Periodic clips & strips - click for improved/additional viewing at the sources:

• Whoa, how come I didn't know that Kevin Huizenga has a Fight or Run blog? Now I do, thanks to Sean T. Collins. Meanwhile, over on his main blog, a screenshot of a scan of something wild

• Michael Kupperman gives a blurry sneak peek of a work in progress (I took the liberty of bumping up the contrast)

• A new Johnny Ryan comic for Vice; elsewhere, this

• A sketch for The Groovy Age of Horror by Josh Simmons (uh, NSFW) — via Sean T. Collins again; meanwhile, on Josh's own blog, a sketch of Malibu

• Post-It naughtiness by Steven Weissman; elsewhere, sketchbook pages

• Speaking of Post-Its, here's 10 amazing ones from Eleanor Davis

• "White Cats of the Red Sea," an illustration by Marco Corona

• Head to Jim Blanchard's blog for the uncensored versions of his diseased Norwegians (and the story behind the censor bars)

• Girl in Fish Net Stockings by Mark Kalesniko

• If Noah Van Sciver knew my email address he'd probably be asking me to plug the new issue of his self-published comic Blammo — hey Noah, send me a copy and I'll think about it, cough cough

• From Renee French, Rock Hudson (ha ha), some embarrassment, and a dead bug photo

• Page 28 of Hans Rickheit's Ectopiary

• Two introductory pages by Derek Van Gieson — oops, one more

• T. Edward Bak's sea otter linocut print

• It ain't a cartoon but I'd be a fool not to link to this short prose story by Gary Panter

Daily clips & strips — click for improved/additional viewing at the sources:

• Tim Hensley celebrates the release of Wally Gropius with what seems to be a new and/or previously unseen Wally drawing

• This week's "I, Anonymous" spot by Steven Weissman

• "Riverside" is a new lithograph by John Hankiewicz

• Look closely at "Magnolia" (above) and "Oak," two Eleanor Davis pieces for Tree Show VI at GRSF

• Michael Kupperman artwork in the Lady Gaga anthology fanzine Prison for Bitches (which also includes Johnny Ryan)

• "The Tiger & The Princess of Hearts" is Jim Blanchard's piece in the tiger-themed group show Tiger Tiger Burning Bright opening at Roq la Rue gallery in Seattle tomorrow night

• Noah Van Sciver's animated music video for Lust-Cats of the Gutters

• A portrait of "Lexie Super-Dog" by Josh Simmons on his & Wendy Chin's Quackers blog

• It's, like, a rock made out of trussed-up hair, or something, by Renee French

• It's Paul Hornschemeier's new weekly t-shirt design for his Forlorn Funnies Shirt Shop

• Joost Swarte covers The New Yorker (via The Beat)

• Your daily deluge of Derek Van Gieson: "Abstraction House," a "Devil Doll" outtake, and supervillain record-shopping habits

Daily clips & strips — click on for improved/additional viewing at the sources:

• At What Things Do, the first half of "The Ghoul Man," from Jaime Hernandez's 2002 mini-comic Death Tales No. 1

• Jim Woodring's Alaska diary

• Hey, John Kerschbaum has a new weekly strip, The All-New Cartoon Boy Adventure Hour, over at ACT-I-VATE — I'll try to remember to link to it each week (c'mon Dino, get an RSS feed)

• Noah Van Sciver illustrates another concert review for the Denver Westword

• It's a new New Character Parade strip by Johnny Ryan

• Three pages from John Hankiewicz's sketchbook

• There's a lot of stunning new work on Eleanor Davis's website (hat tip: Spurge)

• It's the latest installment of Belligerent Piano by Tim Lane

• Easily Mused presents "Sleezball," a 1982 goodie by Peter Bagge (via Steven Thompson)

• This appears to be the beginning of a new strip by Kevin Huizenga

• Hans Rickheit's Ectiopiary, page 19

• Perhaps you picked up a copy of Derek Van Gieson's rough-draft version of Whiskey is the Key Says Me at MoCCA — he's still working on expanding it, as evidenced by this brand new page

• This week's Truth Serum by Jon Adams

• Have a look at Andrice Arp's pieces from the last Post-It show at GR2

Online Commentary & Diversions — catching up from MoCCA weekend, with more catch-up tomorrow:

• Award: Congratulations to David Sandlin for receiving a 2010-2011 fellowship from the New York Public Library’s Dorothy and Lewis B. Cullman Center for Scholars and Writers. "The fellowship lasts from September to May. Each fellow gets an office in the library’s Stephen A. Schwarzman Building at Fifth Avenue and 42nd Street, full access to the library’s research collections, and a stipend, which last year was $60,000," reports Kate Taylor of The New York Times. Not too shabby!

