Today's Online Commentary & Diversions. Today's reviews come directly or indirectly via Hans Rickheit:
• Review: "Simmons’ artwork [in House] masterfully cranks up the tension and tightens the suspense as the ill-fated explorers descend into the building’s subterranean depths; as his characters enter the house, his dark frames thicken, becoming the walls of the house. The comic is wordless, but the characters have no trouble expressing themselves as they go from the heights of youthful elation to sheer terror as the house swallows them whole." – Ao Meng, The Daily Texan
• Review: "As both an anthology and as a survey of the times, [Four Color] Fear is incredibly successful, with nary a dud in the whole bunch. Each fun story offers its own brand of chill, thrills and maniacal laughter. [...] But the real disquieting aspect of these comics were probably not intended as such — chauvinistic behavior is rampant among the men, and women are portrayed as either damsels in distress or cold-hearted femme-fatales. These are artifacts of a simpler age." – Ao Meng, The Daily Texan
• Review: "The Squirrel Machine is not for the faint of heart, and features quite disturbing and grotesque imagery — H. R. Giger has nothing on Rickheit’s psychosexual nightmares. [...] Existing on the crossroad of creativity and madness, The Squirrel Machine is a nightmare in a series of gristly tableaus. The psychedelic rooms full of machinery, sex and death are an inward exploration as much as Jim Woodring’s ('Frank') comics are outwardly allegorical. An exploration of an artist’s mind, it uncovers the obscene, the things that were never meant to be brought to light." – Ao Meng, The Daily Texan
• Review: "Blimey, [The Squirrel Machine] is a weird one. Imagine a steampunk version of the last ten minutes of Eraserhead. [...] Its design and tone is indebted to Little Nemo in Slumberland, although far more disturbing. [...] The book is full of strange scenes which accurately convey the claustrophobic atmosphere and slight off-ness of a powerful dream. In no way is it fluffy around the edges. The detail is unflinching, with a refreshing lack of explanation... Is it all a dream? Who can tell?" – Grant Buist, The Name of This Cartoon Is Brunswick
• Review: "Another excellent debut graphic novel, another webcomic-printed-as-book, another beautiful Fantagraphics book-as-object, and another rollicking seafaring adventure. [...] What distinguishes [Set to Sea] from a merely average graphic novel is the excellent pacing, the thoughtfulness of the (unnamed) protagonist, and the minimal use of words in a book about writing poetry!" – Grant Buist, The Name of This Cartoon Is Brunswick
• Review: "A luxurious collection of Moto Hagio’s influential comics, ...[A Drunken Dream and Other Stories] is a valuable sampler of her long career, a compilation of short stories from 1970 to 2007 which feature her innovative panel layouts and expressive characters, and include many of her favourite themes, such as sibling rivalry, postnatal depression and ghosts. [...] This is yet another beautiful book-as-object-of-desire..." – Grant Buist, The Name of This Cartoon Is Brunswick
• Review: "An utter nightmare. [...] Over a hundred densely-drawn pages [of Weathercraft], filled with Woodring’s bejewelled creatures and salamandric hallucinations, Manhog achieves a kind of enlightenment. A great if unsettling work." – Grant Buist, The Name of This Cartoon Is Brunswick
• Review: "The first of Norwegian cartoonist Jason’s books to be published in translation, and one of his neatest and most satisfying stories. [...] If it were a film, Hey, Wait… would melodramatically labour the childhood tragedy it features, but in a Jason book it’s an understated pivot for the two halves of the story." – Grant Buist, The Name of This Cartoon Is Brunswick
• Coming Attractions: "The Arctic Marauder [by Jacques Tardi] – A steampunk story with mad scientists, sea monsters, and futuristic machines at the North Pole. In a 'faux woodcut style.' Fantagraphics continues to be the most consistently innovative publisher of adventure comics around." – Michael May, Robot 6
• List:Flashlight Worthy polls various online critics for The Best Graphic Novels of 2010:
"Moto Hagio is to shojo manga what Will Eisner is to American comics, a seminal creator whose distinctive style and sensibility profoundly changed the medium. Though Hagio has been actively publishing stories since the late 1960s, very little of her work has been translated into English. A Drunken Dream, published by Fantagraphics, is an excellent corrective — a handsomely produced, meticulously edited collection of Hagio's short stories that span her career from 1970 to 2007." – Katherine Dacey (The Manga Critic)
