• Review: "Peter Bagge’s not-so-yearly update on the life and times of his signature character Buddy Bradley takes up about half of Hate Annual #8... It’s a funny story with a confident, natural progression and some keen observations to make... [T]his is... a welcome renewal of one of alt-comics’ most treasured series… [Grade] A-" – The A.V. Club
• Review: "The mid-’70s found Schulz pushing the strip further and further into the oddball, mixing fantasy and reality in extended storylines... The strip as a whole feels less scrappy and more settled in this era, though it’s no less inspired, and Schulz was clever enough to keep working his own state of mind into the finished product. The Complete Peanuts: 1975 - 1976 collects comics clearly drawn by a successful man still nagged by feelings of inadequacy not easily explained away… [Grade] A-" – The A.V. Club
• Review: "Don’t be misled by High Soft Lisp’s cover. This isn’t just comic book smut or an adult version of Archie. Gilbert Hernandez has created some of the most fleshed-out and memorable women in comics since launching Love and Rockets with his brother Jaime in 1981. Their breasts might be outsized, but so are their minds and souls." – Garrett Martin, Boston Herald
• Review: "Fantagraphics’ fourth oversized collection of Elzie Segar’s legendary Thimble Theatre strips, famous as the birth place of Segar’s notorious Popeye the Sailor, continues the winning standard set by earlier editions. ... Fantagraphics’ enormous format remains among the best-looking strip reprints available." – Michael C. Lorah, Newsarama
• Review: "Levin’s is not often a forceful tone; he digs up information and can deliver it in a scholarly enough manner, but also will follow his muse, digressing into dry humor and even an admitted Faulknerian flight of fancy. He’s fully engaged, grappling with the facts and the issues as he uncovers them, and the reader grapples right along with him. [Most Outrageous] is a much more compelling book for the fact that Levin doesn’t try to wrap it all up in a bow." – Christopher Allen, Comic Book Galaxy
• Review: "Of course, the Bradleys story remains the best reason to pick up any of these Hate Annuals, and this time Bagge doesn’t disappoint; even though I still can’t stand Buddy in his Popeye the Sailor look, this story of wife Lisa wanting to get out of the house (since the kid is in school) and do something for herself, eventually ending up in a two-woman rock band playing in a strip club, is consistently funny and sharply observed." – Johnny Bacardi, Popdose
• Plug: In the Portland Mercury, Floating World's Jason Leivian recommends Mezzo & Pirus's King of the Flies for fans of Paul Verhoeven's 1980 film Spetters: "Similar stories of fucked up youngsters spiraling into a black hole of self destruction with incredibly rendered artwork that will appeal to fans of Charles Burns."
• Plug: "If you've not checked out Luba by Gilbert Hernandez, you should. Especially if you live in LA. ... Luba is as funny and delightful as ever in these stories (some super short one-pagers, others much longer, over a hundred stories in this collection) of her and her family and the play between their work lives and personal lives is comical and poignant and over the top in classic Hernandez style." – Callie Miller, LAist (via Robot 6)
• Plug: "I've spent most of this week reading "Plunder Island," the fourth and latest collection of classic Popeye comics from Fantagraphics. This is the third time I've read this material... and it still never fails to enthrall me. In fact, I think Popeye has knocked Peanuts and Krazy Kat out of my personal canon to become my MOST FAVORITE COMIC EVER at the moment. There's just something about E.C. Segar's blend of melodrama, adventure and unrestrained, big-footed comedy that really knocks my socks off." – Chris Mautner, Robot 6
• Profile: "Other comics publishers have fallen all over themselves trying to leverage a hoped-for crossover appeal into the mainstream of culture in the last twenty or so years. Meanwhile, Fantagraphics has hung surprisingly tight to their mission statement. But the bigger surprise for me came from learning that Fantagraphics still runs its publishing operation out of the same full-to-bursting house in Maple Leaf where they first planted their Seattle roots in 1989." – E. Magnuson, In North Seattle (Seattle P-I)
• Contest: One lucky person will win a free copy of The Squirrel Machine by Hans Rickheit from Kevin Church, who describes the book as "beautifully drawn, disturbing and sad"
• List: Look out, it's Tom Spurgeon's Best of 2009 list at The Comics Reporter. Fantagraphics category rankings are listed below, with complete lists and Tom's commentary to be found at the link above:
• Review: "Somehow, some way, Jamie Hernandez is getting better and better. ...Locas, the first gigantic hardcover compilation of Jamie’s 'Maggie and Hopey' stories, stands as one of the highlights of my life as a reader. Now, unbelievably, Locas II exceeds the original’s standard. ... In Locas II: Maggie, Hopey and Ray, he’s crafted perhaps his most universal work to date, a saga of three people who’ve left behind the postures of their youth to stumble, unsure and hesitant, across the landscape of their adult lives. It’s strange and scary, funny and sweet, confused and enlightening. Locas II is a master as the top of his game, and a true comic book classic." – Michael C. Lorah, Newsarama
• Review: "It is interesting to see the rapid evolution of the graphics and drawings [in Prince Valiant Vol. 1: 1937-1938], a little reticent and schematic at first, but soon becoming highly detailed and expressive. Adventure prevailed in the stories, but there was room for humor, romance and tragedy." – Top Comics (translated from Portuguese)
• Review: "OK sure but trust me it's not for those who just want to look at dumbed down pictures and drool on themselves as anorexic telepathic women parade in wonder bras nor is this Babar's color by number. [The Portable] Frank is engaging on all levels and asks the reader to not just lose themselves but to participate fully and that's why this is my pick of the week!!" – Coast City Comics
• Plug: "This book is amazing and bat%$#* crazy. There are no words, just check it out of the library asap." – Cold Bullets
"Peanuts always had a bite to it; Schulz’s favorite source of comedy was the anxieties and humiliations of childhood. Still, some of these strips are unnervingly bitter even for him, as when Marcie destroys Snoopy’s doghouse in a rage, then screams at Peppermint Patty that she needs to 'face up to reality.' It provokes laughter, of course, but shocked laughter: you can tell these kids aren’t going to grow up happy."