• Review: "Few people alive today are old enough to remember World War I, and as it recedes into the past, the 'war to end all wars' becomes more abstract. But French cartoonist Jacques Tardi's graphic novel, It Was The War of the Trenches..., brings the Great War to life in all its mud- and blood-soaked misery. Without a trace of sentimentality, Tardi's richly detailed and grimly rendered vignettes depict the horror, illness, cruel manipulations, and stupidity of this giant black spot in human history." – Mark Frauenfelder, Boing Boing

• Review: "Long-lost astronauts, homicidal bloggers, baseball legends and wayward skaters all find a home in John Pham’s captivating comic series Sublife. With only two issues on the street, Sublife has already established an achingly familiar universe in all of its disparate ongoing narratives. Deftly juggling the melancholy of Adrian Tomine’s Optic Nerve with some Cormac McCarthy-inspired apocalyptic action and plenty of skillfully subdued deadpan humor, Pham proves himself a master of multifarious emotions and artist stylings." – We Love You So

• Review: "While I enjoyed Sakai's artwork in the first volume, this second trade collection is even stronger. ... I'm so glad I'm finally sitting down and reading this series, and my only regret is that I didn't do it sooner. Usagi Yojimbo is a great addition to the canon of samurai stories, and is definitely highly recommended for anyone who is a fan of wandering ronin or just good storytelling." – Rob McMonigal, Panel Patter

• Review: "Culture Corner remains a curiosity in comic book history, rarely remembered, rarely seen, but Basil Wolverton’s status as an important figure in humor cartooning is unimpeachable. Thus, anybody wanting to understand the development of the medium and the evolution of comedy cartooning should pick up Culture Corner to see how Wolverton began the road to comic book legend. Most of the strips have never been seen by today’s readers, and the sheer number of unpublished penciled sketches makes this book a true rarity and a must-have." – Michael C. Lorah, Newsarama

• Review: "I can honestly say that the further we dive into the murky depths of Newave!, the better it gets. Hot on the heels of all the anarchic fun of the first thirty mini comics, come ten more that show, in various ways, a little extra sophistication in content or execution." – Avoid the Future continues their mini-reviews of the contents of Newave! The Underground Mini Comix of the 1980s; this is from part 4, and I think we may have missed linking to part 2 and part 3

• Plugs: Rick Klaw, a.k.a. The Geek Curmudgeon, on It Was the War of the Trenches: "Considering this book's reputation and the fact that the previous two Tardi reprints from Fantagraphics both made their way into my top five books of 2009 listing, I'm eager to read this one"; Newave! The Underground Mini Comix of the 1980s: "An impressive collection with an abundance of Texas contributors!"; and King of the Flies Vol. 1: Hallorave: "I'll admit to ignorance regarding this graphic novel and its creators. But with an intriguing story description, beautiful art, and Fantagraphics' extraordinary track record of offering quality works, I'm looking forward to diving into this one."

• Plug: At IdeaFixa, Claudio Yuge says that reading Love and Rockets "was one of the best things I ever did in life and I recommend it for anyone who likes comics and graphic arts in general." (translated from Portuguese)

• Commentary: Comic Book Galaxy's Christopher Allen & Alan David Doane comment on this year's Eisner nominees, of which we have several; there's too much for me to quote from here

• Interview: Comic Book Resources' Shaun Manning talks to Jim Woodring about Weathercraft: "In a lot of ways, Manhog is the most interesting character in the Unifactor. He has the most potential for change and the widest range of dramatic possibilities. Besides, it's fun to put him in awful circumstances and watch him suffer. There's something about a big fat guy screaming in terror that's just naturally funny. Oliver Hardy got a lot of mileage out of that formula."

• Interview: The Inkstuds radio programme talks with Mome contributor (and, now, kids-comics superstar) Eleanor Davis

Win big in today's Online Commentary & Diversions:

• List: Only the Cinema's Ed Howard begins counting down The Best Comics of the Decade: part 1 includes Michael Kupperman's Tales Designed to Thrizzle at #52 ("...absurd scenarios proliferate throughout each issue of Kupperman's series, as he follows each loony premise through to its (il)logical end result. He's a versatile stylist as well..."), Eleanor Davis's Mome stories at #51 ("The short stories of Eleanor Davis draw on myth and horror to craft succinct, mysteriously moving little parables, like Grimm fairy tales where the "monsters" are almost always infused with pathos and feeling"), Eightball #23 by Daniel Clowes at #47 ("a self-contained epic in miniature, poking at superhero archetypes, with their ideas about 'responsibility' and 'right,' in order to tell a quiet, maudlin story of loneliness and self-isolation"), and Abstract Comics: The Anthology at #42 ("What's best about the book is how open its territory ultimately is, how much room it leaves for artists to come up with their own ideas about abstraction and sequence. It is a truly groundbreaking book that points the way towards a whole new conception of comics and challenges readers and artists alike to explore this new area.")

