(click image to enlarge)

As readers of Lewis Trondheim's APPROXIMATE CONTINUUM COMICS know, Lewis allowed the subjects/victims of his autobiographical graphic novel (which included many sequences about his days sharing a studio in Paris with several cartoonists) the right of rebuttal... but only in writing. He declined to print Émile Bravo's illustrated comment, which appears here instead. ACC poked fun at Bravo's tendency to sing jingles and tell bad jokes.

HE JUST DOESN'T REALIZE!

Panel 1:

Bravo: Funny how some readers are so fascinated with Lewis.
Fan #1: Hey! I've got every Trondheim and I bought the deluxe print run of McCONEY.
Fan #2: When's the next comic?
Fan #3: And how is Brigitte doing?
Fan #4: And... And...

Panel 2:

Bravo: Wow... They really want to be part of his family...
Bravo: ...But Lewis is merciless...
Lewis: That's all well and good, but I think what you really need to buy is a brain!

Panel 3:

Bravo: So they come and take revenge on innocent supporting characters.
Fan #1: Oh, are you the Émile that sings that "Casto" jingle?
Bravo: Ha! Ha! Yes indeed... (etc.)
Fan #2: Ha! Ha! Do you know the one for Mousseline Purée, too?
Fan #3: What about the joke? What's the punchline?

Panel 4:

Bravo: Oh jeez! Entering into the public arena carries with it responsibility, and a hell of a lot of power!

Caption:

Anyway... Lewis completed his move to the South of France today... We are no longer part of his immediate entourage. I can say whatever I want at the studio and not worry about ending up playing the fool in a comic book.

Small image:

Free at last!
YAAAHOOOOOO...
I don't give a shit about anything!

Panel 5:

Bravo: Anyway... Aside from these little disputes, it of course goes without saying that I'm proud as all get-out to be part of this brilliant cartoonist's most profound opus...

Panel 6:

"His psychiatric treatment."

Panel 7:

Even if...

Panel 8:

A panda? I mean, c'mon...

This post has been in progress for nearly a month now... with so much to catch up on, I'll just be highlighting a few selected items and then giving you links to the regularly-updated stuff. As always, click for better viewing and possible commentary at the sources.

• At The Hooded Utilitarian, Ng Suat Tong reports on some recent Jaime Hernandez original art sales, with lots and lots of images

• At Not Quite Clobberin', a scan of a seldom-seen 1997 autobio strip by Jaime Hernandez

• Doc Shaner posted a bunch of Popeye art on his Tumblr last week, including this amazing "Sgt. Popeye's Lonely Hearts Club Band" by Stephen DeStefano

• Shucks, it's an illustrated love letter from 1916 from E.C. Segar to his wife-to-be Myrtle, at Letters of Note (via The Comics Reporter)

• Jason reveals the cover art for the French edition of Isle of 100,000 Graves (L'Île aux 100 000 Morts); plus early strips, illustrations, outtakes and film reviews at his Cats Without Dogs blog

• A new comic for Vice by Johnny Ryan

• Bob Fingerman's They Live poster for an art show at Maxwell's in Hoboken

• Three from Covered: Mome contributor Jon Adams does Yosemite Sam #2; Tom Pappalardo does Acme Novelty Library #1; and Dyna Moe does Tales Designed to Thrizzle #3. Also see Jon's latest Truth Serum strips

• Two from Repaneled: Matthew Allison takes on Johnny Ryan's Prison Pit and Steven Weissman gets in on the fun; also catch up on Steven's latest "I, Anonymous" spots and sketches on his Chewing Gum in Church blog and more on his Flickr page

• Eleanor Davis's letterpress print for The Cloudy Collection; plus her latest sketches, works in progress and other illustrations at her We Be Ouija blog

• Dig Gary Panter's logo design for his multimedia "band" Devin Gary & Ross

• A two-page all-ages horror story by Richard Sala

• A new war-story page by Tim Lane, with interesting background info; plus recent installments of his ongoing Belligerent Piano strip at his Jackie Noname blog

• At Gabrielle Bell's Lucky blog, the concluding installments of her "San Diego Comic-Con Comicumentary" (which Anthony Vukojevich interprets at Repaneled) and some "embarrassing older work"

• Paul Hornschemeier's weekly t-shirt designs at his News and/or Head Lice blog

• Noah Van Sciver's "Blue Wilson" and lots more drawings, strips and news on his blog

