• List: Matthew J. Brady posts his picks for the best comics of 2010 on his Warren Peace Sings the Blues blog (where there are links to his past reviews), including:
"25. Temperance... is a confounding work, and a fascinating one, with some excellently moody art. I still don't know if I really understand it, but it's a strange, unforgettable book."
"23.Set to Sea... is lovely to look at, full of beautiful seascapes and cartoony movement. It may be a small and quick read, but it doesn't seem that way in subsequent memory."
"18. Wally Gropius... is a deeply weird comic, but one that is not easily forgettable, starting with an off-kilter take on old teen comics and throwing in a sort of dada energy, social commentary that isn't always easy to decipher, some startling sex and violence, and an angry attitude toward the idly manipulative rich and their disdain for the rest of humanity. It's also really funny, and what seems like random incidents eventually cohere into an actual story, but the crazy contortions of the characters, the financial imagery and sound effects, and the bizarre dialogue and actions from the characters are what will haunt the mind for some time to come."
"10. It Was the War of the Trenches... is one of the most incredible books of the year, an ugly, grimy, angry look at the devastation of war on everything it touches, an endless cascade of horrors that are all the more effective due to their reality. This is arresting work, something everyone should read, lest we forget how easy it is to get caught up in the killing once again."
"7. A Drunken Dream and Other Stories [...] From the beautiful artistic filigrees that fill panels throughout, to the firm grasp of character and complex emotional examinations, every page of this book is an essential bit of reading for manga fans."
"3. Love and Rockets: New Stories #3... is an amazing example of how great these creators are, and the way comics can be used for maximum effectiveness to tell emotional, realistic, beautifully real stories."
• Interview: Sean O'Toole of South African culture mag Mahala talks to Joe Daly: "Whatever other influences effect my comics worldview, I always end up coming back to Tintin. It’s an impeccable foundation text in terms of characters, story telling and artwork. I also appreciate the fact that it’s written and drawn by one person, George Remi aka Hergé (although I know he had studio assistance later in the series). It’s a complete creation, in that way, there’s a deep level of cohesion between the drawing and the narrative."
• Interview: At Comicdom, Thomas Papadimitropoulos talks to Jim Woodring (interview in English follows introduction in Greek): "I write all my stories out in words, describing the action. After a lot of rejecting of alternatives I end up with something that feels meaningful to me, even if I don't know why. In fact I prefer it if I don't know why. If I can tell there is some significant meaning respiring in the depths of the proposed action, I don't worry about what that meaning might be; I draw the story up and allow the meaning to occur to me and to readers whenever the time is right." (via The Comics Reporter)
The issue also includes the reviews excerpted below:
The Arctic Marauder by Jacques Tardi: "A strong Jules Verne flavor dominates the story’s stew of mystery farce and sci-fi adventure, from the ship named the Jules Vernez to the assortment of just-plausibly-outlandish vehicles and deep-sea mechanical apparatuses. But the real fun comes from marveling at it all in Tardi’s expansive, ice-blasted scratchboard tableaus that feature one breath-stealing scene after another, all the way through to the cheerfully villainous finale. A devious bit of far-fetched fun." – Ian Chipman
Freeway by Mark Kalesniko: "Kalesniko reprises his alter ego, Alex Kalienka, for his most ambitious and accomplished graphic novel yet. [...] Although Kalesniko’s formal storytelling devices, particularly his deft panel arrangements and intelligent compositions, are largely responsible for Freeway’s impressive effectiveness, it’s his distinctive and delicate drawing style that supplies the emotional component, best displayed in the economical character design and in the painstakingly researched, lovingly depicted scenes of a bygone Los Angeles." – Gordon Flagg (Starred Review)
Stigmata by Lorenzo Mattotti & Claudio Piersanti: "Obviously but never verbally a parable of Christian redemption, Piersanti’s story becomes extremely compelling in Mattotti’s hands. ...[H]is swirling realization of atmosphere, the protagonist’s states of mind, and human figures conjures the raw power and compassion of such great Italian neorealist films as Bicycle Thieves and La Strada." – Ray Olson
• Plug: "It really is amazing that there are generations growing up, only knowing the Disney characters from the theme parks. Thankfully, Fantagraphics is doing something about it, restoring and publishing a complete archive of the Mickey Mouse comic strip by cartooning legend Floyd Gottfredson." – Stefan Blitz, Forces of Geek