"Truly the most welcome English translation of the year, this collection of aching vignettes from the mud and blood of WWI [It Was the War of the Trenches] forms a unique human patchwork, fitting for a time and place where bodies and souls went to pieces. Tardi is a skilled artist, placing his soft, eminently fragile human forms against natural scenes so dense and thick (and buildings so heavy and broken) you'd swear that the entire Earthly organism has been put to bed by war's viral infection, but the true power here comes from his accumulation of carefully detailed narratives, ringing sadly as the greater accumulation of corpses remains painfully implicit." – Joe McCulloch (Comics Comics, Jog – The Blog)
"Packed to the gills, surprising, and unabashedly ambitious, MOME 19 isn't just the best volume the series has seen, it's a shot across the bow to a format that's been ceded to fans and friends-only collectives. Anthologies, said Fantagraphics. They're still at their best when there's an adult behind the wheel." – Tucker Stone (The Factual Opinion)
Werewolves of Montpellier by Jason: "One of comics' most inventive and offbeat practitioners of the art returned this year with a story that was not exactly groundbreaking for him but still wildly fun and different from most other stories out there. Jason's books are always hard to classify exactly, but this tale of a thief who dresses up as a werewolf (it helps scare people, which helps him pull off his crimes) is one of his most intriguing." – John Hogan
A Drunken Dream and Other Stories by Moto Hagio: "Few creators in the 60-year history of Japanese manga are more important than Moto Hagio, one of the cohorts of the so-called 'Magnificent Forty-Niners' who revolutionized the shoujo genre in the 1970s. A Drunken Dream and Other Stories features a thoughtfully chosen selection of 10 short tales translated by Matt Thorn and published in lavish, oversized hardcover. The title story in particular offers a rare treat, its implacable, mythological cruelty rendered in soft-focus color." – Casey Brienza
• Review: "I finally read Special Exits last weekend. And I am here to tell you: It was tough. It was not fun. But it was truthful. It was specific. And it ... helped. In this, it was utterly unlike the book on grieving that a well-meaning relative pressed into my hands. That book's blandishments felt feathery and abstract; they had nothing to do with Pop, or with how I felt about him. Special Exits, on the other hand, is all about specificity. Farmer captures the tiniest, most mundane — and at times ugliest — details of caring for someone you love, and watching them pass from you. It's bracingly clear-eyed and unsentimental... Her pages and panels seem crowded with detail — deliberately and effectively so, to mirror the way her parents' house, and their lives, fall steadily into clutter and disrepair." – Glen Weldon, NPR
• Plug: "The latest from Fantagraphics... is Special Exits, a graphic novel from 71-year-old Joyce Farmer. Debut book it may be but she’s no newbie: Farmer was part of the whole underground comix scene in the time of R. Crumb... It’s the kind of memoir you can sit alongside Alison Bechdel’s Fun Home, or anything Harvey Pekar: a story about her elderly parents’ slow decline." – The Gosh! Comics Blog
• Review: "Usagi Yojimbo: The Special Edition... is the perfect collection for neophytes to the series — it starts from the top, and introduces many of Sakai’s running cast, including the titular wandering samurai rabbit and a selection of his friends, enemies, and allies-of-convenience. The high-glossy, bright-white pages make Sakai’s finely detailed, heavily Japanese-inspired black-and-white art pop off the page, and the collection covers enough of his work to show how he’s evolved as an artist, from the early days when he was finding his feet to art that looks much like what he’s producing today." – The A.V. Club 2010 Holiday Gift Guide
• Plug: "Stan Sakai has been drawing his funny-animal samurai series Usagi Yojimbo for upwards of 25 years now. Usagi Yojimbo: The Special Edition collects the first 38 issues of Usagi's own comics and various other early stories in which he appeared, along with a ton of bonus features and an extensive interview with Sakai — 1200 pages of ronin rabbit action in all, presented as a two-volume hardcover set in a slipcase." – Douglas Wolk, TIME/Techland "Comics Geek Gift Guide 2010"
• Review: "[Jason's] comics are consistently funny and heartfelt, but tinged with a particular brand of melancholy. [...] The new collection, What I Did, takes the first three albums Fantagraphics translated and published in English. The first piece, 'Hey Wait...' is a real heartbreaker. [...] The second album, 'Sshhhh!' is a collection of wordless strips about a bird in a tweed jacket, and his tribulations as a character through life. [...] The strips delicately and comically depict the absurdities of modern existence... The last story, 'The Iron Wagon,' is an adaptation of a Norwegian mystery novel. [...] It’s great stuff, and like all of Jason’s stuff it’s deeply humanist." – Ao Meng, The Daily Texan
