] a lot [that is] interesting and confusing, enjoyable and intriguing. Do not be a mome, read these first-rate collections of comics." – Ray Garraty, Endless Falls Up
• Review:Attentiondeficitdisorderly's Sean T. Collins looks at Gilbert Hernandez's half of Love and Rockets Vol. II #20 (as reprinted in the Luba hardcover) in his ongoing "Love and Rocktober" series: "At long last he returns to Venus, Petra’s daughter and one of the least damaged, most well-adjusted, most self-assured characters in the whole post-Palomar oeuvre. [...] It’s an uplifting note to end on after all this darkness."
• Plug:NPR's Glen Weldon recommends "Five Tomes to See You Through Your Turkey Coma": "In honor of the 25th anniversary of this classic all-ages 'funny animals' tale of Miyaomoto Usagi, a stoic samurai rabbit who roams 17th-century Japan, Fantagraphics has collected the first seven trades in a sumptuous 2-book, 1200-page hardcover edition [Usagi Yojimbo: The Special Edition]. Which, uh ... won't be out until December. Until then, you can pick up a couple volumes and get a taste of Sakai's masterful, action-packed, richly detailed storytelling, and see why it's become such a beloved series."
• Plug: "Mascots, [Ray] Fenwick's forthcoming follow-up [to Hall of Best Knowledge], is similarly a series of episodes told through inventive typography and absurd yet hilarious text. But integrating these elements with brightly colored paintings, the book depicts a more surreal, frenzied world that is strangely resonant with today's super speedy internet age." – Space 15 Twenty
• List: Deb Aoki of About.com: Manga names A Drunken Dream and Other Stories by Moto Hagio the Best New Manga of 2010: "Conjoined twins who share a painful co-existence. A young girl rejected by her mother who can only see her as an iguana. Ill-fated lovers who are doomed to be separated in several lifetimes. These characters came to life in this collection of smart, sensitive and thought-provoking short stories created by master storyteller Moto Hagio."
• Review: "It makes my job as a critic a lot harder when I’ve spent nearly an entire book composing its review in my head only for the final few pages to smash it to smithereens. In that sense, reviewing Luba: The Book of Ofelia is hard work." – Sean T. Collins, Attentiondeficitdisorderly
• Interview (Audio):Destroy All Movies!!! editors Zack Carlson and Bryan Connolly appeared on KBOO-FM Community Radio out of Olympia WA on Monday for an interview with host Erin Yanke — listen here
• Plug:Public School's Will Bryant spotlights Ray Fenwick's Mascots
• Commentary: At The Wright Opinion, Brendan Wright shares his thoughts about the longevity of Las Locas: "I’m as excited as anyone that the graphic novel is gradually becoming the standard model of the modern comic book, but among its many virtues, the fact that Love and Rockets has always been presented as a series is important. This is the comic book that elevated the serial format of comics from soap opera to serialized literature. It’s hard to wait between the annual installments, but it’s worth it to check in with old friends, and whatever else he does with the rest of his creativity, I’m happy that Hernandez always finds time to keep up with the 'Locas' world."
Mark your social calendars in indelible ink! Saturday, December 11 marks the 4th anniversary of the fabulous Fantagraphics Bookstore & Gallery. To celebrate this auspicious occasion we're once again hosting the season's most festive party featuring amazing music, comix, art, and more!
The evening includes solo music sets by Zak Sally and Mark Pickerel. Zak was a founding member of alternative music legends Low and continues solo music endeavors while publishing great comics with Fantagraphics as well as producing exquisitely crafted small press projects on his own La Mano imprint. He will be joined by Fantagraphics friend Mark Pickerel who began his musical career with the highly acclaimed Screaming Trees and now fronts Mark Pickerel and His Praying Hands, in addition to being the proprietor of Seattle pop culture emporium Damaged Goods.
All this plus screaming deals on comix, celebrity guests, holiday libations, demented Christmas platters spun by DJ Russ Fallout, and a few surprises makes Fantagraphics Bookstore & Gallery's 4th anniversary party the place to be on Saturday, December 11. See you all then.