"Jacob Covey’s design for E. C. Segar’s Popeye series is appropriately tall, imposing and sturdy, with a big die-cut in the middle of each volume’s front cover, as if the sailor man himself had punched somebody through it. ... ['Plunder Island'] is crude, jolting, scary and funny, and there’s nothing like it in the beaten-down funny pages of the present."
Your daily allowance of Fanta-related cartoon art:
• The Awesomenomicon posts 17 of Popeye's "Greatest Hits," saying "Of course we're all familiar with Popeye the Sailor Man and his penchant for fisticuffs, but unless you've read his origins in Segar's Thimble Theatre strip, you have no idea how truly dynamic and visceral his unique brand of cartoon violence could be. ... Thankfully Fantagraphics has spent the last several years publishing those handsome oversized collections of Segar's Thimble Theatre, from which I have assembled this small repository of Popeye punching things.
• List:Only the Cinema's Ed Howard begins counting down The Best Comics of the Decade: part 2 includes Black Hole by Charles Burns at #36 ("Few books do a better job of capturing the fear, and the excitement, of nascent desire and adolescent longing, as these diseased teens are driven mad by hormones and embarrassment"), Epileptic and Babel by David B. at #30 ("With his elegant style, dominated by striking blacks and contrasts, he invents numerous metaphors and visualizations for his brother's disease, treating the fight against the disease as a physical, mortal conflict"), Chimera #1 by Lorenzo Mattotti at #29 ("a rare pleasure from this elusive artist... a powerful work"), and The Squirrel Mother by Megan Kelso at #26 ("Kelso's work can be devastating in the way she pares down the excess to get at the essence of a particular moment or situation").
• Review: "…[A] fascinating treasure trove of an anthology... In addition to work by greats like Artie Romero, Rick Geary, and Mary Fleener, and 50 or so others, [Newave!] serves as the history of a movement." – Publishers Weekly
• Review: "Taken as a book that records a history, it’s pretty awesome. ... Newave! does include essays about minicomics and interviews with some of the creators. These are fun and provide a great look at how all of this came about." – Eden Miller, Comicsgirl (via Wow Cool)
• Review: "[Newave!] is really cool. ... It's great to see the kind of passion that was going on... when there was this explosion where people just wanted to do comics because they had a passion for drawing, for telling stories... It's just a book full of passionate comics... I definitely recommend checking it out..." – Steampunk Willy's Mad Comix Ride - The Comic Book Podcast (via Wow Cool)
• Review: "[I Killed Adolf] Hitler mixes elements of classic time travel science fiction fare with personal melodrama and a strange sense of humor that's unlike anything else in comics today. ... Jason pulls off some nice storytelling tricks when you aren't looking. ... The pacing of his story is refreshing, never getting bogged down, never moving too fast." – Augie De Blieck Jr., Comic Book Resources
• Interview: At Fatally Yours, Sarah Jahier has an enlightening Q&A with Dame Darcy: "My Dad is an artist, so is my uncle, brother, and a lot of my family. We are related to John Wilkes Booth and many of the guys in my family look like him (like a handsome villain). I [attribute] a lot of my family’s talent and good looks to Booth but also the craziness." I did not know that! (via The Beat)
• Profile: At Comix 411, Tom Mason profiles E.C. Segar's Popeye protegé, Bud Sagendorf
• List:Paul Gravett names "The Best of 2009: Graphic Novels": No. 9 is Giraffes in My Hair: A Rock 'n' Roll Life by Bruce Paley & Carol Swain ("Paley combines so perfectly with his partner Carol Swain to capture Paley’s walks on the wild side as he journeys through sex, drugs and rock’n'roll, from hippy to punk. ... Hers has always been an utterly singular approach."); No. 13 is (appropriately) Pim & Francie: The Golden Bear Days by Al Columbia ("These distressed, distressing comics and illustrations repeat and escalate like a stuck record or never waking from a recurring nightmare."); and No. 14 is You'll Never Know, Book 1: A Good and Decent Man by C. Tyler ("A tender, bittersweet tribute from a daughter to a father and his military service in a beautifully crafted, tactile memoir.") (via The Comics Reporter)
• List/Review: At The HeroesOnline Blog, Dustin Harbin explains why Popeye Vol 4: Plunder Island is #5 on his Fave 5 of 2009: "These Popeye books are made with the kind of love and care and attention to detail that’s rare in comics — it’s clear that their publishers treat this material with reverence, and it makes it even more pleasurable to crack a new volume open each year."
• Review: "Though [Like a Dog] may seem like a hodgepodge of bits of [Zak] Sally’s work, there is consistency in the overall feeling. Much of his work is a collection of personal demons -- his insecurities, self-doubt, anger, pain, sadness and darkness -- that are exposed in obvious and subtle ways. ... The grit of this collection lies in the sense that one has had a sideline view of an intensely cathartic therapy session." – Janday Wilson, two.one.five Magazine
• Review: "This is warts and all stuff, a young artist learning with every six pager. ... There is some juvenile pleasure to be had in the fact that these stories [in Strange Suspense: The Steve Ditko Archives Vol. 1] all predate the Wertham/Comics Code era, so there's quite a bit of blood, some severed limbs, and grisly comeuppance. And although still oscillating between styles and influences here, there is substantial growth... [E]ven in its infancy, Ditko's art is increasingly potent." – Christopher Allen, Comic Book Galaxy
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