• Plug: "Jason's silent comics are so great. The monster ones in Almost Silent and 'Hey Wait' in What I Did especially. They are funny and sad and those are the two things a person wants." – Atomic Books "Holiday Picks"
• Review: "...[Four Color Fear] will... blow your fucking head up. [...] Trying to describe what makes many of these comics strange would take too long. Weird characters, odd behavior, no real logic, the list is endless. What makes this shit gold is the art. [...] Flipping through this it's hard not to think to yourself, 'How did I not know about this until now? Why didn't anyone tell me?' There's a gallery of glossy cover art in the center that is flat out some of the best art I've ever seen." – Nick Gazin, Vice
• Review: "Overall, the experience of joining this large fellow on his life’s journey is a delight, if a fairly short one. [Set to Sea]’s a small book in length as well as size, able to be read in a single sitting, but it’s good enough that it invites multiple journeys through its pages, allowing explorers to marvel at the fluid movement of the characters, the chaos of an inter-ship battle, the choppy waves and calm harbors, the joys of a life lived and savored." – Matthew J. Brady, Warren Peace Sings the Blues
• Plug: "Gahan Wilson: 50 Years of Playboy Cartoons is as mammoth and daunting a career retrospective as anyone could wish for: a gorgeous three-volume set encompassing a thousand-plus of the macabre cartoonist's drawings, as well as additional features including a handful of short stories he also wrote for Playboy. It's beautifully designed, too — the slipcase itself involves a perfectly Wilsonian gag." – Douglas Wolk, TIME/Techland "Comics Geek Gift Guide 2010"
• Profile: "Throughout the 1990s [Peter] Bagge devoted himself almost completely to a comic book called HATE, the success of which brought him other opportunities, as well as a key choice: 'If I really wanted to play it safe after achieving a modicum of success I would have devoted myself to doing the same thing for life.' Instead, Bagge chose to take on new subjects and continued to experiment. [...] Bagge taught a course at Seattle University last winter. He recommends that students interested in comics and graphic novels visit Fantagraphics Bookstore in Georgetown, as their selection is interesting and outside the mainstream." – Cambray Provo, The Spectator (via The Comics Reporter)
Since opening in December 2006, Fantagraphics Bookstore & Gallery has become a treasured civic asset. In addition to feeding Northwest residents' insatiable appetite for challenging contemporary culture, the space has attracted visitors from across the country and around the world. Saturday, December 11 marks the bookstore's 4th anniversary, and to celebrate the occasion we're once again hosting the season's most festive party featuring amazing music, comix, art, and more!
The evening includes solo music sets by Zak Sally and Mark Pickerel. Zak was a founding member of alternative music legends Low and continues solo music endeavors while publishing great comics with Fantagraphics as well as producing exquisitely crafted small press projects on his own La Mano 21 imprint. This event will mark the debut of his ambitious Kim Deitch File portfolio project, among other recent La Mano offerings. Zak will be joined by Fantagraphics friend Mark Pickerel, who began his musical career with the highly acclaimed Screaming Trees and now fronts Mark Pickerel and His Praying Hands, in addition to being the proprietor of Seattle pop culture emporium Damaged Goods.
An exhibition of comix art curated by Jason T. Miles and Max Clotfelter, in association with Friends of the Nib, features promising emerging cartoonists. together with masters of the medium. "Medieval Thinkers" includes original works by Peter Bagge, Bruce Bickford, D. J. Bryant, Chris Cilla, Max Clotfelter, Eleanor Davis, Kim Deitch, Heidi Estey, Kelly Froh, Justin Green, Gerald Jablonski, Megan Kelso, Jason T. Miles, Nate Neal, Bob Rini, Zak Sally, Dash Shaw, Matt Tamaru, Drew Weing, Jim Woodring, Mary Woodring, Max Woodring, Martine Workman, and Chris Wright. According to Friends of the Nib co-curator Miles, "Many of these artists work with antiquated materials most commonly associated with 19th and 20th century cartooning, specifically the metal dip pen or crowquill pen nibs, although use of these tools was not a requisite for inclusion. What brings these artists together is an imagist approach to picture-making and a willful ignorance of the aesthetics, fashion, and politics of the fine art industry. Medieval thinkers organize their experience by executing lessons in perspective, balance, humor and alchemy."
