Surrounded by the ornate, retro, proto-splatter horror graphics of Jack Davis and Graham Ingels and the slick, futuristic sci-fi stylings of Wally Wood and Al Williamson, EC Comics superstar Johnny Craig stood out in the 1950s with his elegant, crisp, contemporary graphic style. And nowhere did this style work more beautifully than in the dozens of superb crime and horror comics he wrote and drew for EC, mostly for the two comics he also edited, Crime SuspenStories and The Vault of Horror. (Craig was the only EC artist to habitually write his own material for the entire length of EC's run.)
Featuring murderous husbands and wives, executioners, thieving surgeons, vengeful sword-swallowers, time bombs, private dicks, vampires, werewolves, and ghouls, the 23 stories in this book comprise a perfect encapsulation of the very best and darkest kind of noir and horror writing, stunningly executed (in more than one sense of the word) by one of the great cartoonists of his (or any) era. And all in seven or eight pages per story!
Fall Guy For Murder and Other Stories is once again, as are the other EC Comics Library releases, supplemented with several fascinating essays and informative historical notes on the stories.
Al Feldstein is best known as the main writer/editor of the EC comics line during the first half of the 1950s — and then the editor of Mad Magazine for the first three decades of its existence.
But what many don’t know or remember is that Feldstein was also an accomplished and distinctive cartoonist, whose comics (which he both wrote and drew, a relative rarity in those days) adorned the pages of many of those selfsame EC comics. His powerfully composed, meticulously inked pages, often featuring grotesque creatures or scenes of ghastly destruction (and some of the greatest stiffly handsome/beautiful specimens of 1950s humanity ever put to paper), were a vital part of the allure of these classic comics.
Feldstein's contributions to the first year and a half of EC’s two SF titles, Weird Science and Weird Fantasy — comprising 16 classic O. Henry-style shock-ending stories with such evocative, vintage title as "'Things' From Outer Space." "The Flying Saucer Invasion," "Spawn of Venus," "Destruction of the Earth," and "Am I Man or Machine?" — are collected in their integrity in this volume, along with a handful of bonus stories drawn by a few of Feldstein's oft-overlooked collaborators, including Graham Ingels, George Roussos, George Olesen, Max Elkan and Sid Check. This volume also boasts a new interview with Feldstein about his years at EC, focusing in particular in his work on these science fiction titles that were the company’s pride and joy (and were killed a few years later by the Comics Code).
This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
108-page black & white 8.25" x 10.75" hardcover • $22.99 ISBN: 978-1-60699-625-6
"It's an engaging collection of vignettes full of magical realism and compelling characters...evoke[s] comparisons to the short fiction of Jorge Luis Borges or, in the case of the science fiction-styled entries, Ray Bradbury." -Publishers Weekly
176-page full-color 12" x 6.25" hardcover • $29.99 ISBN: 978-1-60699-612-6
"Fantagraphics has reprinted the full run of Gahan Wilson's Sunday Comics with their customary attention to detail and gorgeous reproduction... These comics crack me up, especially the weeks that are seemingly endless variations on different themes." -Jason Sacks, Comics Bulletin
216-page black & white 7.25" x 10.25" hardcover • $28.99 ISBN: 978-1-60699-659-1
"Feldstein's art has a delightful amount of expressiveness to it and a remarkable amount of subtle beauty - if a word like beauty can be applied to comics that feature strange blob aliens from outer space." -Jason Sacks, Comics Bulletin
Johnny Craig pulled off some of the most mind-bendingly clever shockers to appear under the EC Comics banner — such as the sexy perfect-crime story "When the Cat's Away...," the supremely ironic "The Execution!," and the impeccably paced slow-burn descent into madness of the Ray Bradbury adaptation "Touch and Go!"
But Craig also applied his eerily crisp and elegantly designed artwork to EC's more outré horror comics, producing many of the finest examples of their trademark Grand Guignol revenge thrillers, including "A Stitch in Time!," "Split Personality!," and "Fed Up!" — as well as a handful of outright supernatural horror yarns such as "Two of a Kind!," "A Bloody Undertaking!," and "The Mausoleum!," featuring some of the most clean-cut (yet still terrifying) vampires, ghosts, ghouls, and zombies ever committed to paper.