• "The King & The Beast" is a 2006 comic by Ray Fenwick

• New installments of the latest Simon & Jack (& Rosalyn!) story by Jordan Crane at What Things Do

And please catch up on the last few weeks worth of the following:

• Amazing Facts and Beyond with Leon Beyond by Kevin Huizenga and Dan Zettwoch; more Kevin at The Balloonist and New Construction

• Matthias Lehmann's Bloc-Notes blog and stunning new originals for sale

• Sketchbook drawings at John Hankiewicz's Clip Joint blog

• Drawings, paintings, collages and other images by Frank Santoro at the Cold Heat Comics blog

• Artwork, dolls, fashions, other handicrafts and spells from Dame Darcy

• Artwork & illustrations from Émile Bravo

• Illustrations & sketches at Marco Corona's Il Canguro Pugilatore blog

• Vintage Jim Flora illustrations & artwork (plus merch) at the Jim Flora blog

• Nature sketches with running commentary by Debbie Drechsler at her Just Around the Corner blog

• Lots of sketches for Mark Kalesniko's forthcoming graphic novel Freeway (just sent to the printer!) and drawings of women wearing things at his blog

• Comics, illustrations and news from Sergio Ponchione at his Mondobliquo blog

• Laura Park continues to add artwork to her Flickr page

• The latest Josh Simmons sketches, panels and updates at The Furry Trap and The White Rhinoceros and (with Wendy Chin) The Randy Gander and Quackers 

• An entire month's worth of drawings, sketches, photos and jewelry (!) from Renee French

• Animated drawings and Eyeworks Animation Festival updates from Lilli Carré at her Kettle of Fish blog

• Dash Shaw's daily drawings at The Ruined Cast blog

• Sketchbook drawings and comics by Sophie Crumb at her blog

• Caricatures, a new Need to Know video, and commentary on current events by Steve Brodner

• Sketchbook comics etc. by Anders Nilsen at The Monologuist

• More pages from Hans Rickheit's graphic novel in progress Ectopiary, plus other material and commentary at his Squirrel Machine blog

• Pages and panels by Derek Van Gieson at his These Days I Remain blog

• The latest Maakies strips and other updates from Tony Millionaire

• Drawings and works in progress by Joe Kimball on his Flickr page

Periodic clips & strips — click for improved/additional viewing at the sources:

• Bleeding Cool uncovers a lost all-ages Roger Langridge rarity

• Here's an auction page where you can zoom in on and pan around a scan of Jaime Hernandez original art from Love and Rockets #9

• This week's Maakies? Maais oui. Tony Millionaire is still posting them on Facebook for the time being while his website is rebuilt

• Read "Time Traveling" from Ganges #1 at What Things Do; also from Kevin Huizenga, a new Amazing Facts and Beyond with Leon Beyond strip and a curtain-lifting homage to something I can't identify

• Matthias Lehmann posts photos of a scratchboard work in progress — stage 1, stage 2

• Jason illustrations for a Norgwegian music magazine and a Norwegian comic shop , plus a cartoon from 1984

• This week's "I, Anonymous" spot and these church doodles from Steven Weissman seem to be thematically related, don't they?

• Jon Adams's Covered version of Batman #8 is pretty creepy when you look closely; also, there's a new Truth Serum

• A couple of ex libris plates by Émile Bravo, plus a metal dwarf bear figurine

• Drew Weing presents the final five pages of Set to Sea; the entire story will remain online through September 10

• The first page of "Di Briganti e di Brigantesse" from Marco Corona 

• The new installment of Tim Lane's Belligerent Piano

• Two new paintings by Jim Blanchard: Leonard Cohen and Danger: Diabolik

• Debbie Drechsler gets birdy and buggy

• It's the continuation of Gabrielle Bell's "San Diego Comic-Con Comicumentary"

• Mark Kalesniko is starting to post the preliminary sketches for his upcoming graphic novel Freeway — the man sure can draw a good AMC Pacer

• From Renee French: nervous Hagelbarger, a narwhal, a ledge, a... horse?, and seaweed

• Steve Brodner documents a NYC stabbing of a Muslim cabbie and, in a video drawing for Capitalnewyork.com, a NY State politician

• From Derek Van Gieson: a new "Devil Doll" sneak peek, hot crustacean jazz, and a Moomin parody; he also has original art and more for sale on Etsy