All this plus screaming deals on comix, celebrity guests, holiday libations, demented Christmas platters spun by DJ Russ Fallout, and a few surprises makes Fantagraphics Bookstore & Gallery's 4th anniversary party the place to be on Saturday, December 11. This event coincides with the colorful holiday version of the Georgetown Art Attack with amazing visual and performing arts presentations throughout the historic arts community.
Fantagraphics Bookstore & Gallery's 4th Anniversary Celebration Music, Comix, Art and More!
Saturday, December 11, 6:00 to 9:00 PM
Music by ZAK SALLY and MARK PICKEREL
Medieval Thinkers original comix exhibition featuring Peter Bagge, Bruce Bickford, D. J. Bryant, Chris Cilla, Max Clotfelter, Eleanor Davis, Kim Deitch, Heidi Estey, Kelly Froh, Justin Green, Gerald Jablonski, Megan Kelso, Jason T. Miles, Nate Neal, Bob Rini, Zak Sally, Dash Shaw, Matt Tamaru, Drew Weing, Jim Woodring, Mary Woodring, Max Woodring, Martine Workman, and Chris Wright. Curated for Friends of the Nib by Jason T. Miles and Max Clotfelter.
Exhibition continues through February 8, 2011.
Fantagraphics Bookstore & Gallery 1201 S. Vale Street, Seattle, WA 98108 206.658.0110 Open daily 11:30 - 8:00 PM, Sundays until 5:00 PM
• Review: "Drew Weing's slender, hand-sized debut graphic novel Set to Sea is a crosshatched masterpiece. [...] Weing draws in an elaborate, crosshatched style that's half Popeye, half Maakies, and it meshes brilliantly with the subject matter and the storytelling. Set to Sea is so lovely in places that I found myself exclaiming aloud -- it's got a naive-but-self-conscious grace that is impossible to describe and that few have ever mastered. This one is highly recommended." – Cory Doctorow, Boing Boing
• Review: "In the first and the second volume [of Mome] there are a lot of things to enjoy. Stories differ both in length (there are one-page strips, too) and in narrative technique. [...] In these two books there [is] a lot [that is] interesting and confusing, enjoyable and intriguing. Do not be a mome, read these first-rate collections of comics." – Ray Garraty, Endless Falls Up
• Review:Attentiondeficitdisorderly's Sean T. Collins looks at Gilbert Hernandez's half of Love and Rockets Vol. II #20 (as reprinted in the Luba hardcover) in his ongoing "Love and Rocktober" series: "At long last he returns to Venus, Petra’s daughter and one of the least damaged, most well-adjusted, most self-assured characters in the whole post-Palomar oeuvre. [...] It’s an uplifting note to end on after all this darkness."
• Plug:NPR's Glen Weldon recommends "Five Tomes to See You Through Your Turkey Coma": "In honor of the 25th anniversary of this classic all-ages 'funny animals' tale of Miyaomoto Usagi, a stoic samurai rabbit who roams 17th-century Japan, Fantagraphics has collected the first seven trades in a sumptuous 2-book, 1200-page hardcover edition [Usagi Yojimbo: The Special Edition]. Which, uh ... won't be out until December. Until then, you can pick up a couple volumes and get a taste of Sakai's masterful, action-packed, richly detailed storytelling, and see why it's become such a beloved series."
• Plug: "Mascots, [Ray] Fenwick's forthcoming follow-up [to Hall of Best Knowledge], is similarly a series of episodes told through inventive typography and absurd yet hilarious text. But integrating these elements with brightly colored paintings, the book depicts a more surreal, frenzied world that is strangely resonant with today's super speedy internet age." – Space 15 Twenty
• List: Deb Aoki of About.com: Manga names A Drunken Dream and Other Stories by Moto Hagio the Best New Manga of 2010: "Conjoined twins who share a painful co-existence. A young girl rejected by her mother who can only see her as an iguana. Ill-fated lovers who are doomed to be separated in several lifetimes. These characters came to life in this collection of smart, sensitive and thought-provoking short stories created by master storyteller Moto Hagio."