Fantagraphics' first volume devoted to Craig's brilliant crime and horror spellbinders (including the fiendish twist-ending title story), Fall Guy for Murder and Other Stories also delivers revealing and insightful historical and critical essays and biographies.
If you're a genuine devotee of comics or noir fiction, it would be a real crime not to steal a look inside!
The stories Al Feldstein wrote and drew for EC Comics's science fiction titles captured precisely the popular science fiction zeitgeist of mid-20th century America.
Feldstein applied a flat-out pulp sensibility to his treatment of such themes as atomic war ("Child of Tomorrow"), defense against nuclear weapons ("The Last City"), the arms race ("Destruction of the Earth!"), the cruel perils of space travel ("Space-Warp!"), and (of course!), horrifying alien monsters ("Spawn of Venus," "Seeds of Jupiter," "It Was the Monster from the Fourth Dimension").
But he also explored notions of personal identity ("Am I Man or Machine?"), and had a little fun with time travel ("Made of the Future," "The Origin of the Species") and mass hysteria ("Panic!") along the way.
Feldstein's full-throttle scripts and powerfully composed, meticulously inked artwork come at you with a raw, blunt force — a quirky directness which is a vital part of the allure of these classic tales, presented together here for the first time.
Also, in a candid new interview done especially for this book, Feldstein speaks out about his science fiction days.
As a bonus, you'll find even more Feldstein stories drawn by a few of his oft-overlooked collaborators.
So strap into your spacesuit, power up your time machine, and take a look inside...
Our other EC Comics Library volume due out later this month, Fall Guy for Murder and Other Stories, is another auteur turn, featuring Johnny Craig's writing and artwork (for the most part; Al Feldstein scripted a couple). Crime, suspense and horror were Craig's forté, as these 23 delightfully fiendish tales attest, and Craig was responsible for some of EC's most shocking and notorious images.
This is the first of four projected volumes to showcase, for the first time, the full chronological run of Craig's EC stories from Crime SuspenStories, Vault of Horror, and elsewhere, with our trademark bonus features and top-notch production values. See out the full Table of Contents and 3 complete stories in our free excerpt (also downloadable), and pre-order your copy right here.
One of two new volumes in our New York Times best-selling EC Comics Library series coming later this month, Child of Tomorrow and Other Stories finds prolific EC scripter (and longtime MAD editor) Al Feldstein behind both the typewriter and the drawing board for 16 tales of spine-tingling sci-fi suspense, plus 7 more stories drawn by other EC short-timers and stalwarts. The influence of Feldstein's writing and brushwork can be seen in the work of contemporary cartoonists like Charles Burns, Dan Clowes, and Gilbert Hernandez, who provides an intro ot this volume. Our usual historical features are joined by a new interview with Feldstein. Another indispensible entry in the series! Check out the full Table of Contents and 3 complete stories in our free excerpt (also downloadable), and pre-order your copy right here.
The latest, largest kaiju monsters of Online Commentaries and Criticism:
• Review:New Schoolin The A.V. Club. "Like Anders Nilsen, Dash Shaw has spent his career looking for a creatively profitable middle ground between high art and straightforward comics storytelling.…Shaw riffs on the popular culture of the ’90s and the politics of the ’00s, suggesting that the children of one decade grew up too cut off from reality to understand the part they played in fostering the global conflict of the next. The social commentary in New School provides a sharp accent to a formally daring, at times alarming coming-of-age tale," says Noel Murray.
• Review:New School in Paste Magazine. "Dash Shaw is a relentless experimenter, never content to rely on the processes and approaches that garnered him acclaim the last go-round…Shaw’s ability to confidently follow his muse without justifying any artistic approach is part of what makes him such an exciting voice, and one that continues to refine itself with this excellent book," wrote Hillary Brown.
• Review:Mental Floss on New School. "Dash Shaw is one of the new generation of exciting comic creators who exist in a nexus between comics and the New York contemporary art scene... A glance at the pages here shows a bold, unusual use of color that seems part Power Mastrs, part Asterios Polyp," writes Rich Barrett.