• Here's the color version of that Smoke Signal story panel from Jon Vermilyea 

Periodic clips & strips — click for improved/additional viewing at the sources:

• A long-awaited new installment of "Chapter Two: Unraveling" from Jordan Crane at What Things Do

• From Jason, a hand-painted cigar case & matchbox, circa late 1990s, and an unpublished page from 1985

• Some sketches by Émile Bravo 

• Drew Weing's Set to Sea page 129

• Tim Lane presents his updated introduction to Belligerent Piano as it appeared in Smoke Signal

• Speaking of Smoke Signal, here's a panel from Jon Vermilyea's story for an upcoming issue

• Debbie Drechsler catches a couple of hungry squirrels hiding behind a rock

• Another devastatingly sad strip about Lewis from Laura Park 

• Soaring Quackers and Fearless Explorers from Josh Simmons 

• From Renee French: "zombbaby," burnt match squid thing, OMG BABY BUNNY PHOTO

• Hans Rickheit's Ectopiary page 37; also the rare color version of the cover of Chrome Fetus #5

Periodic clips & strips -- click for improved/additional viewing at the sources:

• Michael Kupperman posted this "doodle" to Twitter

• Go bookmark Émile Bravo's art blog — he posts daily (via The Comics Reporter)

• More uncollected Jason strips: one from Mjau Mjau, one possibly unpublished (plus more Audrey Hepburn movie reviews)

• Renee French's work from The Rock Show can be seen at the Meyer Gallery website; also, more guys with mitts and these

• From Steven Weissman: This week's "I, Anonymous," sketchbook studies over on the Covered blog, and more sketchbook pages here and here  

• Drew Weing's Set to Sea pages 126, 127 & 128

• The story behind this page by Marco Corona is amusing, if slightly confusing in translation

• This week's Belligerent Piano by Tim Lane 

• Debbie Drechsler documents some crayfish and their habitat

• Paul Hornschemeier's latest t-shirt design for his Forlorn Funnies Shirt Shop

• Noah Van Sciver stumps for your Ignatz votes

• I feel a little strange re-posting the deeply personal comics that Laura Park has been making about the recent loss of her kitty Lewis, but they're just so amazing

• Josh Simmons introduces Prof. Quackenstein

• Tom Kaczynski previews MIX and teases a new Ransom Strange story

• A new Truth Serum strip by Jon Adams

Online Commentary & Diversions:

• Review: "Originally serialized in the late ‘90s, this cartwheeling shaggy-dog story begins, like a lot of metafiction, with the semblance of reality... But by the time a frog demon reanimates a 19th-century French peasant whose brains it has eaten, it’s fairly clear that Deitch is making stuff up. The fun of [The Search for Smilin' Ed] is the way it constantly darts back and forth across the line between genuine show-business lore (a favorite Deitch theme) and delirious whole-cloth invention. ... Deitch’s artwork... is... utterly confident, building on the stylistic gestures of both the underground-comics scene that launched his career and the classic animation that inspired his talking-animal characters." – Publishers Weekly

• Review: "Some of the best comics of the last couple of decades are Jim Woodring’s wordless Frank stories. Dreamlike, idyllic and mind bendingly horrific visions are rendered with immaculate penwork and pacing. This tidy, near 200 page collection of black and white stories [The Portable Frank] is sufficient to put a permanent dent in your brain pan." – M. Ace, Irregular Orbit

• Review: "Fantagraphics cycles back to the first three years of Herriman’s Sunday Krazy Kat strips [in Krazy & Ignatz 1916-1918]. I do enjoy these early years of the kat kronikles — a bit more lyrical, a bit more varied, a bit less centered on the kat/mouse/cop routine. Yes, you need it. Of course." – M. Ace, Irregular Orbit

• Interview: In virtue of the Criterion Collection release of Crumb on DVD and Blu-ray, The A.V. Club talks to director Terry Zwigoff: "And I said, 'What did you think of it?' And he said, 'It was mortifying.' I said, 'Is it a bad film?' And he said, 'No, but I’m looking at myself in a mirror, so what am I supposed to say? Is it good? Is it bad? I just don’t want to look at it.' Something like that."