• Review: "It makes my job as a critic a lot harder when I’ve spent nearly an entire book composing its review in my head only for the final few pages to smash it to smithereens. In that sense, reviewing Luba: The Book of Ofelia is hard work." – Sean T. Collins, Attentiondeficitdisorderly
• Interview (Audio):Destroy All Movies!!! editors Zack Carlson and Bryan Connolly appeared on KBOO-FM Community Radio out of Olympia WA on Monday for an interview with host Erin Yanke — listen here
• Plug:Public School's Will Bryant spotlights Ray Fenwick's Mascots
• Commentary: At The Wright Opinion, Brendan Wright shares his thoughts about the longevity of Las Locas: "I’m as excited as anyone that the graphic novel is gradually becoming the standard model of the modern comic book, but among its many virtues, the fact that Love and Rockets has always been presented as a series is important. This is the comic book that elevated the serial format of comics from soap opera to serialized literature. It’s hard to wait between the annual installments, but it’s worth it to check in with old friends, and whatever else he does with the rest of his creativity, I’m happy that Hernandez always finds time to keep up with the 'Locas' world."
Mark your social calendars in indelible ink! Saturday, December 11 marks the 4th anniversary of the fabulous Fantagraphics Bookstore & Gallery. To celebrate this auspicious occasion we're once again hosting the season's most festive party featuring amazing music, comix, art, and more!
The evening includes solo music sets by Zak Sally and Mark Pickerel. Zak was a founding member of alternative music legends Low and continues solo music endeavors while publishing great comics with Fantagraphics as well as producing exquisitely crafted small press projects on his own La Mano imprint. He will be joined by Fantagraphics friend Mark Pickerel who began his musical career with the highly acclaimed Screaming Trees and now fronts Mark Pickerel and His Praying Hands, in addition to being the proprietor of Seattle pop culture emporium Damaged Goods.
All this plus screaming deals on comix, celebrity guests, holiday libations, demented Christmas platters spun by DJ Russ Fallout, and a few surprises makes Fantagraphics Bookstore & Gallery's 4th anniversary party the place to be on Saturday, December 11. See you all then.
• Review: "I enjoyed Tardi’s art, which made me feel as though I was visiting 1911 Paris. [...] The stories are dense and packed with outrageous events, providing a sense of adventure. The recaps, as characters explain what’s going on to each other, were both a help... and a satire, reinforcing just how much Tardi is playing with the conventions of the genre and layering event upon event, a kitchen-sink approach to plotting that keeps the reader interested in a world that seems so sedate but where anything can happen. [... The Extraordinary Adventures of Adele Blanc-Sec Vol. 1] is fun, but with the knowing remove of self-awareness and satire." – Johanna Draper Carlson, Comics Worth Reading
• Review: "Some of the conversations are amusing and the awkward silences of real life relationships are nicely portrayed by silent panels and the characters body language. The eight panel grids are the same on every page but that's not a bad thing. [Werewolves of Montpellier] is not the kind of tale that calls for spectacular graphics." – Eamonn Murphy, SF Crowsnest
• Review: "Set to Sea by Drew Weing... is about 150 pages long, but only has one illustration per page. It is always a good illustration, and this story of a would-be writer who’s shanghaied into being a pirate is great fun. Weing’s art is cartoony, but that helps lessen the violence of ship to ship battles with boarding parties hacking at each other with cutlasses. Weing is a young cartoonist to watch." – Mike Rhode, Washington City Paper
• Review: "...[T]he most recent installment in the annual [Love and Rockets] series features a couple of moments that are as technically brilliant and as profoundly moving as anything the series has seen in the past. It’s not easy to get to that level of emotion without collapsing under the weight of your own portentousness, but the Hernandez brothers have managed it." – Bob Temuka, The Tearoom of Despair [Spoiler warning!]