• Review: "I enjoyed Tardi’s art, which made me feel as though I was visiting 1911 Paris. [...] The stories are dense and packed with outrageous events, providing a sense of adventure. The recaps, as characters explain what’s going on to each other, were both a help... and a satire, reinforcing just how much Tardi is playing with the conventions of the genre and layering event upon event, a kitchen-sink approach to plotting that keeps the reader interested in a world that seems so sedate but where anything can happen. [... The Extraordinary Adventures of Adele Blanc-Sec Vol. 1] is fun, but with the knowing remove of self-awareness and satire." – Johanna Draper Carlson, Comics Worth Reading
• Review: "Some of the conversations are amusing and the awkward silences of real life relationships are nicely portrayed by silent panels and the characters body language. The eight panel grids are the same on every page but that's not a bad thing. [Werewolves of Montpellier] is not the kind of tale that calls for spectacular graphics." – Eamonn Murphy, SF Crowsnest
• Review: "Set to Sea by Drew Weing... is about 150 pages long, but only has one illustration per page. It is always a good illustration, and this story of a would-be writer who’s shanghaied into being a pirate is great fun. Weing’s art is cartoony, but that helps lessen the violence of ship to ship battles with boarding parties hacking at each other with cutlasses. Weing is a young cartoonist to watch." – Mike Rhode, Washington City Paper
• Review: "...[T]he most recent installment in the annual [Love and Rockets] series features a couple of moments that are as technically brilliant and as profoundly moving as anything the series has seen in the past. It’s not easy to get to that level of emotion without collapsing under the weight of your own portentousness, but the Hernandez brothers have managed it." – Bob Temuka, The Tearoom of Despair [Spoiler warning!]
• Review: "As soon as I finished reading the new Love and Rockets, I could only think about how much I want to read further. Definitely it will be some time before the next issue and possibly when it is released I'll admit that it is worth waiting every day, but fortunately for the moment I can always go back to previous work by the brothers Hernandez, and read their latest project again and again." – Aristedes Kotsis, Comicdom (translated from Greek)
• Review: "I know I just got finished explaining that biology is destiny in the Palomar stories. But what struck me upon rereading the material collected in this volume, dominated by the titular story of a serial killer’s stay in the town, is the power of ideas. Not emotional or sexual drives, even, like the web of lust and unrequited love surround Luba’s mother Maria in the suite of stories that forms the second half of the collection, but actual honest-to-god ideas. [...] If Heartbreak Soup showed us Gilbert the literary comics stylist, Human Diastrophism shows us Gilbert the mindfucker — the Gilbert who’s still with us today." – Sean T. Collins, Attentiondeficitdisorderly (a continuation of the "Love and Rocktober" series)
• Interview (audio): Guest co-host Dan Zettwoch gets in on the Carol Tyler interview action in the new episode of The Comix Claptrap podcast — two of my faves together!
• Commentary: "'Frank in the Ruse Garden,' like all the Frank stories, like most of Jim Woodring’s work, is one hundred percent unadulterated Uncanny. Like Jim Woodring saw fever dreams we’d forgotten ages ago, and put them down on paper to remind us. [...] The Unifactor is an animistic world of spirits and strange forces. Time and again, Frank comes in contact with numinous wonders, and fail to rise to the occasion. Frank comes upon a field of floating souls, and grabs one to use as a flying horse. Frank dives into a well ringed with eyes, and emerges mutated and warped. Frank wanders into the House of the Dead wearing a party hat, and it’s, like, awkward." – Wesley Osam, Super Doomed Planet
• Plug: "How could it be Halloween without some horror comics? I’ve been enjoying Four Color Fear, ed. Greg Sadowski, an anthology of ‘50s horror comics from publishers other than EC. I’m only a couple of stories in and, while none have actually scared me, the oversized, full-color book looks to be a wonderful primer on horror-comics history." – guest columnist Sam Costello, Robot 6
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