• Interview: Kliph Nesteroff's conversation with Drew Friedman (previously transcribed at WFMU's Beware of the Blog) is now available as an audio download from the Inkstuds podcast

• Panel: The Comics Journal presents video of the "International Comics and Graphic Novels" panel at Comic-Con International last month, with Moto Hagio, Émile Bravo and others — part 1 is embedded above, with 4 additional parts at TCJ.com

• Commentary: Noah Berlatsky takes his whack at Popeye in the critical roundtable at The Hooded Utilitarian

Just announced over the weekend, the Saturday and Sunday programming for Comic-Con international. Our official PR goes out this week but we figure some of you might not want to wait to find out about the Fantagraphics-related panels. See here for Friday's FBI-ish panels.

[Note: this post is updated as we get more information.]

SATURDAY:

12:00-1:00 Spotlight on Peter Bagge — Comic-Con special guest Peter Bagge talks to Fantagraphics' Jason T. Miles about his work, including the legendary Buddy Bradley stories in Hate and his new graphic novels, Apocalypse Nerd and Other Lives. Room 3 

1:00-2:00 Spotlight on Gabrielle Bell— Join Comic-Con special guest Gabrielle Bell (Cecil and Jordan in New York, Lucky). Gabrielle Bell has been featured in McSweeneys, Vice and the Believer. The title story of her most recent book, Cecil and Jordan in New York has been adapted for the screen by Michel Gondry in the triptych Tokyo! She is currently serializing her Ignatz award-winning autobiographcal comics Lucky online. Gabrielle Bell will present a slideshow and discuss her work with Tom Spurgeon (www.thecomicsreporter) Room 3

1:30-2:30 Comics Criticism— Comics are a staple of the arts and book review sections of everything from The New York Times and Publishers Weekly to a current golden age of published biography and history, such as Gerard Jones's Men of Tomorrow, R. C. Harvey's Meanwhile..., and David Michaelis's Schulz and Peanuts. Some of the nation's leading critics discuss the state of the art and the state of its journalism, 2010. Panelists include Gary Groth (The Comics Journal), Douglas Wolk (Reading Comics), Brian Doherty (Radicals for Capitalism), Ben Schwartz (editor, Best American Comics Criticism), R. C. Harvey (Meanwhile...) and R. Fiore (Funnybook Roulette). Room 4

3:00-4:00 Comics Reprint Revolution— For comics fans, the vintage reprint revolution keeps getting bigger and better! Comics Reporter's Tom Spurgeon talks with Craig Yoe (Krazy Kat, Popeye, Jetta), Dean Mullaney (editor of Library of American Comics for IDW: Dick Tracy, Little Orphan Annie, Secret Agent Corrigan), Daniel Herman (Hermes Press: Buck Rogers, The Phantom), Gary Groth (Fantagraphics: Peanuts, Prince Valiant, Captain Easy), Peggy Burns (Drawn and Quarterly: John Stanley Library, Walt & Skeezix), Steve Saffel (Titan Books, Beetle Bailey, Simon & Kirby Library) and Charles Pelto (Classic Comics Press: Mary Perkins, On Stage, The Heart of Juliet Jones, Big Ben Bolt) about their publications reprinting some of the very best of comic books and comic strips. Room 8

3:30-4:30 International Comics and Graphic Novels— Comics are popular the world over and Comic-Con always includes an impressive gathering of worldwide talent. Journalist Tom Spurgeon talks with special guests Moto Hagio (Japan: A Drunken Dream), Émile Bravo (France: My Mommy is in America and she Met Buffalo Bill),  Milo Manara (Italy: Click!), and Kathryn and Stuart Immonen (Canada: Moving Pictures, Russian Olive to Red King) about graphic novels with a more international flavor. Room 4

5:30-6:30 Bill Everett: From Sub-Mariner to Daredevil— Bill Everett created the Sub-Mariner for Marvel Comics #1 back in 1939 and co-created Daredevil in 1964. Author Blake Bell and Bill's daughter Wendy Everett celebrate the life of her late father, discussing the release of Bell's latest book, Fire And Water: Bill Everett, The Sub-Mariner, and the Birth of Marvel Comics Room 9

SUNDAY:

12:30-1:30 The Funny Stuff: Humor in Comics and Graphic Novels— The world of comics isn't just about dark and mysterious superheroes. There are a lot of great funny books out there. The Cartoon Art Museum's Andrew Farago talks to Comic-Con special guests Peter Bagge (Hate), Howard Cruse (Wendel), Nicholas Gurewitch (The Perry Bible Fellowship), Keith Knight (The K Chronicles), Larry Marder (Beanworld), and Doug TenNapel (Monster Zoo) about the humorous side of comics. Room 8 

Our official Comic-Con PR announcement is coming next week, but Comic-Con just announced the Friday (July 23) line-up and we couldn't wait to share the Fantagraphics-related bounty with you:

10:00-11:00 Publishing Comics— Four publishers—Matt Gagnon (BOOM!), Gary Groth (Fantagraphics), Dallas Middaugh (Del Rey Manga), and Mark Siegel (First Second Books) -- each from a different part of the comics industry, discuss what's involved in running a publishing company and in creating and fostering a unique comics ideology. Moderated by Graeme McMillan (Techland). Room 8

10:30-11:30 Spotlight on Moto Hagio— Comic-Con special guest Moto Hagio is considered to be the mother of shōjo (young girl) manga. Her large body of work is renowned the world over, and Fantagraphics Books is publishing a new collection of her short stories, Drunken Dreams. Celebrate her first-ever visit to the U.S. at this special Q&A session, moderated by Matt Thorn, associate professor in the department of manga production at Kyoto Seika University in Japan. (Thorn decided to translate shōjo manga into English after reading Thomas no Shinzō by Moto Hagio in the mid-1980s). Room 5AB

12:00-1:00 Spotlight on C. Tyler— Comic-Con special guest C. Tyler is known for her personal brand of storytelling. Her latest book, You'll Never Know, Book 1: A Good and Decent Man chronicles the story of her father's life during World War II and interweaves it with her own story. Fantagraphics publisher Gary Groth interviews Tyler about her work. Room 4

2:00-3:00 Graphic Novels: The Personal Touch— You know when you read it: that certain something that sticks out in a graphic novel. It's the personal touch, a work that draws on the life of the creator or the people around him or her. Call the work autobiographical, call it reality—many times it results in truly personal and inspiring comics. Comics creator and journalist Shaenon Garrity (Narbonic, Skin Horse) talks to Comic-Con special guests Gabrielle Bell (Cecil & Jordan in New York), Howard Cruse (Stuck Rubber Baby), Vanessa Davis (Make Me a Woman), Larry Marder (Beanworld), Jillian Tamaki (Skim), and C. Tyler (You'll Never Know Book 1: A Good and Decent Man) about their very personal work. Room 4

2:00-3:00 Peanuts Turns 60— On October 2, 1950 the Peanuts comic strip launched in seven American newspapers. Little did anyone know the impact this comic strip would have around the world for decades to come. Nearly 60 years later, Peanuts appears in over 2,200 newspapers, in 75 countries and 21 languages. The animated specials have become a seasonal tradition and thousands of consumer products are available in every country around the world. Moderator Jerry Beck (animation historian/cartoon producer/consulting producer to Warner Bros., Universal, and Disney), Comic-Con special guest Jeannie Schulz (widow of Peanuts creator Charles Schulz), Paige Braddock (creative director of Charles M. Schulz's studio in Santa Rosa), Andy Beall (fix animation lead for Ratatouille, Wall-E, UP), Stephan Pastis (creator of Pearls Before Swine), and Marge Dean (general manager, W!ldbrain Animation Studios), present an in-depth foray into the work of Charles M. Schulz and what new things fans can look out for from Peanuts. Warner Premiere is joining the celebration with a sneak peek of something all new from Peanuts that fans won't want to miss. Room 25ABC 

3:00-4:00 Spotlight on Émile Bravo— Eisner Award 2010 nominee -- three nominations for My mommy is in America and she met Buffalo Bill (Fanfare/Ponent Mon) -- and Comic-Con special guest Émile Bravo makes an illustrated presentation: "Graphic Writing, Comics as Calligraphy," with Michele Foschini (BAO Publishing, Italy) and Stephen Vrattos (Captain Gravity; www.heroesinmycloset.com), followed by a Q&A. Room 4

3:30-4:30 Comics Design— How do pages of art become a book? Six designers -- Mark Chiarello (DC Comics), Adam Grano (Fantagraphics), Chip Kidd (Random House), Fawn Lau (VIZ), Mark Siegel (First Second Books), and Keith Wood (Oni Press)—discuss what's involved in the process of comics design, and the importance of design to a book's critical and consumer reception. Moderated by Chris Butcher (The Beguiling). Room 26AB 