• Review: "As soon as I finished reading the new Love and Rockets, I could only think about how much I want to read further. Definitely it will be some time before the next issue and possibly when it is released I'll admit that it is worth waiting every day, but fortunately for the moment I can always go back to previous work by the brothers Hernandez, and read their latest project again and again." – Aristedes Kotsis, Comicdom (translated from Greek)
• Review: "I know I just got finished explaining that biology is destiny in the Palomar stories. But what struck me upon rereading the material collected in this volume, dominated by the titular story of a serial killer’s stay in the town, is the power of ideas. Not emotional or sexual drives, even, like the web of lust and unrequited love surround Luba’s mother Maria in the suite of stories that forms the second half of the collection, but actual honest-to-god ideas. [...] If Heartbreak Soup showed us Gilbert the literary comics stylist, Human Diastrophism shows us Gilbert the mindfucker — the Gilbert who’s still with us today." – Sean T. Collins, Attentiondeficitdisorderly (a continuation of the "Love and Rocktober" series)
• Interview (audio): Guest co-host Dan Zettwoch gets in on the Carol Tyler interview action in the new episode of The Comix Claptrap podcast — two of my faves together!
• Commentary: "'Frank in the Ruse Garden,' like all the Frank stories, like most of Jim Woodring’s work, is one hundred percent unadulterated Uncanny. Like Jim Woodring saw fever dreams we’d forgotten ages ago, and put them down on paper to remind us. [...] The Unifactor is an animistic world of spirits and strange forces. Time and again, Frank comes in contact with numinous wonders, and fail to rise to the occasion. Frank comes upon a field of floating souls, and grabs one to use as a flying horse. Frank dives into a well ringed with eyes, and emerges mutated and warped. Frank wanders into the House of the Dead wearing a party hat, and it’s, like, awkward." – Wesley Osam, Super Doomed Planet
• Plug: "How could it be Halloween without some horror comics? I’ve been enjoying Four Color Fear, ed. Greg Sadowski, an anthology of ‘50s horror comics from publishers other than EC. I’m only a couple of stories in and, while none have actually scared me, the oversized, full-color book looks to be a wonderful primer on horror-comics history." – guest columnist Sam Costello, Robot 6
Another two-day Online Commentary & Diversions (running a little off schedule, sorry):
• Review: "Hollywood is probably the most likely to misrepresent any culture, but their casting of punks as Neolithic, abusive, drug addicts with candy-colored hair and an inexplicable amount of chains is far too amusing to turn away from. [Destroy All Movies!!!] editors Zack Carlson and Bryan Connolly seem to have noticed this trend, and their commentary about each of these films borders on hilarious at several points. [...] In the end, you get both a compendium of thoughtful ruminations on punk culture and a hilarious collection of movie missteps..." – Thorin Klosowski, Denver Westword
• Review: "[Jason] is without immediate peer, and perhaps the closest I can get to him is Jim Jarmusch, the indie film director... Werewolves of Montpellier is less about the grand sweep of its pseudo-horror set-up (which is utterly demolished by a delicious final page denouement), and more about its mundane aspects, which resonate further than the book's forty-odd pages. ★★★★ [out of 5]" – Michael Leader, Den of Geek
• Review: "...Blake Bell has crafted an excellent look at one of comics' most underappreciated creators: compelling, well paced and entertaining. [...] Bell kept Fire & Water moving at an excellent pace, never dwelling too long on any details but giving us Everett's life in relation to his comic career. And that's the key: Bell is a comic fan and knows his audience is as well so that's the focus. [...] While the tale of Everett's life held my attention the art is the real star. Covering everything from early doodles to his last published page we get to see thirty plus years of material. [...] The fit and finish for Fire & Water is exceptional. A heavy matt paper is used that really shows off the material and gives it an almost period feel. The size is perfect for admiring the art and is easy to read; a new perfect package. I can't get enough of the dust jacket image and its design is stunning: a real eye catcher. At $40 it's a great value." – Scott VanderPloeg, Comic Book Daily
• Review: Sean T. Collins's "Love and Rocktober" review series at Attentiondeficitdisorderly moves on to Gilbert Hernandez's oeuvre, starting with Heartbreak Soup: "Whether in terms of family, sexuality, physicality, or deformity, biology is destiny for the people of Palomar... And although biology is obviously among Beto's primary concerns, destiny is the operative word. I don't think the Palomarians have the ability to escape the way the Locas do. Not all of them need to escape, mind you — there's a lot of really warm and adorable and hilarious and awesome stuff going down in Palomar — but whatever walks alongside them in their lives is gonna walk alongside them till the very end."