• Plug: "Fantagraphics' collection of Floyd Gottfredson's complete run on the Mickey Mouse comic strip of the 30s and 40s is one of the most exciting things on upcoming comics collection list (although I'm most excited about the same publisher's announced reprinting of Carl Barks' complete run of Donald Duck/Uncle Scrooge comics)." – Pop Culture Safari
• Plug: "I've been looking forward to Wilfred Santiago's Roberto Clemente biography 21 for what seems like years now, maybe because it's actually been a couple of years. But you wait for the good ones." – Tom Spurgeon, The Comics Reporter
• Review: "This book kills. It’s well worth the price of admission just to gawk at the artwork, which, had I not read the back cover, I would have guessed was the work of a master cartoonist who had honed his craft for decades. [...] Drew Weing does to Set to Sea what Quentin Tarantino did with Pulp Fiction. He (Tarantino) took the done-to-death stories of the fighter who decides not to throw the fight, the mob hit gone bad, and the goon messing with the mob boss’s wife — all fairly clichéd bits — and takes up the challenge of smashing together a brutally entertaining piece of work. That is exactly what Set to Sea is — but without all the gangsters and boxers and dancing." – Chris Reilly, The Panelists
• Review: "It’s like Let the Right One In — the horror of the supernatural is set against a dull and mundane urban background, without the lights and glamour of an American city, just miles of concrete, drainpipes and bannisters. Many of the stories [in Pocket Full of Rain ] share Steig Larsson’s sense of Scandinavian unease, and reek of Doc Martens, subtitled pop culture and Automatic for the People-era R.E.M. The title story was first published in 1995, and feels like Like a Velvet Glove Cast in Iron by Dan Clowes." – Grant Buist, The Name of This Cartoon Is Brunswick
• Review: "I’m in love. With the town of Palomar. How could you not? You’d have to have a heart of stone not to fall in love with Hernandez’s creations. The characters [in Heartbreak Soup] are so warm, and lifelike, that even the ones that are supposed to be annoying (like Tonantzin and Toco) are just so loveable, you can’t help but sigh and say, 'Oh you!' under your breath, even though you don’t even really know the character too well yet!" – Lisa Pollifroni, lisaloves2read
• Review: "Surrealism is dangerous. Mostly, when you leave the rails, the result is less glorious freedom and more quick kablooie. It’s an easy method for the lazy writer, but somehow when Ray Fenwick does it, it works. Mascots, his second book, is short on — but not absent — narrative. Its pages are made up of paintings on book covers that are largely text-based... Somehow, they hang together enough to produce a fuzzy but charming impression." – Hillary Brown, Paste
• Review: "...[T]he impressive thing about [Special Exits] is that, despite depressing subject matter, it’s extremely readable and fairly funny. Yes, you’ll think about the horrors of getting old and failing to maintain your independence, not to mention the even scarier prospect of taking care of your own parents. But if Farmer’s book is meant to soothe your fears, it kind of works." – Hillary Brown, Paste
• Review: "The black-and-white Hey, Wait… and Sshhh! are low-key ruminations on grief, loss and aging that bear Jason’s trademark anthropomorphic animals, clean lines and Scandinavian black humor. [...] Jason’s beautiful craftsmanship overcomes The Iron Wagon’s familiar material and, along with the rest of What I Did, foreshadows the excellent work to come later in the decade." – Garrett Martin, Paste
• Review: "There's no doubt in anyone's mind that Roy Crane was a first-class cartoonist, frequently making panels on the newspaper page that were absolutely to die for, stop-and-study moments of the kind that inspire the best students and discourage the worst. There are times when reading these rousing adventures of Navy pilot Buz Sawyer and his support man Roscoe Sweeney that it's hard to believe anything this striking ever appeared on the comics pages..." – Tom Spurgeon, The Comics Reporter
• Review: "A book like this should be must reading for those who want to know how the shojo we know today came to be. A Drunken Dream and Other Stories is not just for lovers of girl's manga, however. It's a book worthy to be read by anyone who likes good comics with a touch of fantasy and a touch of sadness. As with any book by a great creator, the appeal is almost universal... Hopefully, this will be the start of getting Hagio's name on the same pillar as Tezuka, which is clearly where she belongs. If by some chance you haven't read this manga yet, you owe it to yourself to find a copy right away. [...] This is one of those books that is not to be missed. It's destined to be a classic." – Rob McMonigal, Panel Patter