October, when kingdoms rise, and kingdoms fall, but Online Commentary & Diversions goes on and on:

• Review: "If the world of alt-comics feels appealing but intimidatingly vast (what doesn’t these days), MOME is the perfect place to start. ... The volume is thick, slick and printed in what looks like Technicolor. An anthology is only as good as the sensibilities of those who compile it, of course, so it’s worth noting that a subscription of MOME equals four issues per year of work culled from the depths by an outfit that not only has keen vision in such matters, but also a stake in finding the very best. What’s not to trust?" – Molly Young, We Love You So

• Review: "...[Locas II,] the latest collected chunk of the (mis)adventures of locas Maggie and Hopey (and the occasional 'loco,' like Ray, the consort of sexy Frogmouth -- does it seem like a good soap opera yet? -- and their sprawling, recurring cast of compelling, sometimes hard-to-figure supporting characters) all brought me squarely back to Los Angeles. In the 80s. ... But returning to L&R, even sporadically, isn't simply an exercise in nostalgia. ...[W]hat's ultimately compelling about the L&R saga is the way the characters change over the years. ... So it's not just a [madeleine] cookie from our past, but something still fairly warm from the oven." – Mark London Williams, The SF Site: Nexus Graphica

• Review: "There is such a relentlessly fervid, even crazed, sheen to all [Fletcher Hanks's] work, that you can't look away. ... Hanks seemed nearly demon-driven in these stories of constant fighting, killing, betrayal and revenge. The panels are often cramped, and the color schemes are nearly incandescent, and you're not sure whether to liken the rawness of it all -- elastic, rubber-boned physiognomies included -- to listening to a record by Fear, circa 1980, or watching a half-dressed man shouting on the corner." – Mark London Williams, The SF Site: Nexus Graphica (same link as above)

• Review: "Tardi's intricate, cartoony, and beautiful art perfectly expresses Forest's ideas and words. The humorous You Are There masterfully satirizes French society and politics unlike any comic before or since." – Rick Klaw, The SF Site: Nexus Graphica

• Plug: "It always amazes me how [Kevin] Huizenga can take everyday moments, like, in [Ganges #3], trying to get to sleep, and turn them into extravagant, elaborate displays of cartooning genius." – Chris Mautner, Robot 6

• Interview: At Comic Book Galaxy, Alan David Doane poses 5 questions to our favorite Associate Publisher, Eric Reynolds

• Profile: "Comics creator Hans Rickheit's new graphic novel, The Squirrel Machine, is a stylish and surreal tale of brothers dabbling in the forbidden unknown. ... He lives in Philadelphia, but his work pulls from the style and antiquity of 19th Century New England. 'The objects, places, and people from that time period in New England grabbed my imagination," Rickheit says. 'I find them visually more interesting than modern trappings, modern buildings. And they're more fun to draw, because they're just so ornate.'" – John Seven, Worcester Magazine

• Profile: Rodger Coleman, inspired by his Little Enid Coleslaw doll from Presspop, waxes appreciative of Dan Clowes, Eightball & Ghost World

• On his blog, Tom Kaczynski takes note of the inclusion of his story "Million Year Boom" from Mome Vol. 11 in The Best American Nonrequired Reading 2009 (along with Mome stories by Olivier Schrauwen and Émile Bravo — don't tell anyone, but they ain't American)

• Things to see: Noah Van Sciver pens a strip about his trip to SPX with John Porcellino for The Beat

Mome Vol. 11 - Summer 2008
By various artists; edited by Gary Groth and Eric Reynolds

Vol. 11 of our acclaimed anthology series welcomes Killoffer, the acclaimed French cartoonist whose work has previously only been seen in the acclaimed collection 176 Apparitions of Killoffer. Killoffer delivers a new 12-page comic as well as front and back covers. MOME also features returning regulars Al Columbia, Kurt Wolfgang, Ray Fenwick, Eleanor Davis, Dash Shaw, John Hankiewicz, Emile Bravo, Andrice Arp, Tom Kaczynski, and Paul Hornschemeier. Plus, newcomers Conor O'Keefe and Nate Neal, as well as an interview with Ray Fenwick by Gary Groth.

120-page color/b&w 7" x 9" softcover • $14.99
Add to Cart • Read More...