• Reviews: "Manchette’s brand of punk noir bears an existential, leftist tinge, with traces of Ballardian anomie. ... Opening Tardi’s adaptation [of West Coast Blues], one is quickly reassured by the faithfulness to the original novel. ... Tardi seems to have read Manchette’s mind when it came to visualizing the characters, scenery and action of the novel.... [and] his superior drafting skills are always in service to a tight rendering of the real world, from trains to forests to city streets. ... Turning to Tardi ‘s earlier work, You Are There, scripted by Forest..., we encounter a looser, sketchier style, admirably suited to the baggy-pants, fabulistic story and exhibiting similarities to the work of such artists as Moebius, Rick Geary, Aubrey Beardsley and Edward Gorey. Outbursts of calculated surrealism complement his unswerving attention to the quotidian. The beautiful and sensitive architectural renderings, as well as shots of nature — fields, a lake, birds, trees — contrast with the goofiness of our protagonist to good effect. ... Forest’s 1979 tale exudes a fin de Sixties, fey whimsicality. Think The Mouse That Roared crossed with Gormenghast and The Prisoner. Beckett-like soliloquies and Pinteresque dialogue round out the ambiance." – Paul Di Filippo, The Barnes & Noble Review

• Review: "This generous volume reprints Maakies strips beginning early in this decade. ... As such, [Drinky Crow's Maakies] Treasury really does represent an overflowing bounty of absolutely primo Millionaire and stands as an invaluable, one–stop companion to Pre-Millennial Maakies for devotees. Newcomers, however, should understand that their sense of humor will be expanded, pulled… actually, think of a medieval rack where subjects were strapped in and stretched to shocking, heretofore inconceivable lengths." – Rich Kreiner, The Comics Journal

• Review: "Jason is a painfully good comic creator – the man has a phenomenal knowledge of pacing, a sense of humour that’s darker than Darth Vader in a mine at midnight and deceptively simple figurework that says a shitload with very little. The stories collected in Low Moon are mostly full of that black, black humour. ... If you’re not reading Jason’s stuff, then you don’t really like comics, because this shit is as pure as it gets." – Bob Temuka, The Tearoom of Despair

• Plug: O Canada! Librarie D&Q spotlights new arrivals The Unclothed Man in the 35th Century A.D. and Mome Vol. 17

• Contest: As hinted at on Friday, My Love for You Is a Stampede of Horses is giving away copies of Esther Pearl Watson's Unlovable Vols. 1 & 2 to one lucky randomly-selected person

It's your holiday Online Commentary & Diversions:

• List: Paul Gravett names "The Best of 2009: Graphic Novels": No. 9 is Giraffes in My Hair: A Rock 'n' Roll Life by Bruce Paley & Carol Swain ("Paley combines so perfectly with his partner Carol Swain to capture Paley’s walks on the wild side as he journeys through sex, drugs and rock’n'roll, from hippy to punk. ... Hers has always been an utterly singular approach."); No. 13 is (appropriately) Pim & Francie: The Golden Bear Days by Al Columbia ("These distressed, distressing comics and illustrations repeat and escalate like a stuck record or never waking from a recurring nightmare."); and No. 14 is You'll Never Know, Book 1: A Good and Decent Man by C. Tyler ("A tender, bittersweet tribute from a daughter to a father and his military service in a beautifully crafted, tactile memoir.") (via The Comics Reporter)

• List/Review: At The HeroesOnline Blog, Dustin Harbin explains why Popeye Vol 4: Plunder Island is #5 on his Fave 5 of 2009: "These Popeye books are made with the kind of love and care and attention to detail that’s rare in comics — it’s clear that their publishers treat this material with reverence, and it makes it even more pleasurable to crack a new volume open each year."