• Review: "...[E]ach page is a single panel, but each of those panels is so attractively detailed and evocative that the storytelling structure never feels rigid. Instead, it comes across as economical and precise while still filled with event and emotion. It’s a quick read, but it’s very satisfying, and it just invites you to revisit the story again. [...] Set to Sea ... is artistically successful on every front, but Weing’s substantial craftsmanship never overwhelms the simple, heartfelt story he’s telling." – David Welsh, The Manga Curmudgeon
• Review: "Destroy All Movies is an addictive, ambitious, behemoth of a book and it’s funny as all hell. There are too many sidesplitting takedowns of bad movies to list in this review, but if you enjoy bad movies (and especially if you enjoy stuff like Mystery Science Theater 3000), you will love this book. [...] Destroy All Movies truly shines as a lengthy love letter to cult cinema, punk pride notwithstanding. [...] You will want to refer to it and reread it over and over. It’s got that much good, not-so-clean, fun packed into its 500-plus pages." – Less Lee Moore, Popshifter
• Reviews (Audio): The new episode of Easy Rider, the radio show for "rock, punk rock, country, power pop, garage and comics" from Radio PFM out of Arras in northern France, features FUC_ __U, _SS __LE: Blecky Yuckerella Vol. 4 by Johnny Ryan and Bent by Dave Cooper among their Comics of the Week
• Plugs: Chris Mautner of Robot 6 on the newest volumes of Krazy & Ignatz, Popeye & Prince Valiant: "What stands out for me here, other than George Herriman’s usual artistry, is the subtle jokes about race… Considering Herriman’s own ethnic and racial heritage, I find moments like this fascinatingly telling. [...] I’ve gone on and on about my love for Segar’s Thimble Theater… Suffice it to say I think it’s an American classic and earns my heartiest recommendation… I still can’t quite get over just how much fun Hal Foster’s medieval epic is. Far from the dull, staid, storybook slog a first glance would suggest, the strip bursts with life and adventure, and not a little bit of bloodsport."
• Interview: Tom Spurgeon at The Comics Reporter: "It's my hope that the following interview with Tim Kreider comes close to replicating the experience of reading the author's new book, the Fantagraphics-published February offering Twilight of the Assholes. Both are long, both I hope are funny at times nearly all the way through (the book surely is), and both book and interview prove uncompromising in terms of both self-laceration and repeatedly stabbing the country's excesses, shortcomings and hypocrisies right in the face. [...] Kreider is... maybe as skilled a writer as there is out there also working with cartoons, and luckily Twilight of the Assholes includes both the cartoons and mini-essays explaining each one. I find him almost terrifyingly funny, both when I agree with him and when I don't." Kreider: "I think historians are likely look back on those eight years as a last chance squandered, a disastrous passing beyond the point of no return, the moment when America went irreversibly over the edge into terminal decline. Which is great news for me, as my cartoons happen to comprise a document of what it felt like to live through that time."
• List:iFanboy's Jason ranks Usagi Yojimbo: The Special Edition at #1 on the Top Collected Editions of 2010: "Fantagraphics has treated us with a 1,160-page, two volume slipcase collection that reprints the first seven trade paperbacks worth of content, as well as 50 covers and lots of never-before-seen backmatter."
• List: "I don’t understand how Medley can write and draw so well. The story is entertaining and well-paced. The art is spacious, smooth with expressive lines. I have no idea why Medley hasn’t won every award everywhere. Volume two picks up where the first left off, telling the stories of a group of people who have retired to Castle Waiting, a refuge in a difficult, quasi-medieval world." – Carol Borden, The Cultural Gutter, "10 Comics I Liked in 2010"
• List:Paul Gravett's Best of 2010 is very, very extensive, including mentions of no fewer than 10 of our titles
• Review: "The unease which Mezzo brings to King of the Flies is ever present in the twisted shapes of his men and women, the oversized drops of an acrid drizzle, the fur like scrub which seem like the myriad hairs of a fly’s appendage, a modern day dance of death choked with the dregs of modern life; the strange underbelly of free will and capitalism — sex, drugs and alcohol; death, lust and tainted beauty; the unsettling horror of kitsch; the nauseating mingling of youth, disease and dementia." – Ng Suat Tong, The Hooded Utilitarian (The Comics Journal)
• Interview: At his Talking with Tim blog, Tim O'Shea talks to Destroy All Movies!!! editors Zack Carlson (quoted here) & Bryan Connolly: "I’m constantly shocked by people’s willingness to forgo the most valuable resources we have — like bookstores and video stores — because of the lazy convenience of the internet. Why don’t people want to leave their homes? Are they afraid they’ll get struck by lightning or bitten by a dog? It makes me nuts."