• Review:Comics Alliance reviews Dash Shaw's New School. John Parker writes, "New School is surreal, emotional, and delirious with color…Moving, innovative, and beautiful, it's hard to imagine you'd confuse the woozy, dreamsick, and explosively colored pages of New School for any other artist's, no matter what distance you're viewing them from."
• Interview (audio): Dash Shaw is interviewed on Robin McConnell's Inkstuds again!
• Plug:New School in The Austin American Statesmen. "on first read, it is melancholic, funny and smartly impressionistic, three things that comics do well…Dash Shaw likes to move through styles, and it’s exciting. As soon as you think you have a fix on his forms, he tweaks it just a bit," writes Joe Gross.
• Review:NPR lists Today is the Last Day of the Rest of Your Life as one of the five touching comics of summer. "Lust's desire to experience real life and to learn things beyond books is by turns uplifting and painful, funny and frightening…The result is a modern coming-of-age story that addresses the thrills and consequences of being young, idealistic, and more than a little lucky," Myla Goldberg sums up.
• Review:The National Post on Today is the Last Day of the Rest of Your Life by Ulli Lust. "Last Day is, essentially, a memoir of powerlessness, of how fruitless our attempts to shape our own lives can be - a fact often reflected in her lines, simple and crisp but frequently lost in the chaos of big scenes.…It's an honesty, intimate and universal, that comics capture better than any medium, and Lust's entry is an almost perfect instance," states David Berry.
• Review:Slant Magazine looks at Today is the Last Day of the Rest of Your Life by Ulli Lust. Tim Peters says, "…it's spontaneous, sexual, and both cynically and internationally adventurous. It's also further proof that the graphic novel is going to dethrone the novel as the 21st century's preferred form for telling a story…A good way to think about Today Is the Last Day is as a kind of anti-Eat, Pray, Love."
• Plug:Cleaver Magazine on Today is the Last Day of the Rest of Your Life by Ulli Lust. "…the beauty of this graphic memoir is in the way, image by image and line by line, it captures that yearning and its momentary fulfillments in the shapes of breathtaking, carefully drawn landscapes, or drawings that depict Ulli's surreal fantasies, like her body floating happily over the Spanish stairs," writes Tahneer Oksman
• Review:Cult Montreal enjoys Today is the Last Day of the Rest of Your Life by Ulli Lust. "Today is the Last Day of the Rest of Your Life is a gripping read that feels like a story a close friend might tell you after returning from a long voyage. Lust's lively illustration style and enthralling narrative voice make this graphic novel a feminist On the Road for the twenty-first century," writes Jeff Miller.
• Plug:Largehearted Boy lists Today is the Last Day of the Rest of Your Life by Ulli Lust as one of the picks of the week "It's a frank, funny, occasionally brutal coming-of-age story…There's plenty of sex, drugs, and violence, though it's Lust's insight and sensitivity that really make it shine," writes The Librarie Drawn & Quarterly Bookstore.
Today is the Last Day of the Rest of Your Life is a gripping read that feels like a story a close friend might tell you after returning from a long voyage. Lust’s lively illustration style and enthralling narrative voice make this graphic novel a feminist On the Road for the twenty-first century. - See more at: http://cultmontreal.com/2013/07/comics-review-ulli-lust-tom-gauld-joe-ollmann/#sthash.5LDUqr84.dpuf
Today is the Last Day of the Rest of Your Life is a gripping read that feels like a story a close friend might tell you after returning from a long voyage. Lust’s lively illustration style and enthralling narrative voice make this graphic novel a feminist On the Road for the twenty-first century. - See more at: http://cultmontreal.com/2013/07/comics-review-ulli-lust-tom-gauld-joe-ollmann/#sthash.5LDUqr84.dpu
• Interview: Matt Seneca interviews Charles Forsman of The End of the Fucking World and being compared to Charles Schulz on Comics Alliance. "It is very much about being fucked-up when you are a teen and that should be a timeless idea. We all go through that. I guess the 80s thing is something that I use as an atmospheric reference for myself," says Forsman. "Forsman managed to do what even the most talented cartoonists often have difficulty with, fusing the honesty of presentation and uninflected realism native to classic alternative comics with the white-knuckle pace and jaw-clenching cliffhangers of the best action storytelling," writes Seneca.
