London • Valentine's Day 2014 SEQUENTIAL, the graphic novel storefront and reader app focused on literary graphic novels, has announced that it is releasing titles by legendary art comics and graphic novel publisher Fantagraphics Books. The first tranche of titles, released on Valentine's Day, includes essential work from Fantagraphics flagship title Love and Rockets in the form of Jaime Hernandez's seminal Locas series, which tells the tales of Maggie and Hopey and a unique cast of characters.
Fantagraphics associate publisher Eric Reynolds said, "SEQUENTIAL's efforts to curate a quality selection of non-mainstream digital comics and graphic novels is something that we can get behind; we're delighted to have our titles available on their app."
SEQUENTIAL was released in August 2013 and is focused on book format art comics and literary graphic novels. It strongly rejects including superhero fare and has been offering titles from UK publishers Jonathan Cape, Knockabout, Myriad Editions, SelfMadeHero and Blank Slate Books. It has recently started adding major US-based graphic novel publishers to its list.
SEQUENTIAL founder Russell Willis said, "We are really thrilled to be able to add Fantagraphics titles to the app. When we started out we were driven by a vision of including the best work in the world, untainted by superheroes, and having comics and graphic novels from Fantagraphics available on SEQUENTIAL is a key part of making that vision a reality."
The first tranche of titles includes Locas #1, #2 and #3 (Maggie the Mechanic, The Girl from H.O.P.P.E.R.S. and Perla La Loca) by Jaime Hernandez, Hip Hop Family Tree by Ed Piskor, The Left Bank Gang and I Killed Adolf Hitler by Jason, and TEOTFW by Charles Forsman. Work by Gilbert Hernandez and other Fantagraphics favourites will follow shortly.
In addition the app features the work of Alan Moore, Brian Bolland, David Lloyd, Eddie Campbell, Ellen Lindner, Hunt Emerson, Isabel Greenberg, Nick Abadzis, Rutu Modan, Winshluss and many, many more.
The best-seasoned pan that your friends accidentally cleaned with soap of Online Commentaries and Diversions:
• Review: Comics Bulletin looks at Charles Forsman's latest: "Celebrated Summer works as an excellent examination of what remains unspoken between close friends and what it means to feel trapped in your own skin." –Geoffrey Lapid, Comics Bulletin
• Review: Santa Barbara News Press in PRINT, baby reviews "Unexpectedly, almost secretly lovely, Celebrated Summer has a sadness and listlessness at its core that resonates much louder...Forsman gets in and out quickly, not making more of this tale of suburban apathy than needs making, which only makes his story that much more poignant." –Katie Haegele, Santa Barbara News Press
• Review: Publishers Weekly looks at Celebrated Summer "Simpler and less dramatic than his previous, similarly themed TEOTFW, Forsman has built another excellent account of growing up via outsider behavior."
• Review: Celebrated SummerhitsBest of 2013 Comics on Comics Bulletin. "This is a bildungsroman of the narcissist, psychotic, detached. It is the psychic havoc of the perpetually doomed; the coming of age story of those striding forth into world where the connection between cause and effect is a spectator sport, where emotional content is gauged by 'hits' and the chance to go viral…And it will break you." –Daniel Elkin, Comics Bulletin
• Review:Locust Moon Comics looks at Celebrated Summer "...rendered in Forsman's punk-Hergé micron style, where the clear line of Kevin Huizenga meets the scratchy cross-hatching of Chester Brown... where TEOTFW was cold and harsh, preserving the mystery of its semi-sociopathic protagonists, CELEBRATED SUMMER is resignedly warm and humane." –Josh O'Neill, Locust Moon
• Review: "Forsman is one of the strongest and most vital young cartoonists currently putting pen to paper-not to mention one of the most fully, uniquely realized...Owing far more to Chester Brown's exquisite linework and Charles M. Schulz's deceptive lushness than to Porcellino's piercing iconography, Forsman's efforts on Celebrated Summer nonetheless radiate a singular soulfulness." –Jason Heller, The A.V. Club
• Plug: Broken Frontier "Completed before Forsman began work on TEOTFW, [Celebrated Summer] promises to be an intriguing tale of youth banging up against the world of adulthood." -Tom Murphy, Broken Frontier
• Review: A review of Celebrated Summeroriginally published in City Pages. "Like the structure of the song, where before the bridge all seems wondrous, loud and anticipatory, Forsman comes through with his own sullen, downtrodden acoustic lick to unsettle everything and beg his reader to question." -Alec Barry, City Pages
• Review: Page 45 "Beautifully drawn in a thin, fragile line with lots of intricate crosshatching and stylistic nods towards Trudeau…and Huizenga, this is a very quiet book..." –SLH, Page 45
• Review: Rob Clough looks at TEOTFW "He has a knack for giving voice to a certain sense of ennui and desperation for connection and meaning, yet manages to do so in a way that avoids navel-gazing and static storytelling...there are simply no extraneous lines to be found in this comic. That's a mark of a confident artist hitting his stride, and TEOTFW feels like Forsman's comics PhD project." –Rob Clough, The Comics Journal
• Review: On Forsman's The End of the Fucking World "...punches aren't pulled for the cartoonist's Fantagraphics debut, a study in sociopathology with shifting narrative perspectives and artwork that any amateur comics scholar will quickly point out owes a lot to Schulz' shaky line." –Brian Heater, BoingBoing
• Interview: Alex Dueben interviews Chuck Forsman about The End of the Fucking World on Comic Book Resources. "I like to set up a puzzle so that the reader has to do a little bit of work and put the dots together themselves. I don't like to over-explain everything or give everything away. I just think it's more interesting that way."
• Plug:The AV Club lists Celebrated Summer at #1 of the top 10 Graphic Novels and Art Comics of 2013. "Chuck Forsman is a cartoonist with a talent for expressing the emotional turbulence of adolescence and early adulthood...With an art style that combines the animated simplicity of Charles M. Schulz and the detailed linework of Chester Brown, Forsman establishes himself as one of the most promising alternative-comic creators." –Oliver Sava, The A. V. Club
• Review: "Forsman is a master of silences - few cartoonists are as articulate with words left unsaid - and this utterly recognizable and deceptively simple story speaks volumes without saying much at all." -Josh, Locust Moon Comics
• Plug: Celebrated Summer makes Froh's Best of 2013 list. "The way they regard each other rings so true of that age, that mix of boredom and wonder. Haven't we all stared at ourselves in the mirror the way Wolf does?" -Kelly Froh, Atomic Blog
• Review: "Forsman's The End of the Fucking World is both fatalistic and poignant...one of the greatest strengths of TEOTFW: Forsman has the ability to make protagonists who are capable of committing quite monstrous acts sympathetic, and even tragic, throughout."–Andy Oliver, Broken Frontier
• Review: TEOTFW on Mental Floss "This tale of young love is reminiscent of Terrence Malick's classic film Badlands in both its content and its sparse storytelling style. In fact, Forsman's whole low budget approach to making the comic gives it a mood similar to a low budget film despite the deliberate comic strip feel of his cartooning."–Rich Barrett, Mental Floss
• Review: "What is disguised as a rote teen disillusionment melodrama about two kids acting out their Bonnie & Clyde moment is in reality a powerful story about sociopaths, abandonment, cults, crime both petty and murderous, and unquenchable emotional hollowness...The End of the Fucking World is a superb graphic novel, poetic and gripping, a pure crime-noir page-turner that will stop you dead in your tracks and leave its mark on you like a hot needle burned into the skin in the mourning light." –Jeffrey O.Gustafson, Comics Pusher
• Review: "Forsman, a graduate of Vermont's Center for Cartoon Studies, has a solid grasp of comics storytelling and his lightly drawn page compositions display an intriguing degree of variety...Forsman's pair of nihilists are shown to be the results of terrible parenting and are so estranged from human society that they have difficulty feeling emotions and pursuing a viable relationship together, much less to recognise when other people are not psychopaths." -James Romberger, Hooded Utilitarian
• Review: The Comics Journal "Gfrörer's sense of pacing is superb-her panels advance patiently, so that the dread of her endings has the controlled pluck of a Twlight Zone episode…Black is the color of Gfrörer's humor." -Nicole Rudick, The Comics Journal
• Review: "Like Black, [Gfrörer's] body of work to date is offbeat and well wrought. Far more importantly than being enjoyable, it is also remarkably subversive.Black Is the Color is marked by an impressive poeticism in pacing, dark and intricate drawing, and a refreshing contemporary spin on gothic storytelling. It also marks a thrillingly mature period in Gfrörer's career." –Joshua Michael Demaree, LA Review of Books
• Review:Black is the Color on Robot 6 "Romantic, tragic, elegiac and beautiful, one could scarcely ask for more from a book, comic or otherwise." -J. Caleb Mozzocco, Robot 6
• Review: "the scratchy intensity of Gfrorer's line is the key to the book's success...Every line is an assault, from the tiny stilettos that comprise the dense waves to the darkness of night that is almost invasive…In a story where death is a certainty, that kind of dignity represents a kind of triumph, one more authentic than if Gfrorer had let the happy ending be real." –Rob Clough, High Low Comics
• Review: Page 45 on Black Is the Color by Julia Gfrörer. "The whole book is conducted in this simple, easily accessible format as well as style. There's not just a wobbly fragility to the lines, there is a bleakness to them as well - for it is cold at sea - even during sensual embraces." -SLH, Page 45
• Review: Some fans have a way with words "If Dante were alive today, he would say, 'Yes!' in thunder toJohnny Ryan's Prison Pit series. Endlessly inventive, repulsive, retributive, and beautiful, Prison Pit is funny and foul, an eternal nightmare that deserves a life on the big screen…" –Tom, Goodreads
• Plug: Librairie Drawn & Quarterly is ready for Prison Pit Book Five. "The fifth installment of Johnny Ryan's Prison Pit, like its predecessors, is full of over the top, violence and sci-fi gore rendered in crude black and white drawings... One thing's for sure, guts will flow and blood will spill!" -Librairie Drawn & Quarterly via Largehearted Boy
• Plug: Atomic Hearted Boy runs a plug for Prison Pit Book Five"Ryan continues to push well beyond the limits good taste (thankfully) with this new installment of his sci-fi, prison gore-a-palooza epic." -Benn Ray, Atomic Books
• Review:NPR lists great gifts for hip hop fans. "Ed Piskor's Hip-Hop Family Tree is a real fusion of both art forms. Piskor tells the gripping origin story of hip-hop in storyboard form with original artwork. Illuminating for kids and grown-ups alike." –Evan Auerbach, NPR
• Interview:Free Comic Book Day interviews Ed about his new FCBD comic and his favorite part of Hip Hop Family Tree. "I cracked the code because I created and tailored the perfect project for me to work on. I'm excited to wake up in the morning and get back in the saddle."
• Interview: Hip Hop Family Tree Proper Mag "Though the story may be a well known one, as a hip hop fan from back in the day I still found something new and revelatory on each of these carefully drawn and vintag-ed yellowy pages...So if you love Hip-Hop in any shape or form then this is an essential read. Vol. 2 should be a soulsonic sensation, so get your Kangols and shell-toes at the ready."–Neil, Proper Mag
• Review: "Piskor uses the form of his comic to recreate the thunderous beat of the speakers and the rattling effect a heavy bass line has on you physically....The comic books hits you in your gut the same way that the great music does. Piskor hits that perfect alchemy of comic and music...Everything about Hip Hop Family Tree Volume 1 is a love letter to the music and comics of bygone time." -Scott Cederlund, Newsarama
• Review: "The book is an absolute essential for any hip hop head to read and any comic book fan to gander over." Kevin Cortez of Mass Appealinterviews Piskor on Hip Hop Family Tree. "I think my major strength in telling this story is that I don't have hero-worship when it comes to anyone in particular. It's hip hop that I love and all these players just make up the bigger whole," says Piskor.
• Review: "Hip Hop Family Tree depicts a time before the quest for conspicuous riches overshadowed much of the music's highest-profile culture. Fittingly, Piskor's book feels just as real and authentic as the retro rap it celebrates" -Michael Cavna, The Washington Post
• Review: Page 45 on Hip Hop Family Tree: "The ability of comics to transport you to a time and place in a manner that prose works just cannot match is demonstrated here as Ed perfectly captures the nature of street life and the crazy characters at that time...Fans of hip hop need this work." -JR, Page 45
• Review: The Seattle Times lists Hip Hop Family Tree as a great gift for music lovers. "His extremely thorough and academic history lesson is also action-packed, fun and funny" –Andrew Matson
• Review: Propeller Magazine writes "one of the most awe-inspiring narrative achievements of the year, Piskor tells the early history of hip hop by seamlessly weaving together all of their creative highs and lows, their commercial hits and freeze-outs. Rarely has such an extremely informative historical document been so gossipy, entertaining, and original." -Patrick McGinty, Propeller Magazine
• Plug: On Hip Hop Family Tree "The intersection of art and music is not an unfamiliar one. But if Basquiat and Rothko isn't to your taste, and you grew up with the likes of Stan Lee and Alan Moore, perhaps Ed Piskor's ingenious Hip Hop Family Tree is more suited to your needs." -Joyce, Pigeons and Planes
• Review: TCJ on Couch Tag: "Fear gives way to anger and despair, and no feeling is left unexplored... I'll look forward to the next full-length book from Reklaw, who has a truly special intellect and keen sense of humor. I'd love to see what would happen if he brought all aspects of his storytelling technique together at once." –Katie Haegele, The Comics Journal
• Review:Couch Tag was on Boing Boing's Best Books of the month: "Couch Tag, on the author hand, is a sort of family autobiography, assembled from countless loose threads centered around objects and things, discarding any semblance of chronology. It's painful at times, like childhood itself, but Reklaw is mostly an objective tour guide through the strange and seminal moments of his youth." -Brian Heater, Boing Boing
• Interview: Tom Spurgeon on The Comics Reporter interviews Jesse Reklaw on Couch Tag, mental illness and the comics game. "That first chapter of Couch Tag was the first thing that I did as a long format work that my friends actually liked. That was very significant to me, because I'm one of those people that bounces around in my own head for a very long time. It's where I find a hole to ooze out." –Reklaw
• Plug: Reklaw's Couch Tag appears on John Porcellino's Best Books of 2013. "How Jesse has remained so deeply underground up to now is beyond me, but there are few books I've looked forward to and waited longer for than this collection of his stunning, very sad and powerful comics about his childhood, and his life growing up in a mentally and emotionally unbalanced family. Reklaw has the chops to draw anything, and the skill and taste to write with an understated grace that allows emotions and experiences to well up and breathe on their own." -John P.
• Plug:Couch Tag also landed on the list for Best Comics of 2013 on Forbidden Planet International "Couch Tag has been delighting me over the holidays...it dealt in the well-worn tradition of autobiographical comics about family life, [not] focusing on some huge event, rather inviting us into all the little ups and downs that make up everyone's life, and [was] the more charming and welcoming for it..." -Joe Gordon, FPI
"Hip-hop devotee Piskor was one of Harvey Pekar's last collaborators and here shows himself to be Pekar's true disciple as a chronicler of popular culture... Piskor's artwork seems equally indebted to the looks of golden-age DC superhero comics and Pekar's greatest collaborator, R. Crumb." -Ray Olson
"His drawings (under his famous "VIP" signature) stood out not just for their immediately recognizable, wildly peculiar look (once described as 'pleasantly grotesque') but also for their insouciant treatment of such matters as sex, booze, and death... Barli's well-researched biographical text will fascinate cartooning aficionados, but for most readers, the volume's appeal lies solely in the wealth of rare VIP work he's assembled, much of it printed from the original art." -Gordon Flagg
Free Comic Book Day has rolled out the silver sponsor books so get your free comic book grabby hands ready! Hip Hop Family Tree Two-In-One by Ed Piskor is a full color delight that clocks in at 32 pages. It is the perfect introduction and bridge to Piskor's fun and crtitically acclaimed 5 volume book series. This full-color comic book offers 2 self contained stories form Hip Hop Family Tree Vols 1 & 2 as well as new guest pin-ups and content just for FCBD! Lovingly produced and designed in homage to Marvel Comic's beloved "Marvel Two-In-One". Make mine Hip Hop!
Now that our Kickstarter campaign has wrapped up, we're starting to offer our Spring-Summer 2014 books as plain old regular pre-orders. Our first batch is listed below, and more will become available as they're built into our bookkeeping system (which can be an irregular process). We've also set up a few discounted gift sets to help you save some bucks while building your collection. Be among the first to reserve your copies — hit those links to learn more about each title and start building your shopping cart!
220-page black & white/color 7" x 9.5" softcover • $24.99 ISBN: 978-1-60699-754-3
Tim Lane continues his exploration of the Great American Mythological Drama that began with his first book, the critically acclaimed Abandoned Cars. This collection of stories is broadly linked together by the experience of wandering — both literally and figuratively. With compelling verisimilitude, the lives of his characters are depicted by way of rich mixtures of obscure myths and documented facts, dreams and reality, belief and disbelief, throughout a haunted landscape populated by the ghosts of a complex and rich fictional tapestry. You'll witness a young man's dubious quest to discover the myth of the protagonist from an obscure vintage comic strip; encounter sociopathic hobos in boxcars and misled young men whose facial pores sprout worms and who throw up babies into gas station toilets; visit modern "Hoovervilles"; and experience the life and death of an undocumented immigrant bookstore doorman, former boxer, and expert hustler.
Book 2 covers the early years of 1981-1983, when Hip Hop has made a big transition from the parks and rec rooms to downtown clubs and vinyl records. The performers make moves to separate themselves from the paying customers by dressing more and more flamboyantly until a young group called RUN-DMC comes on the scene to take things back to the streets. This volume covers hits like Afrika Bambaataa’s “Planet Rock,” Grandmaster Flash and the Furious Five’s “The Message,” and the movie Wildstyle, and introduces superstars like NWA, The Beastie Boys, Doug E Fresh, KRS One, ICE T, and early Public Enemy. Cameos by Dolemite, LL Cool J, Notorious BIG, and New Kids on the Block(?!)!
That's right! Chapel Hill Comics are gonna funk you right on up with a signing of Hip Hop Family Tree this Saturday, November 16th with the funkmaster Ed Piskor! Join in the fun from 6:00 to 9:00 PM!
If you love hip hop, you will love everything about this book: Piskor's exuberant yet controlled cartooning takes you from the parks and rec rooms of the South Bronx to the night clubs, recording studios, and radio stations where the scene started to boom, capturing the flavor of late-1970s New York City in panels bursting with obsessively authentic detail.
Chapel Hill Comics is located at 316 W Franklin Street in the fine, fine city of Chapel Hill, NC. They'll also have copies of Ed's hacker comic masterwork, Wizzywig!
This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
"They say the story of Jesus is the greatest ever told, but JC didn't steal a DJ mixer during the New York Blackout of '77 or bomb a subway car with Fab 5 Freddy. With his 'Hip Hop Family Tree,' comics artist Ed Piskor delves into the history of hip-hop and gets straight-up biblical, penning a 'who-begat-whom' with a b-boy twist." - Jonathan Zwickel, MTV.com
"His classic indie comic composition and narrative ease make the strip readable, informative (who knew Rammelzee went tagging with Basquiat?), and respectful to the art forms and artists it covers." -J.P. McNamara, Demencha
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