• Plug: "...Set to Sea is an astounding visual piece with a simplistic narrative that avoids the saturated complexities of other graphic works. I’ve been a long time fan of Weing’s, and highly recommend this title." – Michael Dean, Slither and Friends
The American Library Association has announced their Young Adult Library Services Association (YALSA) 2011 Top Ten Great Graphic Novels for Teens, and bringing up the rear alphabetically by author last name, it's Weing, Drew with Set to Sea! Great news for a great book. Congrats Drew!
• List/Review: At Seen, Sam Humphries ranks Special Exits by Joyce Farmer #6 on the Best of 2010: "Sure, Special Exits is sad. But it’s also funny, touching, thought-provoking, and life-affirming. It’s never trite, cheap, or hokey, like, say, Patch Adams. This is the raw, unvarnished truth about the end of life, elegantly put to page by Farmer’s lyrical drawings, a welcome, thoughtful evolution of the raucous underground style of the 60s and 70s. Most of all, Special Exits is powerful. It’s vital; almost essential. [...] It’s not for the faint of heart, but it’s one that everyone can benefit from reading. Your future self will thank you."
• List:Fangoria's Michael Koopmans puts two of our classic reprints on their list of the 10 Best Horror Comic Releases of 2010:
"If you asked me to make a list of my all-time favorite comic artists, I’d just hand you [Four Color Fear], because all the greats are present in this terror tome... This is a truly amazing, thick collection of rare treats, as well as a nice reminder that EC wasn’t the only ones churning out the goods back in the 1950’s."
"A companion piece to last year's Strange Suspense (Vol. 1), this volume [Unexplored Worlds] continues to showcase the goods from one of my all-time favorite artists. And by 'goods' I mean the most unique and disturbing horror and sci-fi comics you will ever come across! As is the case with all Fantagraphics releases, the original works are untainted and scanned perfectly."
"Set to Sea, by Drew Weing, is actually the unqualified top of my list. My absolute favourite of the year, just for the sheer pleasure of it. It’s the deceptively simple life story of a struggling young poet who finds a life for himself at sea, and it’s a proper misty-eyed treat."
"Weathercraft, by Jim Woodring, is my tip to the old hands that brought out work this year. As much as I love the others..., Woodring is for me in a class of his own. Reading an extended work by the man, you find yourself falling into a different state of mind, a world of sickly, queasy imaginings. [...] Few are as adept at drawing you so deeply into worlds which are so utterly alien, yet so incredibly personal."
• Review: "If this is your first encounter with The Extraordinary Adventures of Adele Blanc-Sec, I feel I should warn you about the faint regret you'll feel for not having a chance to read these earlier in your life. These comics feel lost in time; they are reminiscent of Victorian adventure novels but maintain a strong contemporary cultural relevance. [...] Whatever your age, this is escapist reading of the finest sort — readers will get lost in Tardi's breathtaking ornamental artwork and marvel at how captivating an old-fashioned yarn can really be." – Jeff Alford, About.com: Contemporary Literature
• Review: "Action action action. Balls to the wall and guts to the ground action. And sick sick drawings. That's what you will find in this book. [...] Is this an evolution of Johnny Ryan we are witnessing with this series? Is he taking his unique manner of storytelling to another level with Prison Pit? Whatever, but there's obviously more to come with this series and I will be eagerly awaiting the next installment." – P.D. Houston, Renderwrx Productions
• Review: "Seattle-based publisher Fantagraphics' second volume of the collected Prince Valiant by series creator Hal Foster is a sumptuous package bringing together the Sunday strips that were published during 1939-40. ...[T]his restoration of one of the most influential comic strips of all time... [is] an essential purchase for anyone interested in the history of the American comic strip." – James Peaty, Den of Geek