• Interview: Chuck Forsman talks about mini-comics, schoolin' and The End of the Fucking World with Spurgeon on The Comics Reporter<. "I really enjoyed building something with smaller bricks. I guess that's how I've always thought of comics, breaking it down into scenes. Even when I'm just doing one book. I also like to mix the bricks up a bit." .
• Review: The New York Journal of Books enjoys Wake Up, Percy Gloom by Cathy Malkasian. "In a graphic novel filled with exceptional art, lush dreamscapes and characters of rich beauty, Ms. Malkasian brings simple moments to life that show us the depth of someone's heart," writes Mark Squirek. "Wake Up, Percy Gloom reminds us that every single moment is important because at any second apples may bloom and fall from the sky."
• Review:iFanboy on Wake Up, Percy Gloomby Cathy Malkasian. "Malkasian decorates the tale with surreal and absurd dressing (reminiscent of the land of Oz, more than anything else), and plots with twists and turns that are almost impossible to anticipate....If L Frank Baum, Jim Henson and, Jeff Smith wrote a comic together, it would feel (and look) a bit like Percy Gloom," writes Josh Christie.
• Review:The Comic Pusher looks at Wake Up, Percy Gloomby Cathy Malkasian. "Part cutting satire, part fairy tale, part nightmare…Wake Up, Percy Gloom! is another astonishing work from Malkasian, a beautiful and uplifting graphic novel filled with magic and loss and joy. Malkasian, a veteran animator and now highly accomplished cartoonist, once more delivers a work of startling power cementing herself as one of the most distinct and important voices in comics," pens Jeffrey O. Gustafson.
• Commentary: Jessica Lee report on The Beat about Cathy Malkasian's talk at the California College of Arts. "The amount of precision and undeniable heart Cathy puts into every ounce of her characters, panel construction, and worldbuilding is commendable, filling WAKE UP PERCY GLOOM with the kind of rare wonder that make it a gem in the pool of graphic novels…" writes Lee.
• Review:Eye of the Majestic Creature Vol. 2 by Leslie Stein is reviewed on VICE. "What Leslie does with her work is special. She seems largely influenced by newspaper comics, but her stories are subtle.…The core of this series seems to be about how uncomfortable it is to interact with other people and how lonely it can be in New York," says Nick Gazin.
• Review: Eye of the Majestic Creature Vol. 2 by Leslie Stein on Comics Bulletin. "Leslie Stein is a voice for a certain aspect of her generation, the ones you see feigning ironic detachment while inside they are either all honest excitement or vast empathy. While it's just so much easier and cooler not to get emotionally involved, for people like Stein, that's just really not possible," writes Daniel Elkin.
• Review:Good Dog by Graham Chaffee on Forbidden Planet International. "It's a brilliant little book, one I could quite cheerfully have read much more of, one that definitely left me wanting more…throughout the book, Chaffee paints the picture so vividly that you understand that dogs, just like us, are complicated beasts, and each has to find their own life," writes Richard Bruton.
• Review: The Hooded Utilitarian reviews Good Dog by Graham Chaffee. "Chaffee largely eschews panels which are filled with multifarious meaning and intricate correlations, adopting congenial, unsensational storytelling, evoking time, place and character; the gentle rhythms of a nostalgia associated with the early to mid twentieth century…The central questions being tackled here appear to be those of belief, ideology, and faith. A tangential discussion of deist philosophy may not be out of the question as well," writes Ng Suat Tong.
• Plug:Drawn Words on Good Dog by Graham Chaffee. "Good Dog is absolutely one of the most interesting comics of the year…Ivan's struggle as a stray is parallel to everyday human interaction and quest for personal fulfillment, exploring animal psychology in the simplest way Chaffee can possibly explain, while simultaneously maintaining a strong grip of emotion," muses Kevin Cortez.