• List: At Robot 6, guest contributor Van Jensen names Josh Simmons's House as one of his "six favorite horror comics & movies" (and, by reduction, one of his three favorite horror comics): "Simmons uses no words through the entire story, but his real accomplishment is utilizing the design of the pages to deliver an increasingly claustrophobic, disorienting and terrifying story."
• Plug: At Robot 6, Sean T. Collins highlights our duo of creepy all-ages releases, David B.'s The Littlest Pirate King and Stéphane Blanquet's Toys in the Basement
• Interview:The Daily Cross Hatch's Brian Heater concludes his 3-part chat with Drew Weing: "What’s funny is, I’ve got Google Alerts for my name, so if somebody says it on the Internet, I show up like Beetlejuice. I click on it, like, 'ooh, this guy just dissed me.'" [Hi, Drew.]
Online Commentary & Diversions returns from a sick day:
• Review: "With elegant simplicity, this comic-book fable [Set to Sea] unfurls the tale of a life cast on an unexpected course and the melancholy wisdom accrued upon the waves. First-time graphic-novelist Weing has produced a beautiful gem here, with minimal dialogue, one jolting battle scene, and each small page owned by a single panel filled with art whose figures have a comfortable roundness dredged up from the cartoon landscapes of our childhood unconscious, even as the intensely crosshatched shadings suggest the darkness that sometimes traces the edges of our lives. [...] Weing’s debut is playful, atmospheric, dark, wistful, and wise." – Jesse Karp, Booklist (Starred Review)
• Review: "...[A]n absolutely stunning [book], collecting some of the best and most trenchantly funny illustrations by a contender for the title of America’s Greatest Living Caricaturist in a lavish, full-colour hardback. [...] Friedman is a master craftsman who can draw and paint with breathtaking power, and his work is intrinsically funny. [...] His caricatures are powerful, resonant and joyful, but without ever really descending to the level of graphic malice preferred by such luminaries as Ralph Steadman or Gerald Scarfe. Too Soon? is a book for art lovers, celebrity stalkers and anyone who enjoys a pretty, good laugh." – Win Wiacek, Now Read This!
• Review: "...A Drunken Dream showcases the full range of Hagio’s short stories, while also granting readers insight into the themes of lost innocence, family dysfunction and perseverance in the face of abuse that underscore much of her work. [...] With distinct character designs, detailed backgrounds and emotive character acting, Hagio’s artwork conveys the full emotional range of her stories, with dollops of humor mixed into sagas of sadness, survival and hard-won contentment. [...] A Drunken Dream and Other Stories finds another important voice in Japanese comics history washing up on American shores. One hopes that Hagio, whose work manages to be both stark and beautiful, finds a welcoming and receptive audience." – Michael C. Lorah, Newsarama
• Review: Sean T. Collins looks at "La Maggie La Loca" and "Gold Diggers of 1969" from Love and Rockets Vol. II #20 as part of his "Love and Rocktober" series at Attentiondeficitdisorderly: "Maggie may just be an apartment manager anymore, she may now get in way over her head (literally) when she attempts to have a fun island adventure like she used to, but the way Rena sneaks into her room at night just to watch her sleep reveals that the aging heroine could use a dose of the community and camaraderie that's part and parcel of Maggie's dayjob."
• List: Sam Costello of iFanboy names House by Josh Simmons as one of "13 Great Horror Comics for Halloween": "Josh Simmons is some kind of horror savant. There are few really, truly, deeply disturbing comics out there. If you’re willing to take the risk of reading a comic that you’ll literally want to cover your eyes while you read, Simmons’ work is for you. House, his nearly wordless tale of a trio of friends exploring a dilapidated, cavernous mansion, is less explicit, but worth a look. Its suffocating, despairing loneliness is affecting." (Via Robot 6)
• Commentary: "It was like the sky: pleasant, visually appealing, reliable. Peanuts had a Picture of Dorian Gray quality; you kept getting older and more decrepit and more cynical, but it didn't. By the time you started reading it, you were already older than the characters in the strip, so it immediately made you nostalgic for childhood. Not necessarily for your childhood, but for the childhood Lucy and Charlie and Linus were having." – Joe Queenan, The Guardian
• Interview: At Comic Book Resources, Chris Mautner talks to Johnny Ryan about Prison Pit: "I think in a strange way the book(s) are very revealing about myself. I felt as if I was really exposing myself here. I was very anxious about that."