• Review: "Throughout it all, Segar's art is energetic and expressive, the printed-page equivalent of the black-and-white cartoons of the '20s, and his characters are broad and exciting but always identifiable. Popeye in particular has depths that later stories rarely dealt with... Segar's Thimble Theatre stories are great American originals, and they suffered the fate of every other great American original: to be watered down and redone a thousand times by a thousand hacks in search of a quick buck and a sure thing. But the original endures to be rediscovered, as often as necessary, and that's no small thing." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Review: "Coming in at nearly 1,000 pages, [Meanwhile...] was done with the late Caniff’s full cooperation and benefits from the fact that he and Harvey were friends. [...] Any storyteller as influential as Caniff was and is deserves a biography of this caliber." – Tim O'Shea, Robot 6
• Review: "As biographer and historian, Bell excels. He is able to really understand the cartoonist he is documenting and boil it down to the essentials. [...] The production on [Fire & Water] is amazing. Bell is able to reproduce a good amount of original artwork that allows you to see just how skilled a draftsman Everett was." – Robin McConnell (Inkstuds), Robot 6
• Review: At The Panelists, a "One-Panel Review" from Jim Woodring's The Book of Jim by Charles Hatfield: "Something I miss in Jim Woodring‘s current work is a sense of fear being enacted directly through his drawing, through his handiwork—in other words, a sense that the drawings themselves are shivering and smearing and decomposing out of sheer, gut terror."
• Interview:The Comics Reporter's Tom Spurgeon talks to Daniel Clowes: "I can't say that I would never do another comic and call it Eightball. I say there's actually a very high probability that I would do that some day. Kind of for old time's sake, or something. Or just to kind of rethink what a comic book means at some point. But right now it sure doesn't feel like the thing to do."
• Interview: And another great interview from Tom at The Comics Reporter, this time with Jaime Hernandez: "Gilbert and me always ask each other, 'So, what do you got in the new issue? What's coming up?' And I go, 'Well, I got this one story about Maggie, blah blah blah...' and I called it 'Maggie in Palomar.' I kind of aimed it that way, where I'm like, 'Oh, boy. A place where nothing happened.' It gives them room to do everything, because there's nothing there."
• Interview:The Los Angeles Times asks Drew Friedman for his thoughts on the Academy Awards: "The Social Network gets my vote for best film. Aside from it being the only film I've seen this year, I always support films with Jewish leading men playing Jews, even if the Jew is Mark Zuckerberg via Jesse Eisenberg. Good for the Jews!"
• Coming Attractions: More reporting and commenting on our Carl Barks news from Matthias Wivel at The Metabunker
• List:Robot 6's Chris Mautner names "The six most criminally ignored books of 2010," including:
"1) Captain Easy Vol. 1 by Roy Crane. ...I consider this to be one of the big publishing events of 2010. [...] The Sunday pages in this book are full of high energy, action and slapstick."
"4) High Soft Lisp by Gilbert Hernandez. [...] Those who feel that Hernandez’s work relies too much on female objectification and fetishization need to read this book to understand how self-aware he is of that fact and its real-world consequences."
• List (Audio): On the Inkstuds radio programme, host Robin McConnell discusses the Best of 2010, including Tim Hensley's Wally Gropius, with cartoonists Michael DeForge, Zack Soto and Noah Van Sciver
• List: At Robot 6, Kevin Melrose includes Drew Weing's Set to Sea on his list of The 50 Best Covers of 2010: "The limited palette and gold highlights on the waves help to lend the cover to Drew Weing’s debut graphic novel a gorgeous dream-like quality."
• Review: "In a robust, finely crafted package, Fantagraphics celebrated the 25th anniversary of the wandering rabbit ronin... by collecting the first seven volumes in two hardcover books sheathed in a sturdy, eye-catching slipcase. ...Usagi Yojimbo: The Special Edition is in a class all its own in terms of presentation." – Alex Carr, Omnivoracious
• Commentary: A commenter at Mike Sterling's Progressive Ruin predicts: "The recently announced Carl Barks collections by Fantagraphics will receive public attention on the Today Show via Al Roker and become selections in Oprah’s Book Club. The widespread exposure of clever humor and commentary by 50-year old Donald Duck comics create a nationwide movement of crazy alternative-energy initiatives and treasure hunting." (The Roker part is not completely far-fetched — Al did the Introduction for the next volume of The Complete Peanuts) (Mike also plugs Flog, which is nice of him)