• Review:The End by Anders Nilsen on The A.V. Club. "This is a book from comics' more avant-garde wing, and a premier example of how to make experimental work that still connects broadly, rather than coming across as self-indulgent vamping," writes Noel Murray.
• Plug:New York 1 on The End\ by Anders Nilsen. "…this beautiful creation explores grief and life, unanswered questions and unquestioned thought," states Andrew Losowsky.
• Interview: Alex Dueben of CBR interviews Kim Deitch on The Amazing, Enlightening and Absolutely True Adventures of Katherine Whaley, process and the inclusion of beavers. "Well, when you read around in old fiction there is a whole genre of stuff that you might categorize as "hollow earth" stories. You know, hidden teeming civilizations deep within the earth.…The almost human workaholic activities of beavers seemed like a potentially good fit to a story of that kind," answered Deitch.
• Review:The National Post reviews Lost Cat. "Jason is one of the few artists (or writers) who can make existential aches seem droll, but it makes the smiles being provoked feel as honest as the ones we get when standing across from someone who makes the world feel a little less lonely," muses David Barry.
• Review:Comics Alliance gives Jason's Lost Cat the whatfor! "If you're familiar with Jason's previous work, you know his mastery of minimalist storytelling is what drives his art. His anthropomorphic, near emotionless characters, along with his consistent four panel page layouts, are his signature," writes Joseph Hughes.
• Review:Comics Bulletin looks at Jason's Lost Cat. "In a way it asks us to consider what is more meaningful, actually connecting or the longing to connect in the first place…Jason is an artist of a high caliber and reading Lost Cat confirms this. He creates in isolation, ruminates about our inability to connect, and, by doing so, brings us together," writes Daniel Elkin.
• Plug:Lost Cat is on Publishers Weekly Picks of the Week. "A humorous PI story populated by animals takes a turn toward the absurd in the newest-and longest yet-graphic novel by Jason."
Review: iFanboy on Bread & Wine by Samuel Delany and Mia Wolff. "The book is short...but packs some serious punch. Lots of the credit can go to Mia Wolff, whose black-and-white pen work adds some serious grittiness to the story. The only thing I love more than a good love story is a good atypical love story, and Bread & Wine fits the bill nicely," writes Josh Christie.
• Review:Bread & Wine by Samuel Delany and Mia Wolff on Sequential Tart<. "The story itself is intimate and at times awkward to read, which makes it feel very real and personal. Delany doesn't shy away from some of the less-appealing moments in the relationship...Bread & Wine is an unusual offering, and certainly won't be to everyone's taste, but it's certainly worth a read now that it's widely available and reasonably priced," writes Katie Frank.
• Review:Bread &Wine by Samuel Delany and Mia Wolff was reviewed on Comics Grinder. "This graphic novel, originally published in 1999, springs from a memoir and stands alone as engaging and insightful...For a book that promises an erotic tale, there are even more scenes that speak to the great divide between the two men which they will either struggle with or overcome," wrote Henry Chamberlain, Comics Grinder
• Plug:Bread & Wine by Samuel Delany and Mia Wolff on Largehearted Boy. "With Alan Moore contributing an introduction and Neil Gaiman and Junot Diaz (and Frank Miller in case that still means something to anyone) singing its praises, you know Bread & Wine has something special going on," says Benn from Atomic Books.
• Plug:Publishers Weekly on Hip Hop Family Tree by Ed Piskor. Maurice Boyer details the creative process: "each strip [is] a full week affair in which he spends a day of research and writing immersed in books, videos or interviews in search of inspiration for the week's strip. From there, he spends the rest of the week drawing his pages by hand and coloring them on the computer."
• Interview:Julia Gfrӧrer is interviewed on The Beat by Zainab Ahktar. "I like writing for a contemporary setting, but a contemporary mermaid story would be kind of a hard sell, it feels unpleasantly whimsical to me, so for that reason Black is the Color had to be set in the past." nbsp;
• Review:HIV+ on 7 Miles a Second by David Wojnarowicz, James Romberger and Marguerite Van Cook. "It can be difficult to remember in 2013, just how despised gays were and just how oblivious the rest of society seemed to the AIDS epidemic in those dark days.… But 7 Miles a Second captures the rage and impotence felt by thousands of young gay men who were suddenly faced with the brutal finality of death," writes Jacob Anderson-Minshall.
• Review:Hyperallergic on 7 Miles a Second by David Wojnarowicz, James Romberger and Marguerite Van Cook.. "Wojnarowicz…didn’t win the great game of life; they lost bitterly. To hear about those losses firsthand, to watch them unfold in words that essentially position us as front-row spectators, is devastating.…If there’s another theme in 7 Miles a Second, one that counteracts the weight of the body, it must be motion. Evident in both the form and content of the text, motion offers the promise of escape," writes Jillian Steinhauer.
• Commentary:MSN ran a story about the Sub Pop Silver Jubilee and the In Case We Die reading & signing by Danny Bland. "Bland read a passage about the first time the book's main character and his teenaged girlfriend shoot up - a degenerate scene redolent of hindsight romanticizing. Packed inside the bookstore, the audience roared approval. Only in Seattle."
• Interview:The Weekings' Joe Daly (a different one!) interviews Danny Bland on In Case We Die and getting clean, "Well, the catalyst for me getting clean was the classic tale of running out of resources. I did drugs until I ran out of money, and friends to steal from, and eventually the criminal element that I became involved with became too hot." Read more about these adventures in In Case We Die!
• Review:Forbidden Planet International on Jacques Tardi's Goddamn This War! "This is going straight into my own collection, and in my opinion every decent graphic novel collection needs some Tardi in it, he is one of the great masters of the medium," sums up Joe Gordon.
• Review: The French Embassy outlines Goddamn This War!"Goddamn This War! shares with [It Was the War of the] Trenches its sustained sense of outrage, pitch-black gallows humor, and impeccably scrupulous historical exactitude."
• Review:Washington Post on Barnaby by Crockett Johnson. "A whole new generation now will have the opportunity to become acquainted with Johnson's influential creation...Liberals may love Barnaby, but there is no reason why conservatives and libertarians can't admire the beauty, simplicity, wittiness and intelligence of this groundbreaking strip, too," posits Michael Taube.
• Review: Barnaby by Crockett Johnson reviewed by The A.V. Club<. "With Barnaby, Johnson combined low-impact serialized adventure with some gentle comedy based around the ways that adults and kids diverge in their perspectives. The result is a compulsively readable strip with a winningly off-kilter point-of-view-and a cultural treasure that's been long-overdue for this kind of prestige archival project..." posits Noel Murray.
• Plug:Mental Floss on Barnaby by Crockett Johnson. "It mixed fantasy, satire and political commentary and its humor was often very subtle. So subtle that its popularity was limited compared to most strips of the day. Editors Eric Reynolds and Philip Nel have taken great pains to annotate many of the topical references that were made to help new readers appreciate what Barnaby's small but devoted readership enjoyed at the time," pens Rich Barrett.
• Review: Comics Worth Reading flips through Mickey Mouse Color Sundays by Floyd Gottfredson. "The lighter approach makes this book a better choice to share with your young ones. They should love the timeless highjinks of the mouse and his friends. And anyone can appreciate the skilled cartooning and astounding art, so well-done it almost seems to move on paper," writes Johanna Draper Carlson.
• Review:Robot 6 on Mickey Mouse Color Sundays by Floyd Gottfredson. "What I really took away from this book, however, was Gottfredson's considerable (and very nuanced) compositional and storytelling skills...an entertaining read and still a thrill to see what Gottfredson work out and then master this longer styled-format. Disney fans - or just fans of solid, entertaining comics in general - won't be disappointed."
• Review: The Complete Syndicated Pogo Vol.2 "Bona Fide Balderdash" by Walt Kelly receives a 5 outta 5 stars from Comics Bulletin. "The world of those delightful characters feels tremendously lavish and vivid. Kelly's strip came from an era of deep graphical inventiveness…This book is pure magic, suitable for both a fourth grade teacher and a fourth grader," muses Jason Sacks.