• Review: "Though [Like a Dog] may seem like a hodgepodge of bits of [Zak] Sally’s work, there is consistency in the overall feeling. Much of his work is a collection of personal demons -- his insecurities, self-doubt, anger, pain, sadness and darkness -- that are exposed in obvious and subtle ways. ... The grit of this collection lies in the sense that one has had a sideline view of an intensely cathartic therapy session." – Janday Wilson, two.one.five Magazine

• Review: "This is warts and all stuff, a young artist learning with every six pager. ... There is some juvenile pleasure to be had in the fact that these stories [in Strange Suspense: The Steve Ditko Archives Vol. 1] all predate the Wertham/Comics Code era, so there's quite a bit of blood, some severed limbs, and grisly comeuppance. And although still oscillating between styles and influences here, there is substantial growth... [E]ven in its infancy, Ditko's art is increasingly potent." – Christopher Allen, Comic Book Galaxy

• Profile: Comic Book Resources' Kelly Thompson surveys the work of Eleanor Davis

• Links: Love & Maggie continues their detailed, annotated and hyperlinked overview of The Comics Journal #38 from 1978 

• Nerd fight: Hey look, it's a message board squabble about something Gary Groth wrote in Amazing Heroes umpteen years ago

• Things to see: Hans Rickheit 's Ectopiary page 7

• Things to see: Gabrielle Bell's strip about Richmond concludes

Some Online Commentary & Diversions to wrap up your week:

• Review: "Artist Carol Swain brings a sober British reserve to her husband Bruce Paley's tales of hippie and punk excess for a nostalgic feel with the winning Giraffes In My Hair: A Rock ‘n' Roll Life. ...[F]rom the late ‘60s through the early ‘80s, his peripatetic adventures with drugs, women, and punker Johnny Thunders make for a series of fun, roguish vignettes. ... Swain uses pencil to understated effect, and works up a lyrical, nostalgic vibe. Her simple scenes arrange a loose chronological narrative into a warm experience conveyed as in a film or a song—at its best, Giraffes plays like Dylan's 'Tangled Up in Blue,' if you will. ... Highly recommended." – Byron Kerman, PLAYBACK:stl

• Review: "West Coast Blues is just the right mixture of action, suspense, and surprise to keep just about any reader’s attention. ... It’s hard to ignore the strength of Tardi’s art in making West Coast Blues such a strong graphic novel. ... West Coast Blues is a sharp, beautiful book. ... For people looking for a noir thriller, you’ve come to the right place." – Greg McElhatton, Read About Comics

• Things to see: At the Covered blog, a version of Love and Rockets #23 by the artist KG

• Things to see: Oh, these fairy tale illustrations for The Guardian by Eleanor Davis are just lovely

Let's catch up on our Online Commentary & Diversions:

• Review: "...Monologues [for Calculating the Density of Black Holes is] spare and scratchy where [Anders Nilsen's] other work was detailed; loose and spontaneous where his other work was considered; and funny where his other work was melancholy. It's interesting to see the many influences that inform Monologues; there's a bit of absurdists like Ionesco, elements of Tom Stoppard's wit and philosophical musings, stream of consciousness dada in the style of Tristan Tzara, and oblique New Yorker type gags with the scratchy looseness of James Thurber and Saul Steinberg." - Rob Clough

• Review: "...[O]nce again, I’m engaged in Blazing Combat. What a thrill! And the art!... Highly recommended. Don’t argue! Just buy it!" - David McDonnell, Starlog

• Review: "This collection of the 1965-66 Blazing Combat war comic magazine is a stellar publication... It's a master class on how to tell a short story, and I highly recommend checking it out." - Sandy Bilus, I Love Rob Liefeld

• Review: "Blazing Combat, a new hardcover collection from Fantagraphics, showcases some truly fantastic work from a multitude of comics greats... The collection itself is sharp as a tack... Fantagraphics really packages it nicely..." - Litany of Schist

• Review: "This omnibus of all 11 issues of Humbug is equal parts giddy genius and period piece. The satire is razor-sharp... [T]here are such subtleties here and such rapier wit that the line is clearly visible from the Algonquin Round Table to Kurtzman to Crumb to Ralph Bakshi to Mr. Show to The Colbert Report." - Byron Kerman, PLAYBACK:stl

• Review: "Tales Designed to Thrizzle #5... is really funny." - Tucker Stone, "Advanced Common Sense," comiXology (fast-forward to the "Speed Round")

• Review: "In his way, [Michael] Kupperman's just as concerned with making comics' formal aspects work for him as Chris Ware. In his way he's every bit as effective. Goddammit this book [Tales Designed to Thrizzle #5] is funny." - Sean T. Collins

• Review: "[Beasts! Book 1] is captivating, wistful, funny and truly extraordinary - a Bestiary of the traditionally fantastic for the dreary 21st century where imagination and wonder have been formularised as crypto-zoology... a vivid package of sheer fantasy and artistic excellence..." - Win Wiacek, Now Read This!

• Review: "Now, with Low Moon, [Jason] has clenched his fist around me and won’t let me go - this is easily my favorite of his works to date... Top to bottom, I enjoyed Low Moon very much... A worthy addition to one’s bookshelf." - Marc Mason, Comics Waiting Room

• Review: "[In Abandoned Cars] Tim Lane presents a personal study of what he calls 'The Great American Mythological Drama,' a fog of events / thoughts / dreams / disappointments in music / literature / North American life... Lane leads to something more introspective and extremely sad." - Churrasco la Naje (from Google translation)

• Review: "...[A]lmost nothing is casual in Bottomless Belly Button and almost nothing is superficial in its narrative structure, nor its authorial intentions... [Dash] Shaw's work delves into the interior of the personal relationships of its protagonists, but also in the basic foundations of linear narrative... Shaw transcends the sphere of intellectual narrative to enter the much more epidermal level of physical sensations... Dash Shaw has composed a monumental work, sometimes puzzling, sometimes bordering on melodrama, but always strong and brave, a work full of qualities and findings that will, we believe, be a reference for future comics. His experimentation, his daring and his solutions can't help but remind us of an equally ambitious and dense work, Jimmy Corrigan... Do not miss this." - Little Nemo's Kat (from Google translation)

• Plug: Jonathan Ross gives us ("the company that flies the flag for independent, ground-breaking comics"), and The Comics Journal ("the only widely read and serious publication of comic-book criticism"), a nice shout-out in The Times

• Interview: The Daily Cross Hatch continues their conversation with Michael Kupperman. Sample quote: "I think the artist I feel closest with is Tony Millionaire, because he really lives in those comics. He could never be anything else."

• Profile: The Beat spotlights Eleanor Davis as part of their survey of Russ Manning Award nominees

• Profile: Vice looks at another side of Jim Blanchard: curator of wacky/creepy/sleazy music compilations

• History: The Beat engages in a bit of "Comics Archaeology," discussing several releases from our past (and present: "...it must be said, of all the art comix anthologies, Mome is probably the most perfect distillation. Sometimes evolution works.")

• Things to see: These two sample pages really make me wish that Roger Langridge had landed the Wallace & Gromit gig

No Online Commentary & Diversions tomorrow if I can help it: I'm taking the day off!

• Awards: Congratulations to Mome contributor Eleanor Davis for being nominated for this year's Russ Manning Most Promising Newcomer award (given out at the Eisner Awards ceremony at Comic Con International) for her excellent Toon Books release Stinky!

• Review: "The biggest surprise might be how good these stories are, even if they failed to take off in the way that, say, Superman did... [T]he Notes section at the end, written by editor Greg Sadowski, ...is truly fantastic... His studious efforts are worth the price of the book alone... These stories deserved another look and more attention. Sadowski has done an admirable job of making Supermen! The First Wave of Comic Book Heroes 1936–1941 not only reverent, but exciting and fun as well." - John Hogan, Graphic Novel Reporter

• Review: "I might say [Michael] Kupperman is one of the greatest satirists of our time, if I could figure out what he's satirizing. The basic facts: this collect[ion] of... Tales Designed to Thrizzle... featur[es] dozens of short pieces done on a chaotic array of subjects in so many styles much of it comes across as found art, and almost all of it's hilarious. Any attempt to summarize things like 'Mentally Ill Gangster Comics' or 'Crime Is Pushing the Limits' would miss the point completely. Except to say this is media culture put through the grinder. Top-notch." - Steven Grant, Comic Book Resources

• Interview: Ladies and gentlemen, the Inkstuds interview with Bob Fingerman

• Good news: The Comics Reporter reports that Amazing Facts... and Beyond! with Leon Beyond by Kevin Huizenga, Ted May & Dan Zettwoch will be returning to the pages of the weekly Riverfront Times

• Things to see (and buy): New Jim Flora print

Congratulations to two talented Beasts! artists for making the list of Print magazine's annual 20 people under 30 to watch in the visual arts. The links below will take you to Print's write-up about each artist. 

Eleanor Davis' work in the words of Françoise Mouly: "It’s very imaginative and funny and fanciful, but it’s also very thoroughly worked out. She’s not afraid to be clear."

 Josh Cochran's work  in his own words: "It’s good to have a recognizable look. It’s even better if I can transcend it."

My thanks again to these two for contributing their visions to Beasts!