• Review:Page 45 on Love and Rockets: The Companion edited by Marc Sobel and Kristy Valenti. "Best of all, however, are the interviews, so utterly addictive that I almost missed my review deadline…Editor Marc Sobel's interview with Los Bros Hernandez delivers some astonishing insights into the cycle of each story's conception, execution, then complete burned-out numbness in Jaime... and workaholic Gilbert's crippling self-doubt halfway through each chapter early on," states Stephen L. Holland.
• Review:Spectrum Culture enjoys Hal Foster's Prince Valiant 6: 1947-1948. "Readers unfamiliar with the Prince Valiant strip owe it to themselves to take a look. The stories encapsulate the values of a simpler, less cynical time, and the illustrations are first-rate," writes David Maine.
• Plug: An odd but fun article on Love and Rockets and baseball on The Good Phight. "It's odd, Jaime's stories in L&R, collected in the massive Locas collections, are kind of geek treasure troves. Clearly Jaime is influenced by punk and 80's alt California, but he's also really into superheroes, luchadores, and monster movies, so you get this weird melange of nostalgia for all of this old nerd culture."
• Commentary: Deb Aoki reports on Best/Worst Manga Panel at SDCC 2013. Moto Hagio's The Heart of Thomas is listed as Best New Manga for Kids/Teens. Wandering Son by Shimura Takako is listed on Best Continuing Series for Kids/Teens. And finally Inio Asano's Nijigahara Holograph lands on the Most Anticipated New Manga list.
• Review: Wandering Son Vol. 4 is reviewed on Experiments in Manga. "As nostalgic as Wandering Son can be, the middle school years haven't been idealized in the series.…Wandering Son is more about characters than a linear plot, but the fourth volume is an important setup for what comes next in the series," says Ash Brown.
• Review:School Library Journal looks at Willard Mullin's Golden Age of Baseball and how it is applicable in the classroom! "student sports fans (in this case, baseball fans specifically) can leverage their outside-of-school literacies to comprehend and appreciate the sophisticated cartoons and high-level text in Willard Mullin’s Golden Age of Baseball," says Peter Gutierrez.
• Review:Full Stop is pleased with the Fantagraphics' EC Comics Library. "It's fitting that Fantagraphics - long-time champion of the rights and importance of comics creators, and re-issuer important historical comics - would arrange a publishing line this way. Even though it may not be surprising, it's still a commendable decision. It's also an important development in further establishing comics as art and literature worthy of serious consideration and study.… It presents work by EC’s most important artists, drawing the work from across all EC titles," states Sam Costello.
• Review:Comics Bulletin] >on 50 Girls 50 by Al Williamson. It "is an affordable means of acquiring a pleasingly complete collection of this seminal work by a seminal artist."
• Plug: Boing Boing delights in The Littlest Pirate King by David B. "So, it's a little grim. But it's also gorgeous…If you liked the premise of Neil Gaiman's award-winning Graveyard Book, you're sure to love this, but be aware that it's much a darker and sadder story than Gaiman's. I think this is probably suited to kids eight or nine and up…" suggests Cory Doctorow.
• Review: Jason Sacks on the Comics Bulletin gives Donald Duck: The Old Castle's Secret by Carl Barks the run down. "This book is an absolutely delightful assortment of stories, a thoroughly charming, delightful collection of vivid stories full of clever wordplay and slapstick action…Barks tells the story in ways that have to delight any reader.The more I read of Barks's comics, the more I come to love them."
We're kinda busy. All of these books are slated to come out in a 4- to 6-week period from August to mid-September! (Plus a few others we've already shown you.) We're going to take the less-is-more, show-don't-tell approach with this update; each photo links to the product details page where you can learn more and pre-order each title. And of course we'll have more pretty preview pics coming soon. Get your wallets ready!
For those of us sitting out Comic-Con this year (boo hoo), it means missing out on some special deals on the convention showroom floor. Well, us stay-at-homes should get to have a little fun too!
Now until Comic-Con ends on Sunday, July 21, an assortment of our already-discounted gift sets of sequential or related books are marked down EVEN MORE, at least an extra 10% off and up to 1/3 off! And after the sale, some of these sets won't be offered anymore, so this may be your LAST CHANCE to get them at a discount! Your choices (while